LET A MAN BE A MAN LET A WOMAN BE A WOMAN


Bob and Baez
Bob and Baez

Dress for them, cook for them, touch for them, and give them a chance to love you.

OUR LIFE WAITS TILL WE CAN


WAKE UPย  in the morning and be thinking of someone else.ย  Copy of ScannedImage-1

Photo from 1991 as I launched

the Jammers; aspiring Afro Cuban, HipHop

and Jazz Funk dance Combo.ย 

That was just as satisfying YES, as falling in love!ย  Wake up to another voice or voices that need you.

SHEPARD & DARK


Ralphie I served 1966โ€“78
Ralphie I served 1966โ€“78 (Photo credit: Wikipedia)

THE SCREEN IN SANTA FE scheduled three showings of this Docudrama.

Huh? Sam ol boy lives in Santa Fe. I’ve had bar chats with him, everyone has, and he’s our mascot for independence, accessibility, and still a flush hand of rugged classic looks. Like he should be Ralph Lauren‘s model, not Ralphie.

I figured the theater would be packed so I brought earplugs.ย  I take my films too seriously, and refuse to beย interrupted with slurping and munching.ย  Into the first scene; my concentration was so acute I would have protested if anyone said a word.ย  Beginning with the footage; unbelievable home-made movies and photographs. You will see Sam as a youngster on the ranch where he grew up in Central California, Sam leaving home and working his way through puberty. ย  Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark.ย  The dialog between the two men and the dramatization of their feelings about theย  collected letters they exchanged over a forty-year period is something beyond a reality show.

It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed.ย  The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.

Yes, there is a dusting of emotionsย  on Jessica Lange.

I walked away feeling as if my life had not even begun. So much life squeezed into one man lead me to question my limits on adventuring. Several linesย I recall in particular, to paraphrase Sam;

We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writerย  youย have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.ย ย 

That kind ofย admission for a floundering but dedicated writer will last me a while.ย  On documentaries; they don’t get enough attention.ย I hope this film tearsย that fence down and let’s the HONEST-REAL-BULLSย come through.

REVOLUTION RUMBLINGS


Iโ€˜am stalked by a sensation of revolution; the upheaval of a crusted and molded foundation erupts and the contents spill into chaos. The spillage of this eruption is sparing political leaders. Everyday they appear more childish and temperamental.Your referee whistle is blowing, and spinning your diatribe into tongue twisting hollow promises.

The annoyance of conflicting orders robs me of my Aladdin (magic moments), and the mental sweep to clear out my conscience.ย  I feel like time is stained with stop signs, alerts, and too many laws. What happens is subtle, but when so much time is placed in soulless activities, life looses itโ€™s Aladdin.ย  Even if youโ€™re sitting at the local bistro and dining al fresco with perfectly agreeable friends, and chanting; our souls ache for reprieve.

Imagephoto by Dick Spas.

THE ORDER OF DISORDER


Whispers of The Past
Whispers of The Past (Photo credit: tj.blackwell)

ย The order of this week is disorder. Not the trivial disorder of a closet, or a work in progress; this week is the unraveling of the self which comes with separating from someone you love dearly. ย It is the subject of: poetry, theater, film, literature, dance, visual arts and music โ€” all forms of music from opera to rap. For all of you who have mothers’ and fathers’ close to death, and you don’t want them to leave.

Adults protect you from the brutality of death when youโ€™re very young. They keep it behind locked phrases like โ€˜she had to go away to a better place; youโ€™ll understand when you grow up.โ€™

The camouflage of death may go on indefinitely until one day, you are hit over the head with a block of ice, and it splits you right down the middle. You can see your guts spilling out, and everything is all out of order. Walking is an effort. Thinking clogs with the big question: Why? Why canโ€™t we all stay here together and live forever?

Flashback to 1966 โ€” I was very young, not so much in years, but when I was 13 my mental and emotional age were more of an 8-year-old. I donโ€™t know if I was ADD or DDT because those acronyms were not in vogue yet.

My development was arrested because I was raised on a fantasia of false identities, fiction, and privledge. I thought we were rich, happy, and would live together forever. The fantasia of falseness was abruptly taken away on June 19, 1966. On that day, I saw for the first time, my father weep uncontrollably. I was told my mother was in heaven.ย  My father was seated on my mother’sย  avocado green sofa in our tidy mid-century apartment in Westwood. Nana โ€” motherโ€™s mother โ€” was seated on the sofa next to my father.ย  Nana and Dad had reconciled for the period of time my mother was sick with cancer. They both were sobbing. I was not. There was nothing inside of me but resistance; a blockage of emotion that remained there for so many years.

