RELOCATION IN REFLECTION.


  Curiosity doesnโ€™t always kill the cat, sometimes it brings confidence. I asked my British friend, โ€˜is it common for people to lose their curiosity, passion, and desires as they age?โ€™ He responded, LOL, yes. Thatโ€™s where we are different, he has certainty, whereas I don’t. Being single and living alone affords you freedom of thought, and so it was this weekend, while enveloped indoors to avoid the chilling grip of winter, my thoughts were in a heated argument.

Go to Saratoga and visit the Casino Museum, have a croissant or lobster roll, roam the gallery district, window shop, and get out of this house now.

Itโ€™s too cold to walk, Iโ€™ve been to the museum, I donโ€™t feel like dining alone again, and the galleries Iโ€™ve been to are arts and crafts.

Thatโ€™s not the reason, is it?

No, Iโ€™m not curious.

Just four years ago, Iโ€™d pop out of my Santa Fe home and walk up to Canyon Road Friday Night. All the galleries are open and serve appetizers, some live music, some street vendors, and some costumed characters and it was a party. I didnโ€™t mind eating alone because I knew the restaurant owners, bartenders, and regular guests. Sedation of spirit came in the last six months. The first year coming back to my home after a six-year absence was invigorating and new, and unexpectedly in need of serious maintenance and lease management.

In front of El Farol, Canyon Road on a stranger’s beauty mobile. Twice a week for live rockin music and dancing. One of my favorite dance floors because the stage is three feet away.

The second year was getting about town and exploring and then Covid so it was an incomplete year. The third year was a wicked winter and when spring came, the ebullient appreciation of the sun and flowers renewed, and my curiosity temperature was down but not dormant. Circumstances too complicated and gruesome to write, force me to stay here. Iโ€™m one of the millions, that live where they donโ€™t choose to live anymore. When the day comes, the freedom to relocate is my curiosity. My next nest is undetermined. My friends, ask me, โ€˜where are you going to move to?โ€™ This comes up in every third or fourth conversation. And the answer is the same, ‘when I know Iโ€™ll tell you.โ€™

Upstate on a clear day.

Poetic justice for a life-long wanderer. Curiosity I call on you to visit my spirit and paddle me out to waters and roads unknown.  Give me the confidence to keep my oars afloat; confident, curious, and passionate.   

On the road from New Mexico to somewhere… I can’t remember.

GASLIGHTING AND RECOVERY


โ† Back

Thank you for your response. โœจ

He’s digging my grave
For the dragon he pays
With our nest, now shaved
Tumbling into the abyss
I visit the comfort robes of the past
Monogrammed in stone

The will to relive what’s past comes at night

And must be excluded by daylight.

Of HUMAN BONDAGE

The sky hasnโ€™t decided if it will let clouds overturn the sun, and I havenโ€™t decided if I will pack the stack of books on the floor. No, I donโ€™t feel the drive to lift and organize, my bed is warm and the house is not as warm.

I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love.
Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep.
I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.

OLYMPUS DIGITAL CAMERA

I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.

 

ADOLESCENCE OR ADULT


Remember when you opened the door to your own car and took hold of the steering wheel without any parental supervision. As a teen, my Chevrolet Impala was a haven away from my father. I rolled all the windows down, turned the volume up on the radio, and smoked. My secret joy was hoping the driver next to me would hear the music and notice me. If he was a suitable face I turned around and bobbed my head. Then, just as he looked over at me, I turned away, and looked in the rearview mirror, or sang my heart out to show off brazen behavior, the kind I couldn’t express at home. There was a sense of freedom from examination and explanation. When I drove my spinning Impala that leaped over road bumps in three waves, I was going somewhere alone.


ย It was the only self-contained space my father wasn’t attached to, and he didn’t like driving with me, because he didn’t like me being in control. That is the sensation that life brings to us in volumes as teens; explosions of discovery. Today I donโ€™t experience that sweat of discovery; my life is deodorized. Remembering the sensations I felt as a teenager, reminds me to intertwine more challenges
. If Iโ€™m lucky to break through all the percentages of disease, that the late-night commercials warn me of, the edge of my rhythm is asking me to make a commitment; to put the Bo’ Jangles back in my steps. I heard the voice yesterday, almost a whisper, asking me why I exclude long-term commitments: joining groups, classes, associations, serving on committees, planning ahead, and even magazine subscriptions are not worth the trouble because I am always planning on moving.

The answer always comes in the photographs that bring back that moment in time, and the immediate recollection of the internal places I moved from venturing into the unknown.
Many years ago, I was in therapy, and in one discussion, this discourse occurred that I considered an awakening then.
โ€œI think you jump into unknown places, and situations, to test yourself, and you do that because that is what your father did most of his life.โ€
That is what adolescent behavior is meant for, to learn by experiment, to see how far our strength of character will take us.ย  We each have a different set of alarms and temptations. Why compare what one has to the other? My path is familiar to me, I am a born mistress of unfamiliarity; the quest for discovery keeps me moving.

