FILM NOIR MESSENGER


Photo by u041au0430u0440u0438u043du0430 u041au0430u0440u0436u0430u0432u0438u043du0430 on Pexels.com

I watch film noir with an admitted addiction. The grainy black and white stillness, the music scores, the cinematography satisfies more than current cinema . The message comes through, live gracious, selfless, forgiving, brave, and passionate? As I feel these thoughts streaming along, the one that stabs like a knife is passion. That visceral sensibility has driven me throughout my life: about men, mystery, adventure, accomplishment, art, music, dancing, unfamiliar places and faces, and cafรฉ society rendezvous. A temporary grasp of glee. And when it ends, it goes like this.ย ย 

Unprepared, who knows where
The leaves will fall
They donโ€™t plan
Where to land

Undisclosed strangers will walk in our paths.
Cross our hearts and
Tread on our minds ย 

Uncertainly
We traverse our heart’s discourse
Shooting for dreams of undiscovered lands
More weightless plans
I donโ€™t know if I can see ahead

My steps, like pebbles, follow the rush in the river
On the edge of the quiver

Skipping towards freedom
In summer, rays of light
Like a leaf, I break free from the branch,

To land a launch.

A LADY LIKE AUDREY


FAME & FAILURE


SHAME IN SHY

LIKE EYES OF A SPY

HOWLING IN THE STREET

A GUTTURAL CRY

TO BE RECOGNIZED

LIKE JAGGER AND DYLAN

WHERE THEY DWELL

THE SHEEP WILL FOLLOW

CHASING PIECES OF THEIR PIE

CLOAKED IN YOUR SUCCESS

WE HOPE TO IMPRESS

THE ONES WHO TOOK YOUR HAND

TO THE PROMISE LAND.

TO BE PASSED OVER BY THE GAME

AND WATCH YOUR MASTERPIECE LAY IN BLAME

NO ONE NOTICED

YOU HAVE PASSION

IN DARK FLAMES

SHY IS A SHAME WHEN YOU ARE TOO PLAIN

VALENTINE FRIENDS


What I think of at three in the morning is never the same as at ten o’clock in the morning.ย  The labyrinth of safety and comfort, colliding with the unknown darkness, seems to be the most revealing of emotions. It is also a time that spirals into visual realizations and recognition, and a time when our mirrors move toward us.ย  Tonight is about friends.

Friends are bookends that bind our stories; some novellas, some poems, some cinematic, each friend ย serves as a bookend to our personal history.ย  When Iโ€™ve lost my way and need direction my friends motorize me like a little engine, and when I fly without wings, they ring the bell to come down to earth. At times, arguments arise, and my friendships stray, but true-life friends never leave you behind. Sometimes, years may pass, and then one day, you get a call or an email or send one yourself,. The flushing of that particular squabble in history vanishes. You can start anew; at the same time, it is not.

The essence of friendship never burns out. It is our galaxy, celestial agility. Are you experiencing a startling outpouring from friends whoโ€™ve left your life only to suddenly show up on your social media or a personal email? Are your friends calling and writing more often?ย  I’m constantly examining some unfamiliar events in life, a new trend, a cultural change. ย Seems like every topic can be mixed with politics, sometimes the mixture is explosive. Iโ€™ve halted the political discussions, and so have my friends, as they are more critical to my livingness than politics.

PHOTO CREDIT PHILIP TOWNSEND. The first time the Beatles met the Maharajah.

WHICH WAY TO TURN…IF


Sunday thinking: future, plan, prepare, implement. What if I go West, East, North, or South? One at a time. I use it a lot; itโ€™s my mascot, mental disability. If I got over it, I would delete it from wherever it rose.  

It reminds me of Rudyard Kipling’s If Poem. I am fearless one day and fearful the next, a collage of paradoxical thoughts. Emotions are my yellow brick road and also the vouchers of the victim. Iโ€™ve never been an A student of defensive tools; my acquiescence serves my need to be approved, which is so annoying.

I am not going back to childhood experiences; that cathartic tunnel has been examined, and approval and cherishing is the pillow of my contentment.

