STILL A MYSTERY WHO MURDERED BENJAMIN ” BUGSY” SIEGEL

STILL A MYSTERY WHO SHOT BENJAMIN “BUGSY” SIEGEL .

JUNE 20,1947

Several years ago, I received an email from a reporter in Las Vegas. George Knapp had read some of my memoir posted on my website and asked for an exclusive interview. He asked about my father’s relationship with Ben Siegel “Bugsy” and what I knew about their friendship, and why Ben Siegel was shot. I declined the interview, but George persevered. Three weeks later I agreed to the interview, because my father was not there to stop me.

We met in Del Mar at the Inn Auberge. I showed up with a notepad to remind me what not to say, a photograph of my father when he was a producer for Cecil B. De Mille, and a borrowed calmness that comes when I am approaching an extremely anxious situation.

My first interview about Dad was not anything like I imagined. George approached the subject with respect, and I relaxed and began talking, and talking, and talking. The only time I hesitated was when he asked if I knew who killed Ben, and I had to answer swiftly, “I think Bush did it.” He was not too impressed with the answer; but it saved me from theorizing.

At the end of the interview, I walked out of the hotel without regret. I said what I felt should be told; that my father’s best friend was Ben Siegel. If he loved Ben and my mother loved Ben, than there is a lot more to “Bugsy” than what the public has been told. The interview aired on a Friday night, and my life was no different from before. George got a call from someone who claimed my father once told him, Virginia Hill’s brother was the shooter. It sounds like my father; he enjoyed sending people down the wrong path. He always said, “You don’t inherit friends,” and so I declined to remain friends with family members of his group, because I respected his orders, even after he died.

I doubt any of his mob friends are still alive today. Many people have claimed they knew my father, but in essence, what they mean is they met at Ciro’s, or had a game of cards, or went to the racetrack. My father’s only friends were connected to organized crime. I learned this when he died; three people showed up for the service. He warned me to keep away from reporters, and not to trust anyone. Still, strange incidents followed his death that I was unprepared to handle.

A man I’d never heard of called and informed me, ‘Your Dad and Ben buried a safe deposit box in downtown Los Angeles. You should look for the key, there may be a lot of cash.’ My father was not about to leave this world without telling me he had stashed money in a safe deposit box. I will bet every dollar on that.
Another man, posing as a friend, came to my aid offering help settling the estate. A few weeks later another man I had never heard of, placed a claim on the estate for an old gambling debt of $5,000. The two of them were conspiring. Had I known gambling debts are erased when the bettor dies, I would not have allowed my sister to sell his Patek Philippe diamond and ruby pocket watch, which I suspect belonged to Ben Siegel at one time. The end of my father’s life was as mysterious as when he was living. That is how he liked it, and that is how he lived it.

I had to wait until my father was in his seventies to go to the racetrack with him. He took me to Santa Anita, we sat in the clubhouse, and he watched the track from behind tinted dark sunglasses. He was quiet and observant. He watched me eat and then handed me a twenty-dollar bill to bet on the Exacta. He told me how to bet and which horses to bet. I walked away from the cashier thinking I would be a big winner. Instead, I walked away a big loser. This was a setup, he picked the losing horses, so I’d get the lesson ” Even your old Dad loses at the track, remember that.’ There wasn’t anything exciting about going to the track, he made sure of that. I suppose he was concerned, that I had inherited a taste for betting. Lucky for me; I discovered Dad’s gambling didn’t pay off. When he was with Siegel in the forties, controlling the wire service he’d bet up to $50,000 in one day. And lose it on the next gamble. I don’t bet on sports, or gamble in casinos. I do gamble on life, and aim for the outlandish, improbable questionable odds.

Photo: Leaving Beverly Hills Police Department day after the murder.

WRITING FOR TRUTH LIKE DRILLING FOR OIL

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A momentary connection occurred to me last night after watching, “There Will Be Blood” about drilling for oil. The oil derrick is the outline, or the notes scribbled in a journal. Then the pipes are set in place, like words in a sentence, then paragraphs. Our characters come into view some muscular and brazen like the drillers, welders, rig workers and mud loggers. Once those elements are configured in the oil field or in sensory perception the story begins. The paragraphs build into pages and the pages build a story.

The writer digs for substance for soulful spiritual contemplation and he builds on it. Sometimes it comes like a gush of oil. Other times it bubbles at the surface and goes nowhere. When the bubbles recede, we move on to another location internally and externally and we begin to dig for a new well story.

