SOME ILLUSIONS ARE HUMAN ,THESE ARE THE MOST DANGEROUS
for the one who is viewing,
the maker of the illusion,
transmutes as the situation demands.
Man Ray – Jean Cocteau and Wire Sculpture (1925) (Photo credit: Cea.)”]
ABOUT
Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.

SOME ILLUSIONS ARE HUMAN ,THESE ARE THE MOST DANGEROUS
for the one who is viewing,
the maker of the illusion,
transmutes as the situation demands.
Man Ray – Jean Cocteau and Wire Sculpture (1925) (Photo credit: Cea.)”]
This is not a “How to Recognize Gaslighting” or a “Step-by-Step Guide to Gaslighting.” This is a true story, drawn from my experience.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
It came to me in the middle of the night. I woke to an alarm, the inner one that goes off and sends us trance like from a warm and secure bed, out into the dark, cold living room. I rescinded my step halfway to listen to the howl of the wind, and see tree branches bending like modern dancers.
After making coffee, I sat down at the table, lit the candles and let the darkness open my mind. Imagine love is a tunnel without any closure rising from your soul, branching out in every direction you move and think and feel. After you’ve been in the tunnel and it surrounds you, there is nothing that can compare to loving first. You begin the day by loving something, a smile on your lover’s face, a cat’s purr, a sunrise over the mountain, a cup of coffee, it doesn’t matter.

This is not a “How to Recognize Gaslighting” or a “Step-by-Step Guide to Gaslighting.” This is a true story, drawn from my experience.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
As children our waiting depends on how long it takes Mom and Dad to finish what they’re doing and pay attention to our needs. It takes hold of us, like a fever, and we resort to nudging them, whining, even sobbing, if we are made to wait longer than we expected. During the school year, I waited all semester for the summer. In Los Angeles that meant it was hot enough to go swimming in the ocean. When I lived in Hollywood, I rode two buses, to get to Santa Monica. The second bus dropped me off on Ocean Avenue, above Santa Monica Beach. I ran down the ramp that connects to Pacific Coast Highway, and headed north to Sorrento Beach, another long block away, and when I got there I stumbled in the sand in my tennis shoes trying to run, and find the place where my schoolmates clustered, in a caravan of towels, beach chairs, radios, and brown bag lunches. I couldn’t just run to the ocean, I had to sit and talk and have something cold to drink, and then I made myself wait, until I couldn’t stand it any longer, and then I ran down to the shore, and embraced the waves, tumbling inside their grasp until I lost my breath, and floated into abandonment.
After I moved to New Mexico, I stopped thinking about the ocean, I had to remove the memories from my thoughts, and so I could continue to experience this spark of the world. The dry sage ocean of pink soil, and radiant blue sky that pinches your eyes when you’re driving, the sunlight, and the warmth of a desert night and the white snow on pink adobe. It has postcard perfection, even now, with fallen leaves spread like trash everywhere, and the trees almost naked, and the dead plants in the garden. I try not to think of the ocean, the look of the sea from watery suntanned eye lids, or from the bluff at Del Mar, or the splashing of waves around my shoulders as I sink beneath the surface.
I waited, like I did as a teenager, for that summer to come, so I could return to the sea.
Last week, I stood at the water’s edge in Del Mar, it was like summer without all the kids playing ball and screaming, hey dude what’s up, and the running of the dogs, and lifeguards thrashing the beach in their jeeps shouting, , no swimming, no dogs off the leashes, no glassware, and no surfing. They were missing, so as the caravan of beach runners, and surfers. In fact, I was only one swimming, on that first day at the beach. Before I went into the water, I reclined on a big black boulder, and faced the sea, and let my eyes wander amongst the scenes of the beach on a Tuesday afternoon. In front of me was an older man with graying hair, in a wal-mart beach chair reading. He must be retired, he looked perfected adapt to his spot about five feet from the shoreline. I thought about that Dennis Hopper commercial, about retirement, and how I still cannot come to grips with retirement, and spending my days on park benches or in cafes watching younger men and women live.
