Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
Aside from her legal phantazmorphia, the house has critical repairs, so she is meeting with contractors, plumbers, electricians, and masonry companies to tend to one thing after another. As she reflects on all these repairs and sees her savings account drop by fifty percent, her demeanor is not as she expected; she feels a sense of reward for taking responsibility for the house and hertenants.
“ I decided to eliminate debt by consolidating outstanding balances into one low-interest payment; I didn’t use the air-conditioner, buy favorite foods, go to my favorite tavern, or purchase anything that didn’t get categorized as home repair. I even quibbled with my Physician about an in-person visit and asked for a Telemed visit.”‘
‘No, there would be no frivolous spending. This new style of surviving she called Anorexic Finance. When she relayed this to me, I high-fived her because I’ve never been in that position and thought it was commendable.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’D LIKE TO RIDE A CLAIRVOYANT CIRCUIT INTO THE MINDS OF SINGLES OVER THE AGE OF SEVENTY.
I’ve often wondered why advertisements, the media, and politicians don’t address the single segment of society. We don’t hear the beginning of a statement, whether it is legislative, political, social, or cultural. Singles around the country are not traveling, purchasing more products, refusing to get vaccinated, and are unemployed…etc. We are a minority class; I found statistics on The UnmarriedAmerican.org website. More searching led me to the American Association for Single People website.
There are 106 million unmarried adults in the United States. Singles constitute more than 44% of the adult population in the nation.
About 44% of the nation’s workforce are unmarried employees
The Census Bureau estimates that about 10% of adults will never marry.
I’m not going to make a huge leap into this as my thoughts are more about adventures in singleness.
This conversation is from a close friend, married for twenty-some years.
“You are so lucky you have no idea. If I were single, I’d move somewhere where life is simple, maybe Greece.”
“You don’t know about the loneliness, the awkwardness of holidays, the fear when you get sick and have no one to care for you, so many things really.
“I can think better when I’m alone.”
I told her I understood. That is the crucifix of making my pen my mate rather than a three-dimensional man( Temporary singleness). Some of my interactions go like this; going out to dinner,“Are you alone?” She or he leads you to the most obscure table. Then she or he removes the second table setting and suddenly aloneness is visible. An hour later another customer asks if they can use the spare chair. That’s when I ask for the check and leave.
Taking a road trip and feeling vulnerable when I’m pumping the gasoline and a stranger is gawking at me and I’m in the middle of nowhere. It is usually truck drivers and I immediately think of Thelma and Louise.
Dressing for an event that I’ve never been to on my own. In my closet, I lay out three different outfits. Then I have a wary of decisions on which shoes, flats or heels. When I’m all dressed and ready to go self-consciousness billows up and I change the outfit. It’s a ridiculously amusing routine.
Taking myself out for a cocktail just to get out of the hotel has numerous consequences. I end up sitting next to couples who are having a roaring twenties time of it, and the only single man or woman at the bar is fixated on their phone. Instead, the woman next to me strikes up a conversation about her boyfriend.
The other side of these dismal forecasts is; I have no arguments at home(just interior dialogue), I can eat whenever I choose, watch what I elect on television, keep the bedroom light on, adjust the thermostat to my body temperature, and make all the decisions myself, the most infuriating and worthwhile to building courage and self-reliance.
One of the lines in The Godfather struck me as an authentic gangster testimonial: “Women and children can afford to be careless, men cannot.” As a teenager one of the repetitive reminders my father said angrily was, “Watch what you’re doing!” This was the most relevant and truthful observation he made of me. Admittedly, I am easily distracted, careless, and ignore risk.
Without someone to look after my carelessness (I’ve been on my own now for six years), one three-month friendship ended strangely. When he asked me if I had been boosted, I said I hadn’t. He punished me, citing his father, who lives hours away, and he rarely visits. I had Covid, vaccinated twice, that wasn’t enough, so he vaccinated me out. Now, living in hotels I find men talking to me, but the substance is absent, trivia or weather. I have inducted my interests, literature, art, philosophy, culture, travel, and those subjects return, a glazed stare most times, or they are married. I am not in a rush, I’ve learned that scaredness comes when I’m ready… guess I’m not ready yet!
