Writing feels rusty today. I plow deliberately through the blank mental soil to find a blade of substance in a week of tragedy and cultural chaos. In conversations with men and women about our fractured culture.
” It was never like this when I was growing up,” that is from a fifty-year-old,
” I won’t get on a plane, no way?” from a forty-year-old.
” I don’t talk about my views with anyone at work or out of work, except my family and friends.”
I replied, “Yes, we have to talk niceties, bland boring conversation. “
When I was growing up, there was more joking, laughter, and confessional conversation. I was thinking about my high school years; we talked a lot about emotions, our parents, our dreams, and our fears. I don’t recall restraining what was on my mind. Perhaps that is why the majority of the younger generation prefers social media friends, as they can be easily deleted or blocked. On my FB page and feed, not one follower or friend reveals their political views, including myself. Isn’t that so contrary to humanity? And political violence, I keep hearing we won’t tolerate that on the news, but we are tolerating it. Do we all need drones over our homes for security? An optimist would say, We can do better, and we will; a pessimist might say, I think it’s going to get worse, and a nihilist would say, Life isn’t worth fixing; it’s just worthless.
I canceled my utubetv cable account, because on most days anxiety is at full tank without the news. In this new state of freedom from home; maintenance, repairs, showings and tenants, time is on another clock.The one that ticks as a writer in progress who is dusting off the least truest of thoughts.
Scintillating in luxury and comfort is therapeutic if mastered with moderation. So, my second week here in the hotel, I opened the thruway to discerning tasks: a deep dive into publishing my book, rewriting the ending so art isn’t imitating life, but the other way around, searching for part-time employment, a seriously pragmatic approach to where to move, and writing my pop-up columns.
It is tremendously easy to write from this hotel room, without those damn barking dogs next to my home, the constant vibration and noise of mowers, blowers, and city works.
On my desk is Henry Miller’s book, On Writing, and every page moves the mental nerves in some way. “The writer lives between the upper and lower worlds: he takes the path in order eventually to become the path itself.” From living in isolation in my home, my tenants are cordial but reserved; I am now swept like a surfboard into a wave of public swells. It is their stories that come out of this experience.
I begin with the Casino, attached to the hotel lobby, and open at 11 am. Arrivals begin: gamblers shuffle inside, some in wheelchairs, younger men with speedy strides, couples, single women, a plethora of humanity in common, with one mission: to win. I take a seat at the bar, and eye wonder at the slot machines. I haven’t counted them, but the room for walking is limited. There is one machine with the motif of a bull, and when someone sits, the bull grumbles loudly, so I pull out my earplugs. I watched one man win, and after he left, other players who heard the winning clang took his seat. It is a popular machine.
The casino looks to be around eight thousand square feet, with seventeen hundred gambling options. The path to get back to the hotel, I have to navigate around and around. The first time, of course, I went in circles as my sense of direction is like a butterfly’s.
“ Excuse me, can you tell me the most direct way back to the hotel?”
“ Lost are you? Follow this carpet pattern, the one in the middle, and it will take you back.”
Off I trot, staring at the paisley pattern, through six different arenas to the hotel. I went outside and took a seat on the bench. A woman passed by and stopped, “ How are you?’
“Adapting, I’ve not been here but a few days.”
“ Oh, we’re just checking out. I can’t wait to get home to my Pomeranians. I have two. I rescued them, and they are my babies,” she continued, talking about the dogs. As she spoke, I noticed how immensely liberated she was in conversation, and how her hair matched her outfit. She smiled while talking.
“ I’ve seen you before. I noticed your style; you were wearing such a pretty outfit”, she said earnestly.
“ Well, thank you, and so are you.”
“ Are you alone? I think you are, but don’t let that get you down.”
“ I wasn’t ready for a very long time. I’m crossing over that mountain, only I’m not like you. I can’t approach people the way you just did.”
“ I used to be like that! Now I don’t care, and you shouldn’t either. God loves you, we are all his children, and we need to love each other.”
I let her go on and thought any minute she might bring out a bible or a cross and start praying for me.
“ I bet my husband is looking for me; he’ll be mad, not really, he’s used to it. We’ve been together forty-five years.
“ Remarkable. What’s your secret?”
“ Love, respect, and compromise, it’s really very simple. You’ll meet your honey, I feel it, you want that, don’t you?”
“Yes, when a man tells me everything is going to be okay, I settle down. I’m emotionally overweight.”
“You’re funny, see that is another quality that gets you through life.”
“ I see a man approaching, and she introduces her husband. He is tall, and emulates a calmness and contentment as he hedges into the conversation about going to Lake Placid.”
“ Have you been there?” he asked.
“ Years ago. It’s beautiful.”
“ I turned towards his wife. I didn’t get your name.”
