Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
I am not afraid to write the truth, to stare and embrace the reflection. It appeared last night; a thought manifested in an abstract way; a torch of light, a rainbow, an open door that symbolized a guide to contentment, and peace of mind, it felt reachable if only I evaporated into the sensibility, allowing change, a complete transformation from this encampment of isolation and fear of making the wrong decision.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The embryo of thought. Sometimes it is negligible, as is life. I am the puzzle maker and every time I try to carve the right size square, I fall off the board and have more material to write about. The puzzle is so vast that it covers our lifetime and the pieces are the choices, and non-choices that fit into themes. My life, is like a melody, a Gershwin tune. As a dancer and prancer at heart, my feet are my hands, and my hands are my heart. Drizzling rain is relative to thoughts on a Saturday; a few thoughts for my book, assembling the bedroom fan, calling friends, a walk with my umbrella to live in rain, answering emails, and those hypnotic Film Noir Classics on Utube. When world news disables self-absorbency, it’s a relief, I hold hands with whatever keeps me alive.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
When I was eight years old, our home burnt to the ground in the Bel Air, CA fire, and everything we owned fell to ash. Shortly after my mother moved us to an apartment in Brentwood, a mammoth carton arrived and was placed in the center of the living room. My mother cut it open and urged me to look inside. I sat cross-legged on the avocado green carpeting and discovered a heap of brand-new Bermuda shorts, matching tops, and dresses.
I quickly shed my worn trousers and stepped into a new outfit, dancing about as I zipped myself in. My mother watched, and echoed my childish yelps of elation.I learned they were from my Aunt Millicent and that she lived in New York, and I’d met her when I was a child.
Close to ten years later, my father called and ordered me to his apartment. He said that Millicent was coming over. I knew by now that Millicent was Benjamin Siegel’s daughter, and Ben was my father’s best friend. He was sitting on the same chintz covered sofa the night Ben was murdered and witnessed Ben’s eyes bleeding down his face.
When my father answered the door, I watched as they embraced. Millicent had tears in her eyes. She walked over to me, and took my hand. I looked into her swimming pool blue eyes and felt as if I was drowning. She sat on the edge of the sofa and lit a brown Sherman cigarette. I studied her frosted white nails, the way she crossed her legs at the ankles, her platinum blonde hair, and the way her bangs draped over one eye. What impressed me most was her voice; like a child’s whisper, her tone was delicate as a rose petal.
I spent the rest of that afternoon memorizing her behavior. She emanated composure and a reserve that distanced her from uninvited intrusion. Over the next few years, Millicent and I were joined through my father’s arrangements, but I was never alone with her. When he died in 1982, she was one of three friends at his memorial service, just as my dad was the only friend at Ben Siegel’s funeral.
As the years passed, and my tattered address books were replaced with new ones, I lost Millicent’s phone number. When I began researching my father’s life in organized crime in 1996, I gained an understanding of my father’s bond with Ben Siegel. I reconnected with several of Dad’s inner-circle, but Millicent was underground, and now I understood why.
Last year I received an email from Cynthia Duncan, Meyer Lansky’s step-granddaughter. She told me about the Las Vegas Mob Experience, a state-of-the-art museum in the Tropicana Hotel, that will take visitors into the personal histories of Las Vegas gangsters. Despite my apprehensions about the debasing and one-sided publicity that characteristically surrounds gangster history, I called the museum and was told, “Millicent would like to contact you.”
A month later, I was waiting for Millicent in the Mob Experience offices in Las Vegas. When she walked in, I stood to embrace her, and this time the tears were in my eyes.Millicent’s voice and regal posture was unchanged, “Our fathers were best friends, practically attached at the hip. Your Dad was at the house all the time. I’ll never forget when he met me at the train station to tell us about my father’s… death. Smiley was very good to us. My mother adored him, too.”
Mob Experience
March 27 2011
Photos By Denise Truscello
The Mob Experience Preview Center was like a family room to me, because some of the men featured had been my father’s lifelong friends and protectors. I stopped in front of the Ben Siegel display case and saw an object that was very familiar. My father had the identical ivory figurine of an Asian woman. I still have it. So much of their veiled history was exposed. Between these two men was a brotherly bond that transcended their passing, and was even evident in their shared taste in furnishings.
After I returned home, Millicent and I talked on the phone.
“Your father belongs in my Dad’s room. They’ll just have to make Mickey Cohen’s room smaller.”
“My father hated Mickey”, I said.
“So did mine! When are you coming back? I’ll kill you if you don’t become part of this”.