FORMER HOME IN SANTA FE, NEW MEXICO 2015

As a teenager, I remember the most remarkable configuration of images, that passed by while I was driving, the faces of shopping mothers walking the streets of Beverly Hills and Westwood, the prostitutes positioned along one section of Sunset Boulevard, and their counterpart degenerate gin-soaked soul mates inched up against abandoned buildings, the Ocean Park joggers, and walkers, and picnickers, waving to each other, as they slapped together hard-boiled egg and tuna sandwiches. Like a playroom without walls for Europeans and senior citizens to elope with each other. I didnโ€™t favor one street life over another, they all made sense to me.

Living in the Northeast calls for pragmatic and sensible strides. I’m still learning how to tame my lust for unpreparedness; like going out without an umbrella, leaving delicate brick a brac on the porch, driving with caution for deer, rabbits, and turtles, maintaining a close eye on the water in the basement, and dressing down so I don’t look like I’m from Los Angeles.ย  Every day is experimental in some way.ย  I don’t know how long I’ll be here, maybe that is how I like it.

KNPR INTERVIEW


https://knpr.org/knpr/2011-05/luellen-smiley

My first interview on Dad, when I listen now it reminds me how liberating it was to talk about my family history.

Luellen Smiley

KNPR.ORG

Luellen Smiley

Luellen Smiley is the daughter of reputed mobster, Allen Smiley. Smiley’s dad was a close friend and confidant of famous Las Vegas mobster Benjamin “Bugsy” Siegel and he was sitting on the couch just feet away from Siegel the night he was murdered. While Luellen Smiley hadn’t been born at the time o…

https://knpr.org/knpr/2011-05/luellen-smiley?fbclid=IwAR2YLsL-1RUSFQdjTtbrLmoVZXC29SF9ek8goQH95onmH3h1guo8Q8dv8fw

WINTER WRITING IN UPSTATE NEW YORK


ย ย ย  Still flustering over how to save more money, and which expense she should solve; the dental appointment thatโ€™s six months overdue, the servicing of her car overdue since June, or elevated reasons to book a trip to San Diego. The urgency to decide sent her into a minor mid-afternoon tizzy and she decided she needed potato chips to solve her physical edginess. She does not use salt in her cooking, and from experimentation over the years realized that salt could elevate her dizzy thinking and lackluster posture. The momentary outdoor freshness stilted her, to stop moving, and breathe deeply like she was in the doctorโ€™s office and they say, โ€˜ deep breath.โ€™ ย ย The street is absent of walkers, workers, delivery trucks, and residents, itโ€™s almost like a graveyard and this does not irritate Greta, she uses the bliss to engulf her creativity, and so she began to write.

“Young woman sitting on the books and typing, toned image”

PUZZLE OF SOLITUDE  will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.

ย I contest what seems endless solitude with my Irish Russian temper; condemning irritants like street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. After the first ice rain and snow, the fever dulled, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world I created. I have to laugh alone so I watch screwball comedies, seek humor in my irregularities; wear a sweater inside out, pour coffee into a wine glass for a cocktail and chuckle up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere-daydreaming.
Iโ€™ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I havenโ€™t experienced here; and how could I complain when half of Upstate New York is buried in SEVENTY INCHES of snow and no way out? At the end of the day, pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly slumguillion stew while listening to Tony Bennett, Nat King Cole, and swing music.
Winter has in the past been a funnel that leads to writing.

Untitled manuscript- Pg 565.


May be an image of outdoors

Excerpt from the new manuscript. No title yet.

Will-powered out of the house on a glory hallelujah day of ballet winds and buttercup sun. I walked along the bike path and observed the cyclists, and joggers, some still masked. Along the way, I smiled at passing strangers, and sometimes even a hello. How reviving to connect with strangers after two years of physical masks. Emotionally optimistic, a rare trajectory of nature and my life within. If nature can survive, why canโ€™t I? What prevents us from launching new growth, mentally emotionally, and financially?

Let me take this day and bless it with hope, miles, and miles of hope and faith that I will land, plant new roots, and bloom.

CRYING OVER CRIME IN THE USA


The safety pin that allows us to walkabout is gone. Lawlessness has landed, an alien from the dominion of hatred, frustration, anger, revenge, mental illness, and loneliness. Depraved directionless menacing strangers leap upon INNOCENTS and are EDITING THEIR PURSUIT OF LIFE. ย A mounting civil war that no one really calls out, is like lava spreading throughout our cities, suburbs, monuments, schools, hospitals, daycare centers, stores, and restaurants. Everywhere, even on the freeway drivers shoot at drivers.

My gang has stopped watching the news, I have cut down to news flashes, then mute, then maybe the evening news. Not a conversation that I have or overhear is about the crime crisis. Why is that?

