A RATTLER OR A PAL


A full transcendental moon dipped into the black-out mountain evening, has cured me of interior turmoil for the time being. This is part of adventures in livingness what locals call the bu. TO BE CONTINUED
I WALKED ALONG THE BLUFF OF DECKER CANYON  overlooking the Santa Monica mountains and listened to the breeze stream through palm and eucalyptus trees.  Medication from nature loosened the wires in my guarded nervous system.   A new current of suspicion, tension and distrust entered the zone between Madam C. 20150407_133844_resized As a woman who beholds her best gal pals, and runs into the arms of women who send out invitations for friendship, I’m susceptible and gullible to hidden motivations.

After the rain walk, doused in mist and droplets I scurried up the hill to my shack. The room I rented from Madam C smelled musty after the rain.  It is linked to her boudoir by an open patio where we shower.   During the day, our paths cross a dozen times in the kitchen, in the hallway, and in my room.
“ LouLou, are you there? LouLou, let me see what you are wearing, I love those earrings, where did you get them? LouLou we are going to Westlake tonight. There are a lot of very rich men there. Is my hair color okay? Yes you look beautiful. Loulou did you lock the door? Did you close the gate? You left your clothes in the dryer. Where is Lily, (the cat) Will you watch Koui, (her furry partner) for me tonight?   Yes, yes yes.
As I entered my room, rain water was dripping in bold droplets on the rock floor. Madam  stuck her head in to speak.
“Oh my god, what is this? Oh I can’t believe it. Her hands massaged her forehead, and her face twisted into a vaccination of anguish.
“ It’s not that bad, ” I assuredly replied. I meant it too.
“ Oh the money I will have to spend! Juan, (her runaround helper) is called and ordered to come at once.”
“ Look Juan! What are we going to do?”
Juan  mumbled something I can’t recall and we all stared at the rain coming down.
“ You will have to move, you can’t stay there. I will put you in the Artists Studio. It’s more money. That’s all I can do”
“ How much more?”
“ Two hundred.”
“ Eck.”
“Or you can leave?”
I turned away to hide my alarm.
That night I watched over Koui in C’s living room and played with the remote mostly because the screen wasn’t taking effect on my disposition. I felt a bit unwelcome, as if I pulled the rain from the sky.
In the morning, she greeted me courteously, “ Are you ready to move.. Juan  and I moved my suitcases, bedding, photos and twelve pairs  of shoes to the studio. It was lovely, a high-pitched ceiling, aquamarine walls, and private patio with shower, bathroom and kitchen.
“ Well, you like it?”
“ I love it!”
“ Well then show it. You should be happy all the time. Life is not easy, I know my dear.  Adjustments are necessary. You don’t have a mama and papa to look after you. It’s up to you.
“ But C I am happy?”
Later on she sent me a text. She invited her neighbor Andrew to dine with us, “ I am doing this for you. He is a producer, Maybe he can help you.”
I prepared dinner in my new studio, listening to Ray Charles, dancing in a celebratory mood.
“ LouLou, Andrew is here, C breezed into the patio, draped in scarf, and a exotic maxi dress. I waved them in.

Andrew handed me a lemon frosted cake and a bottle of red wine.” We all chatted at once. then C blurted out,  “Why didn’t you use my kitchen?”
I am making dinner and cleaning up. You just sit and enjoy.

Dinner rocked along with intensity;  C and Andrew discussing water rights, neighbors, and her vacation rentals. After dinner Andrew stood up, 6’3” and whispered , ‘ can we go into your area?’ C must have heard, because she spun away.

We drank wine and Andrew unbuttoned his witty humor, on-set  stories, and compliments. I immediately caressed his presence and we ended up at his quarters;  an unruly wedge of land so blackened we could not see anything but the stars.  Behind us was his lodge; a spit and glue log cabin covered in palm frowns.  I found his eccentricity appealing as his smile. He really didn’t give any thought to conventionality.