I dropped into random reflections; the adventures of Ben and my father, gleaned from books, newspapers, FBI surveillance files, films, documentaries, and conversations with people who knew them both. I dreamily visualized these two men, striding along the streets of Beverly Hills when it was a two-story brick village, without islands of garish lighted palm trees, paparazzi, and limousines. They might stop at Al Perry’s Beverly Hills Athletic Club for a steam and work-out, and then take a drive in Ben’s convertible to Santa Anita Race Track. At the track, they’d sit in the Turf Club, immersed in the perfume and red lipstick glamour that Lana Turner, Betty Grable, and Rita Hayworth epitomized. They, and my mother, became the characters I had to write about.
On balmy summer nights, Ben, and Al drove along Sunset Boulevard, stopped in for a few rounds at Ciro’s or the Mocambo, and then played cards at Dad’s apartment at the Sunset Plaza. George Raft was there, too, along with a funny little Runyonesque character by the name of Champ Segal, and Swifty Morgan, with a pocket size fortune of tricks and dice. The FBI were parked in a sedan across the street, watching. Maybe they had an informant planted in the building, like they did when I lived with my father at the Doheny Towers. I know Dad watched Ben’s back, not just because Ben moved so quickly, and in so many directions, but because he was studying him, like an actor studies his character, aspiring to absorb Ben’s magnetic mannerism.
Early the next morning, I opened the shutters of our Havana-hip suite at the Tropicana and looked out at the misty peppermint pink sunrise and flashing multimedia billboards. My eyes sank into the stimulation, like being thrown into a food processor of human temptation. If Ben had lived to build his Monaco-chic hotels and casinos, I’m sure he would have done it differently. He’d been to the French Riviera, and experienced European élan. More importantly, Ben was different, but not in the way you’ve been asked to believe by reporters and law enforcement. Ben was noble, and his violent temper, cost him his reputation. His loyalty to his partners, and his family was intact. What the press wrote about Ben was handed to them by Hoover, two-faced columnists, and informants. He was more than handsome, generous, and fearless; he was an icon, with the finesse for embellishing strangers with importance, facilitating dreams, and taking a fighting stand against Anti-Semitism.
Newspaper reporters from that era like Mark Hellinger and Damon Runyon knew how to write about Ben, and they are the sources I used to draw my own Ben Siegel portrait.It’s easier to read books than go out and interview the relatives, rabbis, and community where they lived.
My dad came into the life by way of a friendship with Ben. He wasn’t physically violent: he could holler loud and intimidate guys, but his real asset was that bullet-proof friendship.
As our jet roared upward, I crunched against a pocket-size window, and studied the paper-thin rows of glass and marble hotels of Las Vegas, the sprawling monopoly of gated communities, each one sandwiched between a slice of palm trees, sprawling to the base of the muddy mountains. Ben, Meyer, and a few others like Billy Wilkerson, Johnny Roselli, Moe Dalitz, and Allen Smiley, peeked beyond the dusty sand dunes, and in the mirage, they saw an oasis. The pioneers of Vegas were not committing any crimes when they financed the building of the first hotels. They were businessman carving out a legitimate future. More importantly, they were demonstrating to the Jewish community that it could be done. You could rattle respect like a Rockefeller or a Kennedy.
When I arrived home, an unfamiliar upright pride and surety about myself surfaced. It is ironic that what my father shielded from me is where I needed to be: among people who understand my family history, and accept it.
It’s been seventy-five years since Ben and Al sat by side, figuring out the next bet. Now, their possessions will share the same room. And from those collections, stories will emerge, and new information, and more questions, and this time their daughters will be there, in the open, to speak in reverence of Siegel and Smiley.
Everything in my path leads me to understanding the men that turned to crime so that they could sit in first class and order Dom Perignon. If my father left a ten-year career in film making with Cecil B DeMille to join Ben Siegel, then Ben’s story has yet to be written.
Today, I look at my father’s collection and see It tells the story of a remarkable life… the precious artifacts of a life onthe edge: photos that document an album from his unnamed sweetheart during his twenties; James Metcalf poems clipped from newspapers; wedding photos; Flamingo party photos; his phone book filled with names like H. L.Hunt, Eddie Cantor, and O.J. Simpson; heartfelt letters to Meyer Lansky and others; and FBI memos that describe my father as a pimp, a murderer, an extortionist and a Russian Jew.
Ironically, the journey to discover my father’s story ends in Las Vegas; for my dad, who was blacklisted from Vegas, that is poetic justice.
THANK YOU FOR READING. IF YOU LIKE THIS PLEASE LET ME KNOW.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The Beatles and the Maharishi 1967 –Philip Townsend
“The Beatles and Maharishi at the Meditation Centre, Abbotsbury Road, Kensington. After this meeting, they went to the Hilton Hotel, Park Lane, where Maharishi gave a lecture. These shots for Beatle purists were taken before they went to Wales or India. The shot of all the fabs, partners and road crew is interesting as it is one of the few with the whole lot in one snap.
