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CRADLE OF CRIME-A Daughter’s Tribute
Luellen Smiley

GENRE
MEMOIR CRIME DRAMA BIOGRAPHICAL FAMILY
Drama

Mature Audience

Politics

Suspense

Romance

Core Theme
A MAFIA STORY THROUGH THE EYES OF A DAUGHTER.
TIME PERIOD
1960s & ’70s
COMPARABLE TITLES
THE SOPRANOS, THE GODFATHER, CASINO, GOODFELLAS
CHARACTER LIST
• LUELLEN “LILY” SMILEY: TEENAGER/50S. NEEDY, LOOKING FOR LOVE/ADMIRATION FROM HER FATHER; DILIGENT, STRONG MORAL CODE, CAN READ A ROOM.
• ALLEN SMILEY: 65. LILLY’S FATHER, (IN)FAMOUS GANGSTER. CRIMINAL, AGGRESSIVE, CHARMING, BADASS, ENGAGING.
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Pitch Page by TaleFlick Info by Author

Brief
Luellen “Lilly” Smiley is the daughter of Allen Smiley, Benjamin “Bugsy” Siegel’s best friend, and
business partner. She rips herself from innocence and confronts her father’s nefarious criminal life, as
she breaks the mafia code of silence ten years after her father’s death.
What We Liked
– True story;
– A period piece inside a period piece (‘40s and ‘70s);
– 1940’s Hollywood, with actual “appearances” by stars of that era;
– The mafia and its members through another perspective;
– The father/daughter relationship;
– Episodic narrative, making it perfect for series;
– Possibility of both a fiction piece and a very rich documentary.
Synopsis

940s Hollywood may seem like the Golden Era of Cinema; Clark Gable, Judy Garland, Lauren Bacall
graced the screen, but behind the camera, there was a seedy underbelly ran by Bugsy Siegel and Allen
Smiley.
In the 1970s, Allen’s daughter Lilly Smiley gets a job at her uncle Jack’s book store. There, she is
constantly reminded and asked about her father from customers and other “uncles” who would come
in. After answering with pleasantries, she realizes that people have a completely different view and
opinion of her father than she does. Through research and help from her therapist, Lilly decides to
unearth the real Allen Smiley.
Each story is an episode; a look into the relationship Allen had with Lilly, Lilly had with Allen, Allen had
with the Mafia, and Lilly had with the Mafia. All three of these dynamics weave a tapestry of an
unstable, yet loving relationship. Some of the stories consist of:
● The day her dad died of Hepatitis C was an apparent hit on the Mafia;
● Meeting celebrities of the day and how they respected her father;
● The day her loving Uncle Bugsy died from a drive-by that sent her dad into hiding;
● One incident where her father wouldn’t let her into the apartment because she forgot the safe
word. He forced her to go to another home to get the key, and wouldn’t let her in;
● The day her parents got a divorce, yet her father came home for dinner every night;
● The relationship between Uncle Bugsy and her dad;
● The time her mother was diagnosed with cancer and spent the rest of her life in the Hospital.
How her dad, even though divorced, never left her side;
● Dad coming from an immigrant family, and how that shaped how he approaches problems;
● Allen, disappearing for weeks or months at a time, and how hard it was on her and her
mother. Once her mother died, it was even tougher on her.
● All the different “Uncles” that would stop by and look after the family.
By the end of the series she has a journey of denial, curiosity, and disbelief. She eventually manages
to find people who understand her history and accept her.
About The Author
Luellen’s “Smiley’s Dice-Growing Up with Gangsters columns appeared in San Diego newspapers and earned a Blue Ribbon award from the CA Newspaper Association. Her research led to TV, radio, and print interviews about her father and Bugsy Siegel.

IMAGINE YOUR BOOK AS A FILM.


