PUZZLE OF SOLITUDE FOUR


 

I wrote this short piece by hand in April.

It is snowing today; the first time since February. A collage of scenery rearranges the birth of spring as a brisk snow flurry sweeps through Santa Fe.  Across the street, inside the hotel families are dining, or comparing observations with other guests, drinking apple cider and being in vacation. I see them unload suitcases, and several tote bags, a lot of luggage seems necessary for tourists these days. Teenagers are multi-texting; unaware of the flawless blue sky or architecture. I am looking for artists who’ve come to capture the light, or heal  city bruises with the language of the Indian world. The coterie of artists drawn to Santa Fe are now a minority; and on the horizon are  tour buses, family reunions, and corporate retreats.

I am standing in the center of the garden, studying the entanglement of spindly branches, clinging to the brick wall. The wall looks like an abstraction of a Kandinsky painting.My sense is that I should not pester myself about unfinished desk business-but to just turn off the motor and observe my fortune. To watch clouds so deeply, and see the shapes turn from a penis to a whale, (analyze that) has always been an act of love. Some people stare at rocks, or flowers, or rain; for me it is the clouds.
The sky has just been ticked off by the sun and she is spreading like butter over my face and legs.

Costume design and realization for ‘Seeing’ by Kandinsky. A contemporary dance interpretation.


Hanging on to home for a lot of us has become a business; a renting out rooms, and converting to a vacation rental to avoid foreclosure. I can sit inside the Movie Theater (a converted garage) and launch into a montage of memories. The Michael Jackson tribute party after he died, when friends came and we danced to his videos; and the Jimi Hendrix live DVD night that mixed jubilation, remembrance, and a lot of laughing as I expelling all I knew about Jimi to a man of twenty-seven. We always showed a film coinciding with a new exhibition of photography. Guests lingered past midnight and I had to turn off the lights to demonstrate closure. Couples in the theater necking, young adults roaring with inflammable laughter upon each opportunity, and hungry men and women waltzing around each other for a bite of passion. Gallery receptions were packed back then; a staggering amount of partying and dancing collided on Canyon Road to live music and open bars.
Hanging on to memories in corners of the house. I’ll take them with me. It will be a leap of courage to untangle myself from this home.wassily kandinsky art artist
I can almost hear the birds wind as they fly over me; my eyes close to listen. The lullaby is a bath of nature and would not have occurred unless I was alone. I want to reach through writing,  to the subject of misfits and loners, outcasts and unrecognized that are too ripe to touch, to sensitive and unyielding; annoyed with the outside world. Like me.

Contemporary PaintingKandinsky-my tree

 

 

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THE PUZZLE OF SOLITUDE Part One


Adventures in Livingness

The people who pass my window aren’t snapped into wool and leather collars any longer. Now their heads raise to the sun; but their movement is sluggishly unfamiliar with spring steps. Soon they’ll be jogging and eying the world through sunglasses instead of face-warmers. Street scenery is similar to my garden; fresh green stems courageously pop up while the rose bushes remain embryos.  20140410_183024[1]
Today I read for two hours; the longest stretch since last year. I had to stay in bed with a tray of coffee and closed curtains. I was restored to the first readings of Anais, when people still talked about her being a lesbian; when in fact she was not expressing that kind of love at all. Only the love as deep as two women want to go. Belonging to her group of artists and bohemian so appealed to me then as a teenager-I manifested that camaraderie by finding love in artists and misfits, malcontents, with rare wisdom and foresight. Men that chose not to belong because they had their own opinions.
The farolitos reflect diamonds of light when the sun is out. I can look out the window by my desk all day to catch surprises. The exchanges with staff at the hotel in a hand swipe and face to face muses on hotel complaints. A man in khaki’s and hiking boots taking studied photos of my house, and the same woman, who talks incessant baby talk to her dog as he pranced ahead.
My emotional tail is wagging; curled up in my desk chair I feel almost as if I was born in this chair. It’s cushioned me through a cyclone of adventures in livingness.
This piece of writing was handwritten on a tablet back in late January. I’ve made some minor additions and deletions. The editor I use before submitting to a publisher asked me, “Why do you keep switching between past and present tense?” I told her I don’t control that until I’m in final editing. My control over my writing is identical to my control over how I live. Acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I don’t even think of applying proven methods; I make up new ones.
Back to this plateau of solitude. Love what you have and especially yourself; with all your flaws. Integrity is more critical; be proud  not just for yourself, but because someone out there needs you.

