THE MIDDLE OF LIFE


 

 I read in one of my books on writing that the middle of the novel is where most writers face the demon. The beginning is a gallop, the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.

The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year.  I’ve finally accepted that my constant relocating, reinventing, and being restless is not going to be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I was standing out on the porch observing the peacefulness. The scenery of  Ballston Spa is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets, all the shops, services and restaurants are a patchwork, and all the business owners know each other.  

All I can think of is where I should go next. This is wholly a village of ancestral families, with defensible adaptation to the severe climate, simplicity, and uncomplicated lives. My discomfort comes from trying to assimilate.  

 Many years ago, in the summer of 1987, I was seated in a café in Monaco, truly, and a man that I was traveling with told me, “You have to make a choice.” He embarked on a long discussion about choices we make in life and how everything depends on these choices: how you live and with whom, and what you do. He pointed out to me over my first really authentic Salad Niçoise that I was an oblivious example of a woman refusing to choose. I was more interested in the salad, the yachts, the casino around the corner, and the fact that I didn’t have an evening gown to wear to dinner. I listened without argument or insult, but I was disturbed by what he said. I didn’t understand completely, but he was older and had much experience and conviction. That conversation now fits into the mid-life crisis, the comedy of errors in my life, and maybe in yours, and just how much travesty we can ignore. For my fault, as it WAS, I did not want to sign, commit, or make final decisions. I wanted it all to be a temporary placement that allows me the freedom to change.

I have lost track of my European friend, but if he met me today, he would say, “You have not changed at all.” So that is why I was standing there in the darkness on the porch and laughing like a silly girl because it is true. I have not changed at all.

The choice facing us at mid-life is making a change now, risking losing all we have accomplished, compiled, and attached, or throwing the dice.

Beyond the obvious changes in activity, relationships, and scenery are the internal travels. They are not so easily engaged. You cannot wake up one day and say, “I ‘m off to become more compassionate, or more practical, or more generous.” These journeys are taken when other factors play into our lives, such as when we get sick, demoted, or experience a trauma.

It is a very subtle inconsistency. When I unplug all the voices and listen to the one that understands, that is when I write. The middle of the story and the middle of life is the same. We and our characters have to make a choice.

                                       ***

QUE SERA SERA


ADVENTURES IN LIVINGNESS

is going from my 2500 square foot five-bedroom home with a garage movie theater, private garden and roomy front porch  into a 265 square foot bedroom without a kitchen.  It’s not permanent, but there is no end date either.

The big house we converted into a Vacation Rental as a means of income, and so I had to move out a month and two weeks ago.  My room, I coined the Wild West Room, is brick red. I covered the walls with yellow and red original movie posters, and furnished it with a slot machine, two tables, two lamps, a TV with western saddle draped over it, a double bed, and a four drawer plastic dresser. The closet is tiny; so I only brought my best summer clothes; twenty hangers is all.

Waking up to have coffee on my petite patio laced with roses and a canopy of vines, settles my nerves after the mini coffee maker falls off the edge of the sink, and other accidental maneuvers. Living in a doll house requires tremendous gentleness, one swift wrong move, and things start tumbling.

My refrigerator has inspired a new diet. I call it the mini-frig diet. I can fit one bottle of wine, one 8oz bottled smoothie, one juice, my Aloe Vera, cream, three condiments: green chili, horseradish mayonnaise, Red Chili Jelly,  a small tub of washed lettuce or spinach, two cheeses, tortillas, olives, tomatoes, smoked salmon or chicken strips and that’s it.

The only catch is that it is in arms length of the bed, and within four feet of anywhere in the room.  Snacking is just part of the atmosphere.My own unimportant theory on eating, is I eat less poison if there is a bowl of chocolate covered nuts, gummy bears, and chips in the house.

I prefer to eat on dishes then paper, so I wash them in the bathroom sink, but I wash the delicate wine glass when I’m showering.  All my meals, usually one a day, are outdoors on the patio, under the new Overstock.com umbrella that works perfectly.  I’ve had a great experience with them on a return as well.

My house faces a busy street in Santa Fe, NM. The street connects upper Eastside to the downtown Plaza, and across the street is the La Posada Resort and Spa.  I can walk to the gym, and pool, survey the clientèle, drink wine in the bar, and talk to the staff at the front desk.  I’m there everyday; and as ying goes with a yang, I tolerate their side of the street being the loading zone. There are pick-ups, and drop-offs, and a lot of racket that I bear with my earplugs.

It’s in the high nineties, and we’re in a stable between three burning fires. The heat clings to me, like a saran-wrap;  it’s also sort of Chaplinesque.  I keep changing; to go on the patio.  I can’t go in a slip, so I change a lot. Then there’s the marvelous terrifically considerate and talented guests in my house. They are three principal musicians’, with the Santa Fe Opera this season.  When I water I hear them practicing.   0627131541a

My shrunken life has forced me out more, eliminated hours of cleaning, shaved time off dressing, rearranging furniture, over-achieving unimportant tasks, watching the birds in their nest, and feeling complacent.

That is the most important of all; I realize it is time to bolster up, make sacrifices, and use this little room as the place to write my way out of here.  I see myself in Portugal, or some place I still haven’t discovered.  This miniature living reminds me of the first studio I rented in Los Angeles.  You can’t imagine what progress came from that disappointing address, at the corner of Little Santa Monica and Westwood Boulevard. ‘ Que sera sera.’

THE MID-LIFE NOVEL WE LIVE


Actress Betty Compson in an evening gown, in a...
Image via Wikipedia

I read in one of my books on writing that the middle of the novel is where most writers face the demon. The beginning is a gallop, the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.

The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. This year it is more comical. I’ve finally accepted that my constant relocating, reinventing, and being restless are not going to be solved. I am going to keep doing these. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I was standing out on the porch observing the peacefulness. The scenery of Santa Fe is a comforting, ethereal beauty that comes at all times of the day and night, and the flow of people is integrated and festive. All I could think of was where I should go next. The discomfort of mid-life comes from trying to assimilate what you have and what you want.

Many years ago, in the summer of 1987, I was seated in a café in Monaco, truly, and a man that I was traveling with told me, “You have to make a choice.” He embarked on a long discussion about choices we make in life and how everything depends on these choices: how you live and with whom, and what you do. He pointed out to me over my first really authentic Salad Niçoise that I was an oblivious example of a woman refusing to choose. I was more interested in the salad, the yachts, the casino around the corner, and the fact that I didn’t have an evening gown to wear to dinner. I listened without argument or insult, but I was disturbed by what he said. I didn’t understand completely, but he was older and had much experience and conviction. That conversation now fits into the mid-life crisis, the comedy of errors in my life, and maybe in yours, and just how much travesty we can ignore. For my fault, as it is, I do not want to sign, commit, or make final decisions. I want it all to be a temporary placement that allows me the freedom to change.

I have lost track of my European friend, but if he met me today, he would say, “You have not changed at all.” So that is why I was standing there in the darkness on the porch and laughing like a silly girl, because it is true. I have not changed at all.

The choice facing us at mid-life is making a change now, risking losing all we have accomplished, compiled, and attached, or throwing the dice.

Beyond the obvious changes in activity, relationships, and scenery are the internal travels. They are not so easily booked. You cannot wake up one day and say, “I ‘m off to become more compassionate, or more practical, or more generous.” These journeys are taken when other factors play into our lives, such as when we get sick, demoted, or experience a trauma.

It is a very subtle inconsistency. When I unplug all the voices and listen to the one that understands, that is when I write. The middle of the story and the middle of life are the same. We and our characters have to make a choice.

***