Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
A thirty -five-year bond broken by, sudden estrangement, psychological abuse, foreclosure, and gaslighting. Financial and legal burdens are presented in dark humor while tracking Greta’s will to survive through the power of friendship.
Gaslighting Greta is a suspenseful and deeply personal true story about the mysteries people create, the truths we sometimes resist, the enduring power of love, and the unexpected freedom found through self-reckoning and forgiveness.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I chose a new theme, and it is more complicated than figuring out how to build a house if you’ve never done it before. None of the links’ work, the block that forces you to write inside its parameters and the template choices don’t operate without a manual. I’ve written to the “Happy Tech Engineer” 5 times. No help at all. I’ll be working on this.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
MARKETING & EVENTS STRATEGIST | Turning Creative Ideas Into Profit
PROFESSIONAL SUMMARY
A resourceful communications professional with a proven track record of curating high-profile exhibitions, managing multi-platform media campaigns, and producing award-winning written content. Combines creativity, research acumen, and a strong business sense to translate trends into opportunities for brand growth and audience engagement. Experienced in public relations, event management, content creation, social media, branding, and business development. Known for building collaborative relationships, maintaining integrity, and delivering results with enthusiasm and a clear strategic vision. Blue Ribbon Award for Smiley’s Dice in the 5000-10000 category | California Newspaper Publishing Contest. Retail sales experience selling art and clothing.
KEY SKILLS & AREAS OF EXPERTISE
Special Events Planning | Event Coordination | Marketing Strategy | Community Engagement | Content Writing Copywriting | Social Media Management | Brand Development | Public Relations | Arts & Culture Promotion Creative Campaigns | Expert Leasing Manager / Vacation Rental Owner and Management | Project Management | Vendor Relations | Advertising | Exhibition Planning | Email Marketing | Digital Marketing | RETAIL SALES | DISPLAYS AND PROMOTIONS
SELECTED ACCOMPLISHMENTS
Curated and managed the exhibition strategy for a gallery,including marketing, public relations, receptions, opening night extravaganzas, advertising, and media planning; exhibitions featured iconic photographers worldwide: The Beatles, The Rolling Stones, Jimi Hendrix, Bob Dylan, The Who, Janis Joplin, and Joni Mitchell.
Awarded the California Newspaper Publishers Association Blue Ribbon Award for excellence in weekly column writing.
Founded and grew Odyssey of Adventures, a globally read blog featured in the New York Post and More Magazine.
PROFESSIONAL EXPERIENCE
The Scott Varley Team Keller Williams – Saratoga Springs, NY 2019 – 2025
Public Relations & Promotions Consultant
Owned accountability for media relations, promotions, event planning, and advertising for a real estate brokerage.
Implemented SVKW communications strategy with guidance from the Director.
Increased brand awareness and ensured consistent branding, voice, and messaging across all digital platforms.
Planned and executed social media campaigns to advance communication and engagement goals.
Identified and leveraged opportunities to raise awareness of SVKW initiatives, partners, and collaborators.
The Gallery Loulou – Santa Fe, NM, & Taos, NM 2006 – 2018
Owner/Gallery Manager
Oversaw the development and execution of exhibitions and events related to photography.
Secured exhibitions with world-class rock & roll photographers and established the Southwest’s only gallery of its kind.
Translated vision into executable annual operating plans.
Served as an internal decision-making authority across contributing photographers.
Managed vendor relationships across framing, shipping, and cost analysis for all gallery functions.
Main Street Media – Del Mar, CA 2002 – 2007
Arts & Lifestyle Columnist
Authored a weekly column on arts, cultural events, character interviews, and personal lifestyle on travel and horse racing.
Collaborated with the art department, colleagues, and city-wide councils.
Utilized storytelling skills to cover news, including city council meetings, press conferences, and special events.
Galerie D Art International – Solana Beach, CA 2005 – 2007
Publicist & Marketing Director
Managed all functions relating to external communications and media relations.
Coordinated media interviews for gallery artists and occasionally served as a spokesperson.
Supported division-level PR and media-related programs.
Originated the collaboration between the community theater and gallery to co-produce theater in the gallery.
ADDITIONAL EXPERIENCE: Leasing Manager at Terraces Condominiums | Founder of United Steps Dance Productions | Marketing & Leasing Director at Torrey Pines Science Park
Associate of Arts (A.S.), Art History and Literature | Sonoma State University
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Pop-up thought. I hear it all the time, if you don’t know our countries history, our enemies and allies, you cannot understand the present. Why then are we, as individuals asked to move on, avoid and exorcise our past? Dylan probably sang the answer.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’m sitting in a squeaky clean room, sanitized by professionals, feeling self- consciously un-scrubbed. Rooms like this are serious; medical sitting rooms, where surgeons come in after you’ve met all the cheerful and optimistic staff members.
