THE MOST RECENT POST WAS A DRAFT. Please don’t think I lost my mind, that was a draft of notes for a post. I don’t know how to spell parallel when I am speed writing. Now you know!
LUELLEN SMILEY ADVENTURERS IN LIVINGNESS
The inner voice where gaps of expression are liberated as art of the heart
WRITING
THE MOST RECENT POST WAS A DRAFT. Please don’t think I lost my mind, that was a draft of notes for a post. I don’t know how to spell parallel when I am speed writing. Now you know!
I began my research WITH WHAT I HAD; one of my father’s books; “The Mark Hellinger Story.” I leafed through the index and there was my father’s name along with Ben Siegel’s. According to the biographer, my father visited Mark at his home the night before he died. Mark had stood up in court for my father and Ben at one of their hearings. He was fond of Ben, like so many people were, that aren’t here to tell their story.
After reading the book I rented, The Roaring Twenties, written by Mark, and from there the connections, relationships, and characters began to leap out from all directions. I
submerged myself in history and photocopied pictures of my father’s movie star friends, George Raft, Eddie Cantor, Clark Gable, and his gangsters friends. I found photographs of the nightclubs he frequented, the Copacabana, El Morocco, and Ciro’s and nightclubs that he referred to in his mysterious conversations. I made a collage of the pictures and posted them above my desk. I played Tommy Dorsey records while I wrote. This microcosm of life that was created, allowed me to listen to the whispers and discover the secrets.
I dug into my father’s history without knowing how deep I had to go, or what shattering evidence would cross my path. In my heart I felt this was crossing a spiritual bridge to my parents. The flip side was a gripping torment, tied to my
prying mind. I needed to break into the files in order to break my silence, and discover my parents, not glamorized stereotypes that fit into the category of Copa dancer and gangster. No matter what I uncovered, I always knew it would be ambiguous, and controversial. I did not expect to find a record of murder, dope peddling, and prostitution. I believed that his crimes were around the race track and in gambling partnerships. Even so, I could never understand the similarities we shared, unless I knew them as people. Though I have not rebelled against authority as my father did, I‘m not a team player, I resist authority, and I don’t like waiting in lines.
I had to reinvent my mother through the subconscious. I skated over thin ice trying to set her truth apart, from what I
had invented, dreamed, or had been told. I listened to Judy Garland’s recordings, and premonitions surfaced, of how my mother loved Judy, how it must have felt to be under the spot lights of MGM, and dancing in ginger bread musicals while her own life was draped with film noir drama.
I studied my mother’s face in all her films, rewinding and stopping the tape, as if she might suddenly return my glance. She had dancing and background shots in the musicals produced by Arthur Freed. I remembered dad talking about Arthur, and how prestigious it was to be in his department.
When I discovered the Museum of Motion Pictures Arts and Sciences in Los Angeles, I went down and filled out a slip of paper with my mother’s name on it and waited for my number to be called. I felt something like a mother discovering her child’s first triumph. They handed me a large perfectly stainless manila envelope, and a pair of latex gloves to handle the file. I had to look through it in front of a clerk.
“That’s my mother,” I proclaimed. He blinked and returned his attention to a memo pad. Inside the envelope were black and while glossy studio photographs, press releases, and studio biographies of my mother. The woman who pressed my clothes, washed my hair, and made my tuna sandwiches. There she was in front of the train, for Meet Me in St. Louis, and a promotional photograph in The Secret Life of Walter Mitty, dated 1947. That was the year Ben was shot. I looked further to find more clues. I needed to know where she was the night Ben was murdered. Maybe she was on location when it happened. Maybe she was in New York at the opening of the film. I could not place her on June 20, the day Ben was murdered. I imagined my father called her and told her the news. The marriage plans were postponed, their engagement suspended. My father had to get out of town.
I spent everyday picking through the myths I’d heard and read. I heard a clear chord of scorn, for exposing family secrets, “It’s nobody’s business what goes on in our family, don’t discuss our family with anyone, Do You Hear Me!” I must have heard that a thousand times.
I began to dig with an iron shovel. I asked every question I wasn’t supposed to ask, and preyed into every sector of their life. I wanted to know about his childhood, where he grew up, and why he left home when he was thirteen years old. Who were my grandparents, and why didn’t he talk about them. How did he meet Ben Siegel and Johnny Roselli, and when did he cross over into the rackets?
I contacted historians, archivists, judges, attorneys, Police Chiefs, FBI agents, authors and reporters across the United States. He always said, “Reporters can destroy your life overnight.” And here I was, uncovering what he had sheltered all his life.
I wrote to the INS in WDC and asked for their assistance. Six months later I received a letter from the INS in Los Angeles. They acknowledged his file, it was classified and they could not locate it. The progress was tediously slow, and the waiting oppressive.