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THE END OF THE BOOK


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I’ve ended my book. Now, the editing takes you to a critical, objective perspective. It’s like looking in the mirror of truth, wrinkled, obtuse sentences. If I had not had this manuscript to write, I would have stared out the window and thought about it. A wise man told me,’ Write every day,’ and so I have. A photo from the Santa Fe fine days is placed in my heart like a vessel. One of those days is the Wine and Chili Festival.

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2William Winant and Nancy LeRoyilliam Winant and Nancy LeRoy

SATISFYING PRINT ON AL SMILEY AT LAST: IN JEWISH POST & NEWS


April 6, 2015

Former Winnipegger Al Smiley had a close association with โ€œBugsyโ€ Siegel

ย 

ย 

Al Smiley

By MARTIN ZEILIG
On the evening of June 20, 1947, less than six months after he opened the Flamingo Hotel-Casino in Las Vegas, Ben โ€œBugsyโ€ Siegel died in a barrage of bullets through the front windows while sitting on a couch in his Beverly Hills mansion at 810 Linden Drive. Assassinated at the age of 41, Siegel was one of the USAโ€™s most notorious gangsters.
A former Winnipegger, Al Smiley (1907-1984) was with Siegel that evening.
โ€œMy dad was seated inches away from Siegel, on the sofa, and took three bullets through the sleeve of his jacket,โ€ said Luellen Smiley, a creative non-fiction writer, award-winning newspaper columnist, and Mob historian who lives in Sante Fe, New Mexico.
She consented to an interview with The Jewish Post & News earlier this winter.
โ€œHe was brought in as a suspect. His photograph was in all the newspapers,โ€ said Luellen.
โ€œHe was the only nonfamily member who had the guts to go to the funeral.โ€
So who was Al Smiley?
Born in Kiev, Ukraine in 1907 as Aaron Smehoff, Smiley and his family โ€“ father Hyman, mother Anne, sister Gertrude (who became a school teacher and lived in Winnipeg until her death many decades later), brothers Samuel and Benjamin โ€“ immigrated to Winnipeg when he was five, said Luellen Smiley, during a recent telephone interview with this reporter from her home in Sante Fe, New Mexico.
โ€œMy grandfather was a kosher butcher and delicatessen owner,โ€ she continued, noting that the family home and butcher shop was located at 347 Aberdeen Avenue.
โ€œHe maintained an Orthodox household and expected that his eldest son would become a rabbi. But, my father was rebellious and interested in sports, especially hockey.โ€
This caused conflict between the willful youth and his rigid, religious father.
So, the teenager fled Winnipeg for greener pastures in Detroit, Michigan via Windsor, Ontario in 1923.
He got a job travelling with the Ringling Brothers Circus and ended up in California where he was arrested for a drugstore robbery in San Francisco and sent to Preston Reformatory School in Ione, California, Luellen noted.
โ€œIt was there that he met legendary movie director Cecil B. DeMille,โ€ she said.
โ€œHe was doing some sort of research for a movie. My father asked him for a job in the movie industry upon his release, and DeMille agreed. He found my dad work in a wardrobe department.
He later became a property man, then a grip, the person in charge of production on a set, and eventually a producer.โ€
He befriended celebrities like George Raft, Eddie Cantor, Clark Gable, Lauren Bacall, along with such gangster associates as Ben Siegel.
โ€œIโ€™m pretty sure Dad met Ben through George Raft,โ€ Luellen Smiley speculated.
With Siegelโ€™s help he opened a nightclub in L.A. sometime in the late 1930s.
Smiley would later tell his daughter that Siegel was โ€œthe best friend I ever had.โ€
In her soon-to-published memoir, excerpts of which she agreed to let this newspaper print, Luellen Smiley reveals the conflicted feelings she had growing up, and into later life too, about her father:
โ€œSome children are silenced. The pretense is protection against people and events more powerful than them. As the daughter of Allen Smiley, associate and friend to Benjamin โ€˜Bugsyโ€™ Siegel, I was raised in a family of secrets.
โ€œMy father is not a household name like Siegel, partly because he wore a disguise, a veneer of respectability that fooled most. It did not fool the government.