“ What kind of movies do you make?” I asked.
“ Rotten ones, I mean really bad. The last one I didn’t even see. B sci-fi flicks, reality shows, that I can’t stand to watch, and documentaries.”
“ Documentaries have turned into dramas, I love them.”
“Yea, they’re good. I filmed Sundance and Cannes.  Listen, I’m not a devotee of the business, I don’t kiss ass, and I don’t go to star parties, or read about them. I got fired off a film because I addressed Reese Witherspoon without knowing who she was.”
“What?”
“ Yea, there’s a hierarchy to the business you have to deal with. Are you cold? You’re shivering. Here put my jacket on. “
Andrew walked me down the uneven dirt road with a flashlight and a steady arm. His size in height and bulk denotes power, but it is his effortless mannerisms, laughter and shuffling footsteps that remind me of a comfortable sitting chair.
‘ Do you like museums?”
“Yes!”
“You want to go tomorrow? You been to LCMCA?”
I wasn’t even sure which one he meant but I said yes!
We took off the next morning in my Rover, so I would adjust to driving in Los Angeles again. We stopped at Duke’s for breakfast, sat on the patio under a canopy of bougainvillaea.
“ I  am having a panic attack.”
“ Why?”
“ I’m so happy!” Life was so spectacular at that moment; to lean back and set my heart into the sea, sky, and eat a fish sandwich.
Andrew threw his head back and laughed.
“ Could we make one stop first at Saks. I have some jewelry they have to send out?”
“ Do you know how to get there?” He asked.  Andrew moved from Manhattan four years ago.  “ “Are you kidding? Saks Beverly Hills is my Tiffany’s.”
To be continued

Rock & Roll at Gallery Loulou Slideshow | TripAdvisor™


Rock & Roll at Gallery Loulou Slideshow | TripAdvisor™.

TRIPPIN ON SANTA FE AT GALLERY LOULOU


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MALIBU- CANDLES OF THE MOUNTAIN


 

Interaction with strangers in the same house lit my anxiety alarm. The last time roommates occupied the same house was in 1972. I lived in a three-story twelve bedroom mansion in San Rafael, California. There were thirteen of us. Disbro lived in the attic and inhaled laughing gas all day. I was twenty-years old.
This anxiety was visible even at twenty. Sometimes all of us sat down to dinner at one dining room table. The conversations literally wrapped around the room, the halls, and the windows. My voice was restrained; they were too conversational and intellectually humorous for me. I was the youngest.
This brings us back to the Puzzle of Solitude. When there is conversational nuances, improvisations, laughter, dancing, cooking, dressing, showering, slacking, without strain or tension, then it is time to leave out solitude and hook the bait of adventure.
Fragments of my fragmented spirit reincarnated this summer at Chantel’s. There were three full-time roommates that shared the house, Chantel, Speedy, and Nathan and an occasional Nico. There are up to eight visitors occupying the private cottages, and a flexible showing of hungry men and women at dinner time. Added to this is the number of languages spoken, English, Spanish, French, German and Koui’s (Chantel’s dog) welcoming bark.
Interaction on the routine, necessary, and impulsive terms of cohabitation in the morning: preparing coffee in two Turkish pots, buttering bread, stretching, checking email, cuddling Koui, and taking showers. The first morning my mask shed when I walked into the kitchen in my nightie and open robe. What happened in twelve hours to my belt of modesty?  Speedy and I chatted in English, and then he’d  Skype his wife. One morning he introduced us. I looked forward to his Skype discussions; the most fluid and rhythmic language to my ears. The art of conversation has vanished from many factions of our society. The phone and laptop are now our mouths and ears.
Not so with Europeans.
“ Loulou, so you have a gallery of photography?  
    “ We had one; now it’s a vacation rental decorated with photography.”
Nico leaned against the wooden island table to hear the story. You can’t look Nico in the eyes without lusting just a little.
“ How’d you start this gallery? Nico asked while chopping perfectly unmeasured tomatoes, mushrooms, and onion. 
“ I called photographers;  and a few friends pushed my cart to the right door. One time I walked into a gallery on Robertson Blvd and noticed this exhibition of celebrities on the beach in St Tropez. It was incredible!”
Fabian who owns a gallery on Robertson moved in closer as I continued.
“I walked in and asked the Swedish owner if he’d co-exhibit in our gallery in New Mexico. He said yes, we didn’t even sign anything. He kept his end up. So I showed the Edward Quinn’s in Santa Fe. I should have bought the Audrey Hepburn one; when she was eighteen.”
“I know the Quinn photographs.  Bridget Bardot– yes– what was the name of the Gallery?” Fabian revealed enough interest to spark mine.”
“ Christopher Guye.”
He moved closer  so we were face to face.