HOPSCOTCHING THE TRUTH TWO


Three days later: The door is locked now, it will pop open now and then, in my interior rearview mirror. My secret can only be revealed after mounds of trust have been sifted and sealed. The former LouLou trusted, effortlessly, so the truth is I cannot behave that way anymore. Or can I?
It is the most destabilizing force of emotion to accept I trusted someone who betrayed our thirty-five year “Huckleberry Friend” song. I don’t know how anyone else adapts to this. I’m kinda staring out the window, like a cat staring at an unreachable mouse. When I’m in this mood I listen to Bobby Darin and Tony Bennett, I’m a bleeding nostalgic.  Photo Credit Philip Townsend. ” London in the Swinging Sixties.”

BOOK REVIEW BY CRAVEN WILD-The life and times of a filmmaker: fashion, beauty, books and life. UK


https://cravenwild.wordpress.com/2017/01/14/cradle-of-crime-by-luellen-smiley/

PUBLISHED


PUBLISHED

SOME OF YOU may have already seen my announcement on Facebook. For those that have not, my memoir CRADLE OF CRIME- A Daughter’s Tribute, is now available on Amazon in the USA, Canada, and the UK.

I began writing my way home in 1996.

If you choose to read I’d love to hear back from you!

 

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PUSHING POETRY


 

I’m reminding myself to write more poetry.

DOUBLE VISION 1996.     I was empty pocketed then. Thinker

Neckties choking thin men with beepers

I want to strip the needles pricking inside their ambition

Stone the waxed smiles spitting false promises

Shatter the pointed arrogance

Wrapped in crisp bills

Inside brand wallets

Strapped on trendy trousers

Driven by rovers and jeeps

Never been on life’s edge

Save the Artist

Who wears his life holy

Waiting for the moments to create

Starved from meat and wine

Sits on a ray of light

Enraptured

 

 

 

 

 

CRADLE OF CRIME- SYNOPSIS


The memoir began as a compass to my father’s secret and disreputable criminal history. It pointed to a young girl whose survival was wedged between shameless love and immobilizing fear of her father.DAD IN WING TIPS

As Benjamin “Bugsy” Siegel’s best friend and business partner from 1937 until his death in 1947, Dad acclaimed Ben Siegel. “He was the best friend I ever had.”

Dad sat inches from Ben the night he was murdered. Why did he survive? He ducked!  After convincing Meyer Lansky and Frank Costello he would not accept  immunity from deportation, and five counts of   claiming false citizenship, the Mob honored and protected him.

Faced with an identity meltdown ten years after Dad died I implored his friends, associates, historians, the Freedom of Information & Privacy Act, the Immigration and Naturalization Services,  and the Archives of the Department of Justice, to build the branches of my family tree. Along this irreversible journey I suffered disgrace, rage, and Dad’s ghostly disapproval as I delved into the FBI files and discovered the family secrets. Most startling was not his gambling addiction, criminal activities, or imprisonment.  I learned my father’s attempt at reformation was thwarted by the FBI.  A  vendetta  by Hoover for not cooperating as an informant. I  expose what I’ve learned because I’ve made the family history mine.

Incorporated within stories of discovery are government surveillance records, newspaper articles, court testimony, and criminal activities that defamed his reputation and our family. As the discoveries occur the reader is taken inside the transformation of my identity.  Once liberated from Dad’s paranormal disapproval of my investigation, the book was written.

This is a startling, yet inspirational look inside the struggle of a gangster’s daughter to understand her father’s allegiance to the Mob.


EDITING LIFE


There are  reasons to quit and more reasons not to. The one reason that hovers above all is that everything we do in life needs revision. We are never through evolving into more thoughtful, loving, or wise human beings. Every day there is an opportunity to  revise your valor and conviction.

Revising the position you sit, walk, talk, judge, form opinions, contribute to your home, friends, partners, and discovering what you’ve learned,  dreamed, and mastered, is your novel.   How to write a chapter when you feel  caught;  trapped by decisions that are outdated. Antiquities of a former persona.