While I waited for the files, I read Damon Runyon, and Raymond Chandler stories and attempted to identify which character personified which gangster. The stories were about the people that came to my birthday parties, Swifty Morgan, Nick the Greek, Frank Costello and Abner Zwillman,(the Boss of the New Jersey syndicate.) The dialect of Runyon and Winchell mimicked the same anecdotes my father used over and over! By understanding Runyon’s characters I began to know my father. At night I watched old gangster movies and that opened another door of familiarity.
I read almost every book in print about the Mafia and ordered out of print books from all over the country. They began to topple on my head from the shelf above the desk. Allen Smiley was in dozens of them. Every author portrayed him differently, he was a Russian Jew, a criminal, Bugsy’s right hand man, a dope peddler, a race track tout, and sometimes the words bled on my arm. To me, he was a benevolent father, a wise counselor and a man who worshiped
me.
The INS claimed my father was one of the most dangerous criminals in the United States. They said he was Benjamin Siegel’s assistant. They said he was taking over now that Ben was gone.
That day I put the file away, and looked into the window of truth. How much could I bear to hear more?
Mom and Dad second from Left. I don’t know the other people.
Now that you know I am leaving Santa Fe on an exploration of destination, there you are again. Igniting my flashbulbs for the seamless cinema-scope of Santa Fe, you are toggling behind me in the snow, as I plow, sweep and sprinkle salt, you are there when I am in the parade and choosing my characters to congregate, and make a party, and you are there when I wake up in the morning, to draw me out of the down comfort, sheets and pillows that bemoan me leaving, I want to get up and begin the day, because you are there, turning up the music, and opening the laptop to a new page, and the journal to a new entry, and my books that have punished me for not reading them. They are dusty and wrinkled from my sleepy attempts to find the water bottle and drink, and then the spills fall on them. You are there when I am cleaning the stove and bathroom floors, a reminder to get on the floor and douse the tiles with love, listen to music while I vacuum, and end the day with my shoes off and slouching in a comfy chair. You are not dormant spirit, you are rising from the labyrinth of an imagined life and one that is moonlight.
MAXFIELD PARRISH
THANK YOU WORDPRESS. My odyessy of love stories have reached readers in Egypt, Western Europe, Eastern Europe, Mexico, South America, the Soviet Union and the USA. I cannot find time to read all the books on my shelves because I am reading the poetry, literature, and memoirs on WORDPRESS.
“As a dancer and prancer at heart, my feet are my hands, and my hands are my heart.” 2014

5 BDR/3 BATHS. FORMAL DINING ROOM. PRIVATE GATED. GARDEN MOVIE THEATER
ACROSS THE STREET FROM LA POSADA RESORT & SPA.
HISTORIC EAST-SIDE OF SANTA FE, NM
2 BLOCKS TO DOWNTOWN PLAZA
I’m better as a writer than I am a person. Though my syntax is follies;
with backward sentences and too many metaphors. The writing isn’t usually
selfish or timid. In a crowd I need applause before I feel accepted. One on one
my behavior swings from suspicion to doubt and it takes more than a few pages
to break the boundary. I don’t why I thought it would be different now; I’ve always been a loner.
The throw of the dice this week lands on adventures in livingness; one day at a time. People with terminal illness, suffering from a shattered romance, a death of a friend, a natural disaster, always say the same thing; One day at a time.
Walking up Palace Avenue on a day spread with sunlight, and a continuum of power walkers, bikers and runners, passing by in whiffs of urgency, I took my time. I didn’t feel like flexing, just evaporating into the shadows, and the moving clouds. I walked by a little adobe, that once was a dump site for empty bottles, cartons, worn out furniture, and piles of wood. A year later, the yard is almost condominium clean. Just as I was passing the driveway, the little woman whom I’d seen walking up Palace with her bag of groceries, appeared like a gust of history in the driveway of her adobe casita. She wore her heavy blanket like coat and a bandanna on her head. Regardless of weather, she’s bundled up in the same woven Indian coat and long wool skirt. I stood next to her, a foot or so taller, and she unraveled history, without my prompting. She told me about the Martinez family, the Montoyas, and the Abeytas, all families she knew, all with streets named after them. Estelle asked me my name, and then took my hand in her weathered unyielding grip, ‘Oh I had an Aunt named Lucero, and we called her LouLou.’ She didn’t let go of my hand, and then she told me that the families, some names I’ve forgotten, bought homes on Palace in 1988 for $50,000, She shook her finger to demonstrate her point. ‘You know how many houses the Garcias bought? Five! Then they fixed them up and sold them.’
I could have stood there in the gravel driveway listening to Estelle all afternoon. She owns the oral history I love to record; but it is difficult to understand her, she talks with the speed of a southwest wind. We parted and I thought about the times in my life when the smallest of interactions elevates my spirit. In older people, who are not addicted to gadgets and distant intimacy, I’m reminded of how speed socializing has diminished the opportunity for a sidewalk chat.