“I know Christophe! My first gallery was next door!”

All of us applauded the connection; I think I moved a notch closer to the group.
This is what happens when joining is more exhilarating than not. In the next few weeks: we dined in French and English, watched Soccer, teased and laughed, cooked and drank. There were parties with Jennie, Chantel’s assistant, who has two congregations of friends, all uniquely different and robust. I had walks on the beach alone, and time to write; but the real vacation was interior. I left the old LouLou, who paced, fretted, vacillated and deconstructed behind. She lost the battle to interior florescence.

The thread of interaction followed me outside the compound.  I discovered  Malibu is not all celebrities and rock-stars. There are families that go to the beach, hang out at Vintage Market, and attend community events tied to the ocean, horses, and surfing. The school of surfing for children is worth a visit just to see the little boys and girls riding waves. Malibu has its own Playhouse, a Movie Theater and two upscale outdoor shopping malls. The Getty Villa perched on cliff- side overlooking Pacific Coast Highway has reopened and it is free to the public.

20140712_182639
The vacation sabbatical ended last week; though the effect remains. This adventure was supposed to be all about ocean swimming, window shopping, revisiting former favorite spots; what I really needed was to revisit myself. Do we ever stop emerging? I hope not.

Candles of the mountain are a cactus plant that hopscotch the Santa Monica Mountains. Their 20140723_075644flowers are white and when the sun sets into darkness they light up the mountains like candles. 

 

 

PART TWO CANDLES OF THE MOUNTAIN


ADVENTURES IN LIVINGESS-20140713_205128MALIBU

The next morning Chantal was not in her transparently privatized bedroom with a gauzy drape.  From the kitchen I’d poured a cup of black as beans espresso from Chantal’s Turkish coffee maker and dozily slumped into a swinging love seat on the lanai. Still in my pajamas,  listless as a floating cotton willow; the grounding I’d felt the day before had evaporated. Looking and listening to birds, rooster, and distant horses, all within a misty silhouette that filled in the hips of the mountains. Beyond the sea, the imagery of my reclusive life in Santa Fe manifested. The skin I wore in Santa Fe; unreasoningly introverted with a coating of protection flaked off and a news skin surfaced.
Just as the image is crystallizing, I sense Chantal crossing the garden towards me.
“ LouLou—are you okay?”
“ I’m not living right at all, ” I uttered without a smile.
She sat down beside me, placed her cell phone behind her, rested her elbows on her knees and leaned toward me to look in my eyes.
“ Oh why? You are not happy in Santa Fe?”
“ Not anymore-I see things differently now.”
“ Yes, this is what happens when we take vacation. If you’re life is not full then you must change it. It’s not always the place that matters, but how you live. You know some people like to suffer, this is not you. I know– believe me. I meet people from all over the world.  I traveled with Carl everywhere.”
“Well  I’m full now– but I’ve been in a cage.”
“ This is not good! I will tell you that since Carl died I too wanted to live in my bedroom and not even get out of our bed. So I worked day and night to keep his legacy going, and to manage the vacation rentals. I made myself so busy just to get through the pain. I was a mess; many times I didn’t think I’d get through it. But you see–I am okay now. I still think of him everyday and some days are rough; but this is life. We don’t know what will happen. You have to live now. When you die no one remembers you; they go on living. “She opened her mouth and her smile asked me to smile with her.
“ We will have a lot of fun you and I. You know I feel like we’ve known each other. You feel that too?”
“ Yes! I think my choice to come here was to meet you.”
“ Oooh lala-then we begin to enjoy. You hungry? I make some breakfast and then we go to Trader Joes. I make a party tonight. How’s that?”
“ I’d like that.”
“ You want some eggs–how do you like them?”
“ I’m so full of joy I have no appetite.”
She threw her head back, and laughed.
“ What time is it Chantal?”
“ It’s eleven o’clock. You sleep very late.”
“ No.  I never sleep this late.”

I followed Chantal into the kitchen where she was leaning against the stove frying eggs; she was on her cell phone.  ‘Cheri, you come tonight for dinner and meet my new friend LouLou.’  Then another call and another. To observe Chantal is to see the openness of a human being without hesitation, restraint or obsession. I followed her around for the rest of the day just like Kou-Koui; her little Habanese dog. Chantal’s  enthusiasm for the approaching party was seamless. As we shopped at Trader Joes, she chatted with customers, the grocery clerk, and the cell phone that rings continuously.