Changes in life are like  photographic images.  Looking at old photographs and what I see is someone else. Some are recalled with approval and others are works that led me astray.  I’m not alone. Life is a runaway that we have to catch for ourselves. 

The puzzle is how to live, where to live, and for whom.  It is the same with  manuscripts; they improve with each revision. 

 

TRIPPING ON TAOS, NEW MEXICO


1998 WAS ALL RIGHT

AWAKENING ON THE ROADRUNNER SHUTTLE as we chugged up the steep grade highway, the red skin of Taos peeled back the imposing medieval Gorge crack. The cavity unzipped and five thousand feet below was the Rio Grande. I felt the altitude filling my lungs, and my eyes twitching from one scenic masterpiece to another. Everyone in the shuttle was giving me a history lesson about Taos. Before I knew it, the shuttle door opened, and the driver yelled, ‘Smiley.”

At the end of a two-mile dirt road the shuttle dropped me off and I was shouldered on either side by melting banks of snow.  It was April. Unexpected snow storms arrived the same week.

The FBI boxes I’d shipped were in front of my casita.  Darting from room to room, thoroughly satisfied with a two-story loft, floor-to-ceiling windows, and sunlight in all the right spots. I unpacked in the sedated silence. Was I all alone out here?  A few other casitas were on the property, but they looked vacant. A pang of anxiety seized and then I realized, I had a cell phone, a credit card, and cash. I could always call a cab right.  It was winter in April; the first time I’d lived in falling

OLYMPUS DIGITAL CAMERA
DH. LAWRENCE WRITING ROOM. TAOS.

snow.  In the dining room, I unpacked the boxes and arranged them in a circle around the table. It was a heavy southwestern oak table, twelve feet long, and to the right were sliding glass doors that let the light stream across the black-and-white print. I was left to unravel two thousand more pages on Dad’s criminal life.

The trip was extended to two months. I read all the files and left Taos a different woman. I came back, persuaded Rudy to come visit, and he was hooked within minutes. He bought the Live Work Studio and fulfilled my dream of opening a  Gallery of Black & White Photography of our 60s Rock & Roll legends.. One of Lou Reed shooting up heroin.

FLOOR IT


If we experience disappointment our inner oars, the ones that carry us over the tidal waves, must be accessible, we must pick them up and bash the waves.  If you are at a red light in life-like me, get a tune-up and then floor it!

 

ISADORA DUNCAN
ISADORA DUNCAN

MOVING WITH MILES


Listening to Miles I imagine my pen moving on paper in straight lines and indentations. The beak of the pen breaks out of its shell and abstractions of thought spill. Without prior meditation, feelings form the thoughts. Emotion versus reasoning. Miles musical pen is all emotion. That’s Jazz music!

GALLERY LOULOU 8 2012K 001

 

YOU’LL FEEL BETTER IF YOU TALK ABOUT IT


The throw of the dice this week lands on Adventures in Livingness.  The last time I wrote a column about life beyond the book was the Malibu series.  I’m still tainted by the U-Turn out of Malibu, but as Dad always said, ‘If you fall off the horse you get back on!’  That’s what this book is all about;  just how impressionable we are as children.

 My pals who have commented after reading this material in six different memoirs are immensely important to this writer. Word press followers, you are recognized with every comment!  Pals, Baron, Blair, and Stone who took my hand into the offices of agents and editors thank you for believing in my dice!

Santa Fe. NM 3/26/2016

A photographic day for capturing the stillness of light on the rose  20160311_112156[1]buds. Winter was a lot of writing, editing, and films. I must have seen a hundred this winter. All easy paved paths to escape.  The one I’d recommend is Divided We Fall; a Polish film set during the occupation of Poland. The Director managed to weave suffering and horror with extraordinary hope and brotherhood. If you like mystery-crime dramas,  Nine Queens, an Argentinian film that rattles the roots of a cheaters.

