INTO DEL MAR OCEAN


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The sea is like rolled oil, and the breaking waves are the size of lake ripples. At this momentary recess of chaotic beach activity, all the heaviness of life rolls out with the waves. Observing the elan of beach life carousing, suntanning bodies already tanned leather, joggers and runners, bicyclists, fishermen, volleyball players, and the surfers.

Thatโ€™s my garden of grace and glory. They are like ballet dancers, some of them, some seem to think theyโ€™re driving a car or motorcycle, but the longboarders, old school aged surfers, skim waves athletically and spiritually, one with the board like a musician with an instrument.

And the fisherman, the other clan, is worth watching because they are interlopers in Del Mar. They come alone, dressed in rubber boots, floppy, stained hats, and pocket vests, like longshoremen or train conductors, an aura antiquated in Del Mar history, when fishermen were in greater numbers than joggers, lifeguards, and beach parties. ย ย ย ย ย ย ย ย ย 

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ONCE IN TIME


He’s digging my grave
For the dragon he pays
With our nest, now shaved
Tumbling into the shade
I visit the velvet robes of the past
The ones that didnโ€™t last

The will to relive what was comes at night

And must be excluded by daylight.

THE THINKING SOLDIER Perhaps the architecture of intention was always more delicate than either of us admitted.. a scaffolding of hopes not yet tempered by time or circumstance. I wonโ€™t dispute the imagery youโ€™ve painted.. itโ€™s poignant, even beautiful in its grief.. As for the vision, I never dismissed the idea. But reality tends to interrupt our grandest scripts with a more cryptic hand. And no, camouflage isnโ€™t my language, even if silence sometimes serves as armor.. If what you received sowed doubt, I understand. But not all absences are betrayals. Some are simply the byproduct of lives caught in divergent orbits, trying and failing to converge..


FROM MY UNNAMED SOLDIER

UNCERTAINTY


Unprepared, who knows where
The leaves will fall
They donโ€™t plan
Where to land

Undisclosed strangers will walk in our paths.
Cross our hearts and
Tread our minds  

Evil intercepts, betrayal, intimidation, abandonment, financial sabotage.

Uncertainty
We traverse our heart’s discourse
Shooting for dreams of undiscovered lands
More weightless plans
I donโ€™t know if I can see ahead
My steps, like pebbles,
follow the rush in the river
On the edge of a
quiver

Skipping towards freedom
In summer, rays of light
Like a leaf, I break free from the branch

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To land a launch.

TRUTH OR TALE


WHY DO WE LIE?

When do we begin to lie about our lives:, feelings, fears, and mistakes? I ask this because of simple observation, knowing when someone is not telling me their truth. I remain silent; it’s not my way to ask why you lie to me?  It’s like a social-cultural mask. I’ve always sought to know the truth. Why should we shield our traumas and hardships more than our triumphs and accomplishments? Do you know who does not lie? ART and SPORTS. That is why we listen to music, read books, go to galleries and museums, watch films, go to the theater, and go to dance performances. I cannot comment on sports because I’m not a spectator, although I love basketball.

We, and I mean this in only a visceral sense, do not believe politicians, news, social media, or advertisements. We want to, but deep in our inner truth, we know it is the manipulation of our individual thoughts and choices. That is why I trust art to deepen my understanding of the human condition. Thank you to all the artists and athletes who share their pain and glory.

POP-UP POEM


He pushed her on a swing, so high she touched the sky, viewed the world through his eyes, lived for a time without lies, then as mystically as he appeared, he let go of the swing, and she fell on her wing, broken but with the will to begin again. A broken heart hasnโ€™t stopped her from loving him.

For ten days, just thinking of her spoken words, how they made their way to his ears and returned the sounds she so wanted to hear. When he stopped contacting her, she wiped her tears as some people find love at the core of their fears.