The photographs are exclusive as I was the only photographer there. I had been asked by the holy man’s Public Relations agent to take them but they failed to pay, me therefore I own the copyrights.”
What I love is every Beatle has a distinctive expressionat the meeting. Note John contrasted with Paul.
Gallery Loulou 2008
Philip arrived from London late in the evening. We met him at La Posada Resort Hotel. He did not stop smiling and chuckling in spite of his lost luggage, and a twelve-hour flight. His photographs had arrived and were already placed when we invited him into the gallery. Again, a resonating joyous outburst, ” Oh, it’s lovely, marvelous, just marvelous.” He was tall, lanky, and at seventy-something majestically youthful. We spent hours together over the next week. He loved when I made him a cup of Tea, the bumpy New Mexico road trips we planned, and the dinners. The slightest bit of congeniality towards him was returned with a pat or a hug and kiss. Opening night was a sensational tribute to a prince of a man.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
POP-UP THOUGHT ON A RAINY THURSDAY.
Direction is a choice; move back home, move near your children, move for a job, but in my case, I move because my act in Saratoga will come to a close. I’m like a blank space between two paragraphs; it sounds like freedom, no commitments other than being the best I can be. Starting over in a new location is about redesigning within.
I’m still a nomad, searching for adventuresinlivingness. As I lay my head down on my pillow, the interim is asking me to be peaceful, faithful, and confident. It’s about time!
Reminds me of when I went off to college, a liberating extension of those early days when belonging to things didn’t matter, life mattered. If you are single and without children, this is the knife that we must slice into a piece we accept, or no peace will lull us to sleep.
ON THE ROAD FROM SOMEWHERE TO SOMEWHERE, I CAN’T REMEMBER. MAYBE SANTA FE TO SAN DIEGO.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The list of projects stares at me; donating boxes of what I can do without, vacuuming, calling friends, grocery shopping because my frig looks too vacant, finishing the manicure I started yesterday, estimates on the cracked steps, and painting the front porch, well, it’s a short list because I live a short life. Not working on a specific project, other than managing my home, tenants, and repairs. It leaves me with more time than I have ever had, to think, process and write. This week’s Tik-Tok hearing enraptured my attention. I stopped my life to watch game changers change the game. The result will most likely ignite protests, appeals, and millions of Tiks! I write because my head is full of thoughts. I exert neutrality to ignore the number of readers that read it, share it, or like it. It’s not any easier than being the only one without a date on Valentine’s. Day. Why do we all crave an audience? Hmm, has social media collapsed our self-esteem, importance, and relevance? It is comical; hits, clicks, and shares mean we matter.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Academy of Loulou Awards. All of you that respond to my nuanced writings are awarded. A Star award for a few that push my cart.
Marc Romano, Historian, J’amie Rubio, author, and archivist, Antonio Mendoza for the best photographs of the Rolling Stones, Alison Martino for Vintage LA, Rare Jazz Photos for the best photographs of Jazz, Eric Dezenhall real friend and author, Cynthia Duncan, my consiglieri, Santa Fe Bulletin Board to bring back the memories, Scott Varley, the best real estate broker I ever met in 25 years, Las Vegas Mafia History… I’ll think of more later. Warren and Annette Hull, filmmakers, Danielle Haynes, an angelic warrior who joined my battle, William Winant, a high schoolmate and acclaimed musician who remembers me, Larry Henry, torch-carrier of Mafia history and Greg Price, my UK 911 call, along with Gloria Devan, Tere Tereba and Armen Ozaynan who settles me down. Friends, when you are single, are food for the soul.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
My direction is following Lawrence Durrell, “Spirit of the Place,” and living where I would never expect to live. I wish I could control my impractical, impulsive, and annoying spirit of adventure. I think about architecture, Jewish deli’s, Italian restaurants, at one movie theater built in the 1930s, and neighborhoods of unfamiliar lighting, expressions, and conversations. Gambling on yourself is how much you can adapt, change, influence, and accept the days of your life.
In my syndicate, there must be a dozen pals with the same unsolved equation. Is it age that blocks me and maybe you from relocation, or is it the trauma and stress? What liberation to just pack a suitcase and board a plane like in the movies. Separation from the familiar. The spirit of adventure has arrived. My home sold and so relocation isn’t a muse any longer, it’s reality. Today, coincidently is Independence day and so am I. It is a day of nostalgia. The Rudster painting Follies. It took two summers to remove the aluminum siding, scrape, caulk, prime, and paint my chosen seven colors to resemble a wedding cake. Mr. Doolittle built the home in 1883 as a wedding present for his daughter.