Just a few days before, on a pillow size slice of beach, Rudy and I crouched up on two boulders. “It’s better up here; I don’t want to sit a foot away from a couple kissing.” He was right; we had mezzanine seats, and were at least twenty feet from the sleep over party down below. It reminded me of a fold out beach photo; guys and dolls on their stomachs, leaving their bronzed backs to glow in the sunshine. The girls legs dangled in the air, rising up and down with each giggle.
“You don’t look happy.” I said after watching the corners of Rudy’s mouth tighten and drop. He stared out to the ocean for a long two minutes.
“ I get nothing from a beach swarming with people. I go for the closeness to nature, the silence beyond the roar of the ocean. When we were at Kelly’s there wasn’t anyone else but us. ” (Kelly’s Cove, San Francisco)
I thought about it, and how the crowd was entertaining me, and how I’d dismissed the bold and demanding essence of the oceans power.
“You’re right, it’s different. I don’t ever remember Del Mar so crowded on the 4th of July. I was here in 1986, with Hannah Head, and a crowd. It was overcast, and we ended up at one of the crowd’s house in Encinitas, in a hot tub. I still have the photo.”
“ Where was I?”
“ Remember? You didn’t like her. Or we’d broken up, I can’t remember.”
“ Why don’t you go in the ocean?” He asked.
“ I don’t want to go in if you can’t”
“ No way! I want you to enjoy yourself. I’ve not been in the water in three years, but I’d go today, except I have to wait another week. The stitches look all healed. See the scars. ” He raised his shirt, and pointed, “I look like Carlito; ‘ no big deal, in and out, boom boom.’ The scars were still purplish red from a hernia operation then an appendectomy, and then cancer in one month. That’s why he was on the boulder; wearing a cowboy hat and cowboy boots.
“I must look like a Hillbilly from West Virginia.”
“You look like Clint Eastwood! All right, I’m going in.”
My skin was warm and damp and I walked through the aisles of legs, blankets, chairs, toys, and cabanas to the water’s edge. Prissily sensitive to anything cold,
I layered my body down slowly under water, and got lost riding waves. Everyone had a boogey board or surfboard; and one kid swiped me as he passed. Rudy was right, not the same, but under water the thrill was not gone. Beneath the surface, I surrounded to the sea as if he was a lover.
Maybe it was that night we ate outdoors on the terrace and watched the sunset slip like an eye lid. We didn’t talk too much about the medical meeting, or what was said, in such long-winded sentences with words out of medical journals. They were preparing us for the next surgery. Rudy wanted to talk about old times; in Del Mar, and old times in Taos, and New York, and all the other places we’ve experienced together. One day we went up to San Juan Cap to browse the antiques stores. Rudy spends hours picking through shop collections. He walks slow as molasses while I am aisles ahead, and miss all the good stuff. That’s one of collisions we have adapted to. I go fast, and he goes slow, I turn right and he turns left. I say, ‘did you get the for rent sign?’ And he says we have one, and we discover we’re talking about different properties.
We didn’t see anyone we knew when we were in Del Mar, except those same Starbuck sippers, now with less formality and an air of comfort in retirement.
“Wonder what happened to Blondie?”
“Which one?” I answered.
Afterwards, while we were waiting for the talking pedestrian traffic light to shout out; WAIT, WAIT, WAIT, Rudy started imitating it really loud. The family behind us joined in and the kids got wild in the middle of the street.
“Remember when Whitey threw the keys to his new Jag to you and said take a ride?”
“Yea, that was the first day we met him.” Rudy said.
“No it wasn’t.”
“Yes it was, or maybe the second day, but it was right in the beginning.”
“David empowered our breakfast café salon. He looked like God’s disciple; a crown of pearl white hair and teeth to match, bronzed skin and he wore white gaberdine pants. We were all intrigued because he was so at peace.
“ Let’s ask David out to dinner.” Rudy said.
” Yes, lets. But I wonder if he is tied to the Mafia like an informant. I’m writing all these posts about my Dad and he’s so mysterious, like James Bond.”
” You’re crazy, you know that.”
I wasn’t before.”
“Before what?”
“I became writer.”
Rudy leaped into his encouragement serum, knowing I’m at the end of the tight rope, and also knowing I won’t look for a safety net. One time I threw out a few boxes of manuscripts and he rescued them from the dumpster. In another home, he picked up pages I’d let drift out the window and taped them back together. We’ve lived in at least a dozen homes, casitas, or apartments since we met.
This morning back in Santa Fe, NM I walked through the Plaza, still waking up from last night’s festivities, and summer preparation is everywhere. Big storewide sales, street vendors, hobos, dogs on leashes, old men searching for a memory, and crews setting up the sound stage in the Plaza. All of us are thrown out of our homes to either collect or spend money. Beyond the money, there’s the circumstance of meeting someone you haven’t seen lately, or a movie in production, or a blazingly poetic sunset.