“ LouLou, is that you?”
I was passing her bedroom as she called me in and patted the bed for me to sit.
“Have you had a shower? I will take one after you. I marinated the chicken and meat, so all we have now is the salad.”

In the kitchen she is dressed in a skirt, neck-less blouse, and a magenta flower behind one ear. As  she demonstrates how to cut the cucumbers, tomatoes, and avocado,  she darts from one skillet  to another. The music is ruminating through the house; a French wave of seduction and rhythm that entices us to dance around  the kitchen island.  I feel like a young girl learning to be a woman. She is only a few years older than me; yet  her human connection of livingness  is unbridged and unchained.

I intended to write a travel story about Malibu;  as you see the travel story is Chantal.

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CANDLES OF THE MOUTAIN PART TWO


ADVENTURES IN LIVINGNENESS

“There is more enterprise in walking naked (in the Yeatsian sense) and being tough enough to survive such intensity of caring and such openness, between a driving need to share experience and the need for time to experience and that means solitude, a balance between the need to become oneself and to give of oneself…and of course they are closely related.” May Sarton.

The Journal of Solitude.

This book was one of the first of ten that injected my veins with the thirst to write. It was
1992, and while I scanned a bookshelf in Capistrano Beach, this book seemed to say, read me. Several months ago I ordered it online and began reading it after I wrote my segments on the Puzzle of Solitude. How curious that this is book I brought to read in Malibu; as I may teetering between this excerpt every moment of the day.

I landed on Pacific Coast Highway on the fourth of July and zipped up the curves of the road squinting to read the signs. This highway that was once my weekend adventure in a packed mustang filled with high school friends was now mine alone. Inhaling the salty sea breeze, and listening to Tom Petty sing, Free Fall, my heart opened to what I was about to experience. The doubt had vanished and as I crossed the lanes to turn up Encinal Canyon road, I broke out laughing.
Only a few days ago I was sobbing as my doubt and confidence were inflamed with childless fear. Just past Malibu colony the scenery seemed to sigh with relief from blaring radios in convertible Mercedes, motorcycles, and a river of beachcombers flip-flopping down to the shoreline. The terrain rises into a rugged enclave of sand crusted
boulders, as I passed the perfectly seamed and shaved lawn of Pepperdine College.

Chantal’s directions were exact as I pulled into the dirt and rock driveway and parked in front of the house. She has an alert buzzer on the gate so she was already on the flagstone steps when I got out of the car. Even before she welcomed me in words, a radiant warm aura illumined my response.
“You are LouLou, I am Chantal. Come, I will show you around.” Her effortless smile and fluid swaying hips led me through a garden of birds of paradise, palm trees, elm, succulents, pepper trees, cactus, and so many varieties of flowers that my first impression was already sealed,  I was in Shangri-La.20140712_18273120140707_175334

“This is the main house, where you come and go as you please,” and then she  continued through the open rooms sheltered in wood and glass into the living museum of the legacy of  her deceased husband, Carl Gillberg: chest- high clay pots, bronze and cherry wood sculptures, masks, paintings, and photographs.

 

Carl Gillberg

 

In the kitchen she announced, “Here, you see this shelf is for you, and here is your vegetable bin to put things, and you take what you want. Just because I bought it doesn’t mean you can’t take it. You see, we are very open and relaxed here.  You just be at home; like it is your home.”
I followed her through a gate; to an open garden. Here is where we shower, you like it?” She looked into my eyes and her mouth widened with anticipatory pleasure. I glanced at the claw foot tub, expansive banana plant, and shower head.
“Does anyone else share the shower?
No no, just you and me. You close the curtain see?” and demonstrated the act.
“You will love it,” and as she parted the corrugated sliding door to my room and I looked inside, the chime of change rang.
“What is your nationality?” she asked placing her hands on her hips.
“Russian Irish.”
“Oooh la la; very strong.”
“And you?”
“I am French Haitian.  I left Haiti when I was very young and went to France.  I will tell you more. Now, where is your luggage?”
“I’ll get it.”
“You need some help eh?”
“No, I loaded it in so I can load it out”
She chuckled.
Her cell phone rang. “ Oui, Cheri—it has been a long time since we talked. What has happened in your life?” Her fluid intoxicating French conversation sent me skipping off the flagstone steps to my car.

