MOODY BLUES TUESDAY


           MATISSE

Writing somberly is parallel to writer’s block. It’s not a block, really, more like a resistance to engaging feelings. ย If I place all the options on a puzzle board, this leads to the center. A fractured life impacts emotional posture and is not unlike physical posture. We slump or stand tall. We love instead of neutralizing, we are inspired instead of stagnant, we romance our passions, and we live to love. My heart is at the starting gate to love again, but the racetrack is missing. I’m undercover! I watch Blacklist or some foreign film in the evening. Most weekdays, I’m circulating between finance, selling furnishings online, shoveling snow, and researching acronyms because the news uses them so often.

The vortex of discontent is a punctured life. The windows of my home reflect the splendor of nature that plays all day long in the winter. ย I’m spending more time watching sky stage plays: clouds still, clouds moving, colliding, changing colors, sculpted into aberrations of animals and faces, than cognitive thinking. My collection of records and CDs accompanies the scenery. When I’m sorrowful, I listen to Ennio Morricone; when I need a lift, Vivaldi, Sundays it isย Turandot or some other Opera. When I’m a go-go girl, Swing, Salsa, or The Stones, when I feel alone, Sarah Vaughn, Nancy Wilson, and Etta James, for writing inspiration Bob Dylan, Leonard Cohen, and Annie Lenox.ย 

      I don’t see any remedy commercials for a fractured heart. By tomorrow, the despair could vanish, like the rain that puddled us for the last two weeks. Everything Iโ€™ve experienced is good in the beginning. So, to begin, I will listen to Begin the Beguine. 

“Begin the Beguine” is a popular song written by Cole Porter. Porter composed the song between Kalabahi, Indonesia, and Fiji during a 1935 Pacific cruise aboard Cunard’s ocean liner Franconia. In October 1935, it was introduced by June Knight in the Broadway musical Jubilee, produced at the Imperial Theater.  

    Henry miller writes in his book, โ€œ Henry Miller on Writingโ€ โ€œWhoever greatly suffers must be, I suppose a sublime combination of a sadist and masochist.โ€™  I suppose that a few of my friends have aligned me as such, and now that I write this, as in all writing, answers blink at you, and then the soul receives them like a wafer of wonder. Perhaps I am, but where that evolved and manifested, I have no time to think about it because the sun is out. I must sit in my newly designed sunroom, a small book library alcove that receives the sun at noon.  When I returned with my phone to snap a photograph, the sun disappeared like a footprint in the sky. Every moment needs attention. It’s twenty degrees outdoors. I am modestly adjusted and receive a thousand weekly warnings to get a flu shot. My doctor has tried persuading me to get a flu shot for three years.  I responded that I’d never had the flu and that my last cold was in 2012. He chuckled and asked the next question. 

WRITING WITH NATURE


In one of my books on writing, I read that most writers face the demon in the middle of the novel. The beginning is a gallop, and the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.ย  ย ย 

The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. ย Iโ€™ve finally accepted that my constant relocation, reinventing, and restlessness will not be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I stood out on the porch observing the peacefulness. The scenery of this street is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets; all the shops, services, and restaurants are a patchwork, and all the business owners know each other. ย 

I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender.ย  If you are an artist, the limit is not the sky; it’s everywhere. Natureโ€™s artistry is a full-time exhibition in the Northeast. The view now is of tumbling clouds rolling over; they move slowly, like dough, across the road, while squirrels dart about. ย Outdoors is where we see the best of life.

Bookviral


Our review……

A candid and enthralling memoir, CRADLE OF CRIME – A Daughter’s Tribute is the debut release from Luellen Smiley and it proves one of the most gripping and powerful books in its genre. Certainly no mean feat, given the swelling number of similarly themed offerings but Smiley does well to distinguish hers with painstaking research, a broad narrative sweep and intellectual grip to deliver a fascinating and revealing read, for the events it covers.

The storytelling isn’t redemptive with much of the most compelling material in this book being intensely personal but it is a very human story that dispels hype and myth and gives us a telling glimpse of a remarkable life. Weaving together several stories it makes a vivid and notable contribution to the mafia debate which invariably swings between the codes of honor and family values so often portrayed on the silver screen to a brutal criminal organization focused only on the accumulation of wealth. In contrast, Luellen finds a far more equitable balance in her reflections, and it makes for a genuine page-turner.

