Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
Ella blew out tunes like a smoke stack, and her face drew more sweat with each soulful sound. By the second song, the sweat was pouring down her face and into that gorge like cleavage that heaved with each breath. I was a child and didn’t understand the emotions that distorted her eyes and mouth. Ella, crowned by a sizzling hot spotlight overhead, transmitted every flaw and feeling on her face. I hadn’t seen a singer suffer before. I looked up at my mother and started crying.
“ What’s wrong sweetheart?”
“ I’m afraid she’s going to die.”
My mother whispered assurances that Ella was not going to die. I kept crying. She then excused us from our table and I followed her into the Powder Room. She sat me on a chaise lounge and wiped my tears. The expansiveness of the Powder room, compared to the ones today, was like being in someone’s bedroom. Soft cushioned chairs, a long dressing table speckled with ashtrays, perfumes, and miniature toiletries. We stayed there until Ella finished her show. Mom didn’t show her disappointment, she rarely showed despairing emotions, or caused me to feel ashamed of my behavior. Looking back fifty years later, I’m reminded of my mother’s selflessness and how a legend can drop down your path, and you don’t even know it.
Again, looking back fifty years later, my succession of travel diaries is dim by comparison to the Vegas memories. Swirling amongst the élan of prohibition era abandonment, gangsters were the Rothschilds, the royalty of the scene, and the non-members loved it. That’s why the women behaved Roaring Twenties ZaZu Pitts and Louise Brooks emancipated. Everyone was free of their wrappings and responsibilities. They were partying with the men they’d first met on screen, played by Bogart, Robinson, and Cagney. I remember them now as being childlike. The outsiders may have been living the childhood stolen by WWII and the Depression. Their veiled heroes were gangsters who’d been breaking the rules since being ripped from their mother’s breast.
Then, one day the in 1963, the Rat Pack landed in Vegas, wearing black Tuxedos and intercepted the public’s fancy imitations of living vicariously. Joey Bishop, Peter Lawford, Sammy Davis, and Frank Sinatra invited Vegas to drink, make love, and gamble. And they did. If you find anyone over seventy in Vegas today, ask them about the Rat Pack, Johnny Roselli, or Jack Entratter, and you’ll know I’m not exaggerating. Vegas was the time of their lives. The drugs were minor, an upper or a downer to sleep, but no one came to Vegas to OD or commit suicide. The deaths were in the desert, between the gangsters’. This was all before Tony Spilotro got wheels on his greed and went speeding into his own death. TO BE CONTINUED
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
WW11 SURVIVOR’S VOW TO GOD
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Part Two. Solana Beach Morrocan Bungalow 2003.Maurice was 84
Maurice married the love of his life on December 25, 1941. They married in December because Maurice had saved one thousand dollars and made one hundred dollars a month. Agnes, his girlfriend in Grant, Iowa, is the woman who led Maurice out to Rancho Santa Fe, California, from his home in Grant. She and her father worked for Ronald McDonald, a prestigious resident in the ranch. She was responsible for housekeeping and cooking, and her father was the chauffeur.
Agnes and Maurice went to the US Grant Hotel for dinner and stayed at the Paris Inn on Kettner Avenue in San Diego. The following day Agnes went off to work. Maurice stayed in the little guest house she occupied on the McDonald property. Two days later Maurice received his draft notice. On December 31, he left his new bride and reported for duty in Escondido. He had one short visit before he left for overseas. Then, the next time he would see her, he would be changed.
Buna
One summer evening, I was sitting on Maurice’s front porch. Sometimes, we would sit out till after eight o’clock at night talking about different parts of Maurice’s life. Maurice is really busy in the summer; he tends to his garden of fruits and vegetables, he delivers furniture for all the Cedros merchants, and he helps his friends. He never seems tired, he likes to sit on the porch, have a beer, and tell stories. I used to like it when my father told me stories, but they were unlike Maurice’s. There didn’t seem to be anything he
couldn’t talk about. Once he said, ” You can ask me anything you want.”
“Maurice, how old were you when you were drafted?”
