ย I ‘m thinking about Loren, one of the most original characters in my life. He developed a vernacular unlike anyone I’ve met. It came from growing up in the hood of Santa Fe, New Mexico. Later exclusive Wilshire Boulevard in Westwood, and then returning to Santa Fe. Joined the upper class clientele as a chauffeur. His vernacular was impressive as it collated honesty, and a wit sharp as a razors edge. Loren visits three times a week at least. Snow means silence and hermitizing. Iย can’t wait to open the door to Luxury Limo Loren and make him brunch.ย We harmonize for hours; on tones of fretful fear, wicked secrets, confessions and laughter. The delicious crust of survival and our similarities.
If I write down the pleasantries surrounding my life, the blessings rise up and give me a softened comfort. The sweet peace may vanish the next day, or be intercepted by the news, a wreck in the street, an unexpected phone call. The crossroads of everyday life comes and goes. Between all of these uncontrollable incidents we are writing stories that some day will be told in conversation, or written in journals and books. The essence of our changing lives is universal.
In a current of unexpected life moves, I floated towards the Pacific Ocean and landed along the fragile, factious Santa Monica Mountains to Malibu.
The salty seaweed smell of the ocean streams through my car, driving down the Pacific Coast highway on my way to buy groceries.Vintage Marketis new to Malibu, and clerks are giddy about their jobs. They may be aspiring actors or former actors.
I walk in and get a phone call that Iโd been waiting for so, I set my cart down on a shelf and took the call. During the half-hour conversation, my eyes were fluttering through the scene: tanned surfers, affluent college students, and diamond-rich men and women of age that donโt check their bank balances. Because of this, expressions are chilled as fine wines, and smiles are sublime or radiating. They are a mostly content population of 13,000. The median home price is $901,000, and the median income household is $127,000. Here in Malibu every thing looks different from Santa Fe: The staging of โwas in the business, am in the business, or want to be in the business,โ surfaces and dominates the scenery.
They are beautiful-the young teenagers who surf and paddle are true blondes, the blue eyes scintillating pools of water, young women are saddled onto 6โ platforms, and then there are the stand-out power people, who will not acknowledge anyone, and expect everyone to acknowledge them. Tucked in the mountains, are extraordinary artists who live off the grid the way most people prefer to live in Santa Fe. I am learning slowly and still hiding out at Chantalโs, where I am living, two miles up from PCH off Malibu Canyon Road, behind a gate. Bohemians, artists, home-office screenwriters, producers, and famous heirs of recognizable movie stars live there.
In the last hour, I walked down the road in the hands of sloping hillsides, horse ranches, and signature homes behind walls as high as the palm trees, built to withstand the typhoons of nature and mankind. In thedaylight a swirl of rain and clouds, it was as if I was in Ireland, walking along a road in Kilkenny. I roped in my imagination and returned to the mountains, which will teach me how far to go, how to duck a racing motorcycle car, or confront a coyote or a snake. A full transcendental moon dipped into the black-out mountain evening, and has cured me of interior turmoil for the time being. This is part of adventures in livingness in what locals call the bu. Chantal’s artistic compound of eight cottages and seventeen acres burned to chips in the Woolsey Fire. One night with Chantal and Neighbors.
Today, as the Bu, Palisades, and five other fires demolish humanity’s lives, I am grateful I was able to return to my childhood memories in Malibu for one summer in 2017.My family home burned in the Bel Air fire in 1961… No WATER.SAVE THEM THIS TIME, LA, AND DON’T LIE TO THEM.
My Favorite home must be sold. After twenty-four years, Letting go is going slow, packing, and viewing my possessions and antiques. Today, I found a matchbook in perfect condition from the Stork Club, playbills, and musical sheets. I wish I hadn’t opened my steamer trunk; it’s like looking at another woman.
SILHOUETTE of a Taos night out in 2006. It begins with the sunsetโa bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; they silence me, keeping me from turning on the television or answering the phone.ย
The sunset has settled into my routine. I watch it from the roof garden over our Adobe Home and Gallery every night. ย In the midst of dressing to attend an art auction at the Millicent Rogers Museum, the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase and cross over the mรฉnage of piles shoved in a corner to allow SC to paint, I think, โThis is going to be my home. Iโm still hereโ Adventures in Livingness
In the courtyard where new flagstone has been laid, and a mud ditch blocks the exit, Rudy hitches me on his back and carries me out the side entrance through Tony Abeytaโs yard. Tonyโs yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican dunes. This is how the evening begins.ย Out in the parking lot, we circle around once and stop in Robertโs gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace and says, have fun.
At times like this, I can forget the faces and routines I lived in Solana Beach and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car, ensuring my shoes donโt fill with gravel.
