THE ART OF CONVERSATION – FRANCE VS THE USA


SANTA FE, NM.

LAST NIGHT  AT LA POSADA,  the hotel across the street from where I live,  I cushioned myself  fireside to read the newspaper.  The circle of conversation across from me was loud enough to hear and so I listened.

” The rental rates of vacation rentals has skyrocketed. We have a vacation rental in Colorado and it is always occupied.  You know you can make a lot of money, it is very hard work.”  It has taken many years to listen objectively rather than critically. I’m not underlining the narrative as much as why would they discuss finance in the midst of terrorist mayhem.

I sat there for at least forty-five minutes and the conversation thread did not waver from personal income.   I’ve approached the subject of terrorism with friends and acquaintances since Friday the 13th. Only one couple who’ve just relocated here engaged. The gentleman was born in Belgium and he was eager to share his European opinions.

Over the last few days I’ve been watching Sky News.  http://news.sky.com/watch-live. This is an international online station. The journalists report news, they do not debate, criticize, or condemn those they interview.  During the program the scenes in Paris, London, and around the world capture the public’s activity, conversations, triumphs and tragedy.  What this illustrates is that  conversation  in many US arenas must pass the political censorship exam.

I understand political discussions strike fiery bantering and this may cause a rouse and attract attention, and that is  unacceptable in respectful society. Not so in France!  For me, this truly illuminates the difference between our cultures.  They are educated in the art of conversation, and in love with expression.

When I lived in Malibu last summer, most of the guests of the owner were Parisians.  This artistic and  talented group talked without pause from dusk to dark, drank bottles of wine and smoked,  a mise- en- scene from the French salons of the thirties.   They raised their voices, shouted, laughed in unison, teased and taunted without restraint.  At the end of the evening cheeks are kissed, hands held, and appetites satisfied.

Discussion with the Queen of Conversation

Harriet Dautel Funk. San Diego Opera 2006

OLYMPUS DIGITAL CAMERA

 

 

 

 

 

SINGULAR DAYDREAMING


DAYDREAMING
When I watch my wild birds, I daydream of their freedom.

When I listen to Wes Montgomery I dream of Brazil, and riding on a float at Mardi Gras, just once, with a feather hat, and dressed like Rita Hayworth.

When I sit at my desk and look at my mother’s photograph, I dream of the lunch we never had, and the lunch we did have, in  Bullock’s Garden Room, watching the fashion show and discovering tuna salads.

When I lie in bed at night I dream of him, whomever he is, wherever he is, and his strong shoulder cupped around my head, watching an old Cagney movie.

When I shovel snow I dream of California, of old Del Mar and running along the shore barefoot.  When I walk along Palace Avenue in Santa Fe,  I dream of walking in Brooklyn, or 5th Avenue at about 6 pm, when everyone pours into the street, a fountain of limbs and accessories.

Daydreaming unlike night dreaming where we are flying, conquering, or battling some inner masked trauma, illuminates where we want to be, and who we want to be, and if you take it seriously, how to get there. The medicine of daydreaming is unmatched by books, health food, vitamins, yoga, religion, mind altering experiences, it’s the essence of who we are, it defines our reality.

Mostly these days, I daydream6a011168668cad970c0120a94abd12970b-400wim of finishing the longest work-in progress book and as my pal Blair says, finish and move on with your life. For those of you who know me, when the time comes for a diligent writing routine, the act is outwardly selfish. Engagements canceled,  phone is not answered, and my email correspondence drops off.  If a trauma settles in my mind while I’m writing, the rhythm dissipates. Avoidance of the temptations that can draw me away from the work; men, my gal pals problems, Rudy falling off the ladder, and a vacant income.

As I assemble my columns, government transcripts, book excerpts, and emotions into a page of writing what is different this time is I know what belongs and what doesn’t. The worst part of writing for me is vacillating, that mind twist of indecision. It is like the indecision of moving, or breaking up, or taking a different outlook, one you’ve never even considered before.