“Well, I was thirty-one years old in 1941 when the war broke out. I had to leave my wife, which bothered me, but I wanted to go overseas and fight for my country. There were so many nice soldiers, the best people in the world. I recall two boys from Chicago that were only eighteen years old, they lied to get in the service, and they were the best soldiers you ever saw- they weren’t afraid of anything.”
“Where did they send you after you left San Diego?”
“Well, first, I went to Camp Roberts for thirteen weeks of training, but I got out in nine weeks. Then they sent me to Fort Ord to get my gear, rifles, and clothes. We left San Francisco on April 21, 1942. We got into Adelaide, Australia, after twenty-one days at sea.” Maurice paused like he had to catch his breath. I watched his face, thinking he may want to stop.
“You remember so much… Do you mind talking about it?” I asked.
“No, I don’t mind; it changed my life, everything about it.”
“Where did they send you after that?”
“We trained for a while in Adelaide; the people in Australia were so happy to see us. I remember they met us at the beach with tea and cookies. The enemy soldiers were getting close. We went up the coast to New Guinea and into Port Moresby; we got there on Thanksgiving Day 1942. As soon as we got off the ship, the bombs hit us; it was the hundredth raid that night. The next morning we were supposed to get to the Stanley
Mountain range, we were in such a hurry. The Japanese soldiers built cement pillboxes and the army wanted us there. So we got in this plane, and they flew us there. Twenty-one at a time. When I got to the island of Buna, there were dead soldiers scattered all over the beach. We lost men so fast. Then, on Christmas Day of 1942, General McArthur ordered us to advance, regardless of the cost of lives. My division was one of the first to stop the Japanese army, the 32nd Division. After we were immobilized and a lot of our men killed, they sent in the 41st Division to take over.”
Maurice’s memory was like listening to a documentary, and this was the first time a Veteran confided in me. They didn’t get supplies at first; they had to wait till everything was shipped to Europe. They got what was left over, which wasn’t much. He ate cocoanut bark for two weeks and had no water.
“I can remember so well the first Japanese soldier I saw. He was sneaking through the jungle, only thirty feet off. I don’t know if I shot him, but he dropped. I don’t like to think I killed anyone, and it bothers me to this day that I had to kill. The Japanese were good soldiers; they had better ammunition than us. We fought all day, and we always ran out of ammunition before they did. I’ll never forget Christmas Day of 1942. We went into a trench to get ahead; the fellow ahead of me was cut wide open, and the guy behind was shot. I just lay there on the ground. If you moved you’d be shot. It was so bad; I lay there all day and night. ”
“Did you think you were going to die?”
“I didn’t let myself think that. I promised God that if I ever got out alive I’d never complain about anything in my life again. Nothing… nothing could be worse than that day.”
“You kept the promise, didn’t you?” I asked.
“Yes, I have.”
“And that’s why the war changed your life?” I said.
“That’s right. Every day is a beautiful day after you’ve lived through war, at least for me,” he said.
Excerpt from manuscript. All rights reserved. No part of this work covered by the copyright herein may be reproduced without the author’s prior written permission.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
HOW ONE SOLDIER CHANGED THE COMMUNITY OF SOLANA BEACH, CA
For many of us, the idea of aging is frightening. We have been led to believe it brings pain, loneliness, and idle time for regressing mentally. Remedies, products, prescriptions, and escapes offer youthful looks, energy, and vitality. The thought of aging is brutal; we pretend we can buy youth. What if you met a man who told you he could do everything today, at eighty-four, that he did all his life without injections, medicine, special diet, or specific training?
What if I told you all his family, including his brothers, mother, and father, is gone? His wife died twenty years ago. That he lives alone and is not lonely. He claims he is the happiest man in the world. Would you want to meet him? He wants to meet you. He would like to be everyone’s neighbor. He has much to teach in a country of strangers about meeting neighbors and making friends. We who know proclaim him an inspiration, a legend, an angel. And to that, he always replies, “I‘m just a regular guy.”
Maurice Roberts has lived in Solana Beach since 1936, and his recollections of the area are intact. I recorded his history and began writing everything down. Next week, I will startthe first in a series of historical perspectives.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Sometimes, a blank piece of paper is the only way to begin, as it is today. I look out the window at blooming trees and a cupful of flowers rising from the ground. The sky is pale grey, and it is just fifty degrees. May, mybirthday month, reminds me of Casey, who threw the dice all her life. She gambled on her dreams.
