SURREALISM OR MOVEMENT


           I‘ve been stalked by a sensation and image of Loulou, scrambled up in whistles blowing, each one commanding me in a different direction. The annoyance of conflicting orders robs me of my Aladdin ( magic moments), DICE LOGO

sURREALISM 2
sURREALISM 2 (Photo credit: Nesster)

 AS I CLEAR OUT THE FEAR OF NEW FEELINGS .  I feel like time is  belted with interior stop lights, instructions, and preparation for a new passage to go through.  What happens is subtle, but when so much time is placed in introspection,  life looses it’s Aladdin. It is time to polish my gold lamp and follow an  unknown light. Do you know what I mean?

TNT’s ‘Mob City’ is smart, stylish — and short


TNT’s ‘Mob City’ is smart, stylish — and short.

THE PUZZLE OF SOLITUDE


The oaks and  elm trees are almost naked;  butterscotch leaves are face down, like half eaten lollipops. Lurching in the east; a mass of thick charcoal clouds without any wind to push them towards us.  This outdoor stillness and the hum of my refrigerator are subtle signals of the approaching hand of winter. The silence is like a cooking pot cover that secures my spirit into acceptance.  Listening to classical piano concerto’s, blue grass on Saturday, the blues on Sunday and rock & roll on Friday. Musicians are my guests, as much as the wild birds that pluck  from my feeders.

Sometimes, solitude feels like a draft and no matter how many sweaters I  put on, the seclusion tugs at my bones. There are a lot of us soloists that reside in Santa Fe. We are not questioned or scolded for our behavior, we are left alone!  If I am drawn into an empty canvass of what seems my destiny, I draw the opposite silhouette.  I am the light against the dark.   The green light in my head  reminds me that I have my teeth, my long legs, and some passion for almost everything that God and man created.  I just can’t decide which passion to follow. Should I do a  museum, gallery, lecture, drive to Taos, go to a concert, dance at El Farol, take Flamenco lessons, engage strangers in conversation, watch old movies, read more of the stacks of books on my bedside table. Should I interview the straggly teenagers in the park or hit up the high rollers? Should I write, submit or edit:  clean the laundry room, make a thick chili stew, iron my clothes or pick up leaves. Living unstructured is a discipline that threads easily some days, and when it doesn’t, I have to control my passion for daydreaming.

My daydreams: to inhale ocean air, to bogey board, to hike, ride horses, go to Lincoln Center, the wine county, Prague, Sicily, and Russia. My passion to be around little children at Christmas and stare at their patent leather shoes, and to eat pumpkin pie for breakfast, to converse on philosophy, the arts, social trends, and the interior life.  My passion for impulsive trips on the road to Kentucky and Tennessee, anywhere I’ve never been; I will go.  The obstacle I place in front of me; I don’t want to travel alone. I’m plain afraid. I’m afraid to fly more than two hours, my sense of direction is worse than anyone I’ve ever met, and I pack too many clothes to carry, and end up with a raw neck and numb arm.

Once in Annecy, France, I walked for hours trying to find my hotel. I circled the squareOld part of Annecy (France)

twelve times. I’d not eaten a meal in several days because my coin satchel was half full . In a moment, I just fainted and swooped down to the ground. A Frenchman was kneeling beside me when I opened my eyes. We sat on a little iron bench, and he offered to take me to dinner.  He was so kind, he kept bringing food to my hotel because he said I didn’t know how to travel.

The train of clouds are still in the east; fluffy white cream and silvery puffs of pastry. They too cannot decide whether to cry; or remain strong and commanding.

Dating is one passion I never had.   Even when it was as organic as sharing a cup of coffee or taking a walk after dinner. Dating now is about business and getting connected. It’s selfish sex with a price. I hear men and women tell me these stories and my response  freezes.  ‘Oh yea, she wanted $250.00 for a few hours; without sex.’  For  a woman she is expected to be complete; with independence and like total clarity about who she is and what she wants. ‘He  told me I had too much baggage; who doesn’t over fifty?’  I think we are always in an  evolution of  personal understanding of our experiences.  You can’t put people into cross word puzzles and expect them to stay there.

