SWIMMING WITH GANGSTERS-VEGAS 1960s


Lullabies of Birdland
Lullabies of Birdland (Photo credit: Wikipedia)
Photograph of Dean Martin with celebrities sta...
Photograph of Dean Martin with celebrities stage-side, Las Vegas, March 6, 1957 (Photo credit: UNLV Libraries Digital Collections)

PART THREE

THE CROWD TWITCHED IN ANTICIPATION, except for overly sensitive children, (OSC) without a prescription. My heart beat like a wild Pinto running from the rope as the doors to the Copa Room closed, and the lights dimmed. Streams of Parliament and Marlboro smoke desensitized the spring scent of Shalimar, Aramis cologne, and steaks grilling close by. The horizon of necks seen from the stage must have looked like a display at Tiffany’s.

Photograph of the Rat Pack performing together...
Photograph of the Rat Pack performing together in the Copa Room, Las Vegas, 1960 (Photo credit: UNLV Libraries Digital Collections)

We were in the front row of tables, two steps from the stage, so I had to raise my head vertically to see Ella.

I sat transfixed by this sensory tsunami at a table with a group of Uncles; Uncle Joey, (Joey Adonis, or Joey Fusco, or Joey whomever) Nick the Greek, Chuckie Del Monico (son of Charlie the Blade. I still squint when I read about him) and Uncle Charlie, (The Babe Baron) who enlisted or service in WW11 in Canada because the United State denied his application due an arrest record. Charlie was a stiff suited Four Star General under the hand of *General Curtis LeMay when he wasn’t managing the Riviera. Someone put that in “Vegas” the new television series.

The men and women composed a landscape of histories, though their costume like wardrobes were similar, except for the gangsters, who dressed according to Johnny Roselli standards. The women wore spaghetti strap cocktail dresses and strapless full length gowns, like a spring bouquet of color, transparency, and glitter. They, (I mean most of them that I met) were in a state of unconsciousness; shifting from cocktails, sun, lovemaking, gambling, and entertainment. Mad Women in the desert enjoyed their decorations of diamonds, fox fur wraps, and pointy spiked patent leather heels. Cocktail trays flew by in succession, because their husbands were not watching them. What was all the fuss about?

I could feel their panting exuberance before we even walked in the Copa Room. I felt it when we walked through the lobby, and everyone scampered before they knew where they were headed. It looked like an off stage performance; jittery anticipatory gestures that made any girl even without OSC dizzy. I was inside this swirl of liberation from the age of six to about twelve. We went to Vegas three or four times a year that I can recall. It was before I started my journal so the memories are part substance and part reflection.   TO BE CONTINUED

.

DAYDREAMING


When I watch my wild birds, I daydream of their freedom, and how free I was when I was eighteen.

East Palace Avenue Santa Fe
East Palace Avenue Santa Fe (Photo credit: paigeh)

When I listen to Wes Montgomery  I dream of Brazil,  and riding on a float at Mardi Gras, just once, with a feather hat, and dressed like Rita Hayworth.

When I sit at my desk and look at my mother’s photograph, I dream of those few luncheons in the formal  Garden Room on the top floor of Bullocks Westwood, watching the fashion show with her, proud of my model mother, and imitating how she ate the tuna salad.

When I lay in bed at night, I dream of him, and his strong  shoulder cupping my head, watching an old Cagney movie.

When I shovel snow I dream of Southern California, of old Del Mar and sitting on the bench under the crooked tree, in a triangular postcard of the crashing surf, prancing dogs, and the meter maid marking the curb.  When I walk along Palace Avenue in Santa Fe, New Mexico  I dream of walking  5th Avenue at about 6 pm, when everyone pours on to the Avenues, a fountain of limbs and accessories crisscrossing patterns of human tolerance.

Day dreaming unlike night dreaming that takes us on the back of fairy tales and science fiction  battling some inner masked trauma,  illuminates where we want to be, what we need to do,  and intercepts the embroidery of our life.  The medicine of daydreaming surpasses self-help books, health food, vitamins, yoga, religion, or mind altering experiences. It is the essence of our rising emancipation from complacency.

dramatic dream
dramatic dream (Photo credit: unNickrMe)

PART TWO: SWIMMING WITH GANSTERS


“ Mommy the door knocked.’ I said

“ Okay, let me get it.”