“ Donetica, Italian, my friends call me Dee.”
“I’m Loulou, and thank you for stopping by my bench.”
She giggled, blew a kiss, and said in parting, “ I love you.”
As she left, a woman exited the hotel in a state of exhilaration.
“ It looks like you had a good day,” I said
“ Yes! I won eight hundred dollars. She swung her purse and skipped off.
Hmm, I wouldn’t mind winning at all, but I’m in enough ambiguity to play against those odds. To be continued.
The order of this week is disorder. Not the trivial disorder of a closet, or a work in progress; this week is the unraveling of the self, which comes with separating from someone or something you love dearly. It is the subject of: poetry, theater, film, literature, dance, visual arts, and music — all forms of music from opera to rap. For all of you who have mothers and fathers close to death, and you don’t want them to leave.
Adults protect you from the brutality of death when you’re very young. They keep it behind locked phrases like ‘she had to go away to a better place; you’ll understand when you grow up.’The camouflage of death may go on indefinitely until one day, you are hit over the head with a block of ice, and it splits you right down the middle. You can see your guts spilling out, and everything is all out of order. Walking is an effort. Thinking clogs with the big question: Why? Why can’t we all stay here together and live forever?
Flashback to 1966 — I was very young, not so much in years, but when I was 13, my mental and emotional age was more like that of an 8-year-old. I don’t know if I was ADD or DDT because those acronyms were not in vogue yet.
My development was arrested because I was raised on a fantasia of false identities, fiction, and privilege. I thought we were prosperous, happy, and would live together forever. The fantasia of falseness was abruptly taken away on June 19, 1966. On that day, I saw for the first time my father weep uncontrollably. I was told my mother was in heaven. My father was seated on my mother’s avocado green sofa in our tidy mid-century apartment in Westwood. Nana — mother’s mother — was sitting on the sofa next to my father. Nana and Dad had reconciled for the period my mother was sick with cancer. They both were sobbing. I was not, I was in shock. There was nothing inside of me but resistance, a blockage of emotion that remained there for so many years.
I was left in my father’s care. He was busy avoiding government subpoenas and running the Fontainebleau Hotel in Florida. He kept a command post on my emotions. He would not tolerate my grief, because he could not tolerate his own. So, I had to chin-up, chest out, walk up and down Doheny Drive in Hollywood where he lived and pretend I was going to be fine.
When I turned eighteen and left my father’s apartment, I was free to unravel my feelings for the first time. The emptiness was filled with confusion, anger, and drugs. If college was supposed to be my best years, then I missed that chapter. Looking back, the real leap to personal growth came at that time when I was left unattended to wander through life with my own eyes as guardian, and my heart as my compass. That is when I missed my mother the most. It was my fortune to have my father back in Los Angeles, throwing his weight around from a distance. He kept me under radar by having a friend’s son working in the admittance office of Sonoma State College.
I remember days when my mental attitude needed electric shock therapy. Miraculously, I did find my way home, and to the matter of my mother, and growing up with gangsters. From a wafer of stability, very slowly, I’ve built a nice lifeboat to keep me afloat. My screaming, cantankerous, and intimidating father who loved me beyond measure is in this imaginary boat, and my mother who loved with a silent gentle hand she gave to me whenever I needed assurance.
All I have to do is look at her photograph placed in every corner of my house, and I regain momentum in my lifeboat. When I am particularly insolvent with life’s measures, I recall the years she spent fighting cancer so she could continue to hold my hand. How can I disappoint such a woman? I cannot, and I know that with more certainty than I know anything.We all have a basement strength that rises up and balances us when we need it. Each time we cross that unpleasant road and say goodbye to our friends, our pets, our parents, or our siblings, we have to find our basement strength.
You can read poetry and essays, listen to opera or rap and find five-thousand ways of expressing the same painful stab of separation. If the comfort comes in just knowing — we all have that in common — then all you have to do is tap the shoulder of the person in front of you, and ask, “How did you handle it?”
Or as Henry Miller said, “All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.”
ADVENTURESS IN LIVINGNESS this week ends with new directions in living. Before that happens, you have to get lost, detached, and miserable. It messes up your social life, your routines, your comfort, and your partner. I don’t have one, so it’s all up to me.
Men wonder why women change so often, why we are spirited unicorns one day, and mules the next. It comes from the universal need to roam, to feel new sensations and passions, and to find more things to love. Even our closets are overflowing with love: “I love those shoes, I love that coat.” We replace our wardrobes because we need more garments to love.
At the crossroads of some moment in time, I stopped loving material things, my reflection, and went looking for a deeper direction of sensation.
It started last year, when my life was tangled up in two projects that were not progressing. As long as someone didn’t raise the curtain on my imaginary life, I stayed right there, like a gearshift left in neutral. When failure and rejection continued to knock me on the shoulder, I welcomed the familiar knock and remained stationary.
