WORLD VISION


politics+cartoon+power+of+people
WORLD VISION
By Luellen Smiley

I made a list of the horrors, corruption, and confusion that dismantled the ordinary into extraordinary. The notebook is on top of my desk, on top of the entire works-in rewrite documents. All the other tributes to my success or failure are stored mentally; I have to look and hear the world. I am addicted to news alerts, commentaries, panels, and interviews. Along with the experts and analysts I listen to, my own voice and opinions are exploding.
I am not Charlie, Kayla, or Kyleโ€™s wife. I am a writer of interior battles. My writing has never steered towards Politics. It is a freeway I never understood; a freeway my father told me at a young age was not to be trusted. A subject I avoided in college, and a topic that fumbled my thinking during my young adulthood rap sessions.
How faraway those years grow everyday. We chanted peace and love, in our kooky outfits, and our imaginative minds. I was full with Lennon, Dylan and Joni.

How much longer can I remain silent? There is a blockade of conversation about politics; it goes up like a digital wall, as soon as I meet a stranger. I was in La Posada Hotel the night the terrorists captured the Kosher Deli and Coffee House. I went to record by hand, the reactions of people I pick out very impulsively. A sort of lightning rod hits when I go into public and select my conversations. I may meet someone I have to write about.

No one had time to really absorb the truth of this historical moment. We may read, or watch the news, shake our heads, and then tuck our children into bed. I feel that our lives our complicated more with finances than any other single threat. Most of us just want to take a vacation. So what can they expect of us. Do we have a voice? Do we have a fax number to the Administration? Sometimes I dream of one representative in every state of the Union grabbing the microphone, and all digital devices, and shouting out, โ€œStop the war Republicans and Democrats!ย  IMAGINE IF WE WERE UNITEDโ€ฆ JUST A LITTLE.

WHO WAS MY FATHER?