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PUZZLE OF SOLITUDE PART TWO


PUZZLE OF SOLITUDE PART TWO.

PUZZLE OF SOLITUDE PART TWO


DSC01598THE PUZZLE OF SOLITUDE will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.

December and January. I fought what seemed endless solitude with my Irish Russian temper; bashing and short-tempered with customer service, world news, and mindless tasks. Then in February, it seemed that the fire dulled, and consciousness triumphed. It was a long wait; sometimes I have convinced my basement of survival would sink. It did not. There was an adventure that I did not know was happening until now, three months later.
I learned how to make friends with myself, and find the frolic and follies in the world that I created. I had to laugh alone and so I watched screwball comedies and recognized the humor of my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling up and down the staircase, because I kept forgetting where I left my phone. My head was elsewhere-daydreaming.
I learned how to repair house calamities; screw and unscrew doors and windows, seal up cracks, and paint. I rejuvenated every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! ‘I needed to see a transformation, and at the time, my direction was to convert this house into the museum of cool. Then I would get a swell of vacation rental bookings from Trip advisor, VRBO, and Homeaway, and drive west, north, and south; lifting up the curtain on a new and more exhilarating act.
A surprise from the weather channel, we were basking in the sunlight in March. The winter was milder than I had ever experienced here; and how could I complain when half of the USA was sliding, sinking, or snowbound without a way out. The ease of adaptation was preserved by the horrific scenes in the Midwest and East. In the kitchen; my heart simmered while stirring my weekly slumguillion gumbo, stew, and casseroles, chopping away while listening to Tony Bennett, Nat King Cole, and Frank Sinatra.
Winter has in the past been a funnel that leads to writing. Not this winter; my last column was in November. The activity of pushing forward became important, and the results were compelling. If I was not able to write it was because the material was not dry. TOO

OUR LIFE WAITS TILL WE CAN


WAKE UP  in the morning and be thinking of someone else.  Copy of ScannedImage-1

Photo from 1991 as I launched

the Jammers; aspiring Afro Cuban, HipHop

and Jazz Funk dance Combo. 

That was just as satisfying YES, as falling in love!  Wake up to another voice or voices that need you.

THE PUZZLE OF SOLITUDE


The oaks and  elm trees are almost naked;  butterscotch leaves are face down, like half eaten lollipops. Lurching in the east; a mass of thick charcoal clouds without any wind to push them towards us.  This outdoor stillness and the hum of my refrigerator are subtle signals of the approaching hand of winter. The silence is like a cooking pot cover that secures my spirit into acceptance.  Listening to classical piano concerto’s, blue grass on Saturday, the blues on Sunday and rock & roll on Friday. Musicians are my guests, as much as the wild birds that pluck  from my feeders.

Sometimes, solitude feels like a draft and no matter how many sweaters I  put on, the seclusion tugs at my bones. There are a lot of us soloists that reside in Santa Fe. We are not questioned or scolded for our behavior, we are left alone!  If I am drawn into an empty canvass of what seems my destiny, I draw the opposite silhouette.  I am the light against the dark.   The green light in my head  reminds me that I have my teeth, my long legs, and some passion for almost everything that God and man created.  I just can’t decide which passion to follow. Should I do a  museum, gallery, lecture, drive to Taos, go to a concert, dance at El Farol, take Flamenco lessons, engage strangers in conversation, watch old movies, read more of the stacks of books on my bedside table. Should I interview the straggly teenagers in the park or hit up the high rollers? Should I write, submit or edit:  clean the laundry room, make a thick chili stew, iron my clothes or pick up leaves. Living unstructured is a discipline that threads easily some days, and when it doesn’t, I have to control my passion for daydreaming.