โ€œWhen I was exposed to the truth by way of a book, I kept the secret, too. I was 13. My parents divorced, and five years later, my mother died. In 1966, I went to live with my father in Hollywood. I was forbidden to talk about our life: โ€˜Donโ€™t discuss our family business with anyone, and listen very carefully to what I say from now on!โ€™ But one night, he asked me to come into his room and he told me the story of the night Ben was murdered.
โ€œWhen I was spared death, I made a vow to do everything in my power to reform, so that I could one day marry your mother.
โ€œBen was the best friend I ever had. Youโ€™re going to hear a lot of things about him in your life. Just remember what I am telling you; heโ€™d take a bullet for a friend.
โ€œAfter my father died, I remained silent, to avoid shame, embarrassment and questions. But 10 years later, in 1994, when I turned 40, I cracked the silence. I read every book in print โ€“ and out of print โ€“ about the Mafia. Allen Smiley was in dozens. He was a Russian Jew, a criminal, Bugsyโ€™s right-hand man, a dope peddler, pimp, a racetrack tout. I held close the memory of a benevolent father, wise counselor, and a man who worshipped me.
โ€œI made a Freedom of Information Act request and obtained his government files. The Immigration and Naturalization Service claimed he was one of the most dangerous criminals in the country. They said he was Benjamin Siegelโ€™s assistant. They said he was poised to take over the rackets in Los Angeles. He didnโ€™t; he sold out his interest in the Flamingo, and he went to Houston to strike oil. I put the file away, and looked into the window of truth. How much more could I bear to hear?
โ€œHe stowed away to America at 16, and was eventually doggedly pursued for never having registered as an alien. He had multiple arrests โ€“ including one for bookmaking in 1944, and another for slicing off part of the actor John Hallโ€™s nose in a fracas at Tommy Dorseyโ€™s apartment. He met my mother, Lucille Casey, at the Copacabana nightclub in 1943. She was onstage, dancing for $75 a week, and my father was in the audience, seated with Copa owner and mob boss Frank Costello.
โ€œโ€˜I took one look, and I knew it was her,โ€™ was all he had told me on many occasions.
โ€œOn a trip to the Museum of Motion Pictures Arts and Sciences in Los Angeles, I was handed a large perfectly pristine manila envelope, and a pair of latex gloves with which to handle the file. Inside were black and white glossy MGM studio photographs, press releases, and biographies of my motherโ€™s career in film, including roles in โ€˜The Secret Life of Walter Mitty,โ€™ โ€˜Ziegfeld Follies of 1946,โ€™ โ€˜Meet Me in St. Louisโ€™ and โ€˜Harvey Girls.โ€™ She was written up in the columns, where later my father was identified as a โ€˜sportsman.โ€™ The woman who pressed my clothes, washed my hair, and made my tuna sandwiches was an actress dancing in Judy Garland musicals, while her own life was draped with film noir drama.
โ€œMy father wooed her, and after an MGM producer gave her an audition, he helped arrange for her and her family to move to Beverly Hills, where she had steady film work for five years. He was busy helping Siegel expand the Western Front of the Costello crime family and opening the Flamingo casino in Las Vegas. They were engaged in 1946.
โ€œStill, the blank pages of my motherโ€™s life did not begin to fill in until I met R.J. Gray. He found me through my newspaper column, โ€˜Smileyโ€™s Dice.โ€™
โ€œOne day last year, R.J. sent me a book, โ€˜Images of America: The Copacabana,โ€™ by Kristin Baggelaar. There was my mother, captioned a โ€˜Copa-beauty.โ€™ Kristin organized a Copa reunion in New York last September. I went in place of my mother, but all day I felt as if she was seated next to me. I fell asleep that night staring out the hotel window, feeling a part of Manhattan history.
โ€œNow, the silence is over. I donโ€™t hesitate to answer questions about my family. I have photographs of Ben Siegel in my home in Santa Fe, NM, just as my father did. Every few months I get e-mails from distant friends, or people who knew my dad.
โ€œIt seems there is no end to the stories surrounding Ben and Al. I am not looking for closure. Iโ€™ve become too attached to the story. To me, he was a benevolent father, a wise counselor, and a man who worshipped me.โ€
Luellen Smiley can be contacted via email: folliesls@aol.com

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ROSH HASHANAH 2023.


