MIDDLE OF THE NIGHT


I rose at 3:00 AM to turn the heat on, pick up my writing journal, and discern the week’s theme.

The house is unfamiliar at this time, as it is my first middle of the night experience here. I wonder for a moment if I should boil water for tea or coffee, and settle on decaf. Alice and Bugsy follow my footsteps, circle their feeding table, and then begin to cat play. Bugsy gallops around in circles and Alice watches. Their presence kindles the stark rooms. While the water boils, I step outside to the porch I hear the distant sound of pounding surf and sit down to listen. The moon is shaved from the fullness of the previous night, and reflects my own disposition.

The street is hollowed like a tunnel, the light of day is shining in some other distant country, and the sky is appears tinted with primer. Somewhere someone is dressing for work, breathing by the tick of the clock until he must report for work.

The draft of sleep lingers in my eyes, and my feet shuffle on the cold tiles, while I grind the beans and think through the remains of the week. There are themes to our lives. Sometimes a year, sometimes one single day launches the theme, or it may just tumble into our path unexpected and replace whatever we were holding on to dearly, and deliver something unpleasant, like sickness, or separation. The sensations leading up to my theme jilted my creativity, and the pages I wrote were jammed with contradictions, maybe they still are.

Thoughts begin to form and ruminate, what is important? The theme of my week began when I was informed a Frog’s member I knew only slightly died very suddenly. From that day on, conversations, books, and televisions shaped the theme.

I see what is in front of me, and I am dissatisfied with the surroundings. The temperature, color, textures and placement of furnishings is flawed, and I have abated good temperament, creativity, and affection. I have tried to replace my incompleteness with substitutes: new shoes, scarves, and half a dozen books. Ah Hah! I have caught the intruder, the inconsequential  arrangememt of new stuff.

Several more incidents aided my awakening. One came while reading Mark Twain’s “Following the Equator, A Journey Around the World.” It is a first person narrative of his lecturing trip on a sea voyage around the world bound for Australia and New Zealand. His diary pages are as powerful as water sprung from a fire hydrant; and I flowed into the adventure with him. A few days later while I was vacillating between reading and watching television I channeled onto a movie, “Shadows Over Tuscany.” Harvey Keitel emerged as a familiar character; a writer who has stopped writing. Along with the added irony of his resplendent surroundings in a villa over Tuscany, he still could not write.

I have settled into a corner of the sofa by the light, and now Alice is purring into my robe. Writing with pen is so different from keyboard, journaling is always with pen, but columns are on the keyboard. The next incident occurred in conversation with a woman who relayed her elated experience from meditating. She asked me about my own source. I understood that to mean what tranquilizes all the peripheral complaints, mental pains and wounds that lie dormant or at least manageable. Without thinking of the tormented hours, I thought of the comforts of exhibiting my life on paper.

The shallowness of that answer makes me uncomfortable. I return to the porch for one more gulp of landscape that I share with the stars.

The street is unfamiliar, a temporary scene like a bus stop, and I am merely waiting to move on. The neighbors are strangers, and stories do not blossom here. My desk is sealed into a corner of the bedroom, and too small to stack all my photographs, books, notepads, and dice mementos.

It is not the act of writing with pen and paper moving along at a steady rhythm; it’s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony a writer needs not a Tuscan Villa, or a Moorish Castle, but experiences that flake off the skin, or recall of the experience that gives it relevance. A story is flickering at my source, asking to be written and I’m avoiding the introduction. Fear is shining like a spotlight on one end, and insecurity is the temperature that stifles my pen. It is not the cold tiled floor, and cramped desk.

I wrote a novel in a 99 square feet room that SC and I shared for a year and a half.

If I continue to roam around the task of writing this story, the intensity of irritation will escalate, my neck and shoulders will not loosen, my walk will be feigned, my smile forced, my heart longing for padding, my ego striving for recognition in the wrong places, and my soul roaming the hallways at 3:00 in the morning.

