RESOLUTIONS OF THE WEEK.


My memoir, published in 2017, Cradle of Crime-A Daughter’s Tribute is old news to me. Not to Charlie. I met him as he was renovating a house across the street. I didn’t introduce myself as Luellen Smiley, just Luellen. I asked if he would take a look at my house for an estimate on painting. He was sweet, a mountain man with a long white beard and hunting boots. Last week, he texted me,” I read your book, my friend and I exchanged Goodreads suggestions, and I told him to read your book.” How did he connect me to my book? I didn’t ask, and now it piques my interest. I’d walk across the street and ask him, his truck is there, so is the ice, and I don’t feel like skating and falling on my butt.

Winter in upstate New York to a gal from Los Angeles is likened to living in the North Pole. Going on five years, my last, I’m not resentful and scouring, but I am not acclimated. Indoors I dress in sherpa from head to toe and wear those finger mittens. Today it is full-throttle rain showers. The street is vacated of traffic and the public, it’s a good day to work on my next book. On my desk are a few writing books, the favorites: Henry Miller on Writing, The Diaries of Anais Nin, and Albert Camus’s The Stranger. I haven’t bought a current book in years, the last one was Sam Shepard, The One Inside. I like Miller’s passage: ” The writer lives between the upper and lower worlds.: he takes the path in order eventually to become that path himself.”

Aging in my seventies delivered opening windows to restoring, rearranging, and repairing my persona, personally and in public. If you’ve read any of my essays, then you know explicit is the vortex that moves my thread. Restoring the brick-and-mortar of truth is at the forefront; the next layer is a confession of what I cannot speak in person to anyone, even my closest pals. The third is abstaining from too swift a pen; I’m always in a hurry: I prepare food quickly, walk as if I’m late for an engagement, and wash dishes with perfunctory interest. Everything when I think about it. I know why that is, my father.โ€‚His shadow was always behind me as I went about my teenage activities at home, so I rushed to get out.

Last week, I stopped taking the powerful Lorzapam medication for neurotic anxiety. My heart raced when I opened an email from my attorney, when a stranger knocked at the door, or when I entered a public place alone. A new sideways rain shower just filled the window pane above my desk. Here is the fourth restorative: get outdoors! I don’t walk in snow or ice, but good old water rain, which I call God’s tears, is one of my favorite nature adventures.

Admittedly, my writing has granulated since moving here. It is tiny in thought and not always tied up neatly. My persona in public needs to be side by side with wine in a dining setting. What I contribute must be joyous and humorous because one of my favorite human activities is to evoke laughter and smiles. I broke away from my taverns and abstained from alcohol for a week. In the second week, visceral and bodily alarms have gone off. Iโ€™m lucid, motivated, and even decisive.

From Anais Nin Diaries 1939-1944.

“I respond to intensity, but I also like reflection to follow action, for then understanding is born, and understanding prepares me for the next act.”

ROSH HASHANAH 2023.


VULNERABLE…. weakness and emotionally exposed, failure. Otherwise the moment of courage to rise and understand our fragility without self-degrading,. Excerpt from Rabbi at Temple Ebet Emeth.

May be an illustration of 1 person

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THE ART OF LOVE


Nicholas Ray
Nicholas Ray (Photo credit: www_ukberri_net)

Portrait of Martha Graham and Bertram Ross (19...
Portrait of Martha Graham and Bertram Ross (1961 June 27) (Photo credit: Wikipedia)

THIS WEEK LANDS ON poets, writers, musicians, photographers, directors, visual artists, composers, choreographers, actors and the untitled and unrecognized that squeeze in between. Kipling, Salinger ( my all-time favorite) The Rolling Stones,ย  Mozart, Chopin, Opera, Salsa, Beatles, Stieglitz,ย  Nicholas Ray,ย  Kandinsky, Johnny Mercer, Martha Graham Balanchine, and James Dean. I left out about seventy-five of my favorites.

Composition VI (1913) (Photo credit: Wikipedia)They were all lovers before they were artists.

OUR ARTISTS IN HEART travel mentally and physically through life with all the windows open; awaiting a sight, sound, or feeling that draws them to their art. The feelings are what count on our life ledger.ย  I have to thank Billy, my first love at fifteen. He was an artist of music, Gothic charcoal sketches, comic humor, and life. He opened my window to the arts.

That life ledger is always in the red because an appetite of feelings, and emotions eventually depreciates the spirit. Some of us rise above, and the flow of printed green paper comforts that spirit, but emotions continue to dominate all the success.

I have to write this in short sequence, as I am moving between a rigid reckoning of a forever ending TO ONE MY LOVES.

To be continued later.