ADVENTURES

in beginnings. Starting over, and rewriting a life you’ve lived many years is the same as re-writing a secret story. It takes the same blind courage. About half between forty and fifty years old, you hear people say, “It’s too late to start over,” It’s not true. Behavioral change is essential to living a full life.
In the middle of the night I woke up as if it was morning. When I looked out the window, an almost full moon, white as a laundered tablecloth, was staring back at me. It said, get up and write. I retreated to my corner of the world; a tiny room bathed in blush pink and gold, and I wrote. The moon watched.

Our nest, is something we build on our own to give us permission to explore, and then question, and we go back to our little nest, and add a bit more certainty because the dinner was great, and the party lasted longer than we thought, and someone smiled at you in a special way, and then you saw a rainbow.
Some things happened last week; that liquefied into a mirage, of an opinion I inhabited. I directed this opinion with outdated information, and second hand narratives by writers in print. I believed what I’d always believed; that actors aren’t like you and me. I was wrong! Some actors are like you and me. They have open hearts, and inquisitive minds, they drink beer, and dress without designer labels, they like to hang out, and not talk about the movie business, they have interests beyond their Imdb star rating, and they answer questions, if you ask them. Unless we infiltrate what we criticize, we’re adding to the hypocrisy of the human condition.
I read in one of my books on writing that the middle of the novel is where most writers face the demon. The beginning is a gallop, the end is a relief, but the middle wiggles in and out of your grasp. The middle of our lives reflects this same obscurity.
The middle of a life span reflects all we have accomplished and all we have left incomplete. This is what they call a mid-life crisis. I get it every year. This year it is more comical. I’ve finally accepted that my constant relocating, reinventing, and being restless are not going to be solved. I am going to keep doing these. At the bottom of the restlessness is the fear of finding rest more enjoyable than movement. This flotation of comedy rotated around me last night while I was standing out on the porch observing the peacefulness. The scenery of Santa Fe is a comforting, ethereal beauty that comes at all times of the day and night, and the flow of people is integrated and festive. All I could think of was where I should go next. The discomfort of mid-life comes from trying to assimilate what you have and what you want.
Many years ago, in the summer of 1987, I was seated in a café in Monaco, truly, and a man that I was traveling with told me, “You have to make a choice.” He embarked on a long discussion about choices we make in life and how everything depends on these choices: how you live and with whom, and what you do. He pointed out to me over my first really authentic Salad Niçoise that I was an oblivious example of a woman refusing to choose. I was more interested in the salad, the yachts, the casino around the corner, and the fact that I didn’t have an evening gown to wear to dinner. I listened without argument or insult, but I was disturbed by what he said. I didn’t understand completely, but he was older and had much experience and conviction. That conversation now fits into the mid-life crisis, the comedy of errors in my life, and maybe in yours, and just how much travesty we can ignore. For my fault, as it is, I do not want to sign, commit, or make final decisions. I want it all to be a temporary placement that allows me the freedom to change.
I have lost track of my European friend, but if he met me today, he would say, “You have not changed at all.” So that is why I was standing there in the darkness on the porch and laughing like a silly girl, because it is true. I have not changed at all.
The choice facing us at mid-life is making a change now, risking losing all we have accomplished, compiled, and attached, or throwing the dice.
Beyond the obvious changes in activity, relationships, and scenery are the internal travels. They are not so easily booked. You cannot wake up one day and say, “I ‘m off to become more compassionate, or more practical, or more generous.” These journeys are taken when other factors play into our lives, such as when we get sick, demoted, or experience a trauma.
It is a very subtle inconsistency. When I unplug all the voices and listen to the one that understands, that is when I write. The middle of the story and the middle of life are the same. We and our characters have to make a choice.
***
SMILEY’S DICE Adventures in Livingness
Adventures in beginnings, starting over, and rewriting a story you’ve lived many years is the same as re-writing a story. It takes the same blind courage.
About half between forty and fifty years old, you hear people say, “It’s too late to start over,” It’s not true. I hope it never feels like that when I wake up. Just thinking about it makes me run in circles. Behavioral change is essential to living a full life. In the middle of the night I woke up as if it was morning. When I looked out the window, the moon was white as a laundered tablecloth, staring back at me. It said get up and write.
I retreated to my corner of the world, a tiny room bathed a blush pink and gold, and wrote from beneath the goose down comforter. The moon watched. Now that the lights and decorations are placed in the cartons, the wrapping and ribbon tossed away, a landfill of disturbing, distressing, and terrifying global news is dumped on us. I do not understand the external world of political and international power, wealth, and motivation.