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The course we choose to study doesn’t begin in school; it begins the moment we recognize that life is our teacher. I chose the course of love between a man and a woman. Yet all I’ve learned from Anais Nin, Joan Didion, and Lawrence Durrell about love isn’t guiding me. I have to start over and develop wisdom from my own experiences.
I checked into the third hotel, the previous one was tedious and murky. This morning in a larger room, on a crisp as iceberg lettuce, a day of clarity and stillness surrounds me. Outside my hotel room, the light is intermittent, a peak a boo stage window, the light illuminates portions of the crispy autumn leaves just before they drop. On my side of the glass, there are shadows and dissonance. What events take place this week will be instrumental in my future and as piercing as the southwest sun when it shone in my eyes.
This hotel’s staff is exceptionally friendly, conversant, and engaged in their jobs. Every time I pass by the guest check-in, Rose stops what she’s doing.
“ How’s it going?”
“Too early to tell.” I’ve been here a week, and I unzipped my lawsuit story, so she is in the know. She is knowledgeable about the law, and living through times that are more threatening than usual.
“ Okay. What are you doing today?’
“ Researching moving companies. Critical thinking and planning. When I moved from Santa Fe to Los Angeles, I hired a broker, thinking it was the actual company. When the van arrived, half of my things were broken, boxes were opened, and some were stolen. So this time, no mistakes.
“ Mistakes are all about learning.”
“ Yes, and I learned!”
“ What did you do last night?” She said with a curious smile.
“ I was at the bar, Lizzie was there rousing all of us up with puzzles, abrouhahalike the old days, you know, not one of us looked at our phones.”
“ Please, don’t even start. So annoying when you’re talking to someone and they are staring down at their phones.”
“ When I was living in LA, at huge four-way intersections in the middle of traffic, pedestrians crossed without even looking up. It was the same everywhere, restaurants, shops, it struck me as a way of looking very significant.”
“ You’re so right!”
“ That reminds me, I need to go write a column.”
“ Write about your lawsuit.”
“ No! I’m in witness protection writing.”
“ They may read it right?”
“ You New Yorkers are always on the right key.”
“ Gotta be, it’s New York.”
” I’m California”.
” That’s okay, I still love you, and your day is coming, and so is a new man.”
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
With every turn, right, left, or center, I observe novelty, unfamiliar faces, facades, and finery. The conversations that linger over the opulent surround sound lobby release a fusion of shouting and laughter. New Yorkers are not whisperers, and my annoying sensitivity to sound, forces me to go in and outside a dozen times a day. That is when I meet the guests, perched on benches and rocking chairs. In the six days I’ve been, here I’ve accumulated dozens of conversations, not just niceties but life stories expressed in thirty-minutes.
The first day of arrival began with a dining hallabaloo organized by the best broker, Scott Varley, who sold my home. At the table, Scott and his friends, who knew the bartender’s, waitress, restaurant manager, and a few guests at the bar, so our table became a Musso Frank sort of mise en scene. I, as usual, was punctuated with awe, as this is a new kind of adventure in livingness after Ballston Spa. Drinks arrived with the speed of a remote, and as we all filed in for the liberated moment, when we exhumed our true selves. Lynn, the woman next to me, was a beautiful, statuesque, stylish woman whose poised and confident aura emanated from her.
“ I hear Scott sold your home. Is that a good thing for you? It’s not always.”
“ Yes, a few days ago. Well, a paradox, I loved the home, a Victorian, but it was also most of my income.
“ What will you do now?”
“ About what?” She laughed and tilted her head back.
“ Where are you moving?”
“ I don’t know yet.” Her eyes widened, and she responded flatly.