The Rudster painting Follies. It took two summers to remove the aluminum siding, scrape, caulk, prime, and paint my chosen seven colors to resemble a wedding cake. Mr Doolittle built the home in 1883 for his daughter as a wedding present.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Saturday, a blurry sky like fogged glasses, the temperature down to thirty, and all the counters cloroxed after a Pest control visit for a mouse in the kitchen OF my one hundred and thirty -five- year old home. Unabashed OCD about cleanliness; picture me with a broom, paper towels and, a bottle of Windex or bleach every other day. I am now tiptoeing into the kitchen in anticipation of a mouse and cooking with the vent on so they don’t smell the food. The servicer, Big Bill, like a door to a cathedral gave me all the tips on how to warn them off till they do the exclusions next week.
How I have changed, planning to watch the Daytona 500 tomorrow? Never have done that in my life. One news interview with a race car driver persuaded my senses to watch, they are athletes, of a kind, racing a car at over a TWO-hundred mile an hour next to twenty-something other competitors. I have not watched because of the accidents and deaths, not unlike horseraces, the end is not always celebratory, but I will watch because it’s a new experience.
This pop-up thought came to me; some people follow the direction of security and stability, I chose the direction of reinvention experience like, I knew more than what has been proven over centuries; family, career consistency, saving for retirement, and moderation- which I never had. I also decided I am not going to wring my nerves into revulsion over where will I move? Not allowed to muse on that; believe, have faith, and just concentrate on each day.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
He’s digging my grave For the dragon he pays With our nest, now shaved Tumbling into the abyss I visit the comfort robes of the past Monogrammed in stone
The will to relive what’s past comes at night
And must be excluded by daylight.
Of HUMAN BONDAGE
The sky hasn’t decided if it will let clouds overturn the sun, and I haven’t decided if I will pack the stack of books on the floor. No, I don’t feel the drive to lift and organize, my bed is warm and the house is not as warm.
I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love. Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep. I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.
OLYMPUS DIGITAL CAMERA
I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Remember when you opened the door to your own car and took hold of the steering wheel without any parental supervision.As a teen, my Chevrolet Impala was a haven away from my father. I rolled all the windows down, turned the volume up on the radio, and smoked. My secret joy was hoping the driver next to me would hear the music and notice me. If he was a suitable face I turned around and bobbed my head. Then, just as he looked over at me, I turned away, and looked in the rearview mirror, or sang my heart out to show off brazen behavior, the kind I couldn’t express at home. There was a sense of freedom from examination and explanation. When I drove my spinning Impala that leaped over road bumps in three waves, I was going somewhere alone.
It was the only self-contained space my father wasn’t attached to, and he didn’t like driving with me, because he didn’t like me being in control. That is the sensation that life brings to us in volumes as teens; explosions of discovery. Today I don’t experience that sweat of discovery; my life is deodorized. Remembering the sensations I felt as a teenager, reminds me to intertwine more challenges. If I’m lucky to break through all the percentages of disease, that the late-night commercials warn me of, the edge of my rhythm is asking me to make a commitment; to put the Bo’ Jangles back in my steps. I heard the voice yesterday, almost a whisper, asking me why I exclude long-term commitments: joining groups, classes, associations, serving on committees, planning ahead, and even magazine subscriptions are not worth the trouble because I am always planning on moving.
The answer always comes in the photographs that bring back that moment in time, and the immediate recollection of the internal places I moved from venturing into the unknown. Many years ago, I was in therapy, and in one discussion, this discourse occurred that I considered an awakening then. “I think you jump into unknown places, and situations, to test yourself, and you do that because that is what your father did most of his life.” That is what adolescent behavior is meant for, to learn by experiment, to see how far our strength of character will take us. We each have a different set of alarms and temptations. Why compare what one has to the other? My path is familiar to me, I am a born mistress of unfamiliarity; the quest for discovery keeps me moving.
FORMER HOME IN SANTA FE, NEW MEXICO 2015
As a teenager, I remember the most remarkable configuration of images, that passed by while I was driving, the faces of shopping mothers walking the streets of Beverly Hills and Westwood, the prostitutes positioned along one section of Sunset Boulevard, and their counterpart degenerate gin-soaked soul mates inched up against abandoned buildings, the Ocean Park joggers, and walkers, and picnickers, waving to each other, as they slapped together hard-boiledegg and tuna sandwiches. Like a playroom without walls for Europeans and senior citizens to elope with each other. I didn’t favor one street life over another, they all made sense to me.
Living in the Northeast calls for pragmatic and sensible strides. I’m still learning how to tame my lust for unpreparedness; like going out without an umbrella, leaving delicate brick a brac on the porch, driving with caution for deer, rabbits, and turtles, maintaining a close eye on the water in the basement, and dressing down so I don’t look like I’m from Los Angeles. Every day is experimental in some way. I don’t know how long I’ll be here, maybe that is how I like it.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.