Photo by kat wilcox on Pexels.com

WHY LIE


When do we begin to lie about our life our feelings, our fears, our everything? I ask this because of simple observation, knowing when someone is not telling me their truth and I remain silent, it’s not my way to ask, why do you lie to me? My friends are not lying, it’s more like a social cultural mask. My wise father once told me ‘Tell them your sister or father just died, and they’ll respond, excellent because they do not want to hear your problems.’ But I do, I’ve always wanted to know the truth. Why should we shield our traumas and hardship, more than our triumphs and accomplishments? Do you know who does not lie? ART and SPORTS. That is why we listen to music, read books, go to galleries and museums, films, the theater, and ballet or other dance performances. I cannot comment on sports because I’m not a spectator although I do love basketball.

We, and I mean this in only a visceral sense, do not believe the politicians, news, social media, or advertisements. We want to, but deep in our inner truth, we know it is the manipulation of our individual thoughts. And that my friends is why I trust art to deepen my understanding of the human condition. Thank you to all the artists and athletes who share their pain and glory.

FOUND ON THE INTERNET

THE PHILADELPHIA PHILHARMONIC

MAXFIELD PARRISH

PHILIP TOWNSEND

WHAT IS A LOVE STREAM


TWO EMBANKMENTS WEDGED BETWEEN A STREAM

     THAT RIPPLES THE UK TO THE USA.  

     WHAT FALLS BETWEEN THE MEANDERING

     USHERS GENTLE WAVES, LOVING CARESSES

SMASHES WHEN THE WAVES ARE EVIDENT. 

     SOAR TO BRING THEIR STREAM TO REST

    TO FIND THE BEST

    BELIEVING EXIST AND DESTINY FLOW

THEY DONโ€™T KNOW

    IF THE STREAM WILL ENTWINE

    ENSNARE OR EMBRACE

   EMBANKMENTS MEANT TO SHOULDER   

UNTIL THEY โ€˜VE FOUND EACH OTHER

   

WHERE WERE YOU ON 9/11 AND HOW DID YOU FEEL ON 9/12 2001 AND 9/12/2022???


Paper deaths mounting in pages written

By authors and reporters

On the day of bloodshed twenty-one years after

The morning news

Around the world

That our Towers fell on innocence; walking, living, twirling the streets of Manhattan.

Tears are shed in buckets of smoke between the sheets of death   

The men and women that died shine through the wicked divide

Of hatred and love

Flames of courage cape first responders, and unknown heroes

Photo by Iarlaith McNamara on Pexels.com

Beaming down every morning

On tables arranged by nations and religions

In the homes of Democrats and Republicans

United tears all of these years.  

Months turn over on calendars

New episodes and reality shows

Graduation and separation

Replaced furnishings and

Sketches of a vacation

Events the rest of us chatter up in coffee houses

While the stories of nine-eleven lay today in the headlines

On newsstands

In the windows of memory

Never forget

THE MIDDLE OF LIFE


 

 I read in one of my books on writing that the middle of the novel is where most writers face the demon. The beginning is a gallop, the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.

The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year.  Iโ€™ve finally accepted that my constant relocating, reinventing, and being restless is not going to be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I was standing out on the porch observing the peacefulness. The scenery of  Ballston Spa is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets, all the shops, services and restaurants are a patchwork, and all the business owners know each other.  

All I can think of is where I should go next. This is wholly a village of ancestral families, with defensible adaptation to the severe climate, simplicity, and uncomplicated lives. My discomfort comes from trying to assimilate.  

ย Many years ago, in the summer of 1987, I was seated in a cafรฉ in Monaco, truly, and a man that I was traveling with told me, โ€œYou have to make a choice.โ€ He embarked on a long discussion about choices we make in life and how everything depends on these choices: how you live and with whom, and what you do. He pointed out to me over my first really authentic Salad Niรงoise that I was an oblivious example of a woman refusing to choose. I was more interested in the salad, the yachts, the casino around the corner, and the fact that I didnโ€™t have an evening gown to wear to dinner. I listened without argument or insult, but I was disturbed by what he said. I didnโ€™t understand completely, but he was older and had much experience and conviction. That conversation now fits into the mid-life crisis, the comedy of errors in my life, and maybe in yours, and just how much travesty we can ignore. For my fault, as it WAS, I did not want to sign, commit, or make final decisions. I wanted it all to be a temporary placement that allows me the freedom to change.

I have lost track of my European friend, but if he met me today, he would say, โ€œYou have not changed at all.โ€ So that is why I was standing there in the darkness on the porch and laughing like a silly girl because it is true. I have not changed at all.

The choice facing us at mid-life is making a change now, risking losing all we have accomplished, compiled, and attached, or throwing the dice.

Beyond the obvious changes in activity, relationships, and scenery are the internal travels. They are not so easily engaged. You cannot wake up one day and say, โ€œI โ€˜m off to become more compassionate, or more practical, or more generous.โ€ These journeys are taken when other factors play into our lives, such as when we get sick, demoted, or experience a trauma.

It is a very subtle inconsistency. When I unplug all the voices and listen to the one that understands, that is when I write. The middle of the story and the middle of life is the same. We and our characters have to make a choice.

                                       ***

FREE TO WRITE


I think of the comforts of exhibiting my life on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; itโ€™s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or an English Castle, but experiences that flake off the skin, the mise en scene that shakes its relevance.