The air is perfumed with grilled chilies and sizzling greasy meat from push carts, bringing flies and children, like they do in Spain or Mexico. I walked into a Jewerlry shop and asked about a Navajo cross on a string of pearls. The saleswoman was a girl, with a laughing smile, and birch-brown eyes. She told me the cross can work for anyone, and that they pray four times a day, once in each direction. I thought it wouldn’t hurt to start the same practice, because who can remember to pray but the tribes.
Then she told me a secret. “All the pueblos are preparing for the big dances, and they are secretly praying for rain.”
“ Really? You mean all this rain we have had…
She tilted her head to one side and smiled. “ You can come in anytime and I’ll tell you stories.”
https://odysseyofadventures.com/2026/09/22/adventures-unknown/I walked out, with that singular enraptured sense of climbing off my boulder, and into the waiting discovery. Late at night I sat outdoors listening to the song of the crickets and thought how a hundred years ago this house was here. This was Ed Barker’s home and his relatives come by often to tell me stories. He was a very prominent wildlife and game protector, and the first Commissioner of the New Mexico Department of Game and Fish. It was Ed who suggested the little black bear cub who was caught in the 1950 Capitan Gap Fire, a wildfire that burned 17, 0000 acres in the Capitan Mountains of New Mexico, become the mascot for fire safety. One moment you’re safe, the next you’re not; but you can’t live on a boulder, anymore than a cub should live in a Zoo. To be continued.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Writing feels rusty today. I plow deliberately through the blank mental soil to find a blade of substance in a week of tragedy and cultural chaos. In conversations with men and women about our fractured culture.
” It was never like this when I was growing up,” that is from a fifty-year-old,
” I won’t get on a plane, no way?” from a forty-year-old.
” I don’t talk about my views with anyone at work or out of work, except my family and friends.”
I replied, “Yes, we have to talk niceties, bland boring conversation. “
When I was growing up, there was more joking, laughter, and confessional conversation. I was thinking about my high school years; we talked a lot about emotions, our parents, our dreams, and our fears. I don’t recall restraining what was on my mind. Perhaps that is why the majority of the younger generation prefers social media friends, as they can be easily deleted or blocked. On my FB page and feed, not one follower or friend reveals their political views, including myself. Isn’t that so contrary to humanity? And political violence, I keep hearing we won’t tolerate that on the news, but we are tolerating it. Do we all need drones over our homes for security? An optimist would say, We can do better, and we will; a pessimist might say, I think it’s going to get worse, and a nihilist would say, Life isn’t worth fixing; it’s just worthless.
I’m still dusting off the pleasantness of the past with the polemic present.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Truth is out of style, it rather went the way of a six-hundred page novel, bicycles built for two, print magazines, handwritten mailed letters and holiday cards, classic modesty, privacy, discretion, trust to a stranger (after you have googled and backgrounded the person) and many other authenticates we don’t have the time or patience to endure. I’m leaving out acronyms because those change daily.
We take short cuts, and improvise our way through the encrypted labyrinth of electronic devices and political divided modernism. We are in a revolution, it’s been coined Cancel Culture, that’s just a tagline. Our Democrats and Republicans, are trafficking disinformation. Not a day goes by that a political analyst or news anchor doesn’t say it. The parties have developed fox and hound instincts.
9/13 First basting of Autumn doesn’t drape the beaches; I’d have to go to Julian. I love Julian, once I got this wild idea to buy dozens of pies and set up a display in local grocery stores. I got a wholesale price and loaded up my tiny kitchen with pies. Then I took them to the grocery stores, and open spaces in shsopping centers. I sold them! What I didn’t do was get a contract so the Julian Pie Company joined in and signed a contract with the stores to sell them directly from their shelves. I ate a lot of apple pies that autumn.
IMAGINE the USA was your city. Go a step further and imagine it was your community. One more step, your neighborhood. What do you think? Are you safe? Are you prospering: emotionally, professionally, financially? Are your circle of friends, family, associates dancing jubilee? If I wake up hopeful, without muscle cramps, anxiety, a friend in crisis, and a new alert, I write. . The melody of writing is like playing a violin or a guitar, it marinates the suffering, conflict, threats, political disagreement, Antisemitism, and violence beyond my front door. I am thankful that I found this little quiet friendly complex of studios.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I am leaning into naturalness more than the keyboard, screen and far from the madding crowd.
You hear a chime the moment it responds to a breeze. The sound is beautiful, like rain on a metal rooftop and wind in the trees. The chime improvises its sounds and movements. This abstraction reminds me of sensitivity. It can be soft and gentle, nurturing the souls of those who are less peaceful.Or it can be like pounding surf on a frail body.
Back at the desk, sensitivity reigns me in when I am stunned by these acronyms. What does DMing mean so I asked and it is this, Dungeon Mastering, or are they referring to Direct Messaging?Then came IRL, what could that be? IN REAL LIFE!
I’m going outdoors right now, this is crawling up my back like a slimy snake. We have to identify real life?
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
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