RELOCATION BEGINS WITH BOOKS


May 22, 2024

I read some older columns on singleness from times when I was alone and still friends with Dodger. Now, the pattern is unthreaded. There is no intertwinement of intimate conversations with a man, guidance, indulgences, or frolicking like children. When I see couples dining or walking hand in hand in the village, the vision snaps me into memories. The past lurks like a shadow, an overture to the present. Stream of consciousness, that translucence of mind that can drift like a leaf in the wind, is out of reach, so I donโ€™t even attempt to reach for it. Acceptance of this interlude is permitted, as my mind is impregnated with a new canvas: relocation, standing in lines, driving the freeways, a city life that was once as natural to me as breathing feels like a complete revival. Employment, straightening my team playing skill set, working on deadlines, and finding excuses to get out of my chair away from the computer. Working in an art gallery is the only option besides being a remote writer.  

Today, as I attempt to make strategic, methodical decisions and edit my resume, the yellow line appears that separates the present from the future. Can I navigate a city confidentially, decisively, and with discipline? In the village, those skills sleepwalk effortlessly. I have a punishing skill for avoiding reality.

I have packed most of my books, vacillated on their importance several times to eliminate the load. I chose ten to give away, Last night on the phone with Jerry, I mentioned parting with my books.

โ€œ Why are you keeping them? I assume youโ€™ve read them.โ€

” No, I have a lot of photography books I’ haven’t opened once.

โ€œ So,  keep those.

” I want all my favorite authors, some read, some not. I can’t let them go.– Don’t laugh, but they are my friends, in an abstract way, of course,” Jerry chuckled.

This morning, I kneeled and took another serious examination; no remains the answer. I’ve sold some of my favorite furnishings and artwork, so I made the strategic decision that my books are for keeps.

THE MIDDLE OF LIFE


 

 I read in one of my books on writing that the middle of the novel is where most writers face the demon. The beginning is a gallop, the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.

The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year.  Iโ€™ve finally accepted that my constant relocating, reinventing, and being restless is not going to be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I was standing out on the porch observing the peacefulness. The scenery of  Ballston Spa is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets, all the shops, services and restaurants are a patchwork, and all the business owners know each other.  

All I can think of is where I should go next. This is wholly a village of ancestral families, with defensible adaptation to the severe climate, simplicity, and uncomplicated lives. My discomfort comes from trying to assimilate.  

ย Many years ago, in the summer of 1987, I was seated in a cafรฉ in Monaco, truly, and a man that I was traveling with told me, โ€œYou have to make a choice.โ€ He embarked on a long discussion about choices we make in life and how everything depends on these choices: how you live and with whom, and what you do. He pointed out to me over my first really authentic Salad Niรงoise that I was an oblivious example of a woman refusing to choose. I was more interested in the salad, the yachts, the casino around the corner, and the fact that I didnโ€™t have an evening gown to wear to dinner. I listened without argument or insult, but I was disturbed by what he said. I didnโ€™t understand completely, but he was older and had much experience and conviction. That conversation now fits into the mid-life crisis, the comedy of errors in my life, and maybe in yours, and just how much travesty we can ignore. For my fault, as it WAS, I did not want to sign, commit, or make final decisions. I wanted it all to be a temporary placement that allows me the freedom to change.

I have lost track of my European friend, but if he met me today, he would say, โ€œYou have not changed at all.โ€ So that is why I was standing there in the darkness on the porch and laughing like a silly girl because it is true. I have not changed at all.

The choice facing us at mid-life is making a change now, risking losing all we have accomplished, compiled, and attached, or throwing the dice.

Beyond the obvious changes in activity, relationships, and scenery are the internal travels. They are not so easily engaged. You cannot wake up one day and say, โ€œI โ€˜m off to become more compassionate, or more practical, or more generous.โ€ These journeys are taken when other factors play into our lives, such as when we get sick, demoted, or experience a trauma.

It is a very subtle inconsistency. When I unplug all the voices and listen to the one that understands, that is when I write. The middle of the story and the middle of life is the same. We and our characters have to make a choice.

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BRINGING IT ALL BACK HOME.


RELOCATIONย  isn’t just about the physical exertion of packing, and unpacking,ย  I’m learning On the 4th of July my transport from Santa Fe, NM to the city of Angels, ended in the late afternoon as I pulled up in front of a new place to call home. ย  Fireworks beginning, palm trees rippling, dogs barking, and sirens escalating, all a safe distance from my front door.ย  Noise in Santa Fe is Church Bells, bad-ass guys on motorcycles and an occasional siren. First step to ‘when in LA,’ block out the noise or turn up your head set-by the way everyone is strapped to a headphone. I noticed this phenomena on the few trips I’d made to LA while deciding if I should move back after twenty-five years. ย  20180704_140814(1)

As I entered the 1940s period bungalow for the first time all was very familiar. Thirty five years ago I lived in the same compound. Mine was across the common garden area, but the floor plan is the same with a built-in vanity, windows on every wall but one,ย  fireplace, and a small kitchen. It’s like a doll house, four-hundred square feet. The landlordย  delivered a newness to it withย  freshly painted walls, polished wood floors, and a spotless kitchen and bathroom. I set my luggage down, took a shower and bounced.ย 