Casey never told me much about herself. She lived in the present moment and considered her past a private matter. Once I learned of her struggles as a young woman and her chosen life, she became more real than when I’d known her. During the years we were friends, she handed out selected stories, abruptly, with final endings. Being the inquisitive character, the shallowness of her stories bated me. I had to pry the truth out from other people who had known her, and from government documents.
Casey’s first gamble was at sixteen years old. She sent in a photograph of herself for the Redbook Magazine modeling contest. If she’d won, the Powers Modeling Agency in New York City would grant her an audition as a model. Casey lived with her mother and sister in East Orange, New Jersey. Her father had died suddenly, leaving the family without a financier. Her mother was lost without her husband and unsuited to join the workplace. Casey didn’t tell her mother about the contest until she received the letter of congratulations.
John Robert Powers met Casey in his office on East 56th Street and signed her as a Powers Girl. She was stunning to look at, she was photographed like a movie star, and she was modest. John Powers did not look for aggressive, pouty-lipped fearlessness. The Powers Girls were captioned Long Stemmed American Beauties because they were wholesome, beautiful, tasteful, courteous, and virtuous. They were so far from today’s runway models that it is almost a reversal of style. The models of the thirties were ordained to set the highest example of classic good breeding and education. John not only schooled them in fashion, and individual taste, he instructed them in moral integrity, independence, and patriotism for their country. So Casey went to school at John Robert Powers and became one of the top ten models in the country.
She was a blue-black-haired Irish beauty with emerald green eyes and perfect teeth. She stood only 5’ 7”, but that was fairly standard in those days. When I knew her, she was still thin and beautiful, but she did not fuss about herself or spend much time at her vanity. As a Powers model, Casey had a long line of gentlemen callers. Powers Girls were invited to all the nightclub and dinner show openings, sporting events, community galas, and fund-raisers. Social engagements were part of her job. Casey was not a woman of idle chat, in fact a lot of people thought of her as restrained and unfriendly, maybe even snobbish. I think it was more secrecy. People were always prying into her life because it looked glamorous. But there was another side to that glamour she didn’t want to put a mirror to.
One evening, Casey had a dancing engagement at the Copacabana nightclub in New York City. She was on stage with other dancers when a gentleman noticed her. The next chapter of Casey’s life began that night. At twenty-two years old, she fell in love with a man thirteen years older, of the Jewish faith, and who lived in Hollywood. Casey never told me that she fell in love with a gangster. I do know once she felt love for this man, it could not be reversed. The consequences of her love forced her to change and adapt to a new kind of life and different people.
She did not bury or give back her love after she learned what he did for a living. She asked him to reform his criminal activities, and he agreed if only she would marry him. We all know at twenty-two, a woman believes she can change a man, and a man lets her think she can. Without that dream, many lovers would not have found their mates.
Casey married her love and spent her life trying to keep her husband on track with honesty. I met her husband just after he tried to reform and was beaten down by his past mistakes. I called him Daddy.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
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I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Achievement knocked down the barrier of fear. It feels like lifting off from ground level; I am floating like I used to be in the swimming pool, and I am only at my desk reading the news from my attorney. From one beginning to an ending, five years later, after tedious research, unscrambling legal language, and searching for the meaning behind the case references, this journey is over. I won the lawsuit against the bank that attempted toforeclose on my home and Dodger, my ex-partner of thirty-five years, who, for still unknown reasons, pursued the foreclosure.
Agape, eyes widened, nerves settled like snowflakes; the joy of achievement cannot be understated. During this phantasmagoria, life beyond research, consulting with foreclosure agencies, banking laws, and regulations, I detached from my passion for adventure, creativity, parades, parties, and socializing; I sat alone, and resilience shadowed, then enflamed like a log of fire, encapsulated into a daily doctrine. Music by Ennio Morricone, blue note Jazz, the everchanging scenery of seasons, phone conversations with friends who released ambers of comfort, confidence, and advice, and TCM films nuzzled my fatigue.