I began my research WITH WHAT I HAD; one of my fatherโ€™s books; โ€œThe Mark Hellinger Story.โ€ I leafed through the index and there was my fatherโ€™s name along with Ben Siegelโ€™s. According to the biographer, my father visited Mark at his home the night before he died. Mark had stood up in court for my father and Ben at one of their hearings. He was fond of Ben, like so many people were, that arenโ€™t here to tell their story.
After reading the book I rented, The Roaring Twenties, written by Mark, and from there the connections, relationships, and characters began to leap out from all directions. I
submerged myself in history and photocopied pictures of my fatherโ€™s movie star friends, George Raft, Eddie Cantor, Clark Gable, and his gangsters friends. I found photographs of the nightclubs he frequented, the Copacabana, El Morocco, and Ciroโ€™s and nightclubs that he referred to in his mysterious conversations. I made a collage of the pictures and posted them above my desk. I played Tommy Dorsey records while I wrote. This microcosm of life that was created, allowed me to listen to the whispers and discover the secrets.
I dug into my fatherโ€™s history without knowing how deep I had to go, or what shattering evidence would cross my path. In my heart I felt this was crossing a spiritual bridge to my parents. The flip side was a gripping torment, tied to my
prying mind. I needed to break into the files in order to break my silence, and discover my parents, not glamorized stereotypes that fit into the category of Copa dancer and gangster. No matter what I uncovered, I always knew it would be ambiguous, and controversial. I did not expect to find a record of murder, dope peddling, and prostitution. I believed that his crimes were around the race track and in gambling partnerships. Even so, I could never understand the similarities we shared, unless I knew them as people. Though I have not rebelled against authority as my father did, Iโ€˜m not a team player, I resist authority, and I donโ€™t like waiting in lines.
I had to reinvent my mother through the subconscious. I skated over thin ice trying to set her truth apart, from what I
had invented, dreamed, or had been told. I listened to Judy Garlandโ€™s recordings, and premonitions surfaced, of how my mother loved Judy, how it must have felt to be under the spot lights of MGM, and dancing in ginger bread musicals while her own life was draped with film noir drama.
I studied my motherโ€™s face in all her films, rewinding and stopping the tape, as if she might suddenly return my glance. She had dancing and background shots in the musicals produced by Arthur Freed. I remembered dad talking about Arthur, and how prestigious it was to be in his department.
When I discovered the Museum of Motion Pictures Arts and Sciences in Los Angeles, I went down and filled out a slip of paper with my motherโ€™s name on it and waited for my number to be called. I felt something like a mother discovering her childโ€™s first triumph. They handed me a large perfectly stainless manila envelope, and a pair of latex gloves to handle the file. I had to look through it in front of a clerk.
โ€œThatโ€™s my mother,โ€ I proclaimed. He blinked and returned his attention to a memo pad. Inside the envelope were black and while glossy studio photographs, press releases, and studio biographies of my mother. The woman who pressed my clothes, washed my hair, and made my tuna sandwiches. There she was in front of the train, for Meet Me in St. Louis, and a promotional photograph in The Secret Life of Walter Mitty, dated 1947. That was the year Ben was shot. I looked further to find more clues. I needed to know where she was the night Ben was murdered. Maybe she was on location when it happened. Maybe she was in New York at the opening of the film. I could not place her on June 20, the day Ben was murdered. I imagined my father called her and told her the news. The marriage plans were postponed, their engagement suspended. My father had to get out of town.
I spent everyday picking through the myths Iโ€™d heard and read. I heard a clear chord of scorn, for exposing family secrets, โ€œItโ€™s nobodyโ€™s business what goes on in our family, donโ€™t discuss our family with anyone, Do You Hear Me!โ€ I must have heard that a thousand times.
I began to dig with an iron shovel. I asked every question I wasnโ€™t supposed to ask, and preyed into every sector of their life. I wanted to know about his childhood, where he grew up, and why he left home when he was thirteen years old. Who were my grandparents, and why didnโ€™t he talk about them. How did he meet Ben Siegel and Johnny Roselli, and when did he cross over into the rackets?
I contacted historians, archivists, judges, attorneys, Police Chiefs, FBI agents, authors and reporters across the United States. He always said, โ€œReporters can destroy your life overnight.โ€ And here I was, uncovering what he had sheltered all his life.

I wrote to the INS in WDC and asked for their assistance. Six months later I received a letter from the INS in Los Angeles. They acknowledged his file, it was classified and they could not locate it. The progress was tediously slow, and the waiting oppressive.
While I waited for the files, I read Damon Runyon, and Raymond Chandler stories and attempted to identify which character personified which gangster. The stories were about the people that came to my birthday parties, Swifty Morgan, Nick the Greek, Frank Costello and Abner Zwillman,(the Boss of the New Jersey syndicate.) The dialect of Runyon and Winchell mimicked the same anecdotes my father used over and over! By understanding Runyonโ€™s characters I began to know my father. At night I watched old gangster movies and that opened another door of familiarity.

I read almost every book in print about the Mafia and ordered out of print books from all over the country. They began to topple on my head from the shelf above the desk. Allen Smiley was in dozens of them. Every author portrayed him differently, he was a Russian Jew, a criminal, Bugsyโ€™s right hand man, a dope peddler, a race track tout, and sometimes the words bled on my arm. To me, he was a benevolent father, a wise counselor and a man who worshipedscan0002 me.
The INS claimed my father was one of the most dangerous criminals in the United States. They said he was Benjamin Siegelโ€™s assistant. They said he was taking over now that Ben was gone.
That day I put the file away, and looked into the window of truth. How much could I bear to hear more?

Mom and Dad second from Left. I don’t know the other people.