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I headed for Westwood Village, where I spent years eight through thirteen.ย  I remember the Dog House, Mario’s, Fedway, Capezio, Bullocks and Desmonds where I worked one summer in Women’s Apparel. The best of all was Ships. My gang used to go there for breakfast in our pajamas to celebrate one of our birthdays. The Village is so close toย  my defining history, why I ended up there and why I left. We lived on Hilgard in what was then called the The Hilgard House, a microcosm of modern living in a new hi-rise with a pool. It was like living with a family; unguarded neighbors that knew my name, a Fred McMurray type Building Manager, a few famous actress’s, and me, one of four or five blossoming teenagers.

I drove past the renovated building now condominiums renting for seventeen times what I expect my mother paid in 1962. The neighborhood hasn’t been gentrified! It is stillย  a quaint collection of Mediterranean and Mission style homes and four-flex’s.

I stopped in front of the second Hamburger Hamlet location, now Skylight. ย It took about five minutes to decide I’m going to love this first experience in Los Angeles.ย  On the 4th the restaurant was empty, the room exposed and free of human camouflage. The brick walls remained, giving off some whiff of history and the rest of the room was finished in youthful coziness.ย  Coming from Santa Fe, a city of minor extravagances, the two mirrored lit up bars, stacked with more choices of liquor than what I know existed is my focal point.

” Hi, how you doing? Do you know what you’d like to drink?”

” Well looking at the selection, what do you suggest?”

” What do you like?”

” Wine, white wine by the glass.”

“That’s easy.”

They don’t have as many wines as they do Bourbons, so I ordered Sonoma Cutrer and a seafood pasta dish.

” I grew up here, right here in the village.”

“No way, that’s cool. I’ve met a few guests who lived here a long time ago and they tell me stories.”

” What happened to Westwood? Last time I was here, around the late nineties, it was really depreciated and unkept.ย  It looks better now, but not completed you know?”

” Yeah, Westwood went through some really hard times. We opened this a few years ago, and now more restaurants are coming in.”

” So you’re busy during the week?”

” Oh yeah, we get a lot of businessmen, and some students, you should come back and check it out”

” I will, it has an openness about it, room to move.”

I was the only customer until the staff’s friends showed up to have a party of their own. The high-kickers in mini shorts, and skimpy tops, they were cute, like cut-outs from a magazine.ย  I’d been on the road all day, and skipped the meals, so when the seafood pasta arrived, not only was the dish plentiful, it was deliciously fresh and spicy.

After dinner, I strolled along Westwood Boulevard, in a cube of surrealism, the homeless man hunched over his life remains in garbage bags, a Security Guard in front of an abandoned storefront, students striding along as their phones lead them,ย  What happened to Westwood? Why are the store displays bland and conventional, street art,ย  vendors and performers absent? The unmistakable sense of abandonment piqued my curiosity so I drove around the neighborhood, simmering in the memories of my gang.ย  What a utopian place to go through puberty; the College boys spilled out after classes and we waited to see them, on Saturdays we’d meet at the UCLA cafeteria and test our flirting finesse.ย  We spread out on skateboards along Weyburn and Westwood Boulevard flexing our budding egos and breasts. They are the flagship years of my life, maybe that’s why I came home, to flex my bruised ego and budding independence.

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When I laid my body down on a blanket, with fireworks as my backdrop, it was like a celebratory musical overture to a new beginning. The painfully hard wood floor slapped the idiocy of not bringing foam or a sleeping bag. I’ll buy a bed tomorrow and my furniture will arrive Friday. The first night faraway from my La Posada de Santa Fe Hotel family, friends, my old Discovery SUV, my house, my cat, and my best friend who initiated the change is not in my head! To be continued.

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OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-


OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-

5 BDR/3 BATHS. FORMAL DINING ROOM. PRIVATE GATED. GARDEN MOVIE THEATER
ACROSS THE STREET FROM LA POSADA RESORT & SPA.
HISTORIC EAST-SIDE OF SANTA FE, NM
2 BLOCKS TO DOWNTOWN PLAZA

 

PATHS TO DOORS


Franรงais : Une chaรฎne rouillรฉe, ร  une poignรฉe ...
Franรงais : Une chaรฎne rouillรฉe, ร  une poignรฉe de vieille porte. Dordogne. English: A rusty chain at a door lock of an old door. Dordogne, France. (Photo credit: Wikipedia)

The signals were all there, but I kept going in the opposite direction, on the road away from the new door, because I’d gotten used to the door I had.

Today the road is closing, it’s going to be shut before too long, hardly long enough to pack it all up, the newly purchased furnishings, drapes, lighting, towels———-and going in the boxes, into storage. The fifth renovate, refurbish, and move play. Three acts-repeating themselves.

Where the new door will open is uncertain, more of these adventurous in livingness tests that I write about.