Now, hours later the clouds cried, and their tears pranced in a slight wind. I curled into my favorite club chair and watched a 1937 screw-ball comedy, ” We’re Rich Again.”  Like my Dad used to say;’ You’re whole life can change overnight.’  My bed is warm. My friends are loyal. I allow myself to write everyday.

OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-


OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-

5 BDR/3 BATHS. FORMAL DINING ROOM. PRIVATE GATED. GARDEN MOVIE THEATER
ACROSS THE STREET FROM LA POSADA RESORT & SPA.
HISTORIC EAST-SIDE OF SANTA FE, NM
2 BLOCKS TO DOWNTOWN PLAZA

 

REVERSE THE ORDER


There are themes to our lives. Sometimes a year, sometimes one single day launches the theme, or it may just tumble into our path unexpected and replace whatever we were holding on to dearly. The sensations leading up to my theme, reverse the order, peeked through the quagmire of disillusionment, frustration and mud heavy quibbling in my head. Reverse the order, blew into the quibbling, and straightened my piles of projects. Writing,editing, not believing in my word, leasing the house, getting into a relationship, deferred maintenance on myself and property I own, and sweeping leaves etc.
“ Stop writing as a means of self-gratification and start submitting what you have written. Leave the leaves to fall.

AUTUMN AWESOME SANTA FE, NM
AUTUMN AWESOME SANTA FE, NM

LONELY IN WRITING


WRITING did not missle me into loneliness. It was a voice inside that asked to be alone that missled me to writing.Image

SHEPARD & DARK


phone-pics-291.pngTHE SCREEN IN SANTA FE scheduled three showings of this Docudrama.
Huh? Sam ol’ boy lives in Santa Fe. I’ve had bar chats with him, everyone has, and he’s our mascot for independence, accessibility, and still a flush hand of rugged classic looks. Like he should be Ralph Lauren‘s model, not Ralph.
I figured the theater would be packed so I brought earplugs. I take my films too seriously, and refuse to be interrupted with slurping and munching. Into the first scene; my concentration was so acute I would have protested if anyone said a word. Beginning with the footage; unbelievable home-made movies and photographs. You will see Sam as a youngster on the ranch where he grew up in Central California, Sam leaving home and working his way through puberty. Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark. The dialog between the two men and the dramatization of their feelings about the collected letters they exchanged over a forty-year period is something beyond a beyond a reality show.
It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed. The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.
Yes, there is a dusting of emotions on Jessica Lange.
I walked away feeling as if my life had not even begun. So much life squeezed into one man lead me to It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed. The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.
Several lines I recall in particular, to paraphrase Sam:
We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.
That kind of admission for a floundering but dedicated writer will last me a while. On documentaries; they don’t get enough attention. I hope this film tears that fence down and let’s the HONEST-REAL-BULLS come through.

 

CATCH THE ART IN SANTA FE PART ONE


 

Portrait of Eugenia Huici (Eugenia Errázuriz)
Portrait of Eugenia Huici (Eugenia Errázuriz) (Photo credit: Wikipedia)

CATCH THE ART WAVE OF SANTA FE    

Living in Santa Fe is a fertile landscape of more than sage, lavender, mud and ancient dwellings. It is where art branches out in new directions of livingness.