ON THE SOLO STREET OF DREAMS


I am not afraid to write the truth, to stare and embrace the reflection. It appeared last night; a thought manifested in an abstract way; a torch of light, a rainbow, an open door that symbolized a guide to contentment, and peace of mind, it felt reachable if only I evaporated into the sensibility, allowing change, a complete transformation from this encampment of isolation and fear of making the wrong decision.

Drizzle Thoughts


The embryo of thought. Sometimes it is negligible, as is life.  I am the puzzle maker and every time I try to carve the right size square, I fall off the board and have more material to write about. The puzzle is so vast that it covers our lifetime and the pieces are the choices, and non-choices that fit into themes.  My life, is like a melody, a Gershwin tune. As a dancer and prancer at heart, my feet are my hands, and my hands are my heart. Drizzling rain is relative to thoughts on a Saturday; a few thoughts for my book, assembling the bedroom fan, calling friends, a walk with my umbrella to live in rain, answering emails, and those hypnotic Film Noir Classics on Utube. When world news disables self-absorbency, it’s a relief, I hold hands with whatever keeps me alive.

HONESTY-REMEMBER


Except from a work in progress.

Greta dressed in pink jeans, a pink striped polo shirt, and low-heeled pumps. As she opened the door she thought, and said out loud one step to go. She flipped down the top of her car to ride visible, a sort of rehearsal to adjust to the main street on a Saturday afternoon. Storm clouds churned and after checking the weather channel, rain coming in one hour, Greta closed the convertible and went back indoors. Not truly disappointed as sheโ€™d stayed up till three am watching the Shooter series on Netflix and woke at eight.

(I use the name Greta in my manuscript because of this, my father repeatedly scolded me when I said, I want to be alone, he replied, ‘Who do you think you are Greta Garbo?’)

Journal June 10th.

The street was quiet except for the barking dogs so I sat down to write, and let the paper stare back blankly. I switched over to Facebook and viewed my feed, the Rolling Stones, Italy Travel, Artnews, Creative Non-Fiction, Emily Luxton Travels, and Jazz photography. Voyeurism, the normalcy of our culture, to watch life from a screen, I’m guilty because I’m at heart a loner, a drifter that moves on the outskirts of socialization. When discourse and confrontation knock at my door, I go dormant to the world outside. My mask is not convincing, So, I bear up, like today, and take nature as my friend; a patch of blue, gray skies, the sun tea cup surprise, the birds and chipmunks on my lawn, and the occasional passersby who are living in their world. At seventy only two lines matter: I’m proud of you, and you could have done better. HONESTY.


POP-UP THOUGHT ON A RAINY THURSDAY.

Direction is a choice; move back home, move near your children, move for a job, but in my case, I move because my act in Saratoga will come to a close. I’m like a blank space between two paragraphs; it sounds like freedom, no commitments other than being the best I can be. Starting over in a new location is about redesigning within.

Iโ€™m still a nomad, searching for adventuresinlivingness. As I lay my head down on my pillow, the interim is asking me to be peaceful, faithful, and confident. Itโ€™s about time!

Reminds me of when I went off to college, a liberating extension of those early days when belonging to things didn’t matter, life mattered. If you are single and without children, this is the knife that we must slice into a piece we accept, or no peace will lull us to sleep.

ON THE ROAD FROM SOMEWHERE TO SOMEWHERE, I CAN’T REMEMBER. MAYBE SANTA FE TO SAN DIEGO.

May be an image of road, nature and sky

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RELOCATION…SENIORS


My direction is following Lawrence Durrell, โ€œSpirit of the Place,โ€ and living where I would never expect to live.ย I wish I could control my impractical, impulsive, and annoying spirit of adventure. I think about architecture, Jewish deli’s, Italian restaurants, at one movie theater built in the 1930s, and neighborhoods of unfamiliar lighting, expressions, and conversations. Gambling on yourself is how much you can adapt, change, influence, and accept the days of your life.

In my syndicate, there must be a dozen pals with the same unsolved equation. Is it age that blocks me and maybe you from relocation, or is it the trauma and stress? What liberation to just pack a suitcase and board a plane like in the movies. Separation from the familiar. The spirit of adventure has arrived. My home sold and so relocation isn’t a muse any longer, it’s reality. Today, coincidently is Independence day and so am I. It is a day of nostalgia. The Rudster painting Follies. It took two summers to remove the aluminum siding, scrape, caulk, prime, and paint my chosen seven colors to resemble a wedding cake. Mr. Doolittle built the home in 1883 as a wedding present for his daughter.

The Rudster painting Follies. It took two summers to remove the aluminum siding, scrape, caulk, prime, and paint my chosen seven colors to resemble a wedding cake. Mr Doolittle built the home in 1883 for his daughter as a wedding present.

RELOCATION IN REFLECTION.


