POP-UP POEM


He pushed her on a swing, so high she touched the sky, viewed the world through his eyes, lived for a time without lies, then as mystically as he appeared, he let go of the swing, and she fell on her wing, broken but with the will to begin again. A broken heart hasnโ€™t stopped her from loving him.

For ten days, just thinking of her spoken words, how they made their way to his ears and returned the sounds she so wanted to hear. When he stopped contacting her, she wiped her tears as some people find love at the core of their fears.

TRIBUTE TO LA POSADA DE SANTA FE, SANTA FE, NM


CHRISTMAS 2013 AT LA POSADA

MAY 2017

It is the Kentucky Derby and Cinco De Mayo weekend at La Posada.  Kristen from the hotel said I should go; it would be fun. Sheโ€™s a feisty young woman with clear, penetrating blue eyes and silky brown hair. Youth dances in her expressions; other times, it wilts from being locked down to an indoor job.  Sheโ€™s an adventurer who camps out in Belize and South America. Now, sheโ€™s talking about Antigua.  

I walked out to the courtyard to see what was going on.  The tables werenโ€™t set up yet, but the Donkey stood idly and annoyed at the other end of the yard. I donโ€™t know why they bring him, maybe for the kids.  In the bar, a few guests were watching the Derby. The elan of race anticipation is shining like a light. I ordered a Mint Julep, and the guys were all watching as Dude whipped it up with finesse.

โ€œ How is it?โ€ Dude asked without needing any approval. 

โ€œ Magical.  Who are you betting on? Greta asked.

โ€œI want a Titty Tut, something nasty.โ€

โ€œ Oh, stop that. You do it too much.โ€ She replied.

โ€œ Not nearly enough! Okay, hereโ€™s my horseโ€”Promises Fulfilled. Oh yes, thatโ€™s mine.โ€

โ€œ Everything you say is a metaphor for sex.โ€

โ€œ You bet it is.โ€ Whoโ€™s your pick?โ€

โ€œ My prick is Justify.โ€

โ€œHah, see, now you get it.โ€

I sipped my drink and wandered around the lobby, stopping to greet Jackie, Monserrat, and Danielle.  They donโ€™t know what their smiles and caring comments do for me. I must tell them more often. 

โ€œ I donโ€™t know what Iโ€™d do without all of you.โ€ To be continued.

JUST LIFE


Adventures in livingness aren’t just about extroversion, what we say, how we behave, or how we respond. More importantly, they are about our inner changes when life demands that from us. No one hears what threads are spoken in our heads, the ones that are flawed from indecisiveness, the ones that have been molded from things long past, the new threads that are unfamiliar, and the ones we need to rip out entirely.ย 

NON-STOP TO LIVING


Today is the day to stop punishing myself and outlive what has aborted my adventures in livingness.

No longer incubate to avoid disappointment, irritations, chaos, uncertainty, and senseless fear. I’m not alone, and you’re not alone. Friends of marvelous careers and lifestyles admit the same. We remain at home, where comfort, familiarity, control, and sustainability are our foundation.

No longer! Debasing my flaws, failures, and finicky flashes, manage them like I’m preparing dinner. If the pasta isn’t fabulous, I don’t go into a fit of failure.

I no longer will have apprehension and anxiety when buyers arrive to tour my home. The great philosophers advised me on Facebook that anxiety never solves problems.

ARTISTS UNRECOGNIZED


I feel artists and their works are not featured in the media, or maybe itโ€™s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. According to Google, over two and a half million working artists live in the country. When was the last time you discussed it at dinner with anyone? I havenโ€™t, and I donโ€™t know why. Pop-up thoughts on life.

This one is in my home, by Philip Townsend.

I love this one, but I’ve forgotten the painter.

RELIC OF REBELLION


BEFORE I think about how to respond to a stranger, I feel them; the gestures, expressions, tone of voice, movement, conversation, mannerisms, and eyes. I acknowledge feelings first, then I think.