“ You don’t know? You have to have some idea.”
“ It depends on the proceeds, an ex is involved, it’s too complicated over a martini, and all this talk. I can barely hear you. “
“ An ex is always involved. How long are you staying at the hotel?”
“ You’ll love this..
“ Don’t tell me, you don’t know. You’re adorable.”
“ Thank you, and I sense you are very strong.”
“ You bet I am.! She punctuated that with a fist to the table. “
The night zigzagged, with Lynn and Scott scurrying into the casino, while I remained, as casinos mean, the genes of my father may flare up. The bar was baritone loud and after what seemed four hours, I returned to my room, quite comfort, marvelous pillows unlike I’ve ever felt, “ I can’t fucking believe this.” To be continued
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The order of this week is disorder. Not the trivial disorder of a closet, or a work in progress; this week is the unraveling of the self, which comes with separating from someone or something you love dearly. It is the subject of: poetry, theater, film, literature, dance, visual arts, and music — all forms of music from opera to rap. For all of you who have mothers and fathers close to death, and you don’t want them to leave.
Adults protect you from the brutality of death when you’re very young. They keep it behind locked phrases like ‘she had to go away to a better place; you’ll understand when you grow up.’The camouflage of death may go on indefinitely until one day, you are hit over the head with a block of ice, and it splits you right down the middle. You can see your guts spilling out, and everything is all out of order. Walking is an effort. Thinking clogs with the big question: Why? Why can’t we all stay here together and live forever?
Flashback to 1966 — I was very young, not so much in years, but when I was 13, my mental and emotional age was more like that of an 8-year-old. I don’t know if I was ADD or DDT because those acronyms were not in vogue yet.
My development was arrested because I was raised on a fantasia of false identities, fiction, and privilege. I thought we were prosperous, happy, and would live together forever. The fantasia of falseness was abruptly taken away on June 19, 1966. On that day, I saw for the first time my father weep uncontrollably. I was told my mother was in heaven. My father was seated on my mother’s avocado green sofa in our tidy mid-century apartment in Westwood. Nana — mother’s mother — was sitting on the sofa next to my father. Nana and Dad had reconciled for the period my mother was sick with cancer. They both were sobbing. I was not, I was in shock. There was nothing inside of me but resistance, a blockage of emotion that remained there for so many years.
I was left in my father’s care. He was busy avoiding government subpoenas and running the Fontainebleau Hotel in Florida. He kept a command post on my emotions. He would not tolerate my grief, because he could not tolerate his own. So, I had to chin-up, chest out, walk up and down Doheny Drive in Hollywood where he lived and pretend I was going to be fine.
When I turned eighteen and left my father’s apartment, I was free to unravel my feelings for the first time. The emptiness was filled with confusion, anger, and drugs. If college was supposed to be my best years, then I missed that chapter. Looking back, the real leap to personal growth came at that time when I was left unattended to wander through life with my own eyes as guardian, and my heart as my compass. That is when I missed my mother the most. It was my fortune to have my father back in Los Angeles, throwing his weight around from a distance. He kept me under radar by having a friend’s son working in the admittance office of Sonoma State College.
I remember days when my mental attitude needed electric shock therapy. Miraculously, I did find my way home, and to the matter of my mother, and growing up with gangsters. From a wafer of stability, very slowly, I’ve built a nice lifeboat to keep me afloat. My screaming, cantankerous, and intimidating father who loved me beyond measure is in this imaginary boat, and my mother who loved with a silent gentle hand she gave to me whenever I needed assurance.
All I have to do is look at her photograph placed in every corner of my house, and I regain momentum in my lifeboat. When I am particularly insolvent with life’s measures, I recall the years she spent fighting cancer so she could continue to hold my hand. How can I disappoint such a woman? I cannot, and I know that with more certainty than I know anything.We all have a basement strength that rises up and balances us when we need it. Each time we cross that unpleasant road and say goodbye to our friends, our pets, our parents, or our siblings, we have to find our basement strength.