My spineless spirit that sends me out shopping for shoes, scarves, and earrings will finally halt. I will return to shopping for inspiration, courage and confidence that I can write the story.  folliesls@aol.com

http://www.theglobeandmail.com/news/arts/russell-smith/james-frey-and-the-commodification-of-ideas/article1803043/?cmpid=rss1&utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:+TheGlobeAndMail-Entertainment+(The+Globe+and+Mail+-+Arts+News)


MY HOODLUM SAINT- A COMPLETED SCREENPLAY


SCREENPLAY:  My Hoodlum Saint is the story of a woman whose survival is wedged between love and fear of her father. It exposes my struggle to survive adolescence while growing up in my father’s secret and terrifying world, where only family could be trusted.

For more information contact me: folliesls@aol.com

SMILEY’S DICE Is a terrifying, yet loving first look inside the emotional life of a gangster’s daughter, and my fight for understanding and acceptance of our family’s dark legacy. Email for further information on the script.


DREAMS OF A FLAMINGO HOTEL WEDDING


On Sunday afternoon, while I was sitting in the bridal room at Neiman Marcus, I was in a head on collision with the past and the present. I was not in the bridal room to buy a wedding dress; I was there to store my mink coat. While I waited for a sales clerk, I imagined myself in the chic trench coat with diamond buttons hanging from the rack. If I did have to choose a bridal gown, it would have to be something unconventional, like my mother chose. She wore navy blue taffeta to her wedding. If I did get married, I would have to save my coins for a long time to pay for the reception. Where would I get married? At one time, I dreamt of the Bel Air Hotel, but that was in the 1970s. With inflation, the wedding would cost no less than $100,000 today. By the time, I saved that much, I would be 100 years old! Besides the hotel is not the same. The last time I dropped by, I was chased out of the river walk for taking photographs of the swans. Just before my father took ill in 1982, he told me my wedding would be at the Flamingo in Las Vegas. I remember it, as if it was yesterday. We were walking together in Holmby Park, where he walked his five miles everyday. Very often, he stopped at the public phone booth and made a few calls. He whispered so I could not hear his conversation. I know now he was laying his bets for the day. I waited on the green lawn watching the older men and women playing Croquette. When my father returned from the phone booth, he looked perturbed. That meant he lost money on that day’s sporting event. We walked a long time in heavy silence until he decided to break it.

“You know, I’m very proud of you.” He said looking straight ahead.

“You are?” I was stunned.

“Of course I am! I hope you don’t think any different. I have not said it often, because I’m coaching you all the time, so you will be independent, and know how to look after yourself, after I’m gone. I don’t want you to fall into a rut with the wrong fellow, like so many women. It can ruin your whole life.”

“But I haven’t accomplished anything really great…. like you.”

“What the hell are you talking about!” he stopped in the middle of the path. “I made more mistakes than you ever could. Are you kidding sweetheart, I broke all the rules, and made some new ones, and I’ve paid. Like I’ve always said, you make your bed, and you lie in it. I’m proud of the career you made in real estate, without any help from me. Now you have to concentrate on the right fellow. When you do get around to finding the right one, we’ll have the wedding at the Flamingo.

“The Flamingo? Do you still know people there?” I asked timidly.

“Of course, I was a major stockholder … at one time.” Then he cleared his throat, and I wondered if he was choking on the memories. “That’s where Mommy and I had our wedding reception.” I thought of the photographs of Mommy cutting the white cake. It was the first time he ever mentioned my wedding. It was the first time, he seemed to say, okay find a fellow, and I’ll let you go. I sensed his detachment from everything around us except for me.

“I would like that. How long has it been since you were there?”

“I didn’t want to set foot in that place after Benny… (Benjamin Siegel) I didn’t care if the whole place burnt to the ground. There’s no reason why you can’t have your wedding there. I can still arrange a few things.”