ISADORA DUNCAN

When I’m driving, I feel sprite or gloom. I feel a twirl of sensory perception from the drivers’ faces and witness the joyous reciprocal ink of friendship between shopkeepers, cops and dining customers, city workers, and service technicians trying to fix satellites and cables in a village with inconsistent infrastructure.

SOME of my principles are unsupported by experience, but more with GROWING UP WITH GANGSTERS training that I cannot erase.ย  ย My theme is unbalanced; I take the extreme path instead of the path with arrows.ย  It is why writing settles my sea-saw.ย  As I sit in my antique wooden chair looking out, feeling Saturday’s silence beneath a blanket of blue sky and radiant sunshine, a tiny thread of peace realigns a week of political profanity, war, and death, but they got Sinwar!ย  ย The sedate and quiet surroundings relieve my spinning head, and I just continue to sit and not fidget.ย ย 

I’VE observed the village people; some appear to drag their bodies rather than hotfoot. I wonder if all the global Google news has weighed us down.ย  Teens signal youth’s fascination with experience, newness, and expectation.The exchange of human voices as pedestrians walk along the street, I’ve noticed that New Yorkers speak in voluminous pitch. I can hear their voices from my bedroom on the third floor with closed windows. Humanity is our background symphony, along with the crows, lawnmowers, power saws, blowers, and racing cars. ย This street is part of my theme;ย  a juxtaposition of historic homes and modern toys. I am a 21st-century flapper clinging to the roar of independence, self-expression, and breaking the rules.ย  If we feel the chord of festivity,ย  we should not hold back.ย  I am going out now to see ifย  I can feel more.ย  ย 

Sunday October 20,ย 

I walked out to the porch and slouched against a pillar to feel warmed by the sun. My dermatologist advised that I should not stay longer than ten minutes, even with fifty UV protection. Today is family day and a car show in the village. I experienced it two years ago, so I remain at home; listening to the geese go south for the winter and feeling solitude. It’s like a branchless tree, a storm without an umbrella, a garden without flowers, and a home without company. Oh, snap out of it. Go to Henry’s Tavern and watch the game with men losing their cool. They get insanely raucous s over football.

WHY I ASK? AND THEN THE ANSWER.


Why can the leaves turn lemon, plum, and tangerine? Why does the sky allow storms to shake up its translucent surface? Why can nature reinvent momentarily with wind, rain, hurricanes, and earthquakes? Why can’t I change the colors of my mood? I get daily messages from an Instagram member named Asadโ€”inspiring, and he circulates around the themes of mood, attitude, loneliness, and inner strength. All of these have toppled my life since I can remember. I’m more taciturn than most people perceive. I can display a mannequin of poise and joy, but if you remove the surface, beneath is a conundrum of self-doubt, second-guessing, punishment, and fear. What’s even more destabilizing is I actually think I’m alone.

Last week, I observed the cashier’s facial expression and gestures at the Stop-& Go, which alerted me to her distress. I was buying a Cadbury chocolate bar after reading that chocolate is mood-changing, not just the hip-hop of energy; it can change your mood.

” I read that chocolate helps with depression, and these dreary dark days don’t help,” I admitted.

” Oh, I know. I used to be a registered nurse,” she said, facing me squarely into my eyes. I noticed a lot of cashiers don’t do that anymore.

” I suffer with anxiety and depression so I had to quit. I can mix up a Cadbury bar with a Snickers but not with medication.”

” I have the same as you, it’s changed my life as well. ” I looked at her name tag, without my glasses.

” You’re name is America? She laughed and her smile emerged.

“No, underneath, Dolores.”

” Thank you for listening to me,” I said

” Thank you, customers rarely acknowledge us.”

We don’t want pity or empathy; we all need recognition, and not in a text!

