LUELLEN SMILEY ADVENTURERS IN LIVINGNESS

Where Gaps of Expression are Liberated

ABOUT

Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.

That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.

Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.

Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.

Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.

Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.

Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.

Revising from the Inside Out


 

  1. I’m sitting outside in a flowerless garden because no matter how many flowers I plant, they only last one season, if that long. The garden is erupting out of its winter coat, and lime green buds will have to do for now. The sky that seals me in is licked with revisionary hope;  the kind that comes back laundered and fresh after a  recess from disbelieving in the possibility of a life correction.

Behind the garden, a neighbor is drumming a soft tribal beat, and on Palace Avenue, the choir is singing inside the Episcopal Church. Between these distinctive tastes, there are sparrows fluttering from fan to nest to fountain. The chattering sounds like, “here she comes, don’t come over here, get out of my nest, watch out for that fat crow.”

It’s a mind drift, to be caught in such unstructured beauty, away from the manuscripts, remotes, doors, and phones. It’s like being on an island out here. Everything we bring into our experience can be revised; a work of art, a way of speaking, thinking, portraying yourself, your way of loving, or lusting, and we all know about appearance, because our society shoves it down our throat.

Look at the possibilities in revising our patterns of behavior. What we accepted 20 years ago doesn’t mean it’s carved in our organs. We can transmute. The interior life needs lifting and tightening, just as our mind and muscles do. You won’t find any immediate remedy, or advertisements, or books on the subject because we’re consumers of products that change and revise only the visible tangibles. I wonder if I traded in my 11-year-old Land Rover for a new one if I’d be really happy, and for how long?

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ISADORA DUNCAN

My homework for the next few weeks.  Life corrections begin with edits, then revisions, and then you have a new story!


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