Some days, I remained in bed, staring at my Icart Ladies of Leisure prints, or sat by my favorite window seat and studied clouds, birds, and leaves. The blossom of tenacity grew into a tree trunk and taught me the art of persistence and emotional strength, which were missing links in my character.
Achievement in fine-tuning relationships, setting down the needle gently instead of plummeting riffs and arguments. In the present, as you all know, if you read the news, our culture has replaced argument and debate with assault and violence. I digress; renewed confidence in my aptitude to fight battles, disputes, and disappointments without Dodger is as solid as concrete.
The next episodic internal journey is regaining my passion for opening the door to interaction with strangers and discovering newness in that engine of life.I hope this admission reaches others who are experiencing depriving themselves of love within and without.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
JAGGER PHOTOGRAPH FOR SALE. It is black-and-white and has Mick’s authenticated signature in perfect condition. It is matted and framed and measures 10 in x 11 1/2. For more information, leave a comment.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
SILHOUETTE of a Taos night out in 2006. It begins with the sunset—a bubble-gum pink sash that swirls like taffy just above the distant hillside. The transcending forms and colors in the sky distract me; they silence me, keeping me from turning on the television or answering the phone.
The sunset has settled into my routine. I watch it from the roof garden over our Adobe Home and Gallery every night. In the midst of dressing to attend an art auction at the Millicent Rogers Museum, the sun has vanished. The sky turns Taos blue; a luminous oil pigment canvas blue that appears like an endless tunnel you can walk through. As I descend the staircase and cross over the ménage of piles shoved in a corner to allow SC to paint, I think, “This is going to be my home. I’m still here” Adventures in Livingness
In the courtyard where new flagstone has been laid, and a mud ditch blocks the exit, Rudy hitches me on his back and carries me out the side entrance through Tony Abeyta’s yard. Tony’s yard is piled with sand from our flagstone project, and my high-heeled black suede shoes are not at all practical for crossing New Mexican dunes. This is how the evening begins. Out in the parking lot, we circle around once and stop in Robert’s gallery. He has offered me his turquoise squash seed necklace to wear at the auction. The necklace is from Turkey, and sells for $1,800. Millicent Rogers events always attract women with extravagant jewelry, and Robert knows I have no such possessions. He hands me the necklace and says, have fun.
At times like this, I can forget the faces and routines I lived in Solana Beach and feel swept into a labyrinth of unfamiliar vignettes. There are two police cars in the rear of the parking lot, the church looms like a fortress of wet mud, and SC is listening to The Band CD we picked up in Santa Fe. I slide into the car, ensuring my shoes don’t fill with gravel.
There is very little street light along the desert road, and cars approach you at disarming speeds. For newcomers, the pale yellow line that separates oncoming traffic, roaming animals, hitchhikers, leather-clad bikers, and abandoned pets is of no comfort or value. Boundaries and civilities between people are vague, and sometimes, conversations elope into poetry.
At the Millicent Rogers Museum, the director, Jill, who is there to welcome each guest, greets us at the carved wooden doors. This museum was once a home, like most museums in Taos.Each room is an envelope of Native American jewelry, ceramics, paintings, weaving, textiles, and metalwork sealed with Millicent Rogers’s ethereal presence. By coming to Taos and bridging her New York chic with southwestern individuality, she set global trends in fashion, art, and living. he museum collection includes some of her designs that evolved from her residency in the desert. She moved here in 1947 and died here in 1953. Although she could have chosen anywhere in the world to live, she settled in the unaltered, surreal lunar beauty of Taos.
I wandered through the tightly packed rooms, alternately viewing the guest’s attire and jewelry. The woven wraps, belts, and hats worn by men and women form a collage of individual expression. Almost everyone seems to attract attention by the texture and color of his or her attire. It is a festive traditional look, with southwestern accessories paired with jeans or silk dresses. If you come to Taos, look for a belt buckle, one piece of Native American jewelry, and one piece of art.
When the auction was announced, I admired the same etching as the woman next to me. She remarked that the artist was also the teacher of one of her children. I learned that Ellen had six children and 11 grandchildren. She was petite with curly blonde hair, and I liked her instantly. I told her I was a writer.
“So am I,” she answered.
Rather than talk about her work, she began talking about her daughter, who is also a writer.