I fled that world a long time ago when I learned that men who controlled the paths of others were dangerously self-serving. I recall my father sitting on that green velvet sofa, holding the remote in one hand and watching a news program. He turned it off and said to me, “Luellen, everything that goes on is fixed; you cannot hide your head in the sand and think otherwise.” I nodded my head in understanding, while internally I thought my father was suffering from his usual psychosis. Eventually I crossed over, and forfeited my interest in politics. The forces of evil have shattered that glass of indemnity.
This year is not about vapid resolutions catering to our comfort, it is about survival. It’s about transforming behavior and habits, excesses and denial. Doing it in a group, makes us feel less traumatized. Imagine, all the thousands of people paddling the same current; forcing back the mortgage lender, relinquishing precious possessions, driving a car with a shattered windshield, wearing coats without any down feathers left, and wondering when the pink slip will arrive. Alienation and neurosis are at the root of people’s aggression and discontent. It can lead to unexpected violence, and then to massacre and war. It is a collection neurosis that grows worse every year.
The inner world, where each of us faces a truth no one else knows, is ruptured. All I can think of is bringing a little bit of light to someone you know is in darkness.
The throw of the dice this week falls on chapter One. Like any creative endeavor, the work is organic and has a life of its own. A garden doesn’t always grow with your plans; there are seeds that fall outside of the planter. There are disasters that drift though our arrangements and cause chaos. I am beginning to believe nothing ends how we imagine it. A beautiful day is hijacked by a tornado, a child is murdered while taking a walk with a girlfriend, and a chapter runs away from the author.
The desk where I sit and write is engulfed with books files, index cards citing important events, and characters, note pads, FBI files, and outlines. Period photographs are scattered through-out the room to further sedate any intrusion of the present. I live in a cubicle of my parent’s and famous gangsters.
I was writing a lengthy portrayal of Ben Siegel one day and it occurred to me that he had become a major character in my life. He played a role that someone else should have; a noted author, or journalist, or poet. Ben Siegel changed my history because I had to learn to love him. Learning to love him, meant erasing everything I had read or heard. It is said he was a ruthless killer, a savage, violent, and he loved to kill. I turned my head to look at a photograph of my mother. I was told that she loved Ben too.
Where once I believed my mother was naïve and uninformed about Ben; now I know this wasn’t the case. She knew from the beginning. I‘ve read the news articles of the day, the columns, and I’ve spoken to people who were there. My mother traveled by train to New York with my father, Ben and Esta, and the FBI was in the next compartment. My mother fit into this strangely singular and controversial group of people. A long stemmed Irish Catholic beauty, an original John Robert Powers Model with a future on stage, in film and in print was friends, very close friends with the wives of Ben’s group. I see her in the full frame of who she was, and not the imaginary mother. I like her this way because it reduces the outrageousness of my former years.
Why I continue to seek answers and probe into their lives is because they never told me anything. Children feel the repression of truth as clearly as they do the pain of bruise. The more you hide the more they seek. At my root is the inclination to question the world around me, and to mend the breaks in our lives.
Along the way of the first chapter, I discovered that people like to know how it works, how we write in a state of solitude and selfishness. It seems unnatural until you pick up a book. While a story is moving through the author, they or at least I refrain from answering the phone, checking email, or listening to the voices downstairs. A story or any work of art lives in the artist, it sounds sort of spooky, but that is how it feels to me. So when intrusions come, these disturbances are exaggerated into surrealistic proportions.
I could easily write about the life of the hotel across the street, the many characters that take care of the guests, and the grounds. It would be an easy writing assignment because I am not related to the hotel. But writing about your parent’s, the people who introduced you to the world is like grinding down your memories from stone to powder, and then picking up each grain and examining it’s meaning.
At the end of the day, as other lives intersect with mine, I see people engaged in human activity, the stimulation of common interest comes from living among people and their needs. In writing you interact with your head. The narrative is like water; it can run smooth like a river over all the rocks and debris or it can break into a million bubbles and lose everything.
When it breaks apart like a wave on the beach, you begin again, and the erosion of impatience and self-doubt allows you to continue.
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The Power of Story
Navigating through my post-work world
Every Day is a Gift!
Entertainment website · Marketing agency · Advertising agency 🎧⽣👠💋
The inner voice where gaps of expression are liberated as art of the heart
Funny Blogs With A Hint Of Personal Development
Become a Story Hunter!
It's just banter
Larry Harnisch Reflects on L.A. History
Escaping reality or facing reality.
Saratoga Springs, New York - Arthur Gonick, Editor
Space, Travel, Technology, 3D Printing, Energy, Writing
Live Your Dreams Don`t Dream Your Life
Even a bad guy can have redeeming qualities
Books and Lifestyle with Hermione Flavia.
KNOWLEDGE IS POWER / IGNORANCE IS BLISS - YOU DECIDE