VULNERABLE…. weakness and emotionally exposed, failure. Otherwise the moment of courage to rise and understand our fragility without self-degrading,. Excerpt from Rabbi at Temple Ebet Emeth.

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THE ART OF LOVE


Nicholas Ray
Nicholas Ray (Photo credit: www_ukberri_net)

Portrait of Martha Graham and Bertram Ross (19...
Portrait of Martha Graham and Bertram Ross (1961 June 27) (Photo credit: Wikipedia)

THIS WEEK LANDS ON poets, writers, musicians, photographers, directors, visual artists, composers, choreographers, actors and the untitled and unrecognized that squeeze in between. Kipling, Salinger ( my all-time favorite) The Rolling Stones,ย  Mozart, Chopin, Opera, Salsa, Beatles, Stieglitz,ย  Nicholas Ray,ย  Kandinsky, Johnny Mercer, Martha Graham Balanchine, and James Dean. I left out about seventy-five of my favorites.

Composition VI (1913) (Photo credit: Wikipedia)They were all lovers before they were artists.

OUR ARTISTS IN HEART travel mentally and physically through life with all the windows open; awaiting a sight, sound, or feeling that draws them to their art. The feelings are what count on our life ledger.ย  I have to thank Billy, my first love at fifteen. He was an artist of music, Gothic charcoal sketches, comic humor, and life. He opened my window to the arts.

That life ledger is always in the red because an appetite of feelings, and emotions eventually depreciates the spirit. Some of us rise above, and the flow of printed green paper comforts that spirit, but emotions continue to dominate all the success.

I have to write this in short sequence, as I am moving between a rigid reckoning of a forever ending TO ONE MY LOVES.

To be continued later.

EXCERPT FROM MY NEXT BOOK. UNKNOWN TITLE


.

Page 525. Terrified to post this but it is Sunday and I’m brave on Sunday. The book is fiction, first-person, and close third person so you’ll need a jogging suit to read. Based on true events.

Greta let the moment of the village rescue stay with her, like a new pet for as long as she could hold on to its beneficial ointment, away from what she calls her immersion into self. She gives me examples that illustrate her obsession with matching outfits in her closet.

Itโ€™s a bedroom she converted into a dressing room. Thereโ€™s a single bed against one wall, a cabinet where she stores the winter boots, and an eight-drawer French nouveau dresser and mirror. She sits on a chair facing the windows so she can watch the trees live through sun, wind, rain, and snow. Across from the chair is the bed. She diligently arranged her summer pastel skinny jeans on the bed, and next to that row she arranged the T-shirts, camisoles, and shorts.  Itโ€™s quite practical considering Greta as she has admitted to me half a dozen times, that she was born without common sense or practicality.  At the base of the bed, she lined up her shoes, the slip-ons, the flats, the pumps stuffed with tissue paper to preserve their shape, and the wedges. After a breach of sanity, she goes into this room and visualizes outfits and color matching like someone might play chess.  โ€˜ It does have a purpose, this way I visualize without wrangling with hangers and you know it just takes too much time when youโ€™re in a closet.

‘”These days I look at them as if they belonged to someone else, I mean the red suede with gold heels that I wore on a New Yearโ€™s Eve of gaiety and not since, the black velvet pumps that always make me feel dainty and light. What care I give to all these garments when in the other part of the house, Dodger was descending into a financial coma.”