My daydreams: to inhale ocean air, to bogey board, to hike, ride horses, go to Lincoln Center, the wine county, Prague, Sicily, and Russia. My passion to be around little children at Christmas and stare at their patent leather shoes, and to eat pumpkin pie for breakfast, to converse on philosophy, the arts, social trends, and the interior life.  My passion for impulsive trips on the road to Kentucky and Tennessee, anywhere I’ve never been; I will go.  The obstacle I place in front of me; I don’t want to travel alone. I’m plain afraid. I’m afraid to fly more than two hours, my sense of direction is worse than anyone I’ve ever met, and I pack too many clothes to carry, and end up with a raw neck and numb arm.

Once in Annecy, France, I walked for hours trying to find my hotel. I circled the squareOld part of Annecy (France)

twelve times. I’d not eaten a meal in several days because my coin satchel was half full . In a moment, I just fainted and swooped down to the ground. A Frenchman was kneeling beside me when I opened my eyes. We sat on a little iron bench, and he offered to take me to dinner.  He was so kind, he kept bringing food to my hotel because he said I didn’t know how to travel.

The train of clouds are still in the east; fluffy white cream and silvery puffs of pastry. They too cannot decide whether to cry; or remain strong and commanding.

Dating is one passion I never had.   Even when it was as organic as sharing a cup of coffee or taking a walk after dinner. Dating now is about business and getting connected. It’s selfish sex with a price. I hear men and women tell me these stories and my response  freezes.  ‘Oh yea, she wanted $250.00 for a few hours; without sex.’  For  a woman she is expected to be complete; with independence and like total clarity about who she is and what she wants. ‘He  told me I had too much baggage; who doesn’t over fifty?’  I think we are always in an  evolution of  personal understanding of our experiences.  You can’t put people into cross word puzzles and expect them to stay there.

Now, hours later the clouds cried, and their tears pranced in a slight wind. I curled into my favorite club chair and watched a 1937 screw-ball comedy, ” We’re Rich Again.”  Like my Dad used to say;’ You’re whole life can change overnight.’  My bed is warm. My friends are loyal. I allow myself to write everyday.

SHEPARD & DARK


SHEPARD & DARK.

CATCH THE ART IN SANTA FE PART ONE


 

Portrait of Eugenia Huici (Eugenia Errázuriz)
Portrait of Eugenia Huici (Eugenia Errázuriz) (Photo credit: Wikipedia)

CATCH THE ART WAVE OF SANTA FE    

Living in Santa Fe is a fertile landscape of more than sage, lavender, mud and ancient dwellings. It is where art branches out in new directions of livingness.

Along the path of adventures in the arts, I attended “AT HOME WITH FASHION, presented by ShowHouse Santa Fe in collaboration with Artgraze; a league of interior designers, artists, and galleries to embellish our homes with, “the art of living with art.” They patterned classic and chic Fashion Design on Interiors selected by ShowHouse Santa Fe founders, David Naylor and Jennifer Ashton. The Santa Fe Interior Designers set up shop in a quintessential Santa Fe home and opened the doors to the public to eat, drink, dance, get lost, or be discovered.  Along the interior paths of the home, artists, designers, home buyers, and sponsors conversed while behind the scenes; funds were dispersed from a generous monarchy to support the Community Foundation of Dollars4Schools. The designers worked for eight weeks, to transform a modest décor, into a stage setting of flamboyance, élan, and their secret design techniques. The designers; Jennifer Ashton, Jackie Butler, Gloria Devan, Pam Duncan, Emily Henry, Edy Keeler, David Naylor Annie O’Carroll, Lisa Samuels, Paul Rochford and Michael Violante. They schlepped all the furnishings, and accessories, including wardrobe accents, and art work to the home and coutured the house as if it was a model.  The epervescese of this lively group spread outdoors, onto a glittering garden patio designed by Catherine Clemens where the best Barbeque chicken I ever tasted permeated the painted postcard silhouette of sunset on the mesa.  Who was there?  A man in yellow rubber suit, fashion models, filmmakers, photographers, art collectors, and Antique Activists. In the crowd I noticed a distinctive gathering of men and women stylists bearing: squash necklaces, Concha belts, O’Keefing hair styles, and jewelry to stop traffic at Paseo Peralta and Cerrillos Road. The 4747 square foot Las Campanas Estate is listed with Ashley Margetson of Sotheby International Real Estate.

 

 

 

SHEPARD & DARK


Ralphie I served 1966–78
Ralphie I served 1966–78 (Photo credit: Wikipedia)

THE SCREEN IN SANTA FE scheduled three showings of this Docudrama.