These ruminations came to me after watching the film, especially poignant to me as my father at the age of fifty left a life of gambling and mafia assorted activities and learned to be an oil producer. He was introduced to Howard Hughes through Meyer Lansky and Frank Costello and Howard introduced Dad to a wildcatter in Houston named Lenoir Josey. My mother and father moved to Houston from Los Angeles in 1949 and into the Shamrock Hotel, that being the hotel used in the film Giant, and Edna Ferber’s book, about Glenn McCarthy, played brilliantly by James Dean. He built the Shamrock, and it opened on St Patrick’s Day 1949 (the pool was so large you could water ski across) Glenn became close friends with my father. I met him once in Los Angeles at a lunch with Dad. He was broken, by his loss of fortune. and friends. I recall a face withered by disappointments.

Josey as my father referred to him took my father under his wing and tutored him in the business of oil engineering and oil production It was a gamble and my father a life long gambler on everything loved being in the oil business. I didn’t intend to wave my father’s story into this but intentions in writing as many things in life surprise us.

If J. Edgar Hoover hadn’t refused my father’s request to reside in Houston to continue the oil business I would have been born in Texas. My father was forced to move back to Los Angeles and as Hoover predicted he went back to gambling. During his time with Josey, he amassed twelve oil leases in states across the Southwest and Midwest and when he died that part of his life was handed down to his children in royalty leasehold interests. That was when oil was $17 a barrel. But Josey had passed and his son no longer honored the handshake agreement between his father and mine and forced us to sell our leasehold interests for a shameful amount.

To be continued

THE MYSTERY OF HOME

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Every morning I rise at dawn to sit in the parlor. Here I watch the sunlight illuminate the, “Cat on a Hot Tin Roof” movie board in the hearth, and drink a cup of coffee in silence. I feel at home. These are the most precious moments of the day, the moment of peace before throwing the dice.

I can see out the window to the street, and this morning a handful of eggplant leaves on the tree next door have been autumnized to a transparent sheen of bronzed gold. The silence following summer has descended down over the rooftops of the people that live on East High Avenue. The sky is seared with streaks of white, and bubblegum pink clouds drift just above the rising of the sun. The moment is a peaceful stroke to a summer that has been indeterminate, chancy and without design. We came here with the intention to sell the house, and we leave without any such idea.

In the moments SC awakes, I hear his footsteps on the creaking wood floor. I close the journal and go in the kitchen to make buttermilk pancakes. When we are in Solana Beach, we eat bran muffins, usually in short order, between telephone calls, and conversations about things that it is too early to discuss. These mornings he lingers on the porch and reads the paper, because he has the time. If my body is willing, I will run down to the stream by Kelly Park, and look for the blue heron. Along the way, I pass by the quiet man with the three beagles, and a mother walking with her children to the bus stop. I will pass the funeral parlor and look the other way, and when I see the Federal Express Truck, he will wave because he knows I am the woman that receives mail addressed to Soaring Crow.

The front porches I pass are the opening pages to the home stories of people inside. If there are children, the remains of their toys will be scattered about. If they are elderly, they will leave their gardening shoes by the back door, and if they are a young couple, they will be in the midst of home repairs, a roof that needs fixing or a new coat of paint. I have observed just one campaign poster board in the neighborhood. It seems to have gone out of style to post your politics on your car or in front of your house. In the front yard of one home, a banner is pitched in the ground that reads, “Remember our Troops.” I have not asked, but it is probable they have a son serving in Iraq. The hanging flower planters have been replaced with mums and corn stalks. Some scatter straw on the lawn. I used to giggle at this September tradition, now I am almost giddy about arranging my seasonal display in the yard.

The run back through town takes me by the high school, a brawny brick building that looks like the setting for a chapter from “Catcher in the Rye.” A teacher passes by, dressed in a conservative suit and pumps, and smiles. She looks wholesome as apple pie, and I wonder if I ever looked like that. On chilly mornings, the fireplaces may be smoking, a scent as perfect as my favorite perfume. Our own fireplace is inoperable until we reline the chimney, which explains why the movie poster is in the fireplace.

By 8:00 a.m. the yellow school buses are chugging up the street and the children, gathered at our corner; bob up and down in innocent bursts of energy celebrating the beginning of a new day. I arrive home about this time, and stop to watch the quaintness of the moment. The habitat of these surroundings strips me bare of my Hollywood entertainment, Southern California roots. I am nourished by quaint tradition and scenery, and that is one answer to this mystery I call home.