ย  Greta did not acknowledge the few months before his departure that he was riddled with abject unfulfilling tasks, bills, and construction jobs that no longer fed him purpose and accomplishment. She did not notice that his slacking posture on the front porch, head lowered and staring out without any body movement was a sign, she in fact despised it and walked away. ย In the last few months, all of this seemed to rise up like a curtain before a play, in a theater and she witnessed his insolence and his silent howl for help. ย 

The irony of her activity is that she doesn’t go to the events that she plans on going to wear the outfits.

s

NIGHT THOUGHTS


I ROSE AT 3:00 AM to turn the heat on, pick up my writing journal, and discern the weekโ€™s theme. I wonder for a moment if I should boil water for tea or coffee, and settle on decaf. The street is hollowed like a tunnel, the light of day is shining in some distant country, and the sky appears tinted with primer. Somewhere someone is dressing for work, breathing by the tick of the clock until he or she ( canโ€™t figure out the right pronouns) must report for work.

The draft of sleep lingers in my eyes, and my feet shuffle on the wood floors while I grind the beans and think through the remains of the week. There are themes to our lives. Sometimes a year, sometimes one single day launches the theme, or it may just tumble into our path unexpectedly and replace whatever we were holding on to dearly, and deliver something unpleasant, like sickness, or separation. The sensations leading up to my theme jilted my creativity, and the pages I wrote were jammed with contradictions, maybe they still are.       

Thoughts begin to form and ruminate, what is important? The theme of my week began when I finally was in the Dentists office. Itโ€™s been a year, and at sixty that was enough. Now Dr. FX’s office calls me every six months because I am over sixty-five. Still canโ€™t really grasp my age. When I was thirty-something sixty-eight seemed very old. Do you remember that?

Dr. FX is the Music Man dressed in a white tunic. When he comes into my cubicle, he sort of prances on his toes and gives me an elbow safe bump.

          โ€œ Hello, oh I see,โ€ as he looks into my mouth that has been open too long and my cheeks start to stiffen. The hygienist takes that white suck-up tube out of my mouth.

          โ€œ She has some tarter that I canโ€™t remove so I suggest she come back because her gums are so sensitive and nonvaccine her for the water treatment .โ€

Dr. FX nods and bounces out of the room. Now she begins to sort of authoritatively advise me again that I have serious tarter.  I think this is the third time. 

          โ€œ I think I got a little lazy flossing during covid.โ€

          โ€œEveryone did.โ€

          โ€œAnd I also started snacking on those crunchy health bars at night.โ€

          โ€œThat wouldnโ€™t cause that.โ€

Now I am ready to leave and Iโ€™m elated to get out. The receptionist starts talking and advising me about Dental Insurance and she leaves her desk and meets me in the waiting room, and starts stretching.

          โ€œ I have to do this as much as I can, sitting in that chair all day long.โ€

          โ€œOh, of course,โ€ I raise my arms and swing my hips beside hers. I walked out into a day of clouds and a peek a boo sun feeling a mood change, a spark of energy from a few moments of improvisational dancing. We all crave an irreplaceable swarming of joy, that comes unexpectedly. I was awakened to my detachment from feeling truly alive.

Writing with a pen is so different from the keyboard, journaling is always with a pen, but columns are on the keyboard. I understand what tranquilizes all the peripheral complaints, mental pains, and wounds that lie dormant or at least manageable. Without thinking of the tormented hours, I think of the comforts of exhibiting my life on paper. My desk is sealed into a corner of the bedroom, next to a double pane window (original 1885) forty feet in length. It is not the act of writing with pen and paper moving along at a steady rhythm; itโ€™s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or a Moorish Castle, but experiences that flake off the skin, or recall of the experience that gives it relevance.

I return to the porch for one more gulp of landscape that I share with the stars. The street is unfamiliar, a temporary scene like a bus stop, and I am merely waiting to move on. Some of the neighbors are friendly, some have no interest, one kind of spies on me when he thinks Iโ€™m not looking. Thereโ€™s a reason for that but itโ€™s too much of a separate story right now.

If I continue to roam around the task of writing this story, the intensity of irritation will escalate, my neck and shoulders will not loosen, my walk will be feigned, my smile forced, my heart longing for padding, my ego striving for recognition in the wrong places, and my soul roaming the hallways at 3:00 in the morning. I read a quote the other day on some website, to paraphrase: When I’m writing I know I can’t do anything else. The theme of the week is to bring back LouLou, a clownish, spirited, curious, joy seeker.