I was hopelessly impressed. The majestic mountains, slopping hillsides, and crusted canyons open to the faded-jean blue sea. The spring of joy rose like an orgasm as my eyes blinked with every turn of the head to capture another slice of the Santa Monica Mountains.  20140704_162840

When I returned, she was preparing espresso?
“You like a cup of coffee?”
“I love it.”
“Good. We sit on the veranda and you tell me your story. You like my house LouLou?”
“ Chantal, this is Shangrai-la.”
She threw here head back and her birch brown curls took flight.20140707_194504

Over the next week my life was an interpretation of the beginning except from May Sarton. To be continued.

 

 

SMILEYS DICE ON THROWING ALL THE DICE


 

Adventures in Livingness

Upper Lanai
Upper Lanai

MALIBU- ISLAND
I was flipping channels one night in Santa Fe, New Mexico where I live. I stopped when the opening scene of Don’t Make Waves with Tony Curtis and Sharon Tate. Her name in the credits;  Introducing Sharon Tate. So I lay back against the warm sweat soaked pillows, turned on the A/C and watched. The first scene was on Pacific Coast Hwy in Malibu. Tony is in a car crash with Sharon Tate. The appearance of Sharon was that of Bo Derek in the film 10. A vine like body swimming in golden flesh with long honey sand hair draped over her shoulders. The flashback to the Mason Murder was soon replaced with this heart shape faced delivering sinewy gestures that matched her feathery voice. The film came out  in 1963 and the coastline was as pure and unmarked as Sharon; a winding highway empty of cars, cafes and promenades. This is the Malibu I remembered from my adolescent adventures to the beach to watch the surfers.

The scenery unfolded into breathtaking views of the coves and hillsides surrounding Malibu, like organic sculptures  drenched in sea-foam as waves broke. Within a few minutes I bolted up in bed and paused the film.

That’s where I’m going! My journey was given a name. I had a month marked out for a vacation away from Santa Fe while my house was rented to a family of eight. It was a month before the guests would arrive and I still had not penned in my destination.

I went to sleep half way through the movie mumbling to myself; Malibu, Malibu Malibu.
Please God, let me land in Malibu.

The next morning I fished for vacation rentals on the INTERNET and got hooked into
homes, cottages and condos for not less than $1000.00 a night. One estate rented for
thirty thousand a night.

I switched to Craigs list and scrolled down the postings, armored with Russian determination. A posting in bold black came up – MALIBU ISLAND. I clicked through the photographs and prayed. This is how I found my  room  in Malibu;a private room with an outdoor shower  in an estate home perched on the hills above El Matador Beach. In this house the owner, Chantal, also lived.   I booked the month without more than a day of what if’s and what nots could be expected.

To be continued.

 

PUZZLE OF SOLITUDE FOUR


 

I wrote this short piece by hand in April.

It is snowing today; the first time since February. A collage of scenery rearranges the birth of spring as a brisk snow flurry sweeps through Santa Fe.  Across the street, inside the hotel families are dining, or comparing observations with other guests, drinking apple cider and being in vacation. I see them unload suitcases, and several tote bags, a lot of luggage seems necessary for tourists these days. Teenagers are multi-texting; unaware of the flawless blue sky or architecture. I am looking for artists who’ve come to capture the light, or heal  city bruises with the language of the Indian world. The coterie of artists drawn to Santa Fe are now a minority; and on the horizon are  tour buses, family reunions, and corporate retreats.

I am standing in the center of the garden, studying the entanglement of spindly branches, clinging to the brick wall. The wall looks like an abstraction of a Kandinsky painting.My sense is that I should not pester myself about unfinished desk business-but to just turn off the motor and observe my fortune. To watch clouds so deeply, and see the shapes turn from a penis to a whale, (analyze that) has always been an act of love. Some people stare at rocks, or flowers, or rain; for me it is the clouds.
The sky has just been ticked off by the sun and she is spreading like butter over my face and legs.

Costume design and realization for ‘Seeing’ by Kandinsky. A contemporary dance interpretation.