Huh? Sam ol boy lives in Santa Fe. I’ve had bar chats with him, everyone has, and he’s our mascot for independence, accessibility, and still a flush hand of rugged classic looks. Like he should be Ralph Lauren‘s model, not Ralphie.

I figured the theater would be packed so I brought earplugs.  I take my films too seriously, and refuse to be interrupted with slurping and munching.  Into the first scene; my concentration was so acute I would have protested if anyone said a word.  Beginning with the footage; unbelievable home-made movies and photographs. You will see Sam as a youngster on the ranch where he grew up in Central California, Sam leaving home and working his way through puberty.   Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark.  The dialog between the two men and the dramatization of their feelings about the  collected letters they exchanged over a forty-year period is something beyond a reality show.

It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed.  The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.

Yes, there is a dusting of emotions  on Jessica Lange.

I walked away feeling as if my life had not even begun. So much life squeezed into one man lead me to question my limits on adventuring. Several lines I recall in particular, to paraphrase Sam;

We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer  you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.  

That kind of admission for a floundering but dedicated writer will last me a while.  On documentaries; they don’t get enough attention. I hope this film tears that fence down and let’s the HONEST-REAL-BULLS come through.

HA HA SANTA FE


IN THE GALLERY- EVO GALLERY SANTA FE, NM

The panel of experts on appropriation and copyright of

images covered the recent case, Cariou vs Prince. I knew nothing about the case; but it

was a participation of audience and panel that really worked.  The humor on the panel did not

overcome, the man in the third row who was knitting.  Richard Prince, "Graduation" (2008) was widely cited throughout this case, and was one of the five pieces the Court withheld judgment on today (image via Fordham's IPLJ)

Today I saw a woman in her fifties walking past my house with a dog. She was wearing her apron.

Last week, my phone called Sam Shepard three times, instead of calling Stefanie.

 

I’M NOT LIEING


2013101095112653Photo credit to: LOREN TUPLER aka White Wolf.

 

The throw of the dice this week lands on adventures in livingness; friendships.

The subject pierced me yesterday morning, and came by way of Anais Nin, a passage in her diary. 
“Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934    Today, the first in several months that the atmosphere is ripe with thought, and has brought me back to the writing of the moment. The delivery trucks have not opened their doors and dropped their ramps, the garbage trucks have already passed, and the traffic is so slight it feels like Sunday.

Fall is brushing nature with a varnish of  sunshine all day, the sky is swimming pool blue,  and so I sit in the garden on the lounge chair, shaded by the droopy elm tree.  I hear some cheerful shouting on the sidewalk, a horn breaks the sanctuary, and then a dove lands on the wooden lattice and we watch each other.  I breathe deep, close my eyes, and feel my noon time tuna sandwich thumping in my belly.

The stream of consciousness is threaded to the deeper blanket of anxiousness. I am going in circles, not physically like I have been moving from one bedroom to another, one closet to another to accommodate, the vacation rental guests. I am in the circle of chaos that seeps into every day activities. Tempers are flaring, combative street encounters rouse the hum of music on my porch, authoritarian behavior is exhuming from Managers and Owners, employees are jumping ship everywhere. People are relocating, selling possessions,  or using succulent lips and breasts to lease men for financial support. We are all a bit edgy.

 Just as we adapt to one highland of composure we lose another. On Yom Kippur I attended synagogue in Santa Fe. There were only a few empty seats, so I took one and opened my prayer-book. I tried to read the portion I missed but the two women behind me were chatting. The expectation of searching your soul does not come easy when two women are talking. The same annoyance follows me everywhere; I always end up seated next to the talkers. Whether it’s in on an airplane, a restaurant, or a movie theater, the talkers seem to trail me. The passages from Yom Kippur service remind us of: sensitivity, tolerance, love of thy neighbor, selflessness, jealously, and trust. There I sat, silently scolding the two women who continued to chatter and laugh. Rather than deter my soul-searching, I changed seats, and asked forgiveness for my intolerance. Above all my flaws and quirks, the altar of shame lies in the hiss of distrust. It is a hiss that rises from my gut, and enters my brain. It wasn’t always a malignancy; as a young adult I trusted everyone, unless they asked me questions about my Dad. In recent years, the tumor of trust has splintered  friendships.  The Rabbi chose the subject of trust as his closing narrative. He said that a person who suffers from lack of trust, runs the risk of becoming paranoid.  I sank lower on my inner backbone. Yes, that seepage of paranoia has invaded my trusting heart.   When I got home  Rudy was painting the new double pane door to my room. 