The vision of father, my future husband, and me was an aberration without incident or purpose at that age. However, he was dreaming that the day would come soon. When the sales clerk finally appeared, I was glazed over, in some marbled state of melancholy, clutching the mink coat on my lap. The mink is the oldest garment in my closet. My father gave it to me in 1978.

It’s as if it happened yesterday. My father called one Saturday and asked me to meet him at Mannis Furs in Beverly Hills. When I arrived, my father was seated in a chair, facing a three-way mirror. Manny rushed over to greet me. “This is my daughter, Luellen, “Manny bowed and kissed my hand. In the other hand, he was holding a mink jacket. “Try it on for size,” my father ordered. I hesitated, and looked at him for explanation. It never occurred to me I would be trying on mink coats. He was always asking me to meet him in shops, and restaurants. He held meetings wherever he knew people, so I assumed he had a meeting with Manny.

“Go on—try it on. I didn’t say I was buying it, I just want to see what it looks like.” Manny tucked me into the mink coat, and pulled the waist sash through. He stroked the fur up and down, and then I did the same. The coat was solid, like a cloth wall that buried my body in warmth. I stood before the mirror and watched the transformation.

“Turn around, “my father ordered. I took a few steps in a half circle and slipped my hands into the pockets, and turned around slowly as I’d seen my mother do. Suddenly his eyes welled up with tears and he took out his handkerchief.

“If you dressed in a proper outfit and not those silly jeans all the time, you might look like something!” he barked.

“Well I didn’t know I’d be trying on minks today.”

“What the hell did you think you’d be trying on, pianos? For crying out loud! “I don’t know what you’re thinking sometimes. Take it off.” Manny untied the sash and took the coat. My father was in a mood, it was my fault again. I shouldn’t have worn jeans. Why did he start crying? Manny disappeared, and my father stood in front of the mirror to affirm his reflection. After he took off in his Cadillac, I stood in front of Manny’s and looked at the mink coats. He never mentioned it again, but I knew the coat was going to show up one day. Six or seven months after that first meeting at Mannis, the mink appeared at Chanukah.

“Daddy, this is so extravagant, I won’t have any where to wear it.”

“Oh yes you will! Just wait and see. If you quit going out with those misfits and find yourself a decent fella you’ll have numerous occasions. That’s the reason why I gave it to you, so don’t misuse it!”

When I left Neiman’s I was drenched in his memory. The mink coat has outlived all of my possessions. Every time I put it on, I’m reminded of his wisdom. It’s not the expense or signature status. When I put it on, I feel transformed. I discovered the bill of sale from Manny’s, and the balance due, after my father died. I called Manny and asked him for more time, to pay it off. He told me to forget about it, my father had brought in so much business to the store.

Last year I called Manny to see if I could have the coat remade into a vest; as the sleeves were too short.   ” It’ll cost you the same as the mink,”  he told me.  I had the holes repaired, and the coat glazed and will pack it in the suitcase for the trip to New York, now thrity two years later with a decent fella.