Hanging on to home for a lot of us has become a business; a renting out rooms, and converting to a vacation rental to avoid foreclosure. I can sit inside the Movie Theater (a converted garage) and launch into a montage of memories. The Michael Jackson tribute party after he died, when friends came and we danced to his videos; and the Jimi Hendrix live DVD night that mixed jubilation, remembrance, and a lot of laughing as I expelling all I knew about Jimi to a man of twenty-seven. We always showed a film coinciding with a new exhibition of photography. Guests lingered past midnight and I had to turn off the lights to demonstrate closure. Couples in the theater necking, young adults roaring with inflammable laughter upon each opportunity, and hungry men and women waltzing around each other for a bite of passion. Gallery receptions were packed back then; a staggering amount of partying and dancing collided on Canyon Road to live music and open bars.
Hanging on to memories in corners of the house. I’ll take them with me. It will be a leap of courage to untangle myself from this home.wassily kandinsky art artist
I can almost hear the birds wind as they fly over me; my eyes close to listen. The lullaby is a bath of nature and would not have occurred unless I was alone. I want to reach through writing,  to the subject of misfits and loners, outcasts and unrecognized that are too ripe to touch, to sensitive and unyielding; annoyed with the outside world. Like me.

Contemporary PaintingKandinsky-my tree

 

 

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OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-


OUR HOME FOR LEASE: LIVE WORK-GALLERY-OFFICE-B & B- SHOWROOM-

5 BDR/3 BATHS. FORMAL DINING ROOM. PRIVATE GATED. GARDEN MOVIE THEATER
ACROSS THE STREET FROM LA POSADA RESORT & SPA.
HISTORIC EAST-SIDE OF SANTA FE, NM
2 BLOCKS TO DOWNTOWN PLAZA

 

CATCH THE ART IN SANTA FE PART ONE


 

Portrait of Eugenia Huici (Eugenia Errázuriz)
Portrait of Eugenia Huici (Eugenia Errázuriz) (Photo credit: Wikipedia)

CATCH THE ART WAVE OF SANTA FE    

Living in Santa Fe is a fertile landscape of more than sage, lavender, mud and ancient dwellings. It is where art branches out in new directions of livingness.

Along the path of adventures in the arts, I attended “AT HOME WITH FASHION, presented by ShowHouse Santa Fe in collaboration with Artgraze; a league of interior designers, artists, and galleries to embellish our homes with, “the art of living with art.” They patterned classic and chic Fashion Design on Interiors selected by ShowHouse Santa Fe founders, David Naylor and Jennifer Ashton. The Santa Fe Interior Designers set up shop in a quintessential Santa Fe home and opened the doors to the public to eat, drink, dance, get lost, or be discovered.  Along the interior paths of the home, artists, designers, home buyers, and sponsors conversed while behind the scenes; funds were dispersed from a generous monarchy to support the Community Foundation of Dollars4Schools. The designers worked for eight weeks, to transform a modest décor, into a stage setting of flamboyance, élan, and their secret design techniques. The designers; Jennifer Ashton, Jackie Butler, Gloria Devan, Pam Duncan, Emily Henry, Edy Keeler, David Naylor Annie O’Carroll, Lisa Samuels, Paul Rochford and Michael Violante. They schlepped all the furnishings, and accessories, including wardrobe accents, and art work to the home and coutured the house as if it was a model.  The epervescese of this lively group spread outdoors, onto a glittering garden patio designed by Catherine Clemens where the best Barbeque chicken I ever tasted permeated the painted postcard silhouette of sunset on the mesa.  Who was there?  A man in yellow rubber suit, fashion models, filmmakers, photographers, art collectors, and Antique Activists. In the crowd I noticed a distinctive gathering of men and women stylists bearing: squash necklaces, Concha belts, O’Keefing hair styles, and jewelry to stop traffic at Paseo Peralta and Cerrillos Road. The 4747 square foot Las Campanas Estate is listed with Ashley Margetson of Sotheby International Real Estate.