There was one swimmer, on a bogey board, he was far out, and floating along, and I wished I’d brought mine with me, but it was in SC’s van, and the last time I used it was when I lived in Solana Beach. I also wished I had a new bathing suit, because the one I was wearing was ripped, and the neck straps were tied together in a knot so I could swim without losing my top. The sun baked my body, and I let it without abatement, without shading my limbs, or wearing a hat, just enough sunscreen to keep the rays from trotting over to my skin, and I closed my eyes and I opened them, and this is when the waiting business suddenly felt so important, so much so that I began to think about waiting as an aphrodisiac or something like a good cocktail that you have to make last for sometimes, years, while you wait for that moment that makes you feel immortal, and childlike, and senses sharpened as an animal.
I felt the beach flies, and the tang of salt water on my lips, and the when the seagulls swarmed above the water’s surface, like so many beads of a necklace, I thought, that this is about the most beautiful day I could have, and it’s all because I WAITED, I didn’t give up on the ocean, or my place in it, or believing that I would have my day in the sand, under a faded denim blue sky, with cotton ball clouds floating above me. I baked until the sweat drenched my pours, and then I raised myself up, and walked slowly to the edge of the water, the flat surface made tiny breaks not enough to shatter my body warmth and I felt the first sting of the water on my feet, and then my knees, and then I submerged, and found that the best way to celebrate this day was to keep flopping backward on top of each wave as it crashed, and I did this for a dozen rounds, until I felt silly and weak, and dented with the surf, and I found that waiting thing again, meant something that I should write about because all of us are waiting for the election, and the economy to recover, and our real estate to be worth something again, we are all waiting for this big change so we can feel secure and optimistic about the future. There is something useful about waiting, something predisposed, that gives us the support and substance we need, so when the waiting is over, and we are all flush with success again, it will feel like the first time, it will overwhelm with us with power and joy, like the ocean.
When I left, I had enough jubilation bouncing through my blood to take the risk of driving by Maurice’s home, the one he left three years ago, when he died under his favorite orange tree.
This is not a “How to Recognize Gaslighting” or a “Step-by-Step Guide to Gaslighting.” This is a true story, drawn from my experience.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
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GALLERY LOULOU 20th Century Photography
The Royals & the Rebels
343 E. Palace Avenue Santa Fe NM 87501
The Santa Fe travel narrative I was going to write appeared in the New York Times the same week. Sunday Travel Section, “ Is Santa Fe Ready For a Makeover.?” If you read it, then you know, that mod is flowing through the alleys and walkways of Santa Fe, more so than adobe mud. My answer is yes, Santa Fe is already under the mask of revival. My perspective comes from the duality of being a tourist and a resident. I have not lived here long enough to shed the distinctive air of a gambler whose just won the jackpot. It feels like a home I left years ago. I still walk through the Plaza in summer once a day to see the groove of live bands on the stage. I snap internal photographs of the conversations, expressions, and festivities surrounding Spanish and Indian Market month. Maudlin hippies slack on park benches strumming on untuned guitars. Children scatter between the adults, and third generation families sit under trees, sipping cool aid from a thermos, and eating home made tamales.
As you cross over to San Francisco Street past Starbucks, you will step over the hillbilly from Arkansas, whose sidewalk show includes, a dog, cat, and several mice playing nicely. His message is; animals get along why can’t people? You will never read this sort of description in the travel narrative. Just before dusk, the city streets empty for an hour, and the shinning light spreads evenly over the adobe walls and rooftops. That is if it is not raining. When showers greet us they pound the tricky brick walkways, and the lighting and thunder shake the windows, and everything not pinned down blows away.
I stood on the porch and watched, mostly because summer rain is the most romantic of all weather moods. That comes from a distant memory under raps. If you have a balcony, or find your way to the Rooftop of La Fonda, or Coyote Café, take a seat. Just watch and listen to the operatic electrical storm. They do not last too long.
The best time to walk is early morning. There are several roads to hike just beyond Canyon Road that lead to the Audubon Society. From there, you can choose from a dozen rated hikes from beginners to Aztec Indian strength. When in Santa Fe walk as much as possible, bring a pocket umbrella, and keep your eyes on the road. There are dazzling surprises everywhere you look.