The world we are living is not familiar; everyday it erupts with an inconceivable corruption, act of violence, and viciousness against humanity. It’s not the Italian roast coffee that wakes me up, it’s world news.  I feel less and less a part of the humanity and more like a wild creature that is fighting for the past. My outlook on social clubs, synagogue and church congregations, group classes, and all that let’s meet up organizing makes a lot of sense now. Especially if you don’t have children, or a life mate the temptation to retreat into your own world of fantasy is irresistible. My next thread will be on the single life, I can claim expertise in that!

Last night a stranger in a sports jacket, silver hair, and polished shoes sat beside me at the Staub House. He struck a conversation and within fifteen minutes he said, ” I’m going to the Chamber Music Concert series tonight  and next week I go to three operas. ” My interior dialogue is assessing him; he’s very presentable, wears glasses well, and loves the arts. Maybe he will invite me. We continue chatting and then suddenly he switches tenses; it is no longer I, now it is we don’t live in Colorado in the winter, we have a house in Tuscon.

After a few travel stories he says,” I have an extra ticket for tonight. Would you like to go? I’m meeting some friends afterward at the Compound.”  A second of hesitation on my part, as this is the temptation I was talking about.

” I’d have to change and you’re running late.”

”  I guess you’re right. Will you be here tomorrow night?”

” Maybe.”

What’s interesting today looking back, is that he didn’t even lie about being married or involved long-term.  Men use to lie about that didn’t they?  I mean what’s so unusual about having a tryst with a married man today? Daydreaming is not indecisive or dishonest. Maybe one of the most genuine of vices.
http://www.positivelypresent.com

http://www.mcall.com/entertainment/tv/mc-ian-bell-amc-making-mob–easton-2


http://www.mcall.com/entertainment/tv/mc-ian-bell-amc-making-mob–easton-2

Mother-Lucille Casey
Mother-Lucille Casey

Series one; Making of the Mob miniseries.
The founding fathers of organized crime had more honor and morality in their pinky finger than the government then, or the government now. I don’t expect any followers on this post, except those in my mob family. I studied the subject for eighteen years; read the FBI surveillance reports, and informants memos who portrayed themselves as friends of Dad. The FBI claimed, my father was a pimp and my mother a whore. They also referred to me as Shirley!

BALTIMORE NEEDS RAPPER


Dance+HD+Wallpapers+2013_7My abstract idea for Baltimore. Send some (down on violence) rap singers and dancers and turn the crowd  around.

A RATTLER OR A PAL


A full transcendental moon dipped into the black-out mountain evening, has cured me of interior turmoil for the time being. This is part of adventures in livingness what locals call the bu. TO BE CONTINUED
I WALKED ALONG THE BLUFF OF DECKER CANYON  overlooking the Santa Monica mountains and listened to the breeze stream through palm and eucalyptus trees.  Medication from nature loosened the wires in my guarded nervous system.   A new current of suspicion, tension and distrust entered the zone between Madam C. 20150407_133844_resized As a woman who beholds her best gal pals, and runs into the arms of women who send out invitations for friendship, I’m susceptible and gullible to hidden motivations.