I eat cider donuts when I want and instead of working out three or four times a week, I take long walks, past the Sunny Side farms to see the young foals and mothers in the corral. I dress in style-less shoes and pants, whenever I feel like it, without fashion consciousness. I do not watch the television and prefer to go to bed early and read Carson McCullers novels. If I wake up in the middle of the night, I can sit on the porch and look at the hands of a storm forming in the sky.

People come to my house without notice, and sometimes just walk in and yell my name. My favorite Broadway hangout knows who I am, what kind of wine I like and that we like to sit on the patio. Sometimes I meet strangers who have heard of the Follies House, and I feel a twinge of acknowledgment.

It does not matter what everyone else calls home, it is simply the feeling of peace, security, and acceptance. That is how you know you are home.

WRITTEN JULY 2010.

SANTA FE, NM IS…

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IT’S UNLIKE ANY OTHER CITY I’VE EXPERIENCED. Named the city different, it is also the city difficult. She ( I see Santa Fe in the feminine gender) has to be treated gently. Her weather patterns resemble a menopausal woman,her stature demands respect, and she can be congenial and patient.

You can walk this city as if it were a neighborhood. If you do that consistently you’ll meet people, and get to know them. Unless you’re like me, a standoffish fast walker dazed by the outdoors.

If you’re dazed and illusional you can master this city very well, as the drowsy pace and cordiality allow freakish freedom. I ‘ve seen the liberating soul of Santa Fe, teenagers racing down the middle of a commercial street one foot on the skateboard, bad-ass bikers talking with bad-ass cops, women with parrots on their shoulder, dogs in baby carriages, cats in a bag, and women on horseback galloping up Palace Avenue.

At night you’ll see raging midnight ramblers dancing on the sidewalk, and all of this is appealing to an LA transplant. I have driven in my robe, danced in the street and broken the heels on most of my shoes because of the pot-holes. They are always working on a street, but never the sidewalks. I ‘ve been bounced out of the locals night-howl El Farol for accidently pushing a dancer, who knew the manager, who came running after me and took down my license plate.

So many of us are loners, the serious kind, that have to be rigged out of our nests. Luckily I live on a commercial street and have no choice but to be commercially friendly. After nine years, my seasonal behavior is obvious: sprite in summer, blissful in fall, giddy in spring, and withdrawan in winter. I’ve learned patience, understanding, and adopted a mixture of cultural traditions. I’m close to fifty percent certain I’ll miss Santa Fe terribly when I do leave.

Has living in Santa Fe given me more than I’ve given back? Yes, it has and that’s why when I’m asked what’s it like living in Santa Fe, I try to reveal the blessings here and not the beef. 025

MINIMAL MAYHEM LIFESTYLE PART TWO-

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The first gallery opening I attended. Smashing art by Hunt Slonem, photography by Tim Hardy. Conversation, champagne, and what we all need, social engagement. Unlike a concert, or theater performance where you are seated next to someone you know, art galleries are a sensory of interaction with the artwork, the guests, and the elan of the space. Madison gallery was a warehouse, exposed twenty-foot ceilings, enormity of space, and minimalism in furnishings. It feels like an indoor park.

Once a gallery lover, then a gallery owner, and now seeking a job in a gallery. I joined the mailing list of a dozen galleries, realizing resumes are sifted through by AI and not the owner.

My love of photography began at a museum observing the work of Edward Weston. I used this line when selling my photography in Santa Fe” Photography are stories on the wall., not just the photo, the photographer. Of course you can say the same about a painter, but for me, catching a moment in time, that will never be repeated is poetic.

One guest that visited my gallery said this to me, ” Photography isn’t art.” He was famous, not as an artist but the son of John Huston. I cannot recall his explanation, but I have heard this statement several times and that is why there are so few photography galleries. I’d open one again when the if’s are removed.

One of my favorites by Jim Marshall. Jim caught Bob in a private moment, and let him publish it. An early concert, 1963, with already famous Joan Baez. Fuzziness is my fault.

THE LISTS OF LIFE

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WHAT ARE THESE LISTS... the long list is the list you started as a youth, without even knowing you were making plans for your future. This is the list that does not have to be in writing, keyed in on a phone, Outlook, or posted on the calendar.

The long list is about cutting out, shocking the system, and coming back unharmed. It is an exceptional sensation of adventure we visualize while waiting for a flight at the airport, for the neighbor to turn off the leaf blower, for the light to turn green.

