Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Greta, in our last discussion this fall, is when the trunk of truth took center stage. She acknowledged her inability to contribute financially to the mortgages. ‘ I could have sought employment in another gallery, or worked in the hotel, but I was determined to be independent, to develop profits with vacation rentals, long-term rentals, and then to sell. I was pointedly wrong. I’ve been scolding and admonishing myself for five years, and I don’t know when this will stop.’ Greta did not allow self-punishment to end. The more she turned off the outside world, let her thoughts free to roam, she felt debased. She had not taken notice of the signals from Dodger, how depressed and disgusted he was with their financial ambiguity.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
A thirty -five-year bond broken by, sudden estrangement, psychological abuse, foreclosure, and gaslighting. Financial and legal burdens are presented in dark humor while tracking Greta’s will to survive through the power of friendship.
Gaslighting Greta is a suspenseful and deeply personal true story about the mysteries people create, the truths we sometimes resist, the enduring power of love, and the unexpected freedom found through self-reckoning and forgiveness.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
MISADVENTURES OF TODAY… Job boards alerts for the JOB I am perfectly suited for, are in Tallahassee or Wichita and require AI experience, and about seven variables of programs written as unrecognizable anagrams. I am only in my fourth month of job searching digitally, days of in person interviews are akin to eight-hundred-page novels.
My resume is professionally edited, posted on all the legit job sites and about ten questionable ones. I write personal letters to the museums, galleries, foundations and event planning departments, no reply, or the feigned friendly formal answer, ‘Thank you for contacting us! We do appreciate your time. We’ve chosen another candidate.’ The algorithm cadets are pushing me in the slush pile. Can you blame me if at least one day a week I scream silently. The bot bounty hunters are shooting me. Set this aside and see my phone, the icons on the home page change weekly, by a phonebot, and google decided to sync five thousand laptop photos on my phone. Now when I have to scan for a return to Amazon because they sent me two fans instead of one, the scan is where?
On my knees praying this laptop continues to behave or I will scream outdoors and be reported within seconds by a resident because Solana Beach bodies seem to obey all the orders. I tend to test authority, like not renewing my driver’s license for two years, and lying to my Doctor about my state of mind, because he’ll advise therapy and I self-analyze myself about everything, so why hear it twice.
The new modest home serves me what I came him for, ocean breezes, quiet, and private, neighbors that seem to harmonize, we can just say hi, is ok. At the intersection where I live, athletic, toned, and tanned looking males and females run, jog, walk, bike the sidewalks and streets in identical outfits. Sort of like a stage play and it’s inspiring to see that health is the way to live, I just don’t remember that culture dominating when I lived here. What I don’t understand doesn’t bother me, it’s a curiously about moving back home and feeling misfitted.Those of you who know me, have heard me say this about every location I move.
The ocean breeze, fan blowing against the curtain panes, bougainvillea bushes that colorize my terrace, the phone calls from friends, and edits sent by my publisher tranquilize the BOTS AND BOOBOOS.
Misfitted and anxious for acknowledgement due to not having ten thousand followers or whatever is the number, an author’s marketing team (everything seems to be in teams) contacted me with an offer to represent my book, Cradle of Crime-A Daughters Tribute published in 2017. Here’s the first paragraph of the first email.
The idea at the heart of Cradle of Crime is one that I had never encountered framed quite this way before. A daughter’s journey into her father’s criminal past, beginning ten years after his death. Most memoirs about family secrets are written as reckonings, as confrontations with the truth, as attempts to understand how a parent’s hidden life shaped the child who was left behind. You wrote something different. You wrote a book that is not just about uncovering the past, it is about the impact of that uncovering on your own identity, about the humiliation, rage, shame, and acceptance that came with discovering that your father was Benjamin Bugsy Siegel’s best friend and business partner. And you built that entire idea around the truth that the secrets our parents keep are not just their own, they become ours, and that the work of understanding who we are often requires us to confront who they were, even when what we find is devastating. That reframe is everything.
Six emails later and digging through all the scam searches, I discovered BOT LITERARY HOAX. On my base she pitched me the marketing plan, without cost. Now I have a comprehensive skill set to use! Sample: Listopia, ARC team, enhanced keywords, categories, Amazon Ads, metadata overhaul, refresh, etc. I did not use any of these when I self-published. I thought about reporting them, No, they can hack me!
This week, another author marketing team contacted me with a similar, your story resonates with multiple markets you haven’t accessed. So, I decided to ask ChatGPT to run a check. One minute didn’t pass before this was returned. The opening sentence was, Luellen, I wouldn’t advise this company for Gaslighting Greta! BOT brilliance, he remembered from a previous question.
Absolutely. I can recreate the Michael Literary Team assessment we just did.
I would not send them money, your complete manuscript, financial information, passwords, or other sensitive material until the company is independently verified. I would not call it definitively a scam based solely on the evidence, but there are enough warning signs that I would not treat it as a conventional, established literary agency without further verification.
Major red flags we identified
Multiple/near-duplicate domains
There appears to be both a correctly spelled Michael Literary Team site and a misspelled “Micheal” version.