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This is not a “How to Recognize Gaslighting” or a “Step-by-Step Guide to Gaslighting.” This is a true story, drawn from my experience.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
At three in the morning the walls of reality merge with dreams, timelessness, restlessness, and an alertness of unspoken needs.
What I think of at three in the morning is never the same at ten o’ clock in the morning. The labyrinth of safety, colliding with the unknown, seems to be the most innocent of emotions. It is also a time that springs bright eyed realizations, recognitions, and a time when our mirrors move toward us. I see my looks fading. All I ever wanted was to see myself as pretty as my mother was.
The wind is sudden as it whips through the spruce tree outside my window.
I get up and wander downstairs, listening to the wood floors crackle at my footstep. I walk outdoors onto the back porch. The wind is like a mirror to me. This sound, so clear and unmixed in Santa Fe, brings me back to the years in Hollywood. The nights my father went out allowing me the freedom to explore outside. I would run down Doheny Drive to Santa Monica Boulevard and just keep running. It was on those windy Santa Ana nights that I’d run the longest.
I was running because the need to express something was bulging through my body. Back then I didn’t keep a journal at home. My father had discovered it and then questioned me about everything I’d written.
This night is like that, only I don’t feel like running, I am listening to the sound of the chime and the wind. I am thinking of the music of Charles Lloyd, and the shadows that look like people, and the clouds that appear to have message, and how everything is different when you are alone.
I dine without pause and usually finish before I’ve even wiped my mouth. I have extended conversations with the cats, Bugsy and Alice, and moments are elongated. I sit down at the counter and this wind and chime continues to circulate the house. It is an announcement- it is expectant of spring. I jotted down some notes and knew what I wished to write about today.
April is expectant- there is expectancy everywhere you look. The buds on the stark tree limbs are about to bloom, the birds have evacuated their nests and begin singing early in the morning, and insects eject themselves from their hidden corners. I don’t know what spring is like for a man, I’ve never asked any man, but I am going to tell you what spring is like for one woman. The essence of spring is sensuous, and for a woman it is an overture.
We strip down the layers of clothing; replacing socks with sandals, and sweaters with t-shirts. When I hear birds and watch them in the trees, I think of babies, and innocence. There are flowers about to shoot through the heavy clasp of winter dormancy, and when they do, the colors remind me to replace all the black pants and turtlenecks with pastel shades of peach and blue.

The sunlight radiates through my skin and warms every thing. My heart feels like it has been through a tune up. My body wants to dowse in sea water, and to eat less, and to run up canyon road, and listen to music, and dine al fresco, and get pedicures. Men, do notice your woman’s new pedicure, it will make her very happy. All of this preparation is to tune up the romantic notes, and to get YOUR ATTENTION. It is time to bring you out of the garage, or wherever you go in spring, and to notice that we are blooming. This is what I felt the night I heard the Charles Lloyd Quartet; I heard him blooming.
Surprise us with flowers, a new hat, or a picnic on the banks of the Rio Grande. Spring is time to redirect your attention to woman because we are at our best in spring. Our attention is on our surroundings; we will want to buy flowers, and baskets and new cushions for the patio furniture. We change our lipstick color, comb our hair different, and we look for new ways of expressing how good we feel.
Today I see cherry blossoms in my neighbors’ yard. They remind me of
a day in April at Golden Gate Park. Then I feel young again, like I was in the park that day, when I was in love with a man who would prove to be one of the great adventures of my life.
If you live in Santa Fe then you understand when I say-hurry up spring and start undressing.
“Is there any feeling in a woman stronger than curiosity? Fancy seeing, knowing, touching what one has dreamed about. What would a woman not do for that? Once a woman’s eager curiosity is aroused, she will be guilty of any folly, commit any imprudence, venture upon anything, and recoil from nothing.”
Guy De Maupassant, “An Adventure in Paris.”
My responsibility as a writer is to assure people taking a chance in life is the only way to live, and so … I throw the dice.
This is not a “How to Recognize Gaslighting” or a “Step-by-Step Guide to Gaslighting.” This is a true story, drawn from my experience.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.