“I’m so lucky–all my children and grandchildren are creative and artistic.”
It was obvious that her life was a garden of earthly delights and that she had raised many roses. When the auction began, she vanished, and I quickly viewed the art before returning to the two etchings. They were both sold.
As I was walking out, I bumped into Ellen. She was clutching the etchings.
“So, you bought them,” I said.
“Oh, yes, I had to have them.”
She left me with a beaming smile and a closing remark I often hear: “Welcome to Taos.”
I love hearing that so much I don’t want to stop saying, I just moved here. After the auction, we stopped in Marco’s Downtown Bistro, where we joined an improvisational party. It started when Marco introduced us to his friends, Pablo and Joan, who were visiting from Santa Fe.
The dim, glowing melon adobe walls of the bistro, Marco hugging everyone, Joan’s melodious, high-pitched laughter, Pablo telling jokes, Rudy laughing, and then Philip arriving to tell stories crossed over from strangers in a bistro to a fast-rolling film. The conversation and laughter surfed breathlessly from one person to another.
Joan remarked, “My fifteen minutes. This is the best for me. The first time you meet someone, you’re both talking without effort. It’s so perfect.”
We closed the bistro past midnight. Marco had gone home. Joan decided to stay at a friend’s house. Philip agreed to drive to Santa Fe the next day, and we took Tylenol before bed.
Not every night out in Taos is like Joan’s fifteen minutes, but chances are you will have something to write home about. The beginning of Gallery LouLou Taos, NM
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I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
“I respond to intensity, but I also like reflection to follow action, for then understanding is born, and understanding prepares me for the next act.”
JANUARY
SNOW, ARTIC BLAST, ICE, FREEZING. Maelstrom of inconveniences toppling down in every nook and cranny of body, home, and outdoors. I wore a long-sleeved liner, wool sweater dress, rabbit poncho, and over that, a wool wrap, laptop mittens, sherpa leggings, wool socks, and boots. Mornings, eight degrees, afternoons eighteen, and the absence of sunlight grids my spirit. Repetitive lessons in endurance, tolerance, and acceptance. The outer world stenches corruption, propaganda, cruelty, violence, and haranguing reporters. The election year dominates the bunkum reporting.
It’s been almost a month since I texted or called Dodger. Somedays, I enter the memories, a reel of episodes on our cross-country road trips, hiking barren, narrow, unclaimed paths in Baja, mountains and canyons in New Mexico, and lakes and forests in upstate New York. They appear to be aberrations of myself; I am unrecognizable as he is, too.
FEBRUARY
MATURITY has caught up with me, and I am viscerally aware of this pendulum as replacing the nonacceptance of my lifestyle and future to hardened acceptance, which is a relief. I used to be full of follies, gaiety, and impulse; inner choreography is now critical thinking, studied decisions, and a spoonful of distrust. Instead of unleashing all that I think and feel with strangers, the narrative is split between inching closer to listening rather than personal tete e tet. Once a week, I go outing to the social club, where I find conversant strangers,couples, singles, divorces,and a variety of ages, and yet they all have a commonality that I don’t, they seem genuinely satisfied with their lives, one comment this, after asking the bartender how are you, he smiled, slapped the polished wooden bar with both hands and replied, I couldn’t be happier. Then he opened his phone and showed me a photo of a baby boy. His expression soared through my senses, and I adulated with compliments. Another evening, I opened a conversation with a couple next to me, and for the next hour, I learned of their life; children, travel, cruises, especially, ” Oh, you’ve never been on one? You must go, you’re so perfect for a cruise.
” I’m uncomfortable with more than twenty people.”
“I don’t believe that for a minute.” Wendy was really fit to her name; she wiggled in her seat, her hands never at rest, and her thoughts poured like raindrops. Her husband, Christian, nodded a lot, and when he tried to speak, she ran right over him. A few times, he rolled his eyes at me. They’d been married thirty-five years, looked to be in their early fifties, and semi-retired. I left feeling love, had tipped our kinship, a surprising need to leap from trivialities to more substance.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
BOOKS FOR SALE FROM MY RESEARCH COLLECTION.BASED IN NEW YORK. PREFERRED SALE OF FIVE OR MORE. HARDBACK $14.00 SB $6.00 + MEDIA MAIL. INDIVIDUAL PHOTOS ON REQUEST.