 

 

 

REARRANGING AND REMEMBERING


20131003_160015[1]

September is the month to rearrange; wardrobes, patio furnishings, and thermostats. Heaters go upstairs, fans go downstairs, down blankets are released from plastic zip lock bags, and coverlets are removed. We seal the windows with weather stripping and my list notebook follows me everywhere.  If you live in the seasons then you understand that the menial work goes deeper as our bodies prepare for winter’s residency.
The interior change, what Anais Nin refers to as; ‘our emotional landscape,’ wakes to a chime of awareness. Now that I’ve completed all those mindless tasks, I’m ready to listen to the chime and renew the organism of emotion. On this brilliant film shooting day in September shadows of light, glaring light, brush the feathers of my wild birds as they tap dance from tree branch to feeder. Between the leaves that drop like confetti from the trees, the New Mexican sunlight feels like ten thousand flashlights in your face.
Summers postcard days flash on and off  as I write; Natives dancing at the Plaza in the wildness of fiesta to Latin and Mexican music, while Anglos freestyle a sort of slow rock and roll hippie dance.  I meet strangers and we exchange our exaggerated cheer and humor, during festivals, fiesta parades, and the burning of Zozobra.  These yearly events chisel the face of Santa Fe into a collage of New Mexico colors; magenta, orange, lime, and yellow surface on paper Mache flowers, streamers, and costumes.
     The phantasmagoria of my summer thumped one night in July during a Monsoon thunderstorm. My summer vacation rental guests were in the main house and I was in my casita sitting at the desk writing, with the door open. It was pouring rain, the kind of shower that explodes from the rain gutters like a tub faucet and those huge blue and white La Posada Hotel umbrellas seemed  race up the street unattended.  When the skirmish between warm air and thunderstorm collided, lightning seared the charcoal clouds and thunder bombed me out of my swivel chair.
      How rigid my body felt;  like hardened cement, but the phone rang and released me from this state of shock.
     “ LouLou, I think we have some issues in your house.”
I rushed over in my kimono (a writing uniform) and found the three of them stiff as statues. Young headlight deer eyes, all piercing me at once. 
     “ We saw sparks, and all the electricity is out. I think the lightning hit your house. ” 
     I didn’t’t know what to say; suddenly I was responsible for this rarity of nature’s behavior.  They clung to their cell phones, and watched as I feigned authority and calm by checking the blackened outlets. The electronics were silenced, appliances deadened, circuit breaker inoperable. I called my friend, White Zen, who doesn’t fluster easily.
      “I have to get help now. Right now! What should I do?”
     “I’ll call my electrician. He’s really good. Are you all right?”
     “No, not at all right.”
     “You want me to come over?”
     “No, but thanks anyway.”
     A few moments later, she called back.
  “ I pulled Phil out of Smiths Grocery. He’s on his way, she said with humor, enough to release a molecule of laughter from me.
     “ I can’t believe this. Do you know the chances of being hit by lightning?”
     “ No, but don’t take it personally.”
The funny thing is, I did. Other house disasters; like the time the plumbing backed up, or the historic windows wouldn’t’close didn’t’t have any comparison to this cataclysm.  Then my next door neighbor, the Architect, and professor of all topics informed me, “ Oh you’re in bad shape; you’re going to have to rewire the whole house.”
     Phil arrived within ten minutes, and I greeted him with a hug, more for support of someone’s appearance with tools than anything.While my quests and I tried to answer his questions, all of us at once, he went down to the basement, as we followed behind. Phil replaced something in the circuit breaker, and the lights came back on.  I clapped my hands but they didn’t’t join in;  they went back to texting.
     Then he tried the TV and stereo. The stereo is fried he said, but the television is okay.
     “What about our Wi Fi connection?” I asked.
     “The surge protector fried too. You have to call your provider. Good luck on that.  I’ll come back tomorrow, after you get PNM (City Electric) out here to check which panel.”
     “Which panel what?” I said.
He went into a Wikipedia explanation about the two hundred and fortyhouse voltage, and who is responsible for the outage. I followed Phil  outside after failing to soft stroke my tenants.  What made it even worse is they are musicians with the Santa Fe Opera and live sensitive structured lives.  One gal remained board stiff and and unblinking, the young man offered all of his technical support but his hands were trembling. The leader of the pack, who greets life with radiant optimism, was busy eating crackers in rapid succession.  I felt the responsibility of a mother, and so I assured them of my competence. Then I  slipped into jeans and T-Shirt, almost falling over as I raced across the street to La Posada and gulped a Martini. While I was still trembling, staff and guests gathered around me.
     The concierge said, “The lightning hit your house; I saw it from the window! Are you all right?”
     “ On no, a bar guest remarked and rubbed my back, ‘Oh Loulou, something always happens when you have guests, a waitress commented, and another broke out in a euphoric smile and said, Wow LouLou! What was it like?”
    “Ahhh. It’s not a humor story Ed; it’s a disaster!”
The electrical company showed up late that night, and poked little metal toothpicks into a box outdoors; a box I didn’t’t know existed.
     “Sorry Mam. Our panel is working fine. You’ll have to get the electrician to make further repairs. Wow! That lightning sure hit hard. Have a nice night. ” Ha Ha, I said and stumbled into my room. No Internet, no television and no music.  I slept with a pillow over my head.
     The next day Phil returned to trouble shoot everything.  My television and the house stereo blew out, so did the surge protector to our modem, and the electronic gate was broken. The guests couldn’t get their cars out of the driveway.  We pried the gate open, and they backed out in jerky anxious motion.
          A week later, in between substantial attempts to behave normally, all of us were still irritable, prone to trip, biting nails, and voices wavering over the tenseness that clipped our tongues.   It was never the same after that; our simpatico shared residency turned into staged friendliness.
     That’s the thing about lightning, it gets inside of you, and you are involuntarily rearranged.  My emotional landscape is naturally in a state of alarm. I startle easily, imagine voices, and see too much in the dark.
Too be continued.   
 