Along the path of adventures in the arts, I attended “AT HOME WITH FASHION, presented by ShowHouse Santa Fe in collaboration with Artgraze; a league of interior designers, artists, and galleries to embellish our homes with, “the art of living with art.” They patterned classic and chic Fashion Design on Interiors selected by ShowHouse Santa Fe founders, David Naylor and Jennifer Ashton. The Santa Fe Interior Designers set up shop in a quintessential Santa Fe home and opened the doors to the public to eat, drink, dance, get lost, or be discovered.  Along the interior paths of the home, artists, designers, home buyers, and sponsors conversed while behind the scenes; funds were dispersed from a generous monarchy to support the Community Foundation of Dollars4Schools. The designers worked for eight weeks, to transform a modest décor, into a stage setting of flamboyance, élan, and their secret design techniques. The designers; Jennifer Ashton, Jackie Butler, Gloria Devan, Pam Duncan, Emily Henry, Edy Keeler, David Naylor Annie O’Carroll, Lisa Samuels, Paul Rochford and Michael Violante. They schlepped all the furnishings, and accessories, including wardrobe accents, and art work to the home and coutured the house as if it was a model.  The epervescese of this lively group spread outdoors, onto a glittering garden patio designed by Catherine Clemens where the best Barbeque chicken I ever tasted permeated the painted postcard silhouette of sunset on the mesa.  Who was there?  A man in yellow rubber suit, fashion models, filmmakers, photographers, art collectors, and Antique Activists. In the crowd I noticed a distinctive gathering of men and women stylists bearing: squash necklaces, Concha belts, O’Keefing hair styles, and jewelry to stop traffic at Paseo Peralta and Cerrillos Road. The 4747 square foot Las Campanas Estate is listed with Ashley Margetson of Sotheby International Real Estate.

 

 

 

SHEPARD & DARK


Ralphie I served 1966–78
Ralphie I served 1966–78 (Photo credit: Wikipedia)

THE SCREEN IN SANTA FE scheduled three showings of this Docudrama.

Huh? Sam ol boy lives in Santa Fe. I’ve had bar chats with him, everyone has, and he’s our mascot for independence, accessibility, and still a flush hand of rugged classic looks. Like he should be Ralph Lauren‘s model, not Ralphie.

I figured the theater would be packed so I brought earplugs.  I take my films too seriously, and refuse to be interrupted with slurping and munching.  Into the first scene; my concentration was so acute I would have protested if anyone said a word.  Beginning with the footage; unbelievable home-made movies and photographs. You will see Sam as a youngster on the ranch where he grew up in Central California, Sam leaving home and working his way through puberty.   Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark.  The dialog between the two men and the dramatization of their feelings about the  collected letters they exchanged over a forty-year period is something beyond a reality show.

It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed.  The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.

Yes, there is a dusting of emotions  on Jessica Lange.

I walked away feeling as if my life had not even begun. So much life squeezed into one man lead me to question my limits on adventuring. Several lines I recall in particular, to paraphrase Sam;

We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer  you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.  

That kind of admission for a floundering but dedicated writer will last me a while.  On documentaries; they don’t get enough attention. I hope this film tears that fence down and let’s the HONEST-REAL-BULLS come through.

DEADBEATS IF WE DON’T HAVE…


dsc01192.jpgThere is assurance that most of all, above the tasks, aspirations, dreams and commitments; we are dead beats without love. The feeling has to pass through our veins and arteries, as often as possible, from one suitor or another. You can love a moon in a black sky, as much as man in black suit. I believe the feeling it gives us is medicinal. It gives us something no other prescription can. That is why when sickness comes, all the love pours out from friends and family.

ADULT IS SHOUTING


The waking of an adult in a unwilling woman
Forever young is an idiom that I enjoy reading and humming in a song. In the honesty of thoughts, I feel the adult pushing through, and clawing it’s way into my perceptions, spirit, and creativity. The struggle is constant, because the adult has proven to be a protector, but lately she is interfering with my favorite toys. There it is, finally surfacing, and sounding off about trite irritations, suspecting, unyielding, distant, scrutinizing, and cowardly for being a little selfish.

This adult is more concerned with dust, and neat piles, then the sun beckoning my soul to a dance in the light, a trip to Greece, or a two-hour lunch and trip to the museum. The adult is pressing through the work plan, publication, interviews, the emails, and bills, the laundry, and a, the rain soaked rugs left outside, the weeds, and in between these tasks of productivity, the mind is rumbling like a tea kettle about to boil, about bumper sticker things I’d rather be doing. The rather be doing list drops down just before I go to sleep. I look at it blankly, and ask someone who never seems to answer; when am I going to begin the begin. If there is an absence of time to write, and the avoidance of time to play, then I am left with a very dry outlook. In the presence of my admission, is the sweep of rage that crosses over the keyboard. Yes, there is madness in an obsession to produce great things, bundles of money, inventions and art. In replacement, there would be gossip, self-absorption boredom, complacency, and trashy novels. Balance, as we know it today, means the consumption of everything we yearn for at more than moderate levels. That is also an idiom that I read about and hum in a tune, but it passes, and I am back to uneven feelings, and imbalances between laughter, and shouting.

