Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
When I see a crippled person, a struggling Senior with a walker, or when I read the stories of the hostages, my blessings are embellished, and I remind myself of this. Maybe this entire episodic journey is to teach me to get outside myself. Joy is not power, wealth, or attention; that is plainly human. Genuine joy interrupts someone’s suffering and transforms their mood and sensibilities.
All the success that opened doors in my life paddled in from friends, strangers, and just incidental connections. We can’t do it alone, as much as I foolishly try to carry my wheelbarrow without direction and sound advice, this is where it took me. I identify with the outsiders who peddle the steps of solitude and sometimes don’t reckon with their culture, people, or conformities.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
It was her widespread, unrestrained, and contagious smile that I see when I think of her. Her expressive hand gestures seemed like separate limbs from her straight, head-held-high posture. Frankness, unpreparedness, and ebullience made her the embodiment of who I wish I were.
I was on the phone with a friend when the news alert filled the screen, and a photo of her signature smile.
“ Oh my God!”
“What?” he asked.
In a voice trembling with shock, I replied, “Diane Keaton died.”
“ Whoa, how old was she?”
“ Seventy-nine. She was the only contemporary actress I related to. I watched Baby Boom last week, so Keaton. It was like watching me if I had the same experiences. “
“ She was great in The Godfather, not a lot of people would agree with that, but that’s my opinion.”
“ I never thought of that. I watch it once a year. She was in an interview years ago, and the host asked,” Why didn’t you ever get married?”
With her arms opening like a double door, she exclaimed, “ No one ever asked me!”
Her last post on Instagram is worth reading.”
And in the same weekend, I think of this. We can’t feel another person’s sickness, or what it’s like to sing if we don’t sing, or fly like a pilot unless we’ve been one. We cannot imagine what it is like to be a hostage of Hamas.
I wandered about yesterday, in the gym, the veranda, and the lobby, and later, had appetizers in the restaurant. Two flat screens, football, the rest couples except the man next to me. I couldn’t help but notice that he was three inches from me at the bar. A shrimp cocktail showed up, he ate voraciously, then a steak and a large flat potato sort of tortilla, a side of vegetables, and he ate enthusiastically, then a lobster plate, with more vegetables, and he ate, and then dessert. I left before it arrived, so I wouldn’t swipe it from him.
I wanted to say to someone, “The hostages are coming home!” I didn’t. Diane Keaton would have!She lived with squamous cell cancer or many years. That explains the hats and turtlenecks.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