IN THE GARDEN


Two months ago I bought a crate of flowers to plant. After setting the plant to rest, I had a vivid recollection of Nana; my Mother’s mother.
Nana was a petite woman, with long graying hair she pinned into a perfect French twist, a cute Irish nose, and a giggling smile. When I was growing up she lived with her second husband, we called Poppop, in a spacious California ranch house in Sherman Oaks, also known as San Fernando Valley. We visited her weekly, staying over one or two nights. Nana was always waiting for us to arrive. She greeted us at the door, she had something cooking, fresh candy in crystal dishes, and in the morning, she fried bacon and the aroma woke me and got me running downstairs. She scrambled eggs with lots of butter, and served it with Irish soda bread. It never occurred to me that these weekly trips were the cultural mix-up of my Russian Irish heritage. This was Nana’s only opportunity to spoon-feed us our Irish roots. At home with father, bacon and butter were prohibited, and bread came in the form of a bagel. The food was only one part of the adventure. Nana’s home was filled with antiques, family treasures, and her garden was a masterful collection of east and west coast varieties.
After Nana had all her errands and household chores finished, she changed into slacks, flat shoes, and a straw hat and went outside to the garden. I would follow Nana while my Mother remained indoors; most likely talking on the phone with some degree of privacy. In the garden, Nana would trim, cut, and arrange her flowers. I kneeled down beside her and watched, while she talked. Nana had the gift of gab, and her thoughts poured out without my interruption. Between sentences, she would insert a self-effacing joke, regarding her silly hat, or her short legs. Her hands were swollen from arthritis, and she rubbed them from time to time, but she did not complain. As I planted my garden, these visions of Nana remained and grew more studied and complete. I had a memory of being assigned a school project to plant something in the garden. By this time, my Mother had moved us to an apartment and we didn’t have our own garden. I went to Nana’s and she helped me plant some variety of flowers I cannot recall. Each week I’d return to see how my plant was doing. Some time after the assignment ended and we were walking in the yard, I looked to see how my plant was surviving. It had been replaced. I asked Nana what happened.
“Oh honey I hope you won’t be mad at me, but the little flower died, so I planted a new one. It’s my fault; I didn’t look after it properly.”
Nana taught me the things my mother didn’t have the time to teach; like cooking, cutting flowers and arranging them, making coffee, and setting the table. She made all these chores enjoyable, and I loved to follow her around the house and watch her change the beds, and prop up pillows, and fold the guest towels. It never occurred to me until now, that I adopted her domesticity; the sublime gratification of adorning a home for the comfort of family and friends.
The plants did not blossom, the jasmine, roses, and other varieties all wilted and turned brown, but the parties, soirees, dinners and moments of solitude are bloosoming.

THE MYSTERY OF HOME


Every morning I rise at dawn to sit in the parlor. Here I watch the sunlight illuminate the, “Cat on a Hot Tin Roof” movie board in the hearth, and drink a cup of coffee in silence. I feel at home. These are the most precious moments of the day, the moment of peace before throwing the dice.

I can see out the window to the street, and this morning a handful of eggplant leaves on the tree next door have been autumnized to a transparent sheen of bronzed gold. The silence following summer has descended down over the rooftops of the people that live on East High Avenue. The sky is seared with streaks of white, and bubblegum pink clouds drift just above the rising of the sun. The moment is a peaceful stroke to a summer that has been indeterminate, chancy and without design. We came here with the intention to sell the house, and we leave without any such idea.

In the moments SC awakes, I hear his footsteps on the creaking wood floor. I close the journal and go in the kitchen to make buttermilk pancakes. When we are in Solana Beach, we eat bran muffins, usually in short order, between telephone calls, and conversations about things that it is too early to discuss. These mornings he lingers on the porch and reads the paper, because he has the time. If my body is willing, I will run down to the stream by Kelly Park, and look for the blue heron. Along the way, I pass by the quiet man with the three beagles, and a mother walking with her children to the bus stop. I will pass the funeral parlor and look the other way, and when I see the Federal Express Truck, he will wave because he knows I am the woman that receives mail addressed to Soaring Crow.

The front porches I pass are the opening pages to the home stories of people inside. If there are children, the remains of their toys will be scattered about. If they are elderly, they will leave their gardening shoes by the back door, and if they are a young couple, they will be in the midst of home repairs, a roof that needs fixing or a new coat of paint. I have observed just one campaign poster board in the neighborhood. It seems to have gone out of style to post your politics on your car or in front of your house. In the front yard of one home, a banner is pitched in the ground that reads, “Remember our Troops.” I have not asked, but it is probable they have a son serving in Iraq. The hanging flower planters have been replaced with mums and corn stalks. Some scatter straw on the lawn. I used to giggle at this September tradition, now I am almost giddy about arranging my seasonal display in the yard.

The run back through town takes me by the high school, a brawny brick building that looks like the setting for a chapter from “Catcher in the Rye.” A teacher passes by, dressed in a conservative suit and pumps, and smiles. She looks wholesome as apple pie, and I wonder if I ever looked like that. On chilly mornings, the fireplaces may be smoking, a scent as perfect as my favorite perfume. Our own fireplace is inoperable until we reline the chimney, which explains why the movie poster is in the fireplace.