MUST TO MOONLIGHT


 

MAXFIELD PARRISH

 

Now that you know I am leaving Santa Fe on an exploration of destination,ย  there you are again.ย  Igniting my flashbulbs for the seamless cinema-scope of Santa Fe, you are toggling behind me in the snow, as I plow, sweep and sprinkle salt, you are there when I am in the parade and choosing my characters to congregate, and make a party, and you are there when I wake up in the morning, to draw me out of the down comfort, sheets and pillows that bemoan me leaving, I want to get up and begin the day, because you are there, turning up the music, and opening the laptop to a new page, and the journal to a new entry, and my books that have punished me for not reading them. They are dusty and wrinkled from my sleepy attempts to find the water bottle and drink, and then the spills fall on them.ย  You are there when I am cleaning the stove and bathroom floors, a reminder to get on the floor and douse the tiles with love,ย  listen to music while Iย  vacuum, and end the day with myย  shoes off and slouching in a comfy chair.ย ย  You are not dormant spirit, you are rising from the labyrinth of an imagined life and one that is moonlight.

MAXFIELD PARRISH

DROPPING OF THE THINKER


It’s been a month since I’ve seen the Thinker.ย ย  The time was spent luxuriating in thought and activity.ย ย  They became days of resurrecting my business, writing, and staying at home, where my fantasia of comfort welcomes me.ย  Above my bed, I hung an umbrella. A vintage peach faded Parasol. One day, while I was searching for a place to store my ribbons, I looked up and watched the light sprinkle through the Parasol.ย  So that is where I stored the ribbons. When I am in bed during an afternoon nap,ย  I see abstractions of figures:ย  dancers, faces,ย  gods, and gorillas.ย  The Thinker noticed the abstraction. I think he said, ” Wow, this is incredible. Do you see the legs? And there is the face.”ย  He took everything in and profitedย  from imagination.ย  He had a thousand virtues, that regrettably did not serve him.ย  dsc01740.jpgI don’t know why.ย  You know I want answers, that is why I write.

THE THINKER & THE PUPPET


After Iย  published this last story,ย  I spoke with White Zen, my palgal in Santa Fe.ย  She said the last paragraph of the story made her cry.ย  Juxtaposed between the writers Zen of exporting such feeling, and the sadness we both shared. White Zen had a Thinker too. I guess there are more of them than I knew.

Having had six true loves in my life, who impregnated me with knowledge generosity, and loyalty is what made me so unprepared for the Thinker.ย  He does resemble Macedonio;ย  the first man to peel off the woman in me. They both have charisma, mystery, and good dark looks,ย  Macedonio is dead now, and the memories of him still glisten;ย  like the day in Golden Gate Park under the cherry blossom tree.

What I miss most, is the giggling, dancing, folly-maker that the Thinker pulled out of me as If I were a puppet. He called me Puppet because that’s how he saw me.ย  I’ve got to get my Jojo by tomorrow. I love Thanksgiving as a day with admissions of selfishness and greed. I need to be washed away into thanks that I am here with a mouthful full of food, and a napkin.

LAST SWIM WITH THE THINKER


I love to swim; water has been my home since I was born.ย  I wrote the Thinker stories inย  the water because Iย  know the water. It was an experimental impulse to write as I did. ย ย  I know when you break the surface;ย  reality isย  indifferent.ย  Breaking barriers, in water, in love, in business,ย  is all the same. ย  I have to work up a mental sweat to write, to create a dinner, a concept.ย  Nothing is meaninglessness to me.ย  I want everything to matter.

After the Thinker left, I have had two weeks of suck time to reflect the alchemy of our relationship. I believe in examination of relationships. It is the key to understanding who we are, who we don’t want to be, who we wish to be.ย  I have ironed out the swimming with the Thinker. It is a bridge to my courage,ย  to know it is time to leave Santa Fe. If you have ever lived here, you know it is notย  ‘ the land of enchantment’ , rather the land of entrapment.ย  I don’t know who coined the phrase; but it is as true as Los Angeles being the land 20140528_194204of movie stars.ย  You may not become a movie star, any more than you mayย  leave Santa Fe.ย ย  I chose the challenge of living here.ย ย  I discoveredย  the conflict of leaving,ย  and living it now as I write.ย  I know I came to Santa Fe to discover the underbelly. That is what the Thinker gave to me.