There is very little street light along the desert road, and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather-clad bikers, and abandoned pets is of no comfort or value. Boundaries and civilities between people are vague, and sometimes, conversations elope into poetry.ย
At the Millicent Rogers Museum, the director, Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.Each room is an envelope of Native American jewelry, ceramics, paintings, weaving, textiles, and metalwork sealed with Millicent Rogers’s ethereal presence. By coming to Taos and bridging her New York chic with southwestern individuality, she set global trends in fashion, art, and living.ย he museum collection includes some of her designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. Although she could have chosen anywhere in the world to live, she settled in the unaltered, surreal lunar beauty of Taos.
I wandered through the tightly packed rooms, alternately viewing the guestโs attire and jewelry. The woven wraps, belts, and hats worn by men and women form a collage of individual expression.ย Almost everyone seems to attract attention by the texture and color of his or her attire. It is a festive traditional look, with southwestern accessories paired with jeans or silk dresses.ย If you come to Taos, look for a belt buckle, one piece of Native American jewelry, and one piece of art.
When the auction was announced, I admired the same etching as the woman next to me. She remarked that the artist was also the teacher of one of her children. I learned that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.
โSo am I,โ she answered.
Rather than talk about her work, she began talking about her daughter, who is also a writer.
โIโm so lucky–all my children and grandchildren are creative and artistic.โ
It was obvious that her life was a garden of earthly delights and that she had raised many roses. When the auction began, she vanished, and I quickly viewed the art before returning to the two etchings. They were both sold.
As I was walking out, I bumped into Ellen. She was clutching the etchings.
โSo, you bought them,โ I said.
โOh, yes, I had to have them.โ
She left me with a beaming smile and a closing remark I often hear: โWelcome to Taos.โ
I love hearing that so much I donโt want to stop saying, I just moved here. After the auction, we stopped in Marcoโs Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, who were visiting from Santa Fe.
The dim, glowing melon adobe walls of the bistro, Marco hugging everyone, Joanโs melodious, high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast-rolling film. The conversation and laughter surfed breathlessly from one person to another.
Joan remarked, โMy fifteen minutes. This is the best for me. The first time you meet someone, you’re both talking without effort. Itโs so perfect.โ
We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friendโs house. Philip agreed to drive to Santa Fe the next day, and we took Tylenol before bed.
Not every night out in Taos is like Joanโs fifteen minutes, but chances are you will have something to write home about. The beginning of Gallery LouLou Taos, NM
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With last names like Smiley and Funk, you know thereโs bound to be something creative going on in the imaginations of this Ballston Spa duo. The couple, both natives of San Diego, Calif., purchased a house at 63 East High St. last May. Luellen Smiley and Rudy Funk have turned a once-ramshackle 1860โs structure, now known as The Follies House, into three furnished apartments oozing with zany charm. Smileyโs brochure touts the place as a โplayful vacation residence designed to inspire.โ On the wide front porch, a sign offers visitors โFree Records,โ paying homage to one apartmentโs main decorative inspiration: classic stage musicals. Called the Broadway suite, its walls are adorned with record covers, programs, ballet slippers and even a dance costume. There are dice on the end tables, a life-sized poster of Humphrey Bogart, colorful paper parasols and peacock feathers. For tenants who bring their own films, thereโs a projector screen and, tucked into an alcove, a working Victrola. Vintage Broadway memorabilia is everywhere. Then thereโs the nearly ceiling-height replica of a bass guitar. โThis was actually a costume someone wore,โ said Smiley, pointing out the head and arm holes. โThese are the kinds of things we like, the really unusual andunheard of.โ Growing up in California, Smiley aspired to be a dancer and maintained an interest in the arts.