The exact moment I decided to shift gears was a painful one. I let go of both projects that were obstructing my motion. I have extracted the nature of the projects because it really is irrelevant. After I let go, and watched those long-term efforts just dangle from boxes, notebooks, and letters of correspondence, the straight of my back curved. Where is my direction? Where are any of us going anyway, except away from that moment we have no control?
If I asked why this happened, and that happened, I was then distracted by some woman in the car next to me who was having more fun in her convertible talking on her cell phone. Routines were becoming burdens, and my favorite places of comfort were boring. Encouragement came from writing columns, reading letters, and those long, solitary road trips in the night. I felt like I was sleeping, but even in that state of detachment people were finding me, and shaking me up.
I remembered one of the faintest memories of my childhood. I cannot even recall the place I was, or who was there; most certainly, it was not my father and mother. We were camping out and I was in a sleeping bag on the hard gravel ground. It was so unfamiliar to me, the simplicity of the natural surroundings, the heavy black balm of tranquility, and the brightness of each star. I lied awake most of the night talking to my fellow campers, and at some point they said to go to sleep. I could not close my eyes. The adventure had swept me into a state of alertness, the kind that makes you feel extraterrestrial. That night must have taught me to welcome new adventures. Sometimes they have ruined months of my life, but most definitely, at the end, I sprung up with a new line of faith.
Again, I am leaving out particulars because it is not the direction I took or what I’ve chosen. After all, it could be anything. We all want to roam, and love, and find some nugget of truth at the end of the road. I think women need to roam more now than men.
ADVENTURES IN LIVINGNESS began with lightning and thunder. My bed braced against the window didn’t alarm me like when I first moved here, and the storms startled me with their voluminous sound. After five years, the fears of weather, creaking noises, bats, mice, or a running deer as I drive have sifted through the thread of experience. As the first attempt to accept relocation coming, I am unwinding with you, not at you, because you’re all closer to me than you think.
I begin late on Friday, watching a half-lit scene with descending sunlight, the other bathed in asphalt gray, the solid remains of this week’s punishing climate. Who cares about that after the news this week? I imagine every parent was stung in a way they may never have felt before. Everyone loves children, even those who didn’t have them, cherish their innocence and liberating emotions. I asked a friend, how it affected him, he replied, “ I didn’t know I can’t watch the news.”
“ You never watch the news?”
“ Some stuff on social media.”
“ The Mystic Camp tragedy didn’t come up?.”
“ No.. what happened?”. So I gave him some of the details, and when his expression turned dour, I stopped. Something another friend mentioned to me was Duty to Bare Witness, as we were talking about the Ukraine War. Some call it tragedy trolling, I suppose that’s another kind of news watching. Between the bubble wrap and boxing of what I think I’ll take, I listen to some news. I realize I’m not such an immoral person after listening to cantankerous battles on the hill.
This city is drowsily awaiting the start of the Saratoga Race Track today. It is a sacrosanct epic convergence of rich and poor, doused in jewels or leather neck chokers. I love loyalty, and this event dates back to the 1880’s. It’s the oldest race track in the country. When I had a press pass, and didn’t wait in lines to attend, interview, and observe the festivities, it just can’t be forgotten. I’m familiar with the groups that oppose horse racing, viewing it as a degenerate sport that harms both horses and gamblers. I understand that, considering my father was a gambler and horse lover, but it goes on for thousands who feel different. Can we not allow one to enjoy the other not?.
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Sifting through collectibles, I found my letter to Amtrak. Many years ago, I wrote to the executives at Amtrak with this idea: Give a writer a free ride for a long journey, and allow them to write about it. Then, engage reporters at the different stops to show up and give the writer a pass to visit the city or town and meet the nuances that no one knew about. I felt pressed to seek escape, ‘I’m going to live on Amtrak!’ The idea blossomed over some cabernet, and I lingered there in the kitchen, while I cooked up this idea, of riding Amtrak across America, while writing about subjects I choose from a long list, and develop it into a documentary, and a book. I realized how much effort it would take to launch and live this idea that was born in the kitchen over a bottle of cab. I spent the day researching and looking at the bedroom suites on Amtrak. I went to sleep imagining myself on the train, and the inherent comedy that would roll out, from living in a room the size of shoe box. I watched movies about trains, and started reading Paul Theroux’s The Old Patagonian Express. Del Mar, watching the Amtrak.