You can read poetry and essays, listen to opera or rap and find five-thousand ways of expressing the same painful stab of separation. If the comfort comes in just knowing — we all have that in common — then all you have to do is tap the shoulder of the person in front of you, and ask, “How did you handle it?”
Or as Henry Miller said, “All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.”
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
THE BEST WAY TO FIND YOUR PATH.. ROAMING
ADVENTURESS IN LIVINGNESS this week ends with new directions in living. Before that happens, you have to get lost, detached, and miserable. It messes up your social life, your routines, your comfort, and your partner. I don’t have one, so it’s all up to me.
Men wonder why women change so often, why we are spirited unicorns one day, and mules the next. It comes from the universal need to roam, to feel new sensations and passions, and to find more things to love. Even our closets are overflowing with love: “I love those shoes, I love that coat.” We replace our wardrobes because we need more garments to love.
At the crossroads of some moment in time, I stopped loving material things, my reflection, and went looking for a deeper direction of sensation.
It started last year, when my life was tangled up in two projects that were not progressing. As long as someone didn’t raise the curtain on my imaginary life, I stayed right there, like a gearshift left in neutral. When failure and rejection continued to knock me on the shoulder, I welcomed the familiar knock and remained stationary.
The exact moment I decided to shift gears was a painful one. I let go of both projects that were obstructing my motion. I have extracted the nature of the projects because it really is irrelevant. After I let go, and watched those long-term efforts just dangle from boxes, notebooks, and letters of correspondence, the straight of my back curved. Where is my direction? Where are any of us going anyway, except away from that moment we have no control?
If I asked why this happened, and that happened, I was then distracted by some woman in the car next to me who was having more fun in her convertible talking on her cell phone. Routines were becoming burdens, and my favorite places of comfort were boring. Encouragement came from writing columns, reading letters, and those long, solitary road trips in the night. I felt like I was sleeping, but even in that state of detachment people were finding me, and shaking me up.
I remembered one of the faintest memories of my childhood. I cannot even recall the place I was, or who was there; most certainly, it was not my father and mother. We were camping out and I was in a sleeping bag on the hard gravel ground. It was so unfamiliar to me, the simplicity of the natural surroundings, the heavy black balm of tranquility, and the brightness of each star. I lied awake most of the night talking to my fellow campers, and at some point they said to go to sleep. I could not close my eyes. The adventure had swept me into a state of alertness, the kind that makes you feel extraterrestrial. That night must have taught me to welcome new adventures. Sometimes they have ruined months of my life, but most definitely, at the end, I sprung up with a new line of faith.
Again, I am leaving out particulars because it is not the direction I took or what I’ve chosen. After all, it could be anything. We all want to roam, and love, and find some nugget of truth at the end of the road. I think women need to roam more now than men.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
In one of my books on writing, I read that most writers face the demon in the middle of the novel. The beginning is a gallop, and the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.
The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. I’ve finally accepted that my constant relocation, reinventing, and restlessness will not be solved. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I stoodout on the porch observing the peacefulness. The scenery of this street is a comforting, historical beauty that comes from the harmony of architecture and nature. The flow of villagers downtown is along two main two-lane streets; all the shops, services, and restaurants are a patchwork, and all the business owners know each other.
I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender. If you are an artist, the limit is not the sky; it’s everywhere. Nature’s artistry is a full-time exhibition in the Northeast. The view now is of tumbling clouds rolling over; they move slowly, like dough, across the road, while squirrels dart about. Outdoors is where we see the best of life.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
A candid and enthralling memoir, CRADLE OF CRIME – A Daughter’s Tribute is the debut release from Luellen Smiley and it proves one of the most gripping and powerful books in its genre. Certainly no mean feat, given the swelling number of similarly themed offerings but Smiley does well to distinguish hers with painstaking research, a broad narrative sweep and intellectual grip to deliver a fascinating and revealing read, for the events it covers.
