INTERIOR DESIGN – ADVENTURERS IN LIVINGNESS

My possessions in Saratoga Springs now appear as decorations from a former celebration, like side dishes of over 20 years of mixing and matching prints, drapes, sofas, chairs, tables, vases, and artwork. Now they’ve been removed from my experimental minimalistic living. A former lifecycle that began twenty-five years ago, and are boxed up in a big POD storage. And I refuse to meet them in the present. Friends ask me, ‘when are you bringing your furniture here?’ I can’t answer in words, it must crystallize like it has this past week, when I missed my wardrobe and art hangings. Within the admired art, clothes, and sixty-two boxes, (I looked at my inventory) are a haunting of memories tied in see thru knots of Dodger, my x. As a confirmed refuser of goodbyes, in any relationship, this one has to be nurtured with precision, and that means, no reminders.

The stark white walls and Amazon assembled furnishing are stationed without emotion, memory or love. Functional, practical and unfamiliar. Ive created a new palette, like my first studio in Los Angeles in 1976. Then the others, studios over the years, small, compact, easy to maneuver and clean. Internally, the walls and shelves are cluttered with decisions. The edits on my book from the publisher, when will I find employment? How to engage in new friendships, clubs, gyms, meetups.

Singleness in a city, that was once my home for twenty years, evolved through generations, adding new policies, laws, regulations, real estate development, customs, and an impressionable celebration of the arts and culture. It has no resemblance to the San Diego I met in 1983, except for the ocean and the bordering cliffs and seawalls. That is where a continuous rolling of memory waves sear my view, and I see my youthful delight in San Diego. I’ve always been impressed with people who truly live in the present, can’t figure that one out, maybe I’m just a past time girl.

The first gallery opening I attended. Smashing art by Hunt Slonem, photography by Tim Hardy. Conversation, champagne, and what we all need, social engagement. Unlike a concert, or theater performance where you are seated next to someone you know, art galleries are a sensory of interaction with the artwork, the guests, and the elan of the space. Madison gallery was a warehouse, exposed twenty-foot ceilings, enormity of space, and minimalism in furnishings. It feels like an indoor park.

Once a gallery lover, then a gallery owner, and now seeking a job in a gallery. I joined the mailing list of a dozen galleries, realizing resumes are sifted through by AI and not the owner.

My love of photography began at a museum observing the work of Edward Weston. I used this line when selling my photography in Santa Fe” Photography are stories on the wall., not just the photo, the photographer. Of course you can say the same about a painter, but for me, catching a moment in time, that will never be repeated is poetic.

One guest that visited my gallery said this to me, ” Photography isn’t art.” He was famous, not as an artist but the son of John Huston. I cannot recall his explanation, but I have heard this statement several times and that is why there are so few photography galleries. I’d open one again when the if’s are removed.

One of my favorites by Jim Marshall. Jim caught Bob in a private moment, and let him publish it. An early concert, 1963, with already famous Joan Baez. Fuzziness is my fault.