  Curiosity doesnโ€™t always kill the cat, sometimes it brings confidence. I asked my British friend, โ€˜is it common for people to lose their curiosity, passion, and desires as they age?โ€™ He responded, LOL, yes. Thatโ€™s where we are different, he has certainty, whereas I don’t. Being single and living alone affords you freedom of thought, and so it was this weekend, while enveloped indoors to avoid the chilling grip of winter, my thoughts were in a heated argument.

Go to Saratoga and visit the Casino Museum, have a croissant or lobster roll, roam the gallery district, window shop, and get out of this house now.

Itโ€™s too cold to walk, Iโ€™ve been to the museum, I donโ€™t feel like dining alone again, and the galleries Iโ€™ve been to are arts and crafts.

Thatโ€™s not the reason, is it?

No, Iโ€™m not curious.

Just four years ago, Iโ€™d pop out of my Santa Fe home and walk up to Canyon Road Friday Night. All the galleries are open and serve appetizers, some live music, some street vendors, and some costumed characters and it was a party. I didnโ€™t mind eating alone because I knew the restaurant owners, bartenders, and regular guests. Sedation of spirit came in the last six months. The first year coming back to my home after a six-year absence was invigorating and new, and unexpectedly in need of serious maintenance and lease management.

In front of El Farol, Canyon Road on a stranger’s beauty mobile. Twice a week for live rockin music and dancing. One of my favorite dance floors because the stage is three feet away.

The second year was getting about town and exploring and then Covid so it was an incomplete year. The third year was a wicked winter and when spring came, the ebullient appreciation of the sun and flowers renewed, and my curiosity temperature was down but not dormant. Circumstances too complicated and gruesome to write, force me to stay here. Iโ€™m one of the millions, that live where they donโ€™t choose to live anymore. When the day comes, the freedom to relocate is my curiosity. My next nest is undetermined. My friends, ask me, โ€˜where are you going to move to?โ€™ This comes up in every third or fourth conversation. And the answer is the same, ‘when I know Iโ€™ll tell you.โ€™

Upstate on a clear day.

Poetic justice for a life-long wanderer. Curiosity I call on you to visit my spirit and paddle me out to waters and roads unknown.  Give me the confidence to keep my oars afloat; confident, curious, and passionate.   

On the road from New Mexico to somewhere… I can’t remember.

ADOLESCENCE OR ADULT


Remember when you opened the door to your own car and took hold of the steering wheel without any parental supervision. As a teen, my Chevrolet Impala was a haven away from my father. I rolled all the windows down, turned the volume up on the radio, and smoked. My secret joy was hoping the driver next to me would hear the music and notice me. If he was a suitable face I turned around and bobbed my head. Then, just as he looked over at me, I turned away, and looked in the rearview mirror, or sang my heart out to show off brazen behavior, the kind I couldn’t express at home. There was a sense of freedom from examination and explanation. When I drove my spinning Impala that leaped over road bumps in three waves, I was going somewhere alone.


ย It was the only self-contained space my father wasn’t attached to, and he didn’t like driving with me, because he didn’t like me being in control. That is the sensation that life brings to us in volumes as teens; explosions of discovery. Today I donโ€™t experience that sweat of discovery; my life is deodorized. Remembering the sensations I felt as a teenager, reminds me to intertwine more challenges
. If Iโ€™m lucky to break through all the percentages of disease, that the late-night commercials warn me of, the edge of my rhythm is asking me to make a commitment; to put the Bo’ Jangles back in my steps. I heard the voice yesterday, almost a whisper, asking me why I exclude long-term commitments: joining groups, classes, associations, serving on committees, planning ahead, and even magazine subscriptions are not worth the trouble because I am always planning on moving.

The answer always comes in the photographs that bring back that moment in time, and the immediate recollection of the internal places I moved from venturing into the unknown.
Many years ago, I was in therapy, and in one discussion, this discourse occurred that I considered an awakening then.
โ€œI think you jump into unknown places, and situations, to test yourself, and you do that because that is what your father did most of his life.โ€
That is what adolescent behavior is meant for, to learn by experiment, to see how far our strength of character will take us.ย  We each have a different set of alarms and temptations. Why compare what one has to the other? My path is familiar to me, I am a born mistress of unfamiliarity; the quest for discovery keeps me moving.

FORMER HOME IN SANTA FE, NEW MEXICO 2015

As a teenager, I remember the most remarkable configuration of images, that passed by while I was driving, the faces of shopping mothers walking the streets of Beverly Hills and Westwood, the prostitutes positioned along one section of Sunset Boulevard, and their counterpart degenerate gin-soaked soul mates inched up against abandoned buildings, the Ocean Park joggers, and walkers, and picnickers, waving to each other, as they slapped together hard-boiled egg and tuna sandwiches. Like a playroom without walls for Europeans and senior citizens to elope with each other. I didnโ€™t favor one street life over another, they all made sense to me.