ENDING THE MEMORIES


NOVEMBER 2021                                                                        

MAXFIELD PARRISH

ย ย ย  ย MONTHS LATER ON THIS DAY, she closed the shutters to him and alchemized from a cocoon to a butterfly beneath a circle of friends in tune.ย  She removed the photos, gifts, and letters and put them in a box to reminisce later. Talking out loud, “She takes just like a woman, but she will not break like a little girl.” No more hours fanning the past; on this day, my view is spanning.โ€ย  She sat peacefully by the fire into the night and let her broken wing sing as she watched the wood turn to gold. ย 

RESOLUTIONS OF THE WEEK.


My memoir, published in 2017, Cradle of Crime-A Daughter’s Tribute is old news to me. Not to Charlie. I met him as he was renovating a house across the street. I didn’t introduce myself as Luellen Smiley, just Luellen. I asked if he would take a look at my house for an estimate on painting. He was sweet, a mountain man with a long white beard and hunting boots. Last week, he texted me,” I read your book, my friend and I exchanged Goodreads suggestions, and I told him to read your book.” How did he connect me to my book? I didn’t ask, and now it piques my interest. I’d walk across the street and ask him, his truck is there, so is the ice, and I don’t feel like skating and falling on my butt.

Winter in upstate New York to a gal from Los Angeles is likened to living in the North Pole. Going on five years, my last, I’m not resentful and scouring, but I am not acclimated. Indoors I dress in sherpa from head to toe and wear those finger mittens. Today it is full-throttle rain showers. The street is vacated of traffic and the public, it’s a good day to work on my next book. On my desk are a few writing books, the favorites: Henry Miller on Writing, The Diaries of Anais Nin, and Albert Camus’s The Stranger. I haven’t bought a current book in years, the last one was Sam Shepard, The One Inside. I like Miller’s passage: ” The writer lives between the upper and lower worlds.: he takes the path in order eventually to become that path himself.”

Aging in my seventies delivered opening windows to restoring, rearranging, and repairing my persona, personally and in public. If you’ve read any of my essays, then you know explicit is the vortex that moves my thread. Restoring the brick-and-mortar of truth is at the forefront; the next layer is a confession of what I cannot speak in person to anyone, even my closest pals. The third is abstaining from too swift a pen; I’m always in a hurry: I prepare food quickly, walk as if I’m late for an engagement, and wash dishes with perfunctory interest. Everything when I think about it. I know why that is, my father.โ€‚His shadow was always behind me as I went about my teenage activities at home, so I rushed to get out.

Last week, I stopped taking the powerful Lorzapam medication for neurotic anxiety. My heart raced when I opened an email from my attorney, when a stranger knocked at the door, or when I entered a public place alone. A new sideways rain shower just filled the window pane above my desk. Here is the fourth restorative: get outdoors! I don’t walk in snow or ice, but good old water rain, which I call God’s tears, is one of my favorite nature adventures.

Admittedly, my writing has granulated since moving here. It is tiny in thought and not always tied up neatly. My persona in public needs to be side by side with wine in a dining setting. What I contribute must be joyous and humorous because one of my favorite human activities is to evoke laughter and smiles. I broke away from my taverns and abstained from alcohol for a week. In the second week, visceral and bodily alarms have gone off. Iโ€™m lucid, motivated, and even decisive.

From Anais Nin Diaries 1939-1944.

“I respond to intensity, but I also like reflection to follow action, for then understanding is born, and understanding prepares me for the next act.”

WINTER WRITING IN UPSTATE NEW YORK


ย ย ย  Still flustering over how to save more money, and which expense she should solve; the dental appointment thatโ€™s six months overdue, the servicing of her car overdue since June, or elevated reasons to book a trip to San Diego. The urgency to decide sent her into a minor mid-afternoon tizzy and she decided she needed potato chips to solve her physical edginess. She does not use salt in her cooking, and from experimentation over the years realized that salt could elevate her dizzy thinking and lackluster posture. The momentary outdoor freshness stilted her, to stop moving, and breathe deeply like she was in the doctorโ€™s office and they say, โ€˜ deep breath.โ€™ ย ย The street is absent of walkers, workers, delivery trucks, and residents, itโ€™s almost like a graveyard and this does not irritate Greta, she uses the bliss to engulf her creativity, and so she began to write.