By 8:00 a.m. the yellow school buses are chugging up the street and the children, gathered at our corner; bob up and down in innocent bursts of energy celebrating the beginning of a new day. I arrive home about this time, and stop to watch the quaintness of the moment. The habitat of these surroundings strips me bare of my Hollywood entertainment, Southern California roots. I am nourished by quaint tradition and scenery, and that is one answer to this mystery I call home.

I eat cider donuts when I want and instead of working out three or four times a week, I take long walks, past the Sunny Side farms to see the young foals and mothers in the corral. I dress in style-less shoes and pants, whenever I feel like it, without fashion consciousness. I do not watch the television and prefer to go to bed early and read Carson McCullers novels. If I wake up in the middle of the night, I can sit on the porch and look at the hands of a storm forming in the sky.

People come to my house without notice, and sometimes just walk in and yell my name. My favorite Broadway hangout knows who I am, what kind of wine I like and that we like to sit on the patio. Sometimes I meet strangers who have heard of the Follies House, and I feel a twinge of acknowledgment.

It does not matter what everyone else calls home, it is simply the feeling of peace, security, and acceptance. That is how you know you are home.

LYRICAL JIM MARSHALL


JIM MARSHALL AT THE OPENING OF GALLERY LOULOU TAOS. 2006

“Americas ‘true romantics will be the jazz musicians and jazz writers, living by their lyrical emotions, senses.”

From The Diary of Anais Nin volume Six.”

The throw of the dice this week lands on mysteries of character. We all have our closet of masks that we reach for when we need to camouflage our fear, insecurity, disdain, or judgment.

I wore a mask the day I went to pick up Jim Marshall at the Albuquerque airport. I didn’t want to appear unprepared, inexperienced, or effusive. As soon as I recognized Jim taking his last step off the escalator, my mask cracked. I ran to him, hugged him, and clichés poured out of my mouth: I’m so happy to see you, how was the flight, welcome to New Mexico. He nodded, smiled with closed lips, and asked,

“How long does it take to get to Taos?”

“An hour and a half.” Jim’s lips tightened.

In the car, Rudy and I whisked up conversation, but the results were drippy. Jim stared out at the window. We were in the valley of lunar like scrub rush, broken down sheds, and absentee human life.

“WHERE THE FUCK ARE WE?” Jim growled

“We’re almost there, another half-hour.”

“WHERE THE FUCK ARE THE PEOPLE?”

I tried, unsuccessfully to assure Jim, there were lots of people in Taos.  I read his mind; why did he make the decision to exhibit his iconic rock and roll photography in a gallery in  boon-dust Taos. How much longer before he can unwind with a scotch, and call home for a taste of civility.  Who are these morons driving this car anyway?

Inside the B & B suite we’d rented for Jim, I breezed across to the adobe terrace, and opened the curtains, “You like it?”

“THERE’S NO FUCKING HAIR DRYER?”

“You can borrow mine.”

“Are you hungry Jim?”

“No.”

“I have a bottle of your favorite scotch.” He picked it up, and looked for a glass. I ran to the bathroom and brought him a glass.

“See you tomorrow. “ He growled.

“What time?”

“I’ll call.”

The next day, I waited for Jim’s call. Instead I heard from Dave Brolan, Jim’s operator to the world; friend, translator, mediator and stabilizer.

“Dave, is Jim all right?”

“He’ll be all right. He’s tired and cranky. He’ll be fine tomorrow night.

“What can I do anything?”

“No, just take care of your opening business. I take care of Jim.”

I sighed deeply, and returned to the chaotic events preceding the grand opening of our gallery. Jim agreed to exhibit along with Baron Wolman and Michael Zagaris, because they hadn’t been together in a long time. I was about to ease-drop on history, with three distinguished rock and roll photographers.