Living in the Northeast calls for pragmatic and sensible strides. I’m still learning how to tame my lust for unpreparedness; like going out without an umbrella, leaving delicate brick a brac on the porch, driving with caution for deer, rabbits, and turtles, maintaining a close eye on the water in the basement, and dressing down so I don’t look like I’m from Los Angeles.ย  Every day is experimental in some way.ย  I don’t know how long I’ll be here, maybe that is how I like it.

WINTER WRITING IN UPSTATE NEW YORK


ย ย ย  Still flustering over how to save more money, and which expense she should solve; the dental appointment thatโ€™s six months overdue, the servicing of her car overdue since June, or elevated reasons to book a trip to San Diego. The urgency to decide sent her into a minor mid-afternoon tizzy and she decided she needed potato chips to solve her physical edginess. She does not use salt in her cooking, and from experimentation over the years realized that salt could elevate her dizzy thinking and lackluster posture. The momentary outdoor freshness stilted her, to stop moving, and breathe deeply like she was in the doctorโ€™s office and they say, โ€˜ deep breath.โ€™ ย ย The street is absent of walkers, workers, delivery trucks, and residents, itโ€™s almost like a graveyard and this does not irritate Greta, she uses the bliss to engulf her creativity, and so she began to write.

“Young woman sitting on the books and typing, toned image”

PUZZLE OF SOLITUDE  will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.

ย I contest what seems endless solitude with my Irish Russian temper; condemning irritants like street noise, absence of friends, short-tempered customer service reps, world news, and mindless tasks. After the first ice rain and snow, the fever dulled, and mindfulness triumphed. I imagined my basement of survival would sink. It did not. There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world I created. I have to laugh alone so I watch screwball comedies, seek humor in my irregularities; wear a sweater inside out, pour coffee into a wine glass for a cocktail and chuckle up and down the staircase, because I keep forgetting where I left my phone. My head is elsewhere-daydreaming.
Iโ€™ve learned how to repair house calamities; unscrew windows, seal up cracks, fix clogged drains, replace air vents, read the meters, and rejuvenate every wood board, handle, chair, and table with Old English Oil. As one pal commented on a visit to the house, ‘ It’s a perfect day for Old English! The winter forecast is blizzardy and full of warnings I havenโ€™t experienced here; and how could I complain when half of Upstate New York is buried in SEVENTY INCHES of snow and no way out? At the end of the day, pleasure comes in the kitchen; my heart and spirit melt while stirring my weekly slumguillion stew while listening to Tony Bennett, Nat King Cole, and swing music.
Winter has in the past been a funnel that leads to writing.

FRIENDSHIPS – KEEP US SAFE


Photo by Philip Townsend

 I wonโ€™t get out of this unless I have faith in myself. If God does make miracles, Iโ€™ve used mine up. My wonderous, rewarding, illuminating, creative adventurous life was a row of blessings from people that erupted into my life at the exact right time like we had an appointment.  Strangers one day,  pals a week later, years later our rebar, supporting joists of our underpinning in life.

Loners were postured in film, books, and art as mysterious, untouchable, or approachable, they even became romanticized as people of superior cerebral awareness. Iโ€™ve met and gained friendships with several over the last few decades. My first high school boyfriend was a loner, he became popular but his soul craved mind expansion and he needed solitary confinement.

How this relates to the intensification of rancorous physical assaults in as many venues, streets, and shops as you can name is my pestering pursuit today. People are exploding with anger, frustration, and hatred. I understand the anger and frustration, but not the hatred. Are all these perpetrators unloved, or do they live amongst compatible comrades? People are shot because their hamburger wasnโ€™t properly served on time, or they have a different opinion. I was living in Los Angeles in 2018, one day driving down Pico Blvd I noticed a sign, โ€œWalk in Anger Management.โ€ Maybe we need to convert a few drive-thru food diners to Anger Management centers. It sounds amusing, doesnโ€™t it? If I was financially able, Iโ€™d open one in every major city.

 What has happened to our culture is unimaginable for a woman who grew up in the Love and Peace generation, or even into the eighties and nineties. We didnโ€™t shoot one another, maybe a fist fight, or a shouting match but not murder in cold blood.

Could this macabre movement be softened by friends who love you more when you are gentle and kind? It cannot be that simple, or could it? When I used to rage about some occurrence that ripped me personally my partner would come to me and say,

โ€˜LouLou put your guns down,โ€™ that always made me laugh, and then weโ€™d talk out what triggered my fury.    

Humankind is in recession, we need a John Lennon to lead us back to where we belong. ย TO BE CONTINUED

PHOTO BY DICK SPAS.