Extremely well written, fans of this ever popular genre will find CRADLE OF CRIME – A Daughter’s Tribute a fascinating read and it is recommended without reservation.

http://www.bookviral.com/cradle-of-crime-a…/4594052167

A BookViral review of CRADLE OF CRIME-A Daughter’s Tribute by Luellen Smiley

A LADY LIKE AUDREY


EGO WORK OUT AT EQUINOX. 2018


    I walked into Century City Club Equinox, almost inserting myself into the spotless transparent glass door. Three young women at the counter, beaming youth in front of black walls that seem to suck me in. 

โ€œIโ€™m here for the tour.โ€   A suited man in a large, rather luxurious office greets me with so much reserve and robotic gestures that I feel like running out.   I was led through a scintillating voluminous space, enveloped in floor-to-ceiling glass, streamed with sunlight and views of Westwood.   The members,  women attired in matching voluptuous outfits and personal trainers, lean as lions tossing funny equipment to the client, fastidious housekeepers, sterilizing and vacuuming in trendy uniforms. It was as if  I were watching a film production. 

The treadmill cycle area was a bit crowded, and not one person didnโ€™t have a headset on, staring at the screen of choice.  The bathrooms were hotel accessorized, and even pumps were filled with Kiehl products. There was a steam room, make-up area, showers, all the necessities, and a few women were blowing their hair, all beautiful. 

More rooms, a snack bar, shopping, pulsating music, and a closer look at the guests.

โ€œ This is as upscale as you can get; youโ€™ll love it, and you’ll meet important people, Iโ€™m sure.โ€

I listened to his closing argument and watched the bodies bend like pretzels as personal trainers raised and stretched their heads, arms, and legs.  Bodies bounced, climbed ropes, did flips, and hung upside down, like a circus act. After the close, a condescending smirk, that I read as, join, or go hang out with the losers at 24-hour fitness. 

 He handed me the contract, and I read it over.  The cost was more than Iโ€™ve ever spent. The way I looked at it was a place to work out and meet new people, although my instinct was that these were not my people.  I signed and walked out feeling dizzy again.  I stopped in a shoe store to look at what women were wearing.   The salesgirl kept complimenting me, and showing me shoes that she loved, and before I knew it, she sold me what I didnโ€™t come in to buy, high-top lace-up pink workout sneakers.  Leaving the Century City Satellite, beyond the construction and traffic, I raced home to recuperate. Whatโ€™s happened to me after living in a village in New Mexico, is that too much stimulation is now exasperating.

I walked to Equinox for my first workout, hopped on the treadmill with weights, and tried to look perfectly comfortable, but I wasnโ€™t.ย  The vibe and everything about this ballroom of a gym seemed rehearsed. Maybe Iโ€™m too observant, trying too hard to fit in. I noticed so much in that hour. The workout is also a sort of performance, just a shade of competition between men and their weights, women straddling rubber balls, yoga mats, bench presses, and only a handful look like they need it. Men and women occupy the treadmill room; without expressions, they seem to live inside themselves.
There is no conversation; it feels more like a convent. There is no hi, hey, or smile. I asked a trainer, โ€œItโ€™s not very social here. Why is that?โ€
โ€œ These are the highest paid executives, lawyers, agents, actors, and they donโ€™t come in to socialize–they are only here to do the work-out.โ€
Great move, Greta. Iโ€™m paying three hundred a month to be invisible.

THE POWER OF TRUTH


I was walking the streets, and the descriptive details had since evaporated. I mentally pluck myself out of this moment and open the shades to thought and memory, where all writers meet on some psychic level, the place of imagination and creation, an abnormality of reality.

A passage from Anais Nin’s diary says, โ€œBe careful not to enter the world with any need to seduce, charm, conquer what you do not want, only for the sake of approval. This is what causes the frozen moment before people and cuts all naturalness and trust. The real wonders of life lie in the depths. Exploring the depths for truth is the real wonder which the child and the artist know: magic and power lie in truth.โ€

UNCERTAINTY


Unprepared, who knows where
The leaves will fall
They donโ€™t plan
Where to land

Undisclosed strangers will walk in our paths.
Cross our hearts and
Tread our minds  

Evil intercepts, betrayal, intimidation, abandonment, financial sabotage.