After the rain walk, doused in mist and droplets I scurried up the hill to my shack. The room I rented from Madam C smelled musty after the rain.  It is linked to her boudoir by an open patio where we shower.   During the day, our paths cross a dozen times in the kitchen, in the hallway, and in my room.
“ LouLou, are you there? LouLou, let me see what you are wearing, I love those earrings, where did you get them? LouLou we are going to Westlake tonight. There are a lot of very rich men there. Is my hair color okay? Yes you look beautiful. Loulou did you lock the door? Did you close the gate? You left your clothes in the dryer. Where is Lily, (the cat) Will you watch Koui, (her furry partner) for me tonight?   Yes, yes yes.
As I entered my room, rain water was dripping in bold droplets on the rock floor. Madam  stuck her head in to speak.
“Oh my god, what is this? Oh I can’t believe it. Her hands massaged her forehead, and her face twisted into a vaccination of anguish.
“ It’s not that bad, ” I assuredly replied. I meant it too.
“ Oh the money I will have to spend! Juan, (her runaround helper) is called and ordered to come at once.”
“ Look Juan! What are we going to do?”
Juan  mumbled something I can’t recall and we all stared at the rain coming down.
“ You will have to move, you can’t stay there. I will put you in the Artists Studio. It’s more money. That’s all I can do”
“ How much more?”
“ Two hundred.”
“ Eck.”
“Or you can leave?”
I turned away to hide my alarm.
That night I watched over Koui in C’s living room and played with the remote mostly because the screen wasn’t taking effect on my disposition. I felt a bit unwelcome, as if I pulled the rain from the sky.
In the morning, she greeted me courteously, “ Are you ready to move.. Juan  and I moved my suitcases, bedding, photos and twelve pairs  of shoes to the studio. It was lovely, a high-pitched ceiling, aquamarine walls, and private patio with shower, bathroom and kitchen.
“ Well, you like it?”
“ I love it!”
“ Well then show it. You should be happy all the time. Life is not easy, I know my dear.  Adjustments are necessary. You don’t have a mama and papa to look after you. It’s up to you.
“ But C I am happy?”
Later on she sent me a text. She invited her neighbor Andrew to dine with us, “ I am doing this for you. He is a producer, Maybe he can help you.”
I prepared dinner in my new studio, listening to Ray Charles, dancing in a celebratory mood.
“ LouLou, Andrew is here, C breezed into the patio, draped in scarf, and a exotic maxi dress. I waved them in.

Andrew handed me a lemon frosted cake and a bottle of red wine.” We all chatted at once. then C blurted out,  “Why didn’t you use my kitchen?”
I am making dinner and cleaning up. You just sit and enjoy.

Dinner rocked along with intensity;  C and Andrew discussing water rights, neighbors, and her vacation rentals. After dinner Andrew stood up, 6’3” and whispered , ‘ can we go into your area?’ C must have heard, because she spun away.

We drank wine and Andrew unbuttoned his witty humor, on-set  stories, and compliments. I immediately caressed his presence and we ended up at his quarters;  an unruly wedge of land so blackened we could not see anything but the stars.  Behind us was his lodge; a spit and glue log cabin covered in palm frowns.  I found his eccentricity appealing as his smile. He really didn’t give any thought to conventionality.

“ What kind of movies do you make?” I asked.
“ Rotten ones, I mean really bad. The last one I didn’t even see. B sci-fi flicks, reality shows, that I can’t stand to watch, and documentaries.”
“ Documentaries have turned into dramas, I love them.”
“Yea, they’re good. I filmed Sundance and Cannes.  Listen, I’m not a devotee of the business, I don’t kiss ass, and I don’t go to star parties, or read about them. I got fired off a film because I addressed Reese Witherspoon without knowing who she was.”
“What?”
“ Yea, there’s a hierarchy to the business you have to deal with. Are you cold? You’re shivering. Here put my jacket on. “
Andrew walked me down the uneven dirt road with a flashlight and a steady arm. His size in height and bulk denotes power, but it is his effortless mannerisms, laughter and shuffling footsteps that remind me of a comfortable sitting chair.
‘ Do you like museums?”
“Yes!”
“You want to go tomorrow? You been to LCMCA?”
I wasn’t even sure which one he meant but I said yes!
We took off the next morning in my Rover, so I would adjust to driving in Los Angeles again. We stopped at Duke’s for breakfast, sat on the patio under a canopy of bougainvillaea.
“ I  am having a panic attack.”
“ Why?”
“ I’m so happy!” Life was so spectacular at that moment; to lean back and set my heart into the sea, sky, and eat a fish sandwich.
Andrew threw his head back and laughed.
“ Could we make one stop first at Saks. I have some jewelry they have to send out?”
“ Do you know how to get there?” He asked.  Andrew moved from Manhattan four years ago.  “ “Are you kidding? Saks Beverly Hills is my Tiffany’s.”
To be continued

DRAFT WAS PUBLISHED


THE MOST RECENT POST WAS A DRAFT.  Please don’t think I lost my mind, that was a draft of notes for a post. I don’t know how to spell parallel when I am speed writing.  Now you know!