“Young woman sitting on the books and typing, toned image”

PUZZLE OF SOLITUDE  will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.

ย I contest what seems endless solitude with my Irish Russian temper; condemning irritants like street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. After the first ice rain and snow, the fever dulled, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world I created. I have to laugh alone so I watch screwball comedies, seek humor in my irregularities; wear a sweater inside out, pour coffee into a wine glass for a cocktail and chuckle up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere-daydreaming.
Iโ€™ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I havenโ€™t experienced here; and how could I complain when half of Upstate New York is buried in SEVENTY INCHES of snow and no way out? At the end of the day, pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly slumguillion stew while listening to Tony Bennett, Nat King Cole, and swing music.
Winter has in the past been a funnel that leads to writing.

WHY LIE


When do we begin to lie about our life our feelings, our fears, our everything? I ask this because of simple observation, knowing when someone is not telling me their truth and I remain silent, it’s not my way to ask, why do you lie to me? My friends are not lying, it’s more like a social cultural mask. My wise father once told me ‘Tell them your sister or father just died, and they’ll respond, excellent because they do not want to hear your problems.’ But I do, I’ve always wanted to know the truth. Why should we shield our traumas and hardship, more than our triumphs and accomplishments? Do you know who does not lie? ART and SPORTS. That is why we listen to music, read books, go to galleries and museums, films, the theater, and ballet or other dance performances. I cannot comment on sports because I’m not a spectator although I do love basketball.

We, and I mean this in only a visceral sense, do not believe the politicians, news, social media, or advertisements. We want to, but deep in our inner truth, we know it is the manipulation of our individual thoughts. And that my friends is why I trust art to deepen my understanding of the human condition. Thank you to all the artists and athletes who share their pain and glory.

FOUND ON THE INTERNET

THE PHILADELPHIA PHILHARMONIC

MAXFIELD PARRISH

PHILIP TOWNSEND

WHAT IS A LOVE STREAM


TWO EMBANKMENTS WEDGED BETWEEN A STREAM

     THAT RIPPLES THE UK TO THE USA.  

     WHAT FALLS BETWEEN THE MEANDERING

     USHERS GENTLE WAVES, LOVING CARESSES

SMASHES WHEN THE WAVES ARE EVIDENT. 

     SOAR TO BRING THEIR STREAM TO REST

    TO FIND THE BEST

    BELIEVING EXIST AND DESTINY FLOW

THEY DONโ€™T KNOW

    IF THE STREAM WILL ENTWINE

    ENSNARE OR EMBRACE

   EMBANKMENTS MEANT TO SHOULDER   

UNTIL THEY โ€˜VE FOUND EACH OTHER

   

WHERE WERE YOU ON 9/11 AND HOW DID YOU FEEL ON 9/12 2001 AND 9/12/2022???


Paper deaths mounting in pages written

By authors and reporters

On the day of bloodshed twenty-one years after

The morning news

Around the world

That our Towers fell on innocence; walking, living, twirling the streets of Manhattan.

Tears are shed in buckets of smoke between the sheets of death   

The men and women that died shine through the wicked divide

Of hatred and love

Flames of courage cape first responders, and unknown heroes

Photo by Iarlaith McNamara on Pexels.com

Beaming down every morning

On tables arranged by nations and religions

In the homes of Democrats and Republicans

United tears all of these years.  

Months turn over on calendars

New episodes and reality shows

Graduation and separation

Replaced furnishings and

Sketches of a vacation

Events the rest of us chatter up in coffee houses

While the stories of nine-eleven lay today in the headlines

On newsstands

In the windows of memory

Never forget