THE FOLLIES HOUSE
In recent years, she became keen on the idea of renovating and decorating an older home, although the village of Ballston Spa was not first on her list. โWhen we first came here, I wanted to be in Saratoga, and when I drove through Ballston Spa I said, โIโd never want to live here,โโ Smiley said. โBut then we rented here, and I didnโt want to go back on the road. We loved this street. We think this village is really starting to happen.โ The couple went to work feverishly last spring to ready the apartments in time for the track season. While not a bed and breakfast, the apartments are designed for temporary tenants โ people new to the area or vacationers. Smileyโs off-season rates are $800 a month for the Broadway Suite and $700 for the Boomers Pad. The one-bedroom Boomers Pad is designed with vintage โ50s and โ60s furniture. Smiley said she and Funk combed area antique shops, including those in the village, for many of the offbeat pieces, including the vinyl records and oversized pink sofa. The houseโs history mirrors the eclectic style the couple hasbrought to the home. โIt was built by a man actually named Dr. Doolittle as a wedding present for his daughter,โ Smiley said. โYou can see the little touches everywhere. There are butterflies and sun rays carved into the woodworking and doorknobs. Itโs a love house. It was built with love.โ Smiley said she and Funk have combed files at Brookside History Center looking for old photographs of the house in order to decide what color to repaint the facade. โThe exterior of the house is next on our list, and while we havenโt located any photographs, weโre thinking pastels,โ Smiley said. โInside, we used a lot of pistachio and pink.โ While Funk commutes to and from California for business purposes, the pair weathered their first winter this year, relying on the kindness of neighbors for jobs like snow-blowing. โWeโve never seen winters like this,โ Smiley said. โIโm from the other side of the world. But this is a very supportive community. Thatโs one of the things we love about the village.โ
Smiley has immersed herself in the closely-knit community, joining the Ballston Spa Business & Professional Association, the local chamber of commerce, and helping promote an upcoming Art Walk. The Follies House recently was given a beautification award for significant improvements during the past year. In her brochure for potential tenants, Smiley points out area highlights including the Saratoga Performing Arts Center and destinations within the village, such as the museums, the glassworks studio, Art Ink., and the new gallery and loft spaces on Low Street. Smiley said she also recommends people take a stroll along East High Street, a historic district known for its Victorian homes. โIโve seen little villages, big villages โ but what I see here is the most beautiful village,โ Smiley said. โThe potential is here. Thereโs a sense of magic here and the transformation will happen. Iโm certain of that.โ
Direction is a choice; move back home, move near your children, move for a job, but in my case, I move because my act in Saratoga will come to a close. I’m like a blank space between two paragraphs; it sounds like freedom, no commitments other than being the best I can be. Starting over in a new location is about redesigning within.
Iโm still a nomad, searching for adventuresinlivingness. As I lay my head down on my pillow, the interim is asking me to be peaceful, faithful, and confident. Itโs about time!
Reminds me of when I went off to college, a liberating extension of those early days when belonging to things didn’t matter, life mattered. If you are single and without children, this is the knife that we must slice into a piece we accept, or no peace will lull us to sleep.
ON THE ROAD FROM SOMEWHERE TO SOMEWHERE, I CAN’T REMEMBER. MAYBE SANTA FE TO SAN DIEGO.
You see a chime, the moment it responds to a breeze, the sound is beautiful, like Chopinโs Nocturne 1. Sounds that accompany a descending light mist, or setting sun, but the chime improvises its sounds and movements when a vivacious wind girdles its ether. This abstraction reminds me of sensitivity. It can be soft and gentle, nurturing to the souls of those less peaceful, but when the velocity of attack hits, sensitivity is a walloping eruption of rage, drifting on uncontrollable. I’ve been punitively and cordially of being too sensitive. There are more good reasons to alter my sensitivity than not to, but the one reason that hovers above all else is that everything we do, feel and act in life needs revision. We should never stop evolving into more thoughtful, loving, or wise human beings. Every day, there is an opportunity to leap into saintly hood. It is the same with my writing it can be better.
The next adventure is closing in on me as foreclosure is over the June horizon. The dismantling of possessions brings me some sort of twisted alignment to my life. Picking and choosing what to pack, eliminating what Dodger and I bought together, and vacillating over treasures that are now more weight than worth. If I am ever to rest in one address, Iโm sure it will be a headstone and a plot of dirt. I chose a destiny to relocate, and so the highway off-ramp will evolve, I just have to be patient.
It is the inner self that concerns me, and how I will adjust and adapt to leaving my favorite house. When I was thirty, I was afraid of getting married, and when I was forty, I was afraid of not having children. Now that I am sixty-nine, I have a fear that once was my chant, the idea of moving.
The word coddiwomple is English slang, defined as โto travel in a purposeful manner towards a vague destinationโ. If you are anything like me you may be coddiwompling your way through life, which is not necessarily a bad thing.
IT’S CALLED NON-CONVENTIONAL but on our own personal level, if you fall in that broad culture and it is a unique and historically significant tribe, especially in the arts and the military. Artists skip from creating to counting change, very few make a comfortable living. The Military are more unconventional than any other profession. I’ve tried to imagine choosing to fight our wars knowing I could be shot or tortured.
Do you think that not choosing the basics: family, friends and a comfortable living are enough? They are, now I know that.
How did this become my spotlight, like a bulb that flickered and whispered, you thought you knew more. Well, I didn’t and now I am adapting my fictional life to nonfiction. Beginning with: relinquishing luxuries, vacations, replacing outdated or broken furnishings, buying my favorite designer garments, and most important a monthly budget. Now instead of withdrawing from my savings account, I am depositing. Friends and family pose a more rigorous effort to the depts. I’m a loner. There is nothing glamorous or mystifying about this stain at least not for me, more like solitude for longer periods of time.
Photo by Philip Townsend. London 1964
As I watch and hear the interviews of Veterans, Gold Star Families, Military groups, former Iraq and Afghanistan Marines, Army, The Navy and Airforce, and the ones left behind because their hero was killed have one knot that holds them together, and it is their family, their comrades in arms and friends.
