LIVING AS A LONER.MINIMAL MAYHEM LIFESTYLE-OCEAN, SKY, SUNLIGHT WONDER.


FEEL, THINK, AND REACT. Tumbling through all the transitory advice forces me to examine more closely whom to believe.  Iโ€™ve never been a leader, nor a follower, I walk in between, trying to pave a pathway to peace of mind. Maybe that is unattainable as I  am in a cultural, political, medical, financial, and socially reimagined world. It reminds me of being a teenager when life was questionable, and confusion was like a stinging bee we couldnโ€™t swap away. So, in my senior year in high school I started writing in a notepad. Gradually, almost supernaturally I withdrew from my gang, and spent the weekends in a Cafe with adults, or in the library. The loner label pleated my pants.

Loners were portrayed in film, books, and art as mysterious, untouchable icons. They even became romanticized as people of superior cerebral awareness. Iโ€™ve met and gained friendships with several over the last few decades. It may be that loners have thin skin, they absorb the ethereal and reality, so in many situations the absorption is too weighty and the loner cuts loose before the party is over, cancels at the last minute, and doesn’t answer the phone. Talking, engaging, evaporating into another person feels herculean for me sometimes.

Does isolation relate to the intensification of rancorous physical assaults in streets and shops, which is my pestering pursuit today. Are all these perpetrators unloving, and live amongst the unloved? People are shot because their hamburger wasnโ€™t properly served on time, or they have a different opinion. I was living in Los Angeles in 2018, and one day driving down Pico Blvd I noticed a sign, โ€œWalk in Anger Management.โ€ Maybe we need to convert a few drive-thru food diners to Anger Management centers. It sounds amusing. If I was financially able, Iโ€™d open one in every major city.

      WHAT HAS HAPPENED TO THIS CULTURE is unimaginable for a woman who grew up in the Love and Peace generation, or even into the eighties and nineties. We didnโ€™t shoot one another, maybe a fist fight, or a shouting match, but not murder in cold blood. Could this macabre movement be abated by friends who love you more when you are gentle and kind? It cannot be that simple, or could it? When I used to rage about some occurrence that tattered me personally, Dodger would come to me and say,

โ€˜Greta put your guns down,โ€™ that always made me laugh, and then weโ€™d talk out what triggered my fury.    

    THE COMFORT OF EXHIBITING life on paper. It is not the act of writing with pen and paper moving along at a steady rhythm; itโ€™s the activation of the heart and mind, collaborating to unravel the relevant from the irrelevant. To reach this state of matrimony, a writer doesn’t need a Tuscan Villa or an English Castle, but experiences that flake off the skin and shake out relevance. What Iโ€™ve rediscovered is that without a lot of stuff to organize, the mind is free to think, more time to create and effect essential decisions.  Narcissism is sacrificed and replaced with more visceral makeup. Minimalist living has erased my past, and that is as transforming as day to night.

PUZZLE OF SOLITUDE  will always be a puzzle because our lives, solo or mated, are puzzled by too much solitude, or not enough.   There is an inner exploration happening, unfolding like spreading new sheets on my bed, that solitude has befriended me all my life, in the best of times and the tedious. I have to find the frolic and follies in the world that I created. I have to laugh alone, so I watch screwball comedies, seek humor in my irregularities; wearing a sweater inside out, pouring coffee into a wine glass for a cocktail, and chuckling when I keep forgetting where I left my phone. Laughing at myself is a funnel that leads to writing.

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MINIMAL MAYHEM LIFESTYLE PART TWO-


The first gallery opening I attended. Smashing art by Hunt Slonem, photography by Tim Hardy. Conversation, champagne, and what we all need, social engagement. Unlike a concert, or theater performance where you are seated next to someone you know, art galleries are a sensory of interaction with the artwork, the guests, and the elan of the space. Madison gallery was a warehouse, exposed twenty-foot ceilings, enormity of space, and minimalism in furnishings. It feels like an indoor park.

Once a gallery lover, then a gallery owner, and now seeking a job in a gallery. I joined the mailing list of a dozen galleries, realizing resumes are sifted through by AI and not the owner.

My love of photography began at a museum observing the work of Edward Weston. I used this line when selling my photography in Santa Fe” Photography are stories on the wall., not just the photo, the photographer. Of course you can say the same about a painter, but for me, catching a moment in time, that will never be repeated is poetic.

One guest that visited my gallery said this to me, ” Photography isn’t art.” He was famous, not as an artist but the son of John Huston. I cannot recall his explanation, but I have heard this statement several times and that is why there are so few photography galleries. I’d open one again when the if’s are removed.

One of my favorites by Jim Marshall. Jim caught Bob in a private moment, and let him publish it. An early concert, 1963, with already famous Joan Baez. Fuzziness is my fault.