All of the things we monitor in our lives, like the need to have a cavity filled or checking the coolant level, are multiplying, and that short list is so long we rarely have time to consider the long list. None of those items will make any difference in ten years, not one.

The short list is a big obstacle in the way of the long list. By the time we get to the long list, we may be crippled by fear, turned into a sofa shouting grumpy cynic or, worse than all the above, we may have forgotten what we wanted.

Waiting too long to start an adventure on the long list is staring me in the face. Then I realize, I’m in it!

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ON MY OWN TRAVELS

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“Don’t you love being on your own?” I thought, how to answer? This woman appeared to want the truth.

“No, not after years of this experience. I learned, adapted, and now it’s time to take the next chapter with someone. I love dimples; if he has dimples, I’m swayed. Sounds silly–well, I like silly in a culture, from my observation, overly rehearsed, where’s the improvisational madness?”

“Maybe you’re in the wrong place, you sound like you belong in Barcelona or Mcyanos.”

“Oh yes. I have thought of that, dreamt it. Under the Tuscan Sun, DH Lawrence’s book, ” Lorenzo, In search of the Sun”-the euphoria of escape, but besides your wardrobe and possessions, your bag carries your personality, and mine goes interior.

“But you are so outgoing, I’ve seen you in social situations, I don’t think you know yourself.”

I laughed, the remark was so bullseye.

“Do you know yourself?“

“Hah, you got me? I think I do, only because my life is somewhat structured; unlike you, I know what I have to do every day.”

“So structure defines you? Hmm, that doesn’t titlt who I see in front of me, a plower of curiosity and human behavior.”

“My husband is here, let me introduce you.” I noticed him right away; he had dimples.

” I loved our conversation, and I hope to run into you again, somewhere, maybe in Barcelona.” She winked.

When we find a conversation, like a unique shell in the fallout of a wave, we pick it up, we wander in it, and sometimes it talks us through our own shell.

SURFERS-WAVE DANCERS

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TANNED AND LEAN BARE-CHESTED surfers, taking off their wet-suits and I cross over one in my path.

” Sorry about the mess, ” he says.

” What are you surfers, sidewalk strippers?”

” He chuckled for a minute and looked at me with sea blue eyes and a smile.

“ I’ve been watching you since I was five years old.”

” Where was that?”

” Santa Monica, Malibu.”

“Yeah, well, thanks for the support.”

” Thanks for the entertainment.”

Back on concrete and the traffic crossing, at a four-way intersection, it is like the running of the bulls. As soon as I step off to the green light for pedestrians, a car on the left almost cuts me off, and the gleam of the cars, as if they were just driven off the lot, I think of my car, when it arrives, will be the dirtiest car in Del Mar.

Several days later, I Ubered into the village to look at a few apartments. The first one, designed in brick and stone, absolutely matched my taste, and was open. A man was sitting at a tiled table in the courtyard.

“Hi, do you live here?”

” Just moving out.”

” I’ve been trying to reach the Manager. I’m interested in a studio.”

“ He turned around. ” That’s mine, take a look.”

” Thank you.”

I walked into a room the size of a woman’s mid-sized closet, and the closet was large enough to hold six hangers.”

” I lived here a year and a half; it’s a cool place.”

” Yes, very cool, but too compact for me. Thank you for showing me. You look like a surfer, am I right?”

” I am, that’s why I stayed here, the beach is next door.”

” Second surfer I met today, I really admire your sport.”

” Nice to hear that, it really is.”

I departed and walked a few blocks to the second apartment. The agent, in creased slacks and a plaid shirt, walked me into an apartment about the size of the previous one.

” It’s listed as four hundred square feet. Does that include the bathroom and kitchen?”

” Yes, we have off-street parking and of course, the location, you can’t beat it right?”

” Right, thank you for showing me. I have a few more to look at.”

” I’ll give you an application, he started to the door and recited the amenities, the view the landscape, and the terrific tenants.

” My furnishings and clothes won’t fit, and I am already fully downsized .”

” We have a one-bedroom available.”

” How much is that?”

“Thirty-nine fifty.”

” That’s above my pay grade, but thank you.”

” Good luck,” which sounded more like, no luck at all.

Back to my hotel, and as I passed the valet, he said,

” How’s it going?”

” It’s going, but it’s not taking me along.”

He bent over laughing, not because it was that funny, but he related!