This is unusual and raises questions about the history and ownership of the operation.
Changing personnel and biographies
Names and positions appearing on the sites have inconsistencies.
Some biographies have the feel of generalized/template-generated profiles rather than independently verifiable publishing-industry résumés.
Website/template errors
We found repeated spelling, wording, and structural errors.
There were also inconsistencies in company information.
Incomplete Chicago address
The claimed Chicago presence did not provide the kind of easily verifiable business information you would expect from an established literary agency.
Very broad range of services
The operation appears to offer an unusually wide combination of literary, publishing, marketing, cinematic, and related services.
That isn’t proof of wrongdoing, but it warrants scrutiny.
Testimonials are difficult to independently verify
Testimonials on a company’s own website aren’t strong evidence of legitimacy unless the authors and their publishing histories can be independently confirmed.
The Gavin Westbrook example
We found outside discussion concerning a $1,000 package and a relatively small independent social footprint.
This deserves additional verification before relying on the testimonial or client claims.
Weak independent footprint
An established literary agency would normally leave a substantial trail outside its own websites: reputable publishing databases, established agents, publisher relationships, industry references, verifiable authors, rights sales, etc.
Part 2 — Connection to Susan Literary Team
This was particularly interesting.
We found evidence suggesting a substantial connection between Michael Literary Team and Susan Literary Team, including:
Emmanuel Carter appearing in connection with both.
Susan Cinematic appearing on the older/misspelled Michael site.
Susan Cinematic being associated with the Susan organization.
Similar website structures, services, Chicago references, and wording.
The Susan domain appearing to have been registered on March 21, 2026.
Similar language concerning a “bulk buyer strategy.”
Repeated copy/wording errors across the sites.
That does not, by itself, prove fraud. But the similarities make the relationship between these organizations an important issue to investigate.
Bottom line
My assessment was essentially:
HIGH CAUTION — do not pay until independently verified.
The evidence is strong enough that I would not recommend treating Michael Literary Team as a verified, traditional literary agency at this point.
And importantly, the 75–85% figure we discussed was a “do not pay until independently verified” risk assessment, not a mathematical probability that the company is fraudulent.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’m one of you. Adrift, without a direction, waiting on the shore for a wave to break and include us. It is not ho ho ho for us, it is whoa whoa whoa. I’ve learned my lesson; I will not repeat the dissonance, selfishness, and fear that prevent me from engagement with life. My cradle of friends is my family. They want everything to work out. For their patience and comfort, I will not let them down!
How much stronger must I be? Isn’t five years of punishment enough? My smile is feigned, my heart is sliced in two, and my spirit is spoiled. Today, the darkness outside and within shatters what could be a day different. I could be outdoors, and brave the cold, work out in the gym, window shop on a whim, and fill someone’s frown with smiles.
I have the hours to transform; it is eleven am, but I haven’t slept a night through in a week or more. I live a melodramatic life in my dreams; they are symbolic messages of my vulnerability, fragility, mistakes, and unrealistic expectations. My former self lived with all I wanted and needed. I woke with enthusiasm, direction, confidence, and exhilaration. I loved and was loved in return. You ask what happened? Betrayal, and then gaslighting, using callous actions, of destruction, emotionally, psychologically, and financially. What I cherished in him vanished, and a ghostly evil power, within another woman, chained him and locked me out.
Now I wait for the final curtain to close so that he will be a memory instead of a menace. Almost there, but will that liberation convert my stagnation into stimulation?
Hope, prayer, discipline, and forgiveness are the weights that build my strength. And of course writing. If I didn’t have this way of expression, I couldn’t have made it this far. My writing is my wand of magic, for me and I hope for you out there. I’m one of you, an outsider, an introverted extrovert, a dreamer, a risk taker, and at the starting gate of my triple crown.To be continued.
Photo by u041au0430u0440u0438u043du0430 u041au0430u0440u0436u0430u0432u0438u043du0430 on Pexels.com
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Aside from her legal phantazmorphia, the house has critical repairs, so she is meeting with contractors, plumbers, electricians, and masonry companies to tend to one thing after another. As she reflects on all these repairs and sees her savings account drop by fifty percent, her demeanor is not as she expected; she feels a sense of reward for taking responsibility for the house and hertenants.
“ I decided to eliminate debt by consolidating outstanding balances into one low-interest payment; I didn’t use the air-conditioner, buy favorite foods, go to my favorite tavern, or purchase anything that didn’t get categorized as home repair. I even quibbled with my Physician about an in-person visit and asked for a Telemed visit.”‘
‘No, there would be no frivolous spending. This new style of surviving she called Anorexic Finance. When she relayed this to me, I high-fived her because I’ve never been in that position and thought it was commendable.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Greta got into bed early and started watching Feud, a new series about Bette Davis and Joan Crawford, played by Jessica Lang and Susan Sarandon. The film etches overcoming a middle-aged woman’s obstacles in life: men, finances, rejection, and loneliness.
A knocking at the door, ‘Oh no, I don’t want to see anyone.’
“Police, open up.” You couldn’t cut her tension with a semi-truck head-on. She opened the door to five male Policeman and a Medic.
