LUELLEN SMILEY ADVENTURERS IN LIVINGNESS

Where Gaps of Expression are Liberated

ABOUT

Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.

That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.

Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.

Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.

Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.

Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.

Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.

SHEPARD & DARK


phone-pics-291.pngTHE SCREEN IN SANTA FE scheduled three showings of this Docudrama.
Huh? Sam ol’ boy lives in Santa Fe. I’ve had bar chats with him, everyone has, and he’s our mascot for independence, accessibility, and still a flush hand of rugged classic looks. Like he should be Ralph Lauren‘s model, not Ralph.
I figured the theater would be packed so I brought earplugs. I take my films too seriously, and refuse to be interrupted with slurping and munching. Into the first scene; my concentration was so acute I would have protested if anyone said a word. Beginning with the footage; unbelievable home-made movies and photographs. You will see Sam as a youngster on the ranch where he grew up in Central California, Sam leaving home and working his way through puberty. Then we see that chiseled frame of masculine sensitivity as a young playwright in Greenwich Village where you meet Johnny Dark. The dialog between the two men and the dramatization of their feelings about the collected letters they exchanged over a forty-year period is something beyond a beyond a reality show.
It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed. The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.
Yes, there is a dusting of emotions on Jessica Lange.
I walked away feeling as if my life had not even begun. So much life squeezed into one man lead me to It is as honest and genuine a continuum of conversation between two men that you’ve ever witnessed. The subjects: their father’s, destiny, fate, women, writing, dogs, tragedy, and loss. Just to name a few. So if you wrap the cinematography around the humor, philosophy and ending that left me in tears, you have a masterpiece of film for the audience.
Several lines I recall in particular, to paraphrase Sam:
We can change our lives, our work, our wardrobes, our women, but we never really change. Our essence remains constant. I’ve always felt outside the whole thing, sometimes more than others. As a writer you have to be selfish with your time. I’m always moving, going on the road, I didn’t know that was how my life was going to turn out, but it did.
That kind of admission for a floundering but dedicated writer will last me a while. On documentaries; they don’t get enough attention. I hope this film tears that fence down and let’s the HONEST-REAL-BULLS come through.

 


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