 

 

WHO WAS MY FATHER?


I began my research WITH WHAT I HAD; one of my father’s books; “The Mark Hellinger Story.” I leafed through the index and there was my father’s name along with Ben Siegel’s. According to the biographer, my father visited Mark at his home the night before he died. Mark had stood up in court for my father and Ben at one of their hearings. He was fond of Ben, like so many people were, that aren’t here to tell their story.
After reading the book I rented, The Roaring Twenties, written by Mark, and from there the connections, relationships, and characters began to leap out from all directions. I
submerged myself in history and photocopied pictures of my father’s movie star friends, George Raft, Eddie Cantor, Clark Gable, and his gangsters friends. I found photographs of the nightclubs he frequented, the Copacabana, El Morocco, and Ciro’s and nightclubs that he referred to in his mysterious conversations. I made a collage of the pictures and posted them above my desk. I played Tommy Dorsey records while I wrote. This microcosm of life that was created, allowed me to listen to the whispers and discover the secrets.
I dug into my father’s history without knowing how deep I had to go, or what shattering evidence would cross my path. In my heart I felt this was crossing a spiritual bridge to my parents. The flip side was a gripping torment, tied to my
prying mind. I needed to break into the files in order to break my silence, and discover my parents, not glamorized stereotypes that fit into the category of Copa dancer and gangster. No matter what I uncovered, I always knew it would be ambiguous, and controversial. I did not expect to find a record of murder, dope peddling, and prostitution. I believed that his crimes were around the race track and in gambling partnerships. Even so, I could never understand the similarities we shared, unless I knew them as people. Though I have not rebelled against authority as my father did, I‘m not a team player, I resist authority, and I don’t like waiting in lines.
I had to reinvent my mother through the subconscious. I skated over thin ice trying to set her truth apart, from what I
had invented, dreamed, or had been told. I listened to Judy Garland’s recordings, and premonitions surfaced, of how my mother loved Judy, how it must have felt to be under the spot lights of MGM, and dancing in ginger bread musicals while her own life was draped with film noir drama.
I studied my mother’s face in all her films, rewinding and stopping the tape, as if she might suddenly return my glance. She had dancing and background shots in the musicals produced by Arthur Freed. I remembered dad talking about Arthur, and how prestigious it was to be in his department.
When I discovered the Museum of Motion Pictures Arts and Sciences in Los Angeles, I went down and filled out a slip of paper with my mother’s name on it and waited for my number to be called. I felt something like a mother discovering her child’s first triumph. They handed me a large perfectly stainless manila envelope, and a pair of latex gloves to handle the file. I had to look through it in front of a clerk.
“That’s my mother,” I proclaimed. He blinked and returned his attention to a memo pad. Inside the envelope were black and while glossy studio photographs, press releases, and studio biographies of my mother. The woman who pressed my clothes, washed my hair, and made my tuna sandwiches. There she was in front of the train, for Meet Me in St. Louis, and a promotional photograph in The Secret Life of Walter Mitty, dated 1947. That was the year Ben was shot. I looked further to find more clues. I needed to know where she was the night Ben was murdered. Maybe she was on location when it happened. Maybe she was in New York at the opening of the film. I could not place her on June 20, the day Ben was murdered. I imagined my father called her and told her the news. The marriage plans were postponed, their engagement suspended. My father had to get out of town.
I spent everyday picking through the myths I’d heard and read. I heard a clear chord of scorn, for exposing family secrets, “It’s nobody’s business what goes on in our family, don’t discuss our family with anyone, Do You Hear Me!” I must have heard that a thousand times.
I began to dig with an iron shovel. I asked every question I wasn’t supposed to ask, and preyed into every sector of their life. I wanted to know about his childhood, where he grew up, and why he left home when he was thirteen years old. Who were my grandparents, and why didn’t he talk about them. How did he meet Ben Siegel and Johnny Roselli, and when did he cross over into the rackets?
I contacted historians, archivists, judges, attorneys, Police Chiefs, FBI agents, authors and reporters across the United States. He always said, “Reporters can destroy your life overnight.” And here I was, uncovering what he had sheltered all his life.