It’s raining, the tiniest little drops, like new bourns. The sky is a saddened muted white gray, like it’s in mourning. Hoagie Carmichael is singing Two Little People, simple lines that rhyme. Without music, and I don’t listen as much as I did a month ago, I’d be in bed today, it is a day for music medics to carry my pen where it sinks.
I was selfish, spoiled, and myopic, now I am awake to eternal gratefulness for being born American.
Trying not to watch the news as my heart needs a reprieve from Afghanistan. I’ve never appreciated, honored, respected, and loved our Military more these past two weeks. Do you know that feeling? What happens next? Eventually this presses to a USA attack.
IT’S HERE. “CRADLE OF CRIME-A Daughter’s Tribute” is LIVE in the TaleFlick Discovery contest.
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Intersections between mid-late-lifeย adults with youth; anyone under the age of forty is an adventure in livingness.ย ย I remember strangers thatย counseled; passed on a prized preface to life.
It was my first solo trip to Europe.ย Emboldened with the freedoms in every cupboard of life: abandoned career, home, and possessions I lived out of a suitcase for about a year. Three of those months were in Ireland, France, and Italy.
I was dining in Venice, alone, down to coupon crushing finances and no interest in going back to the USA.ย The rise to relocate plunged a new view ; find a job in a glass foundry or a museum, and rent a little room in Venice.ย The Venetians of my age,ย artistic, independent, and humanely trusting enchanted a woman who’d been sharking San Diegoย in commercial real estate.ย I got eaten alive.ย Venice was the shore that I wanted to curl around and become fluent in Italian, learn to cook,ย and wrap a scarf.
I was standing next to a bar-bistro melting in the lustrousย conversational elan’ย when a couple in their sixties approached me.ย ย ย Theย corner of the bar waxed us in and for the next hour, thatย man changed the direction of my life.
” Yea, I knew you were American.ย Where you live?
” San Diego.”
” Oh! I’d move there if I could. ” I cannot recall where they lived other than the Midwest.
“What kind of work do you do inย San Diego?” He shouted.
“I was in commercial real estate–leasing and marketing.”
” Good for you! That’s a great career.”
” It was.ย I want to live here… in Venice
He set his wine on the counter, I remember that, and pulled at his trousers or tie, and then he said,ย “What would you do here?”
” I don’t know yet?”
” You can’t beat what you left.ย Are you crazy?”
Before I answered he continued a breathless sermon peddling the virtues of my life;ย not jumping into a fantasy, and to forget about moving to Venice.ย My referencesย to challenge, adventure and change met more opposition than I’d expected. He deplored my naivetรฉ. ย “You shouldn’t go through with it.ย San Diegoย has the best climate. It’s coming up in the world, not just a little getaway resort. If I were your father I’d bring you back myself.ย ”
They departed when his wife begged him to calm down and I returned to the evening’s allure.ย There was a scar left, an abrasion of my plan.ย Over the next few days, I met a group of Venetians, younger than me.ย After revealing my plan to live in Venice, they drew me into their group.ย I haven’t any diary of Venice, so the names and dialogue are absent. The memory is vague, a collage of framed vignettes.ย We went to a friend’s apartment, who had a spare room to rent.ย ย This friend, a young man with speedy senses whipped me around the apartment.ย He spoke English, with saucy speed, and he had more friends. By the end of the evening,ย I was tumbling in a wave of stimulation.ย It was too much too soon.ย The next week I was in Milan unknowingly colliding with Fashion Week.
After three months, my wardrobe was wasted from hem to neckline.ย My shoes:ย a pair of lace up boots,ย lace-up sandals, and flats.ย I landed in Milan at the Train station, and then where did I go? OH I remember. It was my last night with Julius;ย my traveling European Chef companion.ย We stayed at Relais & Chรขteaux, selections for three weeks.ย We dined and slept in surroundings that dubbed European film sets.ย I was dazzled and too overfed.
The last night with Julius was in a very chef gathering restaurant, busy waiters, lots of background noise; ย the place to say goodbye and not cry. After dinner, we strolled around the Piazza and window shopped.
” Look at these shoes. I’ve never seen shoes like this-not even in Beverly Hills. ” Julius chuckled at my unworldly impressionable outbursts.ย He enjoyed educating me on all things European.
” In Italy shoes are the most important part of the wardrobe.”
” You mean seriously. ” I asked.
” Oh Yes. They willย judge you by your shoes. Not every one of course, but the important types will.”
The next morning I rose to the uncertainty of traveling withoutย Julius.ย That’s when I got on a trainย headed for Annecy, France. I have no memory why Annecy, other than the couple I met at Lake Maggoire who might have suggested I visit the Southeastern part of France before going to Paris.
ADVENTURERS IN SINGLE LIVINGNESS 