RANDOM THOUGHTS


My emotional tail is wagging. Curled up in my desk chair, I feel almost as if I was born in this chair. Itโ€™s cushioned me through a cyclone of adventures in livingness.
This piece of writing was handwritten on a tablet back in late January. Iโ€™ve made some minor additions and deletions. Before submitting to a publisher, the editor I used asked me, โ€œWhy do you keep switching between past and present tense?โ€ I told her I donโ€™t control that until Iโ€™m in final editing. My control over my writing is identical to how I live. Acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I donโ€™t even think of applying proven methods; I make up new ones.
Back to this plateau of solitude. Love what you have, and especially yourself, with all your flaws. Integrity is more critical; be proud not just for yourself, but because someone out there needs you.

PART TWO: After reading this and while emptying the trash, I was struck by this: the big payback to living as I described is an adaptation to proven methods. I’m learning pragmatic over poetic.

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FRIENDS of FOLLIES


Saturday, a heavy clog of humidity tries to zap my energy. I slept six hours, so I fight, do laundry, do a bit of weight lifting, go up and down the twenty stairs twelve times, and wander in my mind. I answer the first phone call of the day.

” Hi, how are you? ?” I pause to answer with some amusing honesty.

” I’m cleaning my brain?

” How do you do that? You’re funny.”

” “I sweep away all the repetitive scary thoughts.”

What about you? My friend sighed and then zigzagged into her struggles, taking care of her ninety-six-year-old mother, who does not speak English; my friend is Armenian. She works full-time as a court translator, has two children, a husband, and about fifty friends she continually connects to.

You are four people in one. I don’t know how you do it?” Is your Mom still living with you?”

Yes, she can’t walk. She sleeps in the living room because the bedrooms are upstairs. It’s difficult. I have to feed her as she’s now refusing to eat.”

” Please try and get a nurse’s aide to come in and help you.”

“She won’t let anyone touch her but me.”

“I find that selfish, not to be critical, but you will wear yourself down.”

” She’s always been like that; in my culture, you never abandon a parent, no matter what. Her mind is sharp, so that is good.

” Heaven isn’t good enough for you,” she chuckled. I often improvise to be amusing because her laughter is boisterous, and we all need more injections of humor.

” Have you decided where to move when it sells?” She asked again.

” Yes, I was looking at my book on Italy, all the different regions, and I think Anacapri is a good choice.”

” Oh, Greta… that is so expensive; what are you thinking?”

“I’m not thinking I’m daydreaming.”

” I have an idea for you. There is a new trend, something like Boomermates, a group of people who share a house, and you don’t have to sign a lease. Go look in San Diego and find something.

“Roommates, strangers, you mean?”

“Yes, why not?”

” Would you do that?”

” Probably not. A studio anywhere in San Diego is two thousand at least, and don’t use the proceeds from the house.

“Now you’re daydreaming. I’ll have to use some without the rental income until I find employment. Are you home now?”

“No, I’m driving to San Diego for a court appointment

“It’s what, six in the morning?

“Yes, I wake up at five.”

” Every time I come here, I think of you. You were a great leasing agent. You leased about fifty of my units. You can get a job leasing in a nice project. Oh, you should have bought that unit. I remember G4 when we converted to condominiums.

“Yes, you’ve told me that a hundred times.”

” I made the same mistake. What can you do?”

” Complain and then accept what you can’t accept. Like selling my home.” I went through my steamer trunk and found my marketing portfolio when I opened Follies as an artist retreat. It was nonstop theatrics. One time, I hosted a theater group of six young actors; they were so much fun. Ah, memories.

” You will make it; look what you accomplished, winning a foreclosure, Greta; that is something big.”

” So is my glass of wine.”

“I’d be doing the same in your situation.”

” Another showing, a really nice family. They’ll make an offer. They commented that the exterior paint is their issue, so did I tell you already? I found a marvelous painter from Albania, and he’s given me a very reasonable price to paint the entrance, balisters, and overhang. You know that curb appeal is critical.”

” You shouldn’t spend your money, Greta, how much?”

” Three thousand, and it’s a lot of scraping and ladder work. It’s the right decision if I may disagree with my real estate guru.”

” That is reasonable. Keep me posted. I’m in San Diego now, so I will speak to you soon.”

” Heaven isn’t good enough for you.” And I’m leaving Follies in the best I can because she was so good to me.