The valet reminded me of the munchens in Wizard of Oz, because of their berets, and tightly fitted double breasted coats. But it wasn’t the valet or room service, or anyone that I recognized.

“Lucille, darling is everything to your satisfaction?”

“Hello Jack. Yes the room, flowers, and fruit basket are so lovely. Thank You.”

by Ronzoni

It was the smiling big faced, former bouncer of the Copacabana New York whose name I knew only as Uncle Jack.

Jack was subtle as a semi-truck; and if the world was coming to an end, I’d follow Jack. He had fingers thick as sticks of dynamite and he squeezed my blubbery cheeks until they turned purple. I knew a cheek squeeze meant the person loved me, so Jack didn’t frighten me. I learned thirty years later it was Jack Entratter; a man of chest heavy bullying, dinosaur New York threats, and answered to Frank Costello. I don’t believe he pulled out the Casino movie style butcher chopping that we always see. I just think Jack did what Frank asked, and Frank didn’t randomly demand nail stripping, ball butchering violence you see in the movies. Remember it is a movie.

My mother dressed up with a fur wrap (they wore furs in Vegas) and dressed me in a Pixie Town ensemble that was so starched I couldn’t bend my arm, and we went to the Copa, for the dinner show. Ella Fitzgerald was the feature entertainer of the night. If I wasn’t in a room at La Posada tonight, listening to Tito Puente and Johnny Pacheco, tipping a glass of Chilean wine, without all my files, and notes, I could reference many things about that night. I rented the house for the twelve days of Christmas and I cannot access anything other than what I brought. I could go googling all night, but it is close to time to eat, and parlay my chances in the lobby, meeting and greeting, as I feel I should do, because hotels are the only socially invasive venues left. I greet everyone who knows how to walk without revealing their miserable or self congratulating lives. I really like people who keep their triumphs and sorrows until the second or third time we meet. I don’t like digesting four courses unless I ordered them.

Ella, came out on stage, and we were seated under her heaving breasts, the first row, the closeness was dressing room intimate. There were others at our table but they were sort of like faded ghosts after Ella started her fireworks. TO BE CONTINUED.

SWIMMING WITH GANGSTERS IN LAS VEGAS


1961

I held my mother’s hand, as she led me through the casino, stopping to accept embraces, cheek kisses, and an occasional wink, before opening the door to our suite. The patio view to the pool was a kaleidoscope of flashing jewelry because back then women wore their jewelry everywhere. Umbrellas, stacks of white towels, shiny Ban de Soliel arms and legs, silver platters of cheeseburgers, dripping with blood, because back then rare was bleeding, and little toy poodles, that men smoking Cuban cigars and wearing Gucci loafers held up for the world to see. A bit of Mad Men in the desert, only the men were gamblers, celebrities or gangsters, who’d invite their wives to soften the martini’s and manage the children.

Ben Siegel
Ben Siegel

To be continued.

ARTIST’S DON’T SHOOT


When did an artist take out a rifle and shoot innocent people? You should pay more attention to artist’s and expression, the very soul of human nature.

SANDY HOOK. NEWTOWN, MEMORIAL


Watching the memorial. It is not about gun control completely,prohibition didn’t work, drug control paid
the Mob, it is not religion, that is not to be used for our guilt, it is MENTAL ILLNESS. WE TAKE ALL OUR PHYSICAL PROBLEMS TO DOCTORS. But we do not take our mental problems seriously.

MENTAL HEALTH MURDER AND , SUICIDE,


SANTA FE PLAZAMENTAL HEALTH, When will we take notice that THIS SICKNESS KILLS, I could rage in the streets right now. My eyes are filled with tears, my heart is too heavy to lift me up.

 

SANTA FE PLAZA

DON’T YOU DARE TAKE CHRISTMAS AWAY.


What is this nonsense? Am I really listening to a national complaint against,

Christmas? Who needs a job? Whoever you are that started this, dig yourself a hole in the ground and meditate for a month.

I’m half Jewish, half Catholic-all I know about my mother’s religion is the holidays. They remind me of her, and how the two weeks transformed our home, because she happy, really looking forward to seeing her mom, and sisters, and nieces and nephews….