A FEW DAYS LATER

Today is sprayed gray and white cloud cover, and tiny drops of wet snow. I call the climate of Santa Fe, a woman with PMS.  I’m listening to Nat King Cole and withering under a  hang-over after a sensational evening with Brother Marc, (the son I wanted) White Zen, his Mother, and Rudy. I’ve watched Marc grow up. Over the last seven years he’s transformed from a shy, confused young adult, into a man of the mountain; wilderness is his passion.  He drives those big snow plow machines and grooms the mountains in Steamboat Springs, Colorado. He works at night and when he takes a break he  looks at the stars.  Six-foot thin muscle, shoulder  brown curls, and eyes  shaped like two row boats filled with blue water.  He’s not only handsome, his instincts, original expression, and amusing bellowing deep voice tie this lad up in someone you love. He’s an original. You never get the question or answer you expect;  he pulls wisdom from his head and heart as easily as folding a napkin. One two three–a brand of thinking shoots out and I just look at him bewildered. Marc is a twenty-nine year old frontiersman and  has been since he was knee high on a San Francisco skateboard. The Revenant!

Easter brings people together and I’ve sensed a developing  surge to be in a group. Distanced friends come closer, family is the bread and butter of vacation, I see so many of them at La Posada, and couples are cooperating.  No one needs to hug a pillow when they go to sleep  is my motto.

My rise above familiar surroundings and comfort began the day Brussels was terror stricken and  all Belgians  became one. I checked on Twitter that day, and was touched so deeply when I read the dozens of tweets offering shelter, food, and clothes for those in need. If I were a lifestyle journalist I’d go there and write about the emotional and physical patterns that will change over time. Imagine the consciousness’ of those personally affected after experiencing a bomb exploding beside them. I’ve asked a few people how they feel about terrorism. Some are inflamed and others refuse to discuss the matter as it elicits political commentary.   Terrorism has infiltrated the shuffle of disappointment and raised the inner riot in my head to world events. The importance of conversation so we don’t feel alone is vibrating. I don’t mean in text and twitter. It is too instant to embrace.   What happened to,

         ‘You’ll feel better if you talk about it’ psychology?

 After a few weeks of submitting the book and reading rejection emails,  I realized I wasn’t as prepared as I thought.  Not taking rejections personally is like a handshake after you’ve been swindled.  I moused over to JK Rowlings and read a few rejection letters she posted after submitting a manuscript under the name of Richard Galbraith. One of the letters suggested she join a writers workshop!   Anonymous writers like actors, musicians, artists, and photographers  are caught in the storm of celebritism.  If you are unrecognized the  brick and mortar you have to break  through is an Olympian challenge.

I was writing a lengthy portrayal of Ben Siegel one day and it occurred to me that he had become a major character in my life.  He played a role that someone else should have; a noted author, or journalist, or poet.  Ben Siegel changed my history because I had to learn to love him.  Learning to love him meant erasing everything I had read or heard. It is said he was a ruthless killer, a savage, violent, and that he loved to kill. I turned to look at a photograph of my mother.  I was told that she loved Ben too. Where once I believed my mother was naïve and uninformed, I know this wasn’t the case. She knew from the beginning. Mom fit into this strangely singular and controversial group of people. I see her in the full frame of who she was. (she is on the right in MGM Ziegfeld Follies 1946)get-attachment.aspx  I like her this way because it raised my self esteem; my rebelliousness came from both parents.

While writing about Dad I questioned my prolonged interest in his choices, behavior, and his secrecy. I asked Uncle Myron who shared the same history.   Myron reaffirmed that my father was a true to the code gangster. No one ever got him to talk about what he knew or had seen.

Children feel the repression of truth as clearly as they do the pain of bruise.  The more you hide or bandage the more they seek and peek. At my root is the inclination to question the world around me, and to mend the breaks in life that molded my identity.

Along the way of the first chapter, I discovered that people like to know how it works; how we write in a state of solitude and selfishness.  A story or any work of art lives in the artist and God. Miracles do happen!