QUE SERA SERA


ADVENTURES IN LIVINGNESS

is going from my 2500 square foot five-bedroom home with a garage movie theater, private garden and roomy front porchย  into a 265 square foot bedroom without a kitchen.ย  Itโ€™s not permanent, but there is no end date either.

The big house we converted into a Vacation Rental as a means of income, and so I had to move out a month and two weeks ago.ย  My room, I coined the Wild West Room, is brick red. I covered the walls with yellow and red original movie posters, and furnished it with a slot machine, two tables, two lamps, a TV with western saddle draped over it, a double bed, and a four drawer plastic dresser. The closet is tiny; so I only brought my best summer clothes; twenty hangers is all.

Waking up to have coffee on my petite patio laced with roses and a canopy of vines, settles my nerves after the mini coffee maker falls off the edge of the sink, and other accidental maneuvers. Living in a doll house requires tremendous gentleness, one swift wrong move, and things start tumbling.

My refrigerator has inspired a new diet. I call it the mini-frig diet. I can fit one bottle of wine, one 8oz bottled smoothie, one juice, my Aloe Vera, cream, three condiments: green chili, horseradish mayonnaise, Red Chili Jelly, ย a small tub of washed lettuce or spinach, two cheeses, tortillas, olives, tomatoes, smoked salmon or chicken strips and thatโ€™s it.

The only catch is that it is in arms length of the bed, and within four feet of anywhere in the room.ย  Snacking is just part of the atmosphere.My own unimportant theory on eating, is I eat less poison if there is a bowl of chocolate covered nuts, gummy bears, and chips in the house.

I prefer to eat on dishes then paper, so I wash them in the bathroom sink, but I wash the delicate wine glass when Iโ€™m showering.ย  All my meals, usually one a day, are outdoors on the patio, under the new Overstock.com umbrella that works perfectly.ย  Iโ€™ve had a great experience with them on a return as well.

My house faces a busy street in Santa Fe, NM. The street connects upper Eastside to the downtown Plaza, and across the street is the La Posada Resort and Spa.ย  I can walk to the gym, and pool, survey the clientรจle, drink wine in the bar, and talk to the staff at the front desk.ย  Iโ€™m there everyday; and as ying goes with a yang, I tolerate their side of the street being the loading zone. There are pick-ups, and drop-offs, and a lot of racket that I bear with my earplugs.

It’s in the high nineties, and we’re in a stable between three burning fires. The heat clings to me, like a saran-wrap;ย  it’s also sort of Chaplinesque.ย  I keep changing; to go on the patio.ย  I can’t go in a slip, so I change a lot. Then there’s the marvelous terrifically considerate and talented guests in my house. They are three principal musicians’, with the Santa Fe Opera this season.ย  When I water I hear them practicing.ย ย  0627131541a

My shrunken life has forced me out more, eliminated hours of cleaning, shaved time off dressing, rearranging furniture, over-achieving unimportant tasks, watching the birds in their nest, and feeling complacent.

That is the most important of all; I realize it is time to bolster up, make sacrifices, and use this little room as the place to write my way out of here.ย  I see myself in Portugal, or some place I still havenโ€™t discovered.ย  This miniature living reminds me of the first studio I rented in Los Angeles.ย  You can’t imagine what progress came from that disappointing address, at the corner of Little Santa Monica and Westwood Boulevard. ‘ Que sera sera.’

THE LEGEND LADY OF PALACE AVE


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The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didnโ€™t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom Iโ€™d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, sheโ€™s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, โ€˜Oh I had an Aunt named Lucero, and we called her LouLou.โ€™ She didnโ€™t let go of my hand, and then she told me that the families, some names Iโ€™ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. โ€˜You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.โ€™

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

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