Whoever you are, watch Hallmark television. We are saps for comfort.

Happy Birthday to Literary Lady Joan Didion


Happy birthday Teacher.
Love from your unknown student.

VOYAGES WITHIN & WITHOUT


I live in a temporary tide-pool, a lily floating against the current, weighted down by a suit of armor that shields me from the beauty, love and freedoms stirring in my bud.

The throw of the dice this week lands on a quote from the archives of my peculiarity-clipping folder.   I don’t know if this is branded in a writer’s genes, or simply another trivial pursuit to aid us in remembering things, that at the time we feel we need to remember, but we are not sure why.  Being a clipper means that nothing in print is safe in our presence.  We cannot resist the impulse to possess particular images and words, and usually without any logical reason. Once we have retrieved the clipping, we file it in a folder or notebook. The clippings do not age well and after 10 years, they are yellowed with torn, frayed edges.  They are rarely plucked from their binding burials and given present day meaning because they live in the bottom of trunks, or in storage units, and are difficult to get our hands on.   Since I discovered a clipping several weeks ago I’ve been investigating the connection between clippings and destiny.  I stopped being a savage clipper in 2002.

I opened up this one journal from 1988, and reading the pages, I came across the quote that propelled me into adventures in livingness. It came from Theater Critic, Kenneth Tynan, from a magazine article he wrote.  It was a personal essay and the line that beamed through me like a telekinetic force was ,   “Adventure. Voyage, there is nothing else! ” When I ripped it out I did not live, or ever imagined I‘d live in Santa Fe.   That was the first time I had come across that article. I remembered it, and swore an oath to adventure ever since.   I memorialized the quote and have continued to look for new places to adventure and voyage.    Since 1982, I have called home behind 31 different doors, in only six different cities.

I realize Kenneth’s voyage metaphor was not about relocating, though moving has a definite adventure inside it, but more of an internal adventure, opening your own doors to unconventional, unacceptable, and unrealistic measures in the hopes that you discover real newness of vision. 

PLEASANTRIES OF YOUR LIFE


PLEASANTRIES OF YOUR LIFE.

PLEASANTRIES OF YOUR LIFE


No Pleasantries
No Pleasantries (Photo credit: Wikipedia)
This is a short piece.  I haven’t written anything besides the script for the last two months, and my head is empty of imagery and illumination.  I got the script done as right as I could until such time as a more experienced screenwriter explains what I’ve missed. It’s like looking in the mirror and deflecting the flaws, until the big mirrored light swings over and all is revealed. .
Last Saturday after I printed the script out I went into a cocoon of pleasantries.  Studying my home-nested wild birds, nudge the bird feeder, peck each other out of order, eat alongside the chipmunk, the doves, and the squirrel on the porch and Rick, the pavement glory of La Posada waving from across the street as he jogged to retrieve a guest’s car.    I envied Loren on the porch, sunglasses and hat tipping slang narrating life as he sees it from a valet, go to guy,  perspective, and watching Rudy on the roof pitching leaves, and listening to Ray Baretto.   I drank up Gloria’s laughter at Geronimo when Sam Shepard sat next to me, and she nudged me to talk, talk talk. I watched the fireplace rising into flames and the sunlight at dusk in the melon room .I rose to morning air so fresh it numbed my tongue, my nose and eyes, and inside my San Francisco kimono, draping over my arms I could see the blossoms of color.
Lounging in lavender and lilac oil, soaps and salts in my claw foot tub listening to Nancy Wilson and then later with the TV on to TCM and my head on the pillow, I snuggled the pleasantry of a warm bed and heat rising through the vents.
If you write down the pleasantries
Surrounding your life
Your blessings rise up and
Give you comfort.
The sweet peace may vanish the next day, or be intercepted by the news, a wreck in the street, an unexpected phone call. The crossroads of everyday life comes and goes. Between all of these uncontrollable incidents we are writing our stories. Stories that some day will be told in conversation, or written in journals and books. The essence of our changing lives is worth telling, so you loyal readers write to me and tell me yours.

 

Remember your pleasantries, and the ones that swim through your days, with smiles and laughter, pats on the backs, jokes and tales. We all have clutter of the mind but we have the power to sift out the deranged deviations. I have come to believe the only will I want is the power to be a real good sifter.