I’M NOT LIEING


2013101095112653Photo credit to: LOREN TUPLER aka White Wolf.

 

The throw of the dice this week lands on adventures in livingness; friendships.

The subject pierced me yesterday morning, and came by way of Anais Nin, a passage in her diary. 
“Each friend represents a world in us, a world possibly not born until they arrive, and it is only by this meeting that a new world is born.”
Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934    Today, the first in several months that the atmosphere is ripe with thought, and has brought me back to the writing of the moment. The delivery trucks have not opened their doors and dropped their ramps, the garbage trucks have already passed, and the traffic is so slight it feels like Sunday.

Fall is brushing nature with a varnish of  sunshine all day, the sky is swimming pool blue,  and so I sit in the garden on the lounge chair, shaded by the droopy elm tree.  I hear some cheerful shouting on the sidewalk, a horn breaks the sanctuary, and then a dove lands on the wooden lattice and we watch each other.  I breathe deep, close my eyes, and feel my noon time tuna sandwich thumping in my belly.

The stream of consciousness is threaded to the deeper blanket of anxiousness. I am going in circles, not physically like I have been moving from one bedroom to another, one closet to another to accommodate, the vacation rental guests. I am in the circle of chaos that seeps into every day activities. Tempers are flaring, combative street encounters rouse the hum of music on my porch, authoritarian behavior is exhuming from Managers and Owners, employees are jumping ship everywhere. People are relocating, selling possessions,  or using succulent lips and breasts to lease men for financial support. We are all a bit edgy.

 Just as we adapt to one highland of composure we lose another. On Yom Kippur I attended synagogue in Santa Fe. There were only a few empty seats, so I took one and opened my prayer-book. I tried to read the portion I missed but the two women behind me were chatting. The expectation of searching your soul does not come easy when two women are talking. The same annoyance follows me everywhere; I always end up seated next to the talkers. Whether it’s in on an airplane, a restaurant, or a movie theater, the talkers seem to trail me. The passages from Yom Kippur service remind us of: sensitivity, tolerance, love of thy neighbor, selflessness, jealously, and trust. There I sat, silently scolding the two women who continued to chatter and laugh. Rather than deter my soul-searching, I changed seats, and asked forgiveness for my intolerance. Above all my flaws and quirks, the altar of shame lies in the hiss of distrust. It is a hiss that rises from my gut, and enters my brain. It wasn’t always a malignancy; as a young adult I trusted everyone, unless they asked me questions about my Dad. In recent years, the tumor of trust has splintered  friendships.  The Rabbi chose the subject of trust as his closing narrative. He said that a person who suffers from lack of trust, runs the risk of becoming paranoid.  I sank lower on my inner backbone. Yes, that seepage of paranoia has invaded my trusting heart.   When I got home  Rudy was painting the new double pane door to my room. 

“How was the service? Hand me that screw will you?” He asked

“Guess what the Rabbi talked about?” I said and handed him the screw.

“Israel.”

“Well of course that’s embedded in the Torah. But his personal message was about trust.”

Rudy continued to insert the door into the archway with his screw-gun.   “You inherited distrust from your father, I don’t know if you can rid yourself of it.”

“I have to!”

“Good. I’m so hurt when you don’t trust me, I mean after thirty years.”

“You still lie.”

“They’re not lies; they’re white lies, so people don’t get hurt.”

“But I know when you’re lying.”

“I know you do.”

“And the lies really hurt.”

“Well then we’re both guilty.”

“You still don’t get it.”

“Yes, I do. You’re not listening to me.”

“You’re right. I’m about feeling, and you’re about telling. ”

 Why do we lie; is it to protect the other person’s feelings or

is it because we use deceit and dishonesty to get what we want,  If we could change a single human gene; it would be the fib factor. Just imagine how different our life would be.