I was left in my fatherโ€™s care. He was busy out chasing government subpoenasโ€™ย  and running the Fontainebleau Hotel in Florida.ย ย  He kept a command post on my emotions. He would not tolerate my grief, because he could not tolerate his own. So, I had to chin-up, chest out, walk up and down Doheny Drive in Hollywood where he lived and pretend I was going to be fine.

When I turned eighteen and left my fatherโ€™s apartment was the first time I was free to unravel my feelings. The emptiness filled with confusion, anger and drugs. If college was supposed to be my best years, then I missed that chapter. Looking back, the real leap to personal growth came at that time when I was left unattended to wander through life with my own eyes as guardian, and my heart as my compass. That is when I missed my mother the most. It was my fortune to have my father back in Los Angeles, throwing his weight around from a distance. He kept me under radar by having a friendโ€™s son working in the admittance office of Sonoma State College.

I remember days when my mental attitude needed electric shock therapy. Miraculously, I did find my way home, and to the matter of my mother, and growing up with gangsters. From a wafer of stability, very slowly, Iโ€™ve built a nice lifeboat to keep me afloat. My screaming, cantankerous, and intimidating father who loved me beyond measure is in this imaginary boat, and my mother who loved with a silent gentle hand she gave to me whenever I needed assurance.

All I have to do is look at her photograph placed in every corner of my house, and I regain momentum in my lifeboat. When I am particularly insolvent with lifeโ€™s measures, I recall the years she spent fighting cancer so she could continue to hold my hand. How can I disappoint such a woman? I cannot, and I know that with more certainty than I know anything.

We all have a basement strength that rises up and balances us when we need it. Each time we cross that unpleasant road, and say good-bye to our friends, our pets, our parents, or our siblings, we have to find our basement strength.

You can read poetry and essays, listen to opera or rap and find five-thousand waysย  of expressing the same painful stab of separation. If the comfort comes in just knowing โ€” we all have that in common โ€” then all you have to do is tap the shoulder of the man in front of you, and ask, โ€œHow did you handle it?โ€

Or as Henry Miller said, โ€œAll growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.โ€

Any dice to throw, e-mail it to folliesls@aol.com.

ONE DAY AT A TIME


Reader View: Random chats make life sweeter

 

 

 

Posted: Saturday, June 8, 2013 10:00 pm

 

 

One day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing: One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didnโ€™t feel like flexing, just evaporating into the shadows and the moving clouds. I walked by a little adobe that once was a dump site for empty bottles, cartons, worn-out furniture and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom Iโ€™d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy, blanket-like coat and a bandanna on her head. Regardless of weather, sheโ€™s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas and the Abeytas, all families she knew, all with streets named after them.

Estelle asked me my name, and then took my hand in her weathered unyielding grip, โ€œOh, I had an Aunt named Lucero, and we called her LouLou.โ€ She didnโ€™t let go of my hand, and then she told me that the families, some names Iโ€™ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. โ€œYou know how many houses they bought? Five! Then they fixed them up and sold them.โ€

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a Southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, Iโ€™m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

Luellen โ€œLouLouโ€ Smiley is a creative nonfiction writer and award-winning newspaper columnist.

 

 

 

 

 

)


 

LONERS


I’m better as a writer than I am a person. Though my syntax is follies;

with backward sentences and too many metaphors. The writing isn’t usually

selfish or timid.ย  In a crowd I need applause before I feel accepted.ย  One on one

my behavior swings from suspicion to doubt and it takes more than a few pages

to break the boundary. I don’t why I thought it would be different now; I’ve always been a loner.

Now I’m listening to the cry but I ain’t crying!The Timid EP

when THEY Leave


Cropped screenshot of James Cagney from the tr...
Cropped screenshot of James Cagney from the trailer for the film Love Me or Leave Me (Photo credit: Wikipedia)

I do remember what they gave me. THE MEN always bring something you didn’t have before. LOVE THEM

BOSTON BOMBS BACK


IMAGINE, if you were in Boston
On the day of the flare
and it fired your daughter
and you dived in the dare
Hell rises
and heaven opens
the souls are not lost
they are moments to bare
BOSTON, is the angel
that brought the fire to lair.

THE LEGEND LADY OF PALACE AVE


0124130930

The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didnโ€™t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom Iโ€™d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, sheโ€™s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, โ€˜Oh I had an Aunt named Lucero, and we called her LouLou.โ€™ She didnโ€™t let go of my hand, and then she told me that the families, some names Iโ€™ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. โ€˜You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.โ€™

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

ย 

JOCKS WEAR NIKES TOO


PLEASANTRIES OF YOUR LIFE


PLEASANTRIES OF YOUR LIFE.