Uncertainty
We traverse our heart’s discourse
Shooting for dreams of undiscovered lands
More weightless plans
I donโ€™t know if I can see ahead
My steps, like pebbles,
follow the rush in the river
On the edge of a
quiver

Skipping towards freedom
In summer, rays of light
Like a leaf, I break free from the branch

OLYMPUS DIGITAL CAMERA

To land a launch.


ICE, SNOW, AND RAIN… MIX THOROUGHLY AND SERVE CHILLED

WINTER 2025 … BYE BYE

Winter in the Northeast is a door to the interior, not just physically living indoors; itโ€™s a mental withdrawal from outdoor activity. Yes, some have adapted. I’ve seen men in shorts on a snowy day and women runners passing by my window on icy sidewalks. For many of us, I believe the winter is the time to ski in your head. Take a word puzzle section of all your experiences and ski down your mistakes, misjudgments, and behavior in all its rights and wrongs. A sort of sabbatical for the soul.

My car was stuck in the snow, and my eggplant pasta was stuck in cheese.

I LOVED


JOURNAL ON MEN

The insomnia of separation from a manโ€™s shoulder bowed to my head, tweaks like stale bread. A mind that directs me when I am driving directionless and maps my journey, walks beside me, a guardian of my fragility, acutely conscious of our path. The voice that encourages and applauds my success rather than let it drip from jealousy or preoccupation.  How the laughter erupts in a moment of spontaneous passion. The gestures of him shaving and the modest vanity after I re-wardrobe him. Feeling his eyes in a crowd, undressing or admiring me, for some folly or expression.

The humor he finds in my misguided attempts to open bottles, and packages with a dull spoon, and figure out electronics.

How he will pardon and pamper my unwarranted fears of stalkers, sickness, rejection nightmares, and falling down the slippery wooden stairs.

The man whose balance evens my wrinkles.

Let’s the light into my eyes.

Opens my shell with wonder and tenderness.  

WINTER’S SERMON ON SOLITUDE


SOLITUDE will always be a puzzle because our lives, solo or mated, are mystified by either too much or not enough solitude.

ย I contest what seems endless solitude with my Irish Russian temper, condemning irritants like: street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. The fever dulled after the first ice, rain, and snow, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life. In the best of times and the tedious. I have to find the frolic and follies in the world that I created. I have to laugh alone so I watch screwball comedies, seek humor of my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere daydreaming.
Iโ€™ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I havenโ€™t experienced here; and how can I complain when half of Upstate New York is buried in ten feet of snow. The end of the day pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly gumbo, stew, or casserole while listening to Tony Bennett, Nat King Cole, and swing music.
Winter is a funnel that strips the trees and branches and lets us see through the forest and ourselves.

TRUTH OR TALE


WHY DO WE LIE?

When do we begin to lie about our lives:, feelings, fears, and mistakes? I ask this because of simple observation, knowing when someone is not telling me their truth. I remain silent; it’s not my way to ask why you lie to me?  It’s like a social-cultural mask. I’ve always sought to know the truth. Why should we shield our traumas and hardships more than our triumphs and accomplishments? Do you know who does not lie? ART and SPORTS. That is why we listen to music, read books, go to galleries and museums, watch films, go to the theater, and go to dance performances. I cannot comment on sports because I’m not a spectator, although I love basketball.

We, and I mean this in only a visceral sense, do not believe politicians, news, social media, or advertisements. We want to, but deep in our inner truth, we know it is the manipulation of our individual thoughts and choices. That is why I trust art to deepen my understanding of the human condition. Thank you to all the artists and athletes who share their pain and glory.

ENDING THE MEMORIES


NOVEMBER 2021                                                                        

MAXFIELD PARRISH

ย ย ย  ย MONTHS LATER ON THIS DAY, she closed the shutters to him and alchemized from a cocoon to a butterfly beneath a circle of friends in tune.ย  She removed the photos, gifts, and letters and put them in a box to reminisce later. Talking out loud, “She takes just like a woman, but she will not break like a little girl.” No more hours fanning the past; on this day, my view is spanning.โ€ย  She sat peacefully by the fire into the night and let her broken wing sing as she watched the wood turn to gold. ย