The storytelling isn’t redemptive with much of the most compelling material in this book being intensely personal but it is a very human story that dispels hype and myth and gives us a telling glimpse of a remarkable life. Weaving together several stories it makes a vivid and notable contribution to the mafia debate which invariably swings between the codes of honor and family values so often portrayed on the silver screen to a brutal criminal organization focused only on the accumulation of wealth. In contrast, Luellen finds a far more equitable balance in her reflections, and it makes for a genuinepage-turner.
Extremely well written, fans of this ever popular genre will find CRADLE OF CRIME – A Daughter’s Tribute a fascinating read and it is recommended without reservation.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I walked into Century City Club Equinox, almost inserting myself into the spotless transparent glass door. Three young women at the counter, beaming youth in front of black walls that seem to suck me in.
“I’m here for the tour.” A suited man in a large, rather luxurious office greets me with so much reserve and robotic gestures that I feel like running out. I was led through a scintillating voluminous space, enveloped in floor-to-ceiling glass, streamed with sunlight and views of Westwood. The members, women attired in matching voluptuous outfits and personal trainers, lean as lions tossing funny equipment to the client, fastidious housekeepers, sterilizing and vacuuming in trendy uniforms. It was as if I were watching a film production.
The treadmill cycle area was a bit crowded, and not one person didn’t have a headset on, staring at the screen of choice. The bathrooms were hotel accessorized, and even pumps were filled with Kiehl products. There was a steam room, make-up area, showers, all the necessities, and a few women were blowing their hair, all beautiful.
More rooms, a snack bar, shopping, pulsating music, and a closer look at the guests.
“ This is as upscale as you can get; you’ll love it, and you’ll meet important people, I’m sure.”
I listened to his closing argument and watched the bodies bend like pretzels as personal trainers raised and stretched their heads, arms, and legs. Bodies bounced, climbed ropes, did flips, and hung upside down, like a circus act. After the close, a condescending smirk, that I read as, join, or go hang out with the losers at 24-hour fitness.
He handed me the contract, and I read it over. The cost was more than I’ve ever spent. The way I looked at it was a place to work out and meet new people, although my instinct was that these were not my people. I signed and walked out feeling dizzy again. I stopped in a shoe store to look at what women were wearing. The salesgirl kept complimenting me, and showing me shoes that she loved, and before I knew it, she sold me what I didn’t come in to buy, high-top lace-up pink workout sneakers. Leaving the Century City Satellite, beyond the construction and traffic, I raced home to recuperate. What’s happened to me after living in a village in New Mexico, is that too much stimulation is now exasperating.
I walked to Equinox for my first workout, hopped on the treadmill with weights, and tried to look perfectly comfortable, but I wasn’t. The vibe and everything about this ballroom of a gym seemed rehearsed. Maybe I’m too observant, trying too hard to fit in. I noticed so much in that hour. The workout is also a sort of performance, just a shade of competition between men and their weights, women straddling rubber balls, yoga mats, bench presses, and only a handful look like they need it. Men and women occupy the treadmill room; without expressions, they seem to live inside themselves. There is no conversation; it feels more like a convent. There is no hi, hey, or smile. I asked a trainer, “It’s not very social here. Why is that?” “ These are the highest paid executives, lawyers, agents, actors, and they don’t come in to socialize–they are only here to do the work-out.” Great move, Greta. I’m paying three hundred a month to be invisible.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
It is my mother’s birthday, so I am thinking of her. If she had been here today, we would have had this conversation.
Mom, I can’t hold up, I’m so beat down.”
” You have to. I know your situation is degrading and frightening, but you don’t have a choice. You have to use all your strength.”
” I wish I was more like you.”
” You are like me, and I know you will overcome.
After our home burned down in the Bel Air fire, my parent’s divorce was in motion. Dad moved to Hollywood, and Mom moved me to Westwood to a studio until she found work. Mom returned to modeling to support us.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
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