“ Greta we are here because someone is very concerned about your welfare. I understand you made a reference to taking your own life.”
“ Who called you? It was Aaron right?”
“Yes. He said you made a remark that disturbed him and he wanted us to check on you. Did you say you wanted to take your own life?”
“Not in the way he interpreted. I’m not going to commit suicide I just need a break from tortuous gaslighting.”
” Who is gaslighting you?”
” My ex-partner of thirty-five years and his demonic girlfriend.
“How can you resolve this?”
“I don’t know, I’m trapped.” Then I noticed they were not convinced.
“I think you should come with us for an evaluation.”
“No, that’s not necessary, Really, look at me. I’m enjoying a movie. ” Greta got back on the bed in a gesture of defiance.
“We think it is.” We have an ambulance out front.
“What? Oh God. No, I’m not going.”
“You don’t have a choice. It won’t take long, if the Physiatrist thinks you are not in danger they’ll release you.”
“I’m not going in the ambulance.”
“Okay, you can ride with me in the patrol car.”
“Well, let me put on some lipstick. A girl can’t go to the Psychiatric Ward without lipstick.”’ They smiled, and in her pajamas and robe, she slid down into the back seat of the Patrol car avoiding neighbors’ observance.
The ward was a take-off of One Flew Over the Cuckoo’s Nest. One woman was shaking and mumbling herself out of a drug withdrawal, the nurses were telling jokes, one man was in a hospital gown striding up and down the corridor, talking to himself and Greta seated on a chair watched. In the distance, she recognized Lally, a potential renter of her home.
” Lally, can you come over a minute?”
“ How are you? What’s going on?”
“ Oh God, I said the wrong thing to a friend, and he called 911.”
“ I’m sorry to hear that. Are you here for evaluation?”
“Yeah, can you do it?”
“ No, I’m assisting in another department. Don’t worry… I’ll talk to the Physiatrist so you get through quickly. It’ll be fine. Just wait here.”
I thanked him and ten minutes later I was led into a private room with bars on the bed. A nurse took my vitals, then a Doctor asked a few questions like,’ What day is it?’ and then she left without adding anything very comforting. Another knock on the open door and a petite female tiptoed in. She infused sincerity and concern into that bleak sanitary room, and I opened up the story from start to finish. She used expression, voice, and patience to keep me talking. She didn’t inflame the rage against Dodger, she suggested I find counseling and asserted that I was indeed in a very traumatic situation. ‘ I will call the the department supervisor and suggest you be released.’
The six hours Greta was in the hospital centered on the absence of a phone call or email from Dodger. Aaron must have told him to get the address. It’s about two am and Greta is thinking about her birthday; another sort of ménage of meaning, she feels like ten years have passed rather than one. Another doctor came in and released Greta, with a promise to call for counseling. She slipped into a cab in her pajamas and went home. Never had been so terrified of losing control.
The next afternoon brightened when Audrey showed up with roses, champagne, a gift basket, and a happy birthday balloon. She sang the entire birthday song and danced around Greta as she opened the gifts.
“It is a big deal! I always was taught to celebrate friends’ birthdays with everything,” her smile remained and Greta’s surfaced. She told her the story of the previous night and Audrey just sat there, eyes widened like two camera lenses, and told her. “I know you would never commit suicide.‘ She cradled Greta as they walked downtown for dinner. One of her gifts was five hundred dollars. Greta was so stunned she tried to return it, but Audrey blatantly resisted. At our dining table, she waved at guests and waiters with her long arms, “It’s her birthday.” She reminded Greta of her childhood when her father hired magicians and clowns to entertain at her parties. Greta felt sensationally spoiled, and that’s not always an indulgence, sometimes it is the only path to joy. The end of the evening placed her in front of Facebook where friends posted birthday wishes. It was a blessed day and a reminder that she is loved. Aaron was trying to help, and Greta felthis concern with appreciation. There is no replacement to cure your mental doubts than a visit to the Physiatriscat Ward.
Six years later, upright, achieved, and grateful for that day.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
He’s digging my grave For the dragon he pays With our nest, now shaved Tumbling into the abyss I visit the comfort robes of the past Monogrammed in stone
The will to relive what’s past comes at night
And must be excluded by daylight.
Of HUMAN BONDAGE
The sky hasn’t decided if it will let clouds overturn the sun, and I haven’t decided if I will pack the stack of books on the floor. No, I don’t feel the drive to lift and organize, my bed is warm and the house is not as warm.
I brought my coffee and peanut butter and honey toast upstairs, on a tray, I happen to collect trays, reminiscent of times when women ate breakfast in bed. Propped upright, I explored a movie about uneven love, tragedy, and resurrection. Of Human Bondage lit my taste, featuring Bette Davis and Leslie Howard. —– FILM MADE IN 1930 IN GRISLY BLACK & WHITE. Uneven love. Days now remind me of reading 1984 in high school, and Fahrenheit 451 on film. We did evolve from a simplistic, hand-carved culture, built on rebars of freedom to a house full of furniture, relics, gadgets, screens, gates, and beeps. The beeps for me, make me jumpy, not seductