LUELLEN SMILEY ADVENTURERS IN LIVINGNESS

Where Gaps of Expression are Liberated

ABOUT

Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.

That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.

Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.

Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.

Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.

Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.

Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.

MALIBU- CANDLES OF THE MOUNTAIN


 

Interaction with strangers in the same house lit my anxiety alarm. The last time roommates occupied the same house was in 1972. I lived in a three-story twelve bedroom mansion in San Rafael, California. There were thirteen of us. Disbro lived in the attic and inhaled laughing gas all day. I was twenty-years old.
This anxiety was visible even at twenty. Sometimes all of us sat down to dinner at one dining room table. The conversations literally wrapped around the room, the halls, and the windows. My voice was restrained; they were too conversational and intellectually humorous for me. I was the youngest.
This brings us back to the Puzzle of Solitude. When there is conversational nuances, improvisations, laughter, dancing, cooking, dressing, showering, slacking, without strain or tension, then it is time to leave out solitude and hook the bait of adventure.
Fragments of my fragmented spirit reincarnated this summer at Chantel’s. There were three full-time roommates that shared the house, Chantel, Speedy, and Nathan and an occasional Nico. There are up to eight visitors occupying the private cottages, and a flexible showing of hungry men and women at dinner time. Added to this is the number of languages spoken, English, Spanish, French, German and Koui’s (Chantel’s dog) welcoming bark.
Interaction on the routine, necessary, and impulsive terms of cohabitation in the morning: preparing coffee in two Turkish pots, buttering bread, stretching, checking email, cuddling Koui, and taking showers. The first morning my mask shed when I walked into the kitchen in my nightie and open robe. What happened in twelve hours to my belt of modesty?  Speedy and I chatted in English, and then he’d  Skype his wife. One morning he introduced us. I looked forward to his Skype discussions; the most fluid and rhythmic language to my ears. The art of conversation has vanished from many factions of our society. The phone and laptop are now our mouths and ears.
Not so with Europeans.
“ Loulou, so you have a gallery of photography?  
    “ We had one; now it’s a vacation rental decorated with photography.”
Nico leaned against the wooden island table to hear the story. You can’t look Nico in the eyes without lusting just a little.
“ How’d you start this gallery? Nico asked while chopping perfectly unmeasured tomatoes, mushrooms, and onion. 
“ I called photographers;  and a few friends pushed my cart to the right door. One time I walked into a gallery on Robertson Blvd and noticed this exhibition of celebrities on the beach in St Tropez. It was incredible!”
Fabian who owns a gallery on Robertson moved in closer as I continued.
“I walked in and asked the Swedish owner if he’d co-exhibit in our gallery in New Mexico. He said yes, we didn’t even sign anything. He kept his end up. So I showed the Edward Quinn’s in Santa Fe. I should have bought the Audrey Hepburn one; when she was eighteen.”
“I know the Quinn photographs.  Bridget Bardot– yes– what was the name of the Gallery?” Fabian revealed enough interest to spark mine.”
“ Christopher Guye.”
He moved closer  so we were face to face.

“I know Christophe! My first gallery was next door!”

All of us applauded the connection; I think I moved a notch closer to the group.
This is what happens when joining is more exhilarating than not. In the next few weeks: we dined in French and English, watched Soccer, teased and laughed, cooked and drank. There were parties with Jennie, Chantel’s assistant, who has two congregations of friends, all uniquely different and robust. I had walks on the beach alone, and time to write; but the real vacation was interior. I left the old LouLou, who paced, fretted, vacillated and deconstructed behind. She lost the battle to interior florescence.

The thread of interaction followed me outside the compound.  I discovered  Malibu is not all celebrities and rock-stars. There are families that go to the beach, hang out at Vintage Market, and attend community events tied to the ocean, horses, and surfing. The school of surfing for children is worth a visit just to see the little boys and girls riding waves. Malibu has its own Playhouse, a Movie Theater and two upscale outdoor shopping malls. The Getty Villa perched on cliff- side overlooking Pacific Coast Highway has reopened and it is free to the public.

20140712_182639
The vacation sabbatical ended last week; though the effect remains. This adventure was supposed to be all about ocean swimming, window shopping, revisiting former favorite spots; what I really needed was to revisit myself. Do we ever stop emerging? I hope not.

Candles of the mountain are a cactus plant that hopscotch the Santa Monica Mountains. Their 20140723_075644flowers are white and when the sun sets into darkness they light up the mountains like candles. 

 

 


3 responses to “MALIBU- CANDLES OF THE MOUNTAIN”

  1. Great read, interesting how you described the Europeans and communication. I felt quite a bit of human warmth from that Post.

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  2. A poem for a blog. Fair nuf? Dennis

    Drishti *

    Drishti has nothing to do
    With eyes open.
    Disenthrall yourself
    From notions of equilibrium.
    See your very self
    circling a sun
    Circling a galaxy
    Flung across space time.

    Then you will finally see
    That every cell of your being
    Is connected to every atom
    In the universe.

    That when the apple falls to the earth,
    The earth just a little bit
    falls to the apple.

    * Drishti is an Indian Pali word meaning the point of focus for the eyes in yoga poses, to maintain balance and equilibrium.

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