SOLITUDE & IRREGULAR IMPULSES

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My emotional tail is wagging; curled up in my desk chair, I feel almost as if I were born in this chair. It’s cushioned me through a cyclone of adventures in livingness. Solitude will always be a puzzle because our lives, solo or mated, are perplexed by too much solitude or not enough. The editor I used before submitting to a publisher asked me, “Why do you keep switching between past and present tense?” I told her I don’t control that until I’m in the final editing stage. My control over my writing is identical to how I live—acting on impulse, expanding the mundane into a musical, feasting on all the emotions, and fabricating thorny Walter Mitty encounters. I don’t think of applying proven methods; I make up new ones.

Back to this plateau of solitude. Love what you have, and especially yourself, with all your flaws and regrets. Honor is more critical; be proud not just for yourself but because someone out there needs you.

Sometimes, solitude feels like a draft no matter how many sweaters I wear. There are not many soloists residing in the village, primarily second and third-generation families with dozens of members. Living unstructured is a discipline that threads some days easily; when it doesn’t, I must rein in my passion for daydreaming. Today, it is the island of Capri. A friend is there posting photographs, so maybe I need to stop watching other people live their dreams. Yes, that’s it-take a reprieve from FB.

OUT OF CONTROL

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Bohemian living was always in my dreams, having been raised in a perfectly pressed pinafore and seated on velvet and satin furniture. I am not really very gypsy like when it comes to home. Once upon a time, I lived out of one suitcase, but I have since been corrupted by the joy of controlling what comes into the house and finding a place for it. Loss of control. Once faced with this alarming epiphany, I vowed to give up control and accept the disorder and disruption.

What I’ve rediscovered is that without a lot of stuff to organize, the mind is free to think, more time to create, and effect essential decisions. Narcissism is sacrificed for more visceral makeup. Losing control is a replenishment of youthful spirit. It’s free and painless.

WRITING TRUTH

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I’m one of you. Adrift, without a direction, waiting on the shore for a wave to break and include us. It is not ho ho ho for us, it is whoa whoa whoa. I’ve learned my lesson; I will not repeat the dissonance, selfishness, and fear that prevent me from engagement with life. My cradle of friends is my family. They want everything to work out. For their patience and comfort, I will not let them down!

How much stronger must I be? Isn’t five years of punishment enough? My smile is feigned, my heart is sliced in two, and my spirit is spoiled. Today, the darkness outside and within shatters what could be a day different. I could be outdoors, and brave the cold, work out in the gym, window shop on a whim, and fill someone’s frown with smiles.

I have the hours to transform; it is eleven am, but I haven’t slept a night through in a week or more. I live a melodramatic life in my dreams; they are symbolic messages of my vulnerability, fragility, mistakes, and unrealistic expectations. My former self lived with all I wanted and needed. I woke with enthusiasm, direction, confidence, and exhilaration. I loved and was loved in return. You ask what happened? Betrayal, and then gaslighting, using callous actions, of destruction, emotionally, psychologically, and financially. What I cherished in him vanished, and a ghostly evil power, within another woman, chained him and locked me out.

Now I wait for the final curtain to close so that he will be a memory instead of a menace. Almost there, but will that liberation convert my stagnation into stimulation?

Hope, prayer, discipline, and forgiveness are the weights that build my strength. And of course writing. If I didn’t have this way of expression, I couldn’t have made it this far. My writing is my wand of magic, for me and I hope for you out there. I’m one of you, an outsider, an introverted extrovert, a dreamer, a risk taker, and at the starting gate of my triple crown. To be continued.

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DAYDREAMING TRAVEL

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When I listen to Antonio Carlos Jobim, I dream of Brazil and of riding on a float at Mardi Gras, just once, in a feather hat, dressed like Rita Hayworth. Music evokes a writing mood, like jazz or blues writing; they are similar. When I listen to Sarah Vaughn or Nancy Wilson, it feels like a close female friend confiding in me and knowing I understand heartbreak.

When I sit at my desk and look at my mother’s photograph, I dream of the first lunch we had at Bullock’s Garden Room, watching the fashion show and discovering style. When I shovel snow, I dream of the coastal beaches: Del Mar, La Jolla, Santa Barbara, and Carmel. Commercials about travel dominate and fuel my craving for a flight. As my responsibilities here are unfinished, I will wait and daydream about the next voyage.

Daydreaming, unlike night dreaming, where we are flying, conquering, or battling some inner masked trauma, illuminates where we want to be, who we want to be, and if we take it seriously, how to get there. The medicine of daydreaming is unmatched by books, healthy food, vitamins, yoga, religion, or mind-altering experiences; it is the essence of who we are.