There I am on Amtrak, with a laptop and a recorder, strolling through the aisles, interviewing people, and then I’m in some unfamiliar city, hopping from one place to another, and writing in cafes and adventuring. The illusion became real, like a dream that represents reality. I do see myself on such an adventure. I must sculpt new routines, learn how to do the things I’m not used to doing. I wrote to Amtrak, and I did not get a response. Several years later, they invited a writer to do what I had suggested. As the day descends into afternoon, I am perched in between, clinging to the wisdom of my posse, whom I call on for solace, for answers, for encouragement, and you readers, who keep me adventuring in writing.
I RECUSE MYSELF FROM NOISE, LOUD TALKERS, LOUD LAUGHTER, LOUD MACHINERY. I RECUSE MYSELF FROM CLUTTER, AS I DISASSEMBLE MY HOME, AND PLACE BOXES AND BUBBLE WRAP IN EVERY ROOM, SO I AM PREPARED TO PACK. I’M DOING BETTER THAN 2018 AND 2019, WHEN I DISASSEMBLED AND REASSEMBLED HOMES 5 TIMES. NOW I FEEL LIKE GIVING IT ALL AWAY, AND LEAVING WITH TWO SUITCASES. THE INCREDIBLE LIGHTNESS OF BEING, A FILM, BUT IT APPLIES TO MY STATE OF MIND. I LOVED COLLECTING EVERY ITEM, BOOK, RECORD, PRINT, BRIC-A-BRAC, AND FURNITURE I CHOSE. AT THAT MOMENT, I LOVED IT. BUT BREAKING UP WITH POSSESSIONS IS LIKE BREAKING A RELATIONSHIP. IT’S TIME, WHEN IT COMES, UNPREPARED, ANXIETY AND APPREHENSION TAKE AWAY SLEEPING SWEETLY AND WAKING UP SMILING. THE PASSAGE FROM ONE ERA TO THE NEXT TAKES WHAT I’M NOT SURE I HAVE, BUT MUST.
“Young woman sitting on the books and typing, toned image”
The world we are living is not familiar; everyday it erupts with an inconceivable corruption, acts of violence, and viciousness against humanity. It’s not the Italian roast coffee that wakes me up, it’s world news. I feel less and less a part of humanity and more like a wild creature chewing on an old bone. My outlook on social clubs, synagogue and church congregations, membership clubs, group classes, and let’s meet up organizing makes a lot of sense now. Especially if you don’t have children or a life mate. The temptation to retreat into a decorous world of fantasy is irresistible. Experience taught me that losing it, giving up, hugging the pillow with film noir on the screen will revive me. It may take two days or more, permitting freedom to indulge in the abstract absurdity, tragedy, and comedy of life available to me.Two days are up: six noir films: Sleeping Tiger, Dangerous Crossing, Ruthless, Finger of Guilt, Wicked, and Cast a Dark Shadow. All suspenseful meandering around themes of greed, deception, romance, uneven love, and forgiveness.
It’s a great big wide wide world if you leave the doors open. Now that the house has sold, I am fortunate that all those years studying real estate and proving myself by placing money in the boss’s pocket, trickled into my life. The first triplex I bought was in 2002, the one that sold, The Follies House. The rent provided income and paid the mortgage. For my Gen X and Millennial pals, I say this: buy a duplex somewhere you want to live.
I’m feeling overwhelmed as I go through this four-story unit and decide what to keep, give away, and sell. Perplexed as I go through boxes of journals dating back to 1996. I assume I won’t live to preview them for new stories, but I sill feel a sense of belonging to them. I have learned after selling a dozen furnishings that once they are gone, it takes about a week to stop lamenting the loss.
ADVENTURES IN LIVINGNESS FALLS ON. An unusual time to be writing at four in the afternoon. The clouds drew me up to my writing desk, where layers of clouds forms teased me into believing it wasn’t hot and humid outside. I decided to write the column.
I knew I shouldn’t write on my laptop because it is deconstructing. I can’t part with this laptop until I outline my next book. The sky drew me to the desk, and so I worked around internet outages.
I only had a few paragraphs from the afternoon, and when I returned to the column after dinner, the whole piece took another course, and I was writing not what I intended, but it was like sailing on a perfect course. It was writing without the editor, meaning the inner editor that sometimes swoops down and cuts your nails off. I was writing about many things that happened. When I finished, I went to save the document and the laptop responded negatively. It vanished. I thought about trying to recapture the column, trying to reinvent the stream of consciousness that seemed to be marathoning through my soul.
There were so many voices speaking all at once. I had to figure out how to connect the moment the leaves reminded me of Saratoga Springs, and how we must place our print on the tablet, on the screen, and dismiss the reader who judges where writing takes us. Sometimes, a reader knows me from the halcyon days, when my light was neon and my spirit a flame. They don’t want to see me now, draped in muted gray and hardship hardened. “Nobody loves you when you’re down and out.” Jimmy Cox
ADVENTURERS IN SINGLE LIVINGNESS 
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