My heart raced ahead of me, until 6 o’clock when Jim and Dave walked into the gallery.

“How are you Jim?” I followed behind him as he viewed the exhibition.

“Looks good.” He said. Then he was swallowed up into a crowd of guests. He stood patiently for photographs, greeted strangers with a boyish smile and brotherly handshake. He sat down at my desk and began to sign books for a tickly line of buyers.  I filled his glass with scotch and he said, “Thanks sweetheart.” My heart returned to my chest. The evening transcended into a kinetic overture of rock n roll music, reminiscing of the sixties, and feverish excitement. Around midnight, after being the center of 250 to 300 Taosaneos, Jim said, “Let’s eat.” It was snowing and pitch black outside.

Our party of seven charged in and rearranged the vibe of the banal atmosphere. Once inside the dining room Michael Z, was exhibiting impersonations of Jim, while we all laughed. Marshall didn’t twitch, or sneer; he accepted being the force of raucous laughter.

A young professional looking man approached our table.

“I apologize for interrupting. When I got to the opening, you all were leaving.  I’m really sorry I missed it; I’m a huge fan of your work Jim.

“How did you know we were here? I interrupted.

“I followed you.” He said.

“Join us.”

That night and the next three nights, Jim was host to a crowd of fans that followed him around.  I watched the mystery of his character, revealed, untouched, in focus, on what the photographs brought back to him. He was anointed by their admiration, without becoming inflated.

At the airport, Jim took me into his arms, “You did good LouLou.”

Two Years later.

I am in Santa Fe, and my social life is Camus strange. While I try to sell my photographs and write, my life is stifled by the absence of friends and parties. Jim called one afternoon.

“Loulou, my friends just moved to Santa Fe. Take down their number and call them.”

I called these new friends of Jim’s, and a week later, a man drove up, and leaped out of his car.

“Hi LouLou, I’m Jock.”  He sat down, but his spirit was an unbolted kinetic burst of energy.

“I brought this for you.” He handed me a beautifully hand crafted book of his Cuban Series photographs.

A month or so later, I received a party invitation from Jock and his wife, Annaliese. The evening was lyrical, as friends circulated between the portals, while Jock mixed  molita’s and Annaliese served Cuban food. That night, I was introduced to their friends. Now, a year later, I consider them my friends.

I called Jim after the party.

“I called to thank you.”

“What for baby?”

“For introducing me to Jock and Annaliese. Now I have friends.” Jim chuckled.

Jim passed away March 23, 2010. He was a romantic and lived by lyrical emotions and senses.

THE HURT LOCKER


For all of us that claim we honor support and appreciate the troops, take a look at what your supporting. For someone like me, who has never experienced combat, and known very few who did, I bow my head. This film is a book, a documentary, a closeup photograph and everything that it takes to get the point across.

Katherine Bigalow is right-on.

The

JAMMERS PART TWO


ME AND MASTER JAM, AND RUDY IN LA
ME AND MASTER JAM, AND RUDY IN LA

San Diego was still into rage and rock and roll. The people I was calling for gigs didn’t know Hip-Hop yet.   That was too bad, because we were  having the greatest experience of our  life.  When I ran out of money I took a job managing a condominium project, where I lived rent free and had weekends and evenings for Jammers.  After a time of observing their self expression, I asked myself, where is mine?  I still refused to get on stage, Vince used to bawl me out because I made Piper introduce the group. We were good for each other, the three of us. After two years Piper moved to Los Angeles to launch his career, he had showmanship in the way he held his hands.  Vince took over the troupe and added twelve more dancers.  These two young men, they were the sparklers in my life, like that star you think you’ll never hold.  When I left the Jammers I was a different woman. They put the rhythm back in my spirit, and faith into my soul. I mean there are things a business career will never offer, you have to go into the arts for this kind of stuff.

THE JAMMERS LAUNCH


Free your mind and the rest will follow, the words from EnVogue’s latest release became a sort of mantra.