Luellen Smiley – Some book sections are highlighted but otherwise in good condition.Bugsy Siegel’s book, Mr. Mob & King of the Sunset Strip, sold.
THE BATTLE FOR LAS VEGAS SB – DENNIS GRIFFIN
BUT HE WAS GOOD TO HIS MOTHER – SB R. ROCKAWAY
MOTOR CITY MAFIA SB – SCOTT M. BURSTEIN
THE BOYS FROM NEW JERSEY SB – ROBERT RUDOLPH
CHICAGO HB- DAVID MAMET
DOUBLE CROSS- HB SAM & CHUCK GIANCANA
GANGSTERS AND GOODFELLAS HB AS TOLD BY GUSS RUSSO
THE STARKER HB – JACK ZELIG ROSE KEEFE
MOBBED UP HB – JAMES NEFF
BOUND BY HONOR HB – BILL BONNANO
THE PUBLIC ENEMY SB – HENRY COHEN SCRIPT
NAZIS IN NEWARK SB- WARREN GROVER
THE VALACHI PAPERS PETER MAAS
BLOOD RELATION SB – ERIC KONICSBERG
THE OUTFIT SB – GUSS RUSSO
TOUGH JEWS – SB RICH COHEN
THE MAFIA MURDER OF JFK CONTRACT ON AMERICA-HB DAVID SCHEIM
ORGANIZED CRIME HB – PAUL LINDE
CAPONE HB- JOHN KOLER
LITERARY LAS VEGAS SB -The best writing about America’s Finest City MIKE TRONNES
HONOR THY FATHER SB – ( MY DAD’S) GAY TELESE
MURDER INC SB BURTON TURKAS – SID FEDER
THE LAST MAFIAOSO HB – OVID DEMARIS
ALL AMERICAN MAFIOSO SB- THE JOHNNY ROSELLI STORY CHARLES RAPPLEYE & ED BECKER. SIGNED.
PICTORIAL BOOKS
FABULOUS LAS VEGAS HB – MICHELE FERRARI STEVEN IVES
ORGANIZED CRIME- PLAYBOYS PICTORIAL HISTORY HB RICHARD HANNER
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
FEBRUARY 3RD 2024EXCERPT FROM A NOVEL IN PROGRESS
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After weeks of metallic gray, the sun broke through, decorating Greta’s room. She is recovering on her bed, floating in Jazz instrumental music, remote in hand and undecided about what to watch. Last night, she socialized at her two taverns’, chatting with Weeds, a man with pockets full, which he offered Greta. For the next thirty minutes, he unplugged a breathless dialogue without inviting Greta, and she knew he was so lit up that he was unflustered when Greta said, ‘ Maybe take a break and eat your food.’ He continued to disentangle his weekly activities, what he thought about the waitress, some local gossip about the bartender who had been fired, where he grew up, and his wife’s battle with lung cancer. ‘ I am so sorry for you both.’ He thanked her and then sealed his tête-à-tête as he ate. Greta took this moment to bid farewell and crossed to the other tavern for crab fritters. The bar was uncluttered, and she sank into the stillness. Her mood flicked into an irritableness, a discourse with the state of her life. The resurgence of the week’s disputes, mishaps, and the approaching day she would be moving, and still directionless. It wasn’t until she was home, swathed in five blankets that she overcame the anxiety until she couldn’t find her phone. She searched all the prominent places, the car, kitchen, entry, and bedroom. ‘ ‘Oh, for the love of God, I left it at the tavern. How humiliating. Maybe I’ll find it in the morning.’ Over the last few days, she has practiced positivity, rearranging her thoughts like a chess board; instead of choosing fear and remorse, she repeated every morning, I’ve come this far; what could be worse than the last five years.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
d responsibilities. They were partying with the men they’d first met on screen, played by Bogart, Robinson, and Cagney. I remember them now as being childlike. The outsiders may have been living the childhood stolen by WWII and the Depression. Their veiled heroes were gangsters who’d been breaking the rules since being ripped from their mother’s breast.