I wrote to the INS in WDC and asked for their assistance. Six months later I received a letter from the INS in Los Angeles. They acknowledged his file, it was classified and they could not locate it. The progress was tediously slow, and the waiting oppressive.
While I waited for the files, I read Damon Runyon, and Raymond Chandler stories and attempted to identify which character personified which gangster. The stories were about the people that came to my birthday parties, Swifty Morgan, Nick the Greek, Frank Costello and Abner Zwillman,(the Boss of the New Jersey syndicate.) The dialect of Runyon and Winchell mimicked the same anecdotes my father used over and over! By understanding Runyon’s characters I began to know my father. At night I watched old gangster movies and that opened another door of familiarity.

I read almost every book in print about the Mafia and ordered out of print books from all over the country. They began to topple on my head from the shelf above the desk. Allen Smiley was in dozens of them. Every author portrayed him differently, he was a Russian Jew, a criminal, Bugsy’s right hand man, a dope peddler, a race track tout, and sometimes the words bled on my arm. To me, he was a benevolent father, a wise counselor and a man who worshipedscan0002 me.
The INS claimed my father was one of the most dangerous criminals in the United States. They said he was Benjamin Siegel’s assistant. They said he was taking over now that Ben was gone.
That day I put the file away, and looked into the window of truth. How much could I bear to hear more?

Mom and Dad second from Left. I don’t know the other people.

MUST TO MOONLIGHT


 

MAXFIELD PARRISH

 

Now that you know I am leaving Santa Fe on an exploration of destination,  there you are again.  Igniting my flashbulbs for the seamless cinema-scope of Santa Fe, you are toggling behind me in the snow, as I plow, sweep and sprinkle salt, you are there when I am in the parade and choosing my characters to congregate, and make a party, and you are there when I wake up in the morning, to draw me out of the down comfort, sheets and pillows that bemoan me leaving, I want to get up and begin the day, because you are there, turning up the music, and opening the laptop to a new page, and the journal to a new entry, and my books that have punished me for not reading them. They are dusty and wrinkled from my sleepy attempts to find the water bottle and drink, and then the spills fall on them.  You are there when I am cleaning the stove and bathroom floors, a reminder to get on the floor and douse the tiles with love,  listen to music while I  vacuum, and end the day with my  shoes off and slouching in a comfy chair.   You are not dormant spirit, you are rising from the labyrinth of an imagined life and one that is moonlight.

MAXFIELD PARRISH

THANK YOU WORDPRESS


MEOW MERRY CHRISTMAS.MEOW MERRY CHRISTMAS.

THANK YOU WORDPRESS.  My odyessy of love stories have reached readers in Egypt, Western Europe, Eastern Europe, Mexico, South America, the Soviet Union and the USA. I cannot find time to read all the books on my shelves because I am reading the  poetry, literature, and memoirs on WORDPRESS.

“As  a dancer and prancer  at heart,  my feet are my hands,  and my hands are my heart.” 2014

 

 

 

OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-


OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-

5 BDR/3 BATHS. FORMAL DINING ROOM. PRIVATE GATED. GARDEN MOVIE THEATER
ACROSS THE STREET FROM LA POSADA RESORT & SPA.
HISTORIC EAST-SIDE OF SANTA FE, NM
2 BLOCKS TO DOWNTOWN PLAZA

 

LONERS


I’m better as a writer than I am a person. Though my syntax is follies;

with backward sentences and too many metaphors. The writing isn’t usually

selfish or timid.  In a crowd I need applause before I feel accepted.  One on one

my behavior swings from suspicion to doubt and it takes more than a few pages

to break the boundary. I don’t why I thought it would be different now; I’ve always been a loner.

Now I’m listening to the cry but I ain’t crying!The Timid EP

THE LEGEND LADY OF PALACE AVE


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The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.

Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didn’t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom I’d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, she’s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, ‘Oh I had an Aunt named Lucero, and we called her LouLou.’ She didn’t let go of my hand, and then she told me that the families, some names I’ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. ‘You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.’

I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.