UNTOLD READS.COM, THANK YOU!


MICK JAGGER


JAGGER PHOTOGRAPH FOR SALE. It is black-and-white and has Mick’s authenticated signature in perfect condition. It is matted and framed and measures 10 in x 11 1/2. For more information, leave a comment.

ASKING $500.00

AN AFFAIR TO REMEMBER IN TAOS,NM


museum

SILHOUETTE of a Taos night out in 2006. It begins with the sunsetโ€”a bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; they silence me, keeping me from turning on the television or answering the phone.ย 

Taos-sangre-de-christo-mountains-sunset

The sunset has settled into my routine. I watch it from the roof garden over our Adobe Home and Gallery every night. ย In the midst of dressing to attend an art auction at the Millicent Rogers Museum, the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase and cross over the mรฉnage of piles shoved in a corner to allow SC to paint, I think, โ€œThis is going to be my home. Iโ€™m still hereโ€ Adventures in Livingness

In the courtyard where new flagstone has been laid, and a mud ditch blocks the exit, Rudy hitches me on his back and carries me out the side entrance through Tony Abeytaโ€™s yard. Tonyโ€™s yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican dunes. This is how the evening begins.ย Out in the parking lot, we circle around once and stop in Robertโ€™s gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace and says, have fun.

At times like this, I can forget the faces and routines I lived in Solana Beach and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car, ensuring my shoes donโ€™t fill with gravel.

There is very little street light along the desert road, and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather-clad bikers, and abandoned pets is of no comfort or value. Boundaries and civilities between people are vague, and sometimes, conversations elope into poetry.ย 

At the Millicent Rogers Museum, the director, Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.Each room is an envelope of Native American jewelry, ceramics, paintings, weaving, textiles, and metalwork sealed with Millicent Rogers’s ethereal presence. By coming to Taos and bridging her New York chic with southwestern individuality, she set global trends in fashion, art, and living.ย  he museum collection includes some of her designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. Although she could have chosen anywhere in the world to live, she settled in the unaltered, surreal lunar beauty of Taos.

I wandered through the tightly packed rooms, alternately viewing the guestโ€™s attire and jewelry. The woven wraps, belts, and hats worn by men and women form a collage of individual expression.ย Almost everyone seems to attract attention by the texture and color of his or her attire. It is a festive traditional look, with southwestern accessories paired with jeans or silk dresses.ย If you come to Taos, look for a belt buckle, one piece of Native American jewelry, and one piece of art.

When the auction was announced, I admired the same etching as the woman next to me. She remarked that the artist was also the teacher of one of her children. I learned that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.

โ€œSo am I,โ€ she answered.

Rather than talk about her work, she began talking about her daughter, who is also a writer.

โ€œIโ€™m so lucky–all my children and grandchildren are creative and artistic.โ€

It was obvious that her life was a garden of earthly delights and that she had raised many roses. When the auction began, she vanished, and I quickly viewed the art before returning to the two etchings. They were both sold.

As I was walking out, I bumped into Ellen. She was clutching the etchings.

โ€œSo, you bought them,โ€ I said.

โ€œOh, yes, I had to have them.โ€

She left me with a beaming smile and a closing remark I often hear: โ€œWelcome to Taos.โ€

I love hearing that so much I donโ€™t want to stop saying, I just moved here. After the auction, we stopped in Marcoโ€™s Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, who were visiting from Santa Fe.

The dim, glowing melon adobe walls of the bistro, Marco hugging everyone, Joanโ€™s melodious, high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast-rolling film. The conversation and laughter surfed breathlessly from one person to another.

Joan remarked, โ€œMy fifteen minutes. This is the best for me. The first time you meet someone, you’re both talking without effort. Itโ€™s so perfect.โ€

We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friendโ€™s house. Philip agreed to drive to Santa Fe the next day, and we took Tylenol before bed.

Not every night out in Taos is like Joanโ€™s fifteen minutes, but chances are you will have something to write home about. The beginning of Gallery LouLou Taos, NM

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