 It was a decision that came at a moment when everything else stopped making sense, except my happiness.  I tossed out the two-piece suits, and turned off the world outside. Insulated in my tiny North Park bungalow, I merged into  music and dance. During the hottest of summer days I was seated cross legged on the worn carpeting  watching MTV and flipping through magazines. 

       Imploded with music videos, magazines, and dancing;   Hip-Hop was the most exhilarating choreography around.  I watched the music videos over and over. When I searched the yellow pages for dance classes; no one was offering Hip-Hop.  With that, I thought why can’t I be the founder of a dance troupe?  

  I needed to find the  dancers to suit my concept of integrating  jazz funk, hip-hop, and Afro-Cuban  into a collage workshop.   

      Piper Jo was the first dancer to join. He came at me with everything he had; talent, faith, intelligence, and belief in this crazy white chick who wanted to hip-hop.  Piper played Miles Davis, emulated jazz-funk, and moved like Michael Jackson.  He was twenty years old and this was his first teaching job. When I asked him who taught him to dance he answered;

“Michael Jackson and James Brown. I danced in my living room every day. My mother couldn’t get me out of the house. God blessed me with this gift, and I want to share it. So if you put me in your dance troupe I guarantee, you won’t be sorry. NO, you won’t.”  

 At our first audition Piper said,  “How you expect to pick dancers, if you don’t know what to look for.  I swear Lue, you are crazy.  But don’t worry,  I’ll show you. And don’t be picking every guy out there cause he can Hip-Hop, there’s nothing to that. We want dancers with classical training.”  He was right.

“Vince Master Jam”  was a former break-dancer and studied classical dance. Vince was the coolest; he sat back and waited for his chance, unhurried, relaxed, but when the music came on, he flipped everyone out. He was thirty. Both of them belonged to the no smoking, no drinking, no drugs, group

At that first audition  I wanted to select half of the thirty some dancers that showed up.  They came dressed in street clothes, wearing scarves and bandannas.  I watched them leap, kick, split and turn inside out for the job.  I knew that I was in the right spot. Then we added Monique, a startling beauty with Afro-Cuban dance training, and a perpetual attitude of carefreeness. 

For the first few months, the Jammers taught classes under a leaky roof, on a tiled floor, without any heat.  Piper rode a bus from the other side of town to get to the building.  Vince drove an hour each way to teach one class at night. The first few months no one showed up for Vince’s Hip-Hop class.  But he kept coming back every week.  When I apologized, he said, “ That’s okay Lue. We get it going on,  they’ll show up soon– I’m sure.” 

They did show up and we moved into a well positioned Health Club downtown San Diego. The classes filled up with students, dancers, and working women looking for a new challenge. They came from all different races;  Asian, White, Hispanic and Black.  I danced with the classes and promoted our troupe. They laughed at my attempt to be a soul sister, and I laughed with them.  We were reviewed by KPBS magazine, and a photographer took photographs of us and featured the Jammers  in the magazine. People began to think I knew what I was doing. The Jammers thought I could take them places.  I pictured them on the front page of Variety, the problem was I was too early. 

THE JAMMERS KICK


In the fall of 1993, I was working for a king-sized jerk in his commercial real estate office.  Dirksen used every opportunity to remind me that I was not as successful as he was.

I was the only female in an office of twelve better suited men. My Chanel 5 was used sparingly and I dressed in navy-blue two piece suits and low-heeled pumps.  With a leather briefcase slung over my shoulder, and a HP calculator that I refused to master, I was a shrimp swimming with the sharks. On hot blue sky days I drove around San Diego searching for new listings, meeting prospects, and showing space. One eye was always drifting; scanning the horizon, museums, artists hang-outs.

I tossed out the two-piece suits, and turned off the world outside. In the next weeks my attention was drawn to music and dance. During the hottest of summer days I was seated cross legged on the worn carpeting of my little bungalow, watching MTV and flipping through magazines.

TO BE CONTINUED