QUE SERA SERA


ADVENTURES IN LIVINGNESS

is going from my 2500 square foot five-bedroom home with a garage movie theater, private garden and roomy front porch  into a 265 square foot bedroom without a kitchen.  It’s not permanent, but there is no end date either.

The big house we converted into a Vacation Rental as a means of income, and so I had to move out a month and two weeks ago.  My room, I coined the Wild West Room, is brick red. I covered the walls with yellow and red original movie posters, and furnished it with a slot machine, two tables, two lamps, a TV with western saddle draped over it, a double bed, and a four drawer plastic dresser. The closet is tiny; so I only brought my best summer clothes; twenty hangers is all.

Waking up to have coffee on my petite patio laced with roses and a canopy of vines, settles my nerves after the mini coffee maker falls off the edge of the sink, and other accidental maneuvers. Living in a doll house requires tremendous gentleness, one swift wrong move, and things start tumbling.

My refrigerator has inspired a new diet. I call it the mini-frig diet. I can fit one bottle of wine, one 8oz bottled smoothie, one juice, my Aloe Vera, cream, three condiments: green chili, horseradish mayonnaise, Red Chili Jelly,  a small tub of washed lettuce or spinach, two cheeses, tortillas, olives, tomatoes, smoked salmon or chicken strips and that’s it.

The only catch is that it is in arms length of the bed, and within four feet of anywhere in the room.  Snacking is just part of the atmosphere.My own unimportant theory on eating, is I eat less poison if there is a bowl of chocolate covered nuts, gummy bears, and chips in the house.

I prefer to eat on dishes then paper, so I wash them in the bathroom sink, but I wash the delicate wine glass when I’m showering.  All my meals, usually one a day, are outdoors on the patio, under the new Overstock.com umbrella that works perfectly.  I’ve had a great experience with them on a return as well.

My house faces a busy street in Santa Fe, NM. The street connects upper Eastside to the downtown Plaza, and across the street is the La Posada Resort and Spa.  I can walk to the gym, and pool, survey the clientèle, drink wine in the bar, and talk to the staff at the front desk.  I’m there everyday; and as ying goes with a yang, I tolerate their side of the street being the loading zone. There are pick-ups, and drop-offs, and a lot of racket that I bear with my earplugs.

It’s in the high nineties, and we’re in a stable between three burning fires. The heat clings to me, like a saran-wrap;  it’s also sort of Chaplinesque.  I keep changing; to go on the patio.  I can’t go in a slip, so I change a lot. Then there’s the marvelous terrifically considerate and talented guests in my house. They are three principal musicians’, with the Santa Fe Opera this season.  When I water I hear them practicing.   0627131541a

My shrunken life has forced me out more, eliminated hours of cleaning, shaved time off dressing, rearranging furniture, over-achieving unimportant tasks, watching the birds in their nest, and feeling complacent.

That is the most important of all; I realize it is time to bolster up, make sacrifices, and use this little room as the place to write my way out of here.  I see myself in Portugal, or some place I still haven’t discovered.  This miniature living reminds me of the first studio I rented in Los Angeles.  You can’t imagine what progress came from that disappointing address, at the corner of Little Santa Monica and Westwood Boulevard. ‘ Que sera sera.’