“How was the service? Hand me that screw will you?” He asked

“Guess what the Rabbi talked about?” I said and handed him the screw.

“Israel.”

“Well of course that’s embedded in the Torah. But his personal message was about trust.”

Rudy continued to insert the door into the archway with his screw-gun.   “You inherited distrust from your father, I don’t know if you can rid yourself of it.”

“I have to!”

“Good. I’m so hurt when you don’t trust me, I mean after thirty years.”

“You still lie.”

“They’re not lies; they’re white lies, so people don’t get hurt.”

“But I know when you’re lying.”

“I know you do.”

“And the lies really hurt.”

“Well then we’re both guilty.”

“You still don’t get it.”

“Yes, I do. You’re not listening to me.”

“You’re right. I’m about feeling, and you’re about telling. ”

 Why do we lie; is it to protect the other person’s feelings or

is it because we use deceit and dishonesty to get what we want,  If we could change a single human gene; it would be the fib factor. Just imagine how different our life would be.

DON’T READ THE NEWS OR WATCH IT ON TELEVISION


[contact-form subject='[SMILEY%26#039;S DICE’][contact-field label="Name" type="name" required="1"/][contact-field label="Email" type="email" required="1"/][contact-field label="Website" type="url"/][contact-field label="Comment" type="textarea" required="1"/][/contact-form] I’m a creative nonfiction short story writer, and a  columnist on arts and lifestyle. I have never said one word about politics; I am not a debater, academic, or political science major.

As a writer I read the newspapers; Wall Street Journal, USA Today, Los Angeles Times, New York Times, and the Santa Fe New Mexico papers, where I live.  I watch all the news stations. I quit MSNBC, cause Chris Mathews made me hyperventilate.  I think Charles Krauthammer is the most knowledgeable and sustainable journalist of our time.

Do to an act of nature, lightening, I lost Cable for a month. This was when Syria broke. No one talked about it here, and I felt the communities disillusionment. When my service was repaired, I turned on the news.  I felt more insulted than the time a young boy told me my legs were hairy.  Who did you think you are kidding? You want us to watch both sides fisting each other like a street gang!  Please someone tell them, the Press, chill out a bit and stop turning the news into a talk show.  You talk to us as we were mutes.  The Government has evolved as false as who we see in the mirror.  If you are plain you see beautiful, if you are beautiful you see plain.  I see you government, and I am ashamed.

I haven’t read the papers since June. This Thursday I went to the bank to make a deposit to cover my negative, and I looked at the newspapers on the customer coffee table.Image, My eyes shut after two headlines. How much more can we take? I really have lost track of priorities.

Should I get a job because my writing remains unrecognized. I need a retirement guidance counselor. I don’t like the title of financial advisor; they sound too rigid. Should I respond to the dreadful vacillation of American Policy. How much more debating can they do? It’s like when I worked in corporate real estate.  The meetings I attended and had to present were progress reports on whether I was an effective employee. I don’t know how I lasted as long as I did; my act was good, and I impressed some of the boys, but communication was too formal to bring out honesty. Maybe that’s what has evaporated in our

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government, or am I seeing it differently because I’ve aged into it slowly. I think it started when the cool shit act came about. Some artists have it,  Musicians, yea they got it, gangsta’s got it, but they always had it. Those of us who feigned cool acts, became feigned. Rambling now. Got to sweep fall leaves and

start editing 350 columns.

I’m listing to Nessun Dorma, and oil treating my hair. I was thinking how much I detest all this multitasking. I can now handle five projects at once; write, sweep mop the floor, water plants, contemplate resolutions to my finances, all the while feeling my nerves tighten, and even though I stretch four times a day; this crushing operatic play in life is overstrung.  I watch those Sandals vacation commercials and practically cry because how many of us haven’t had a vacation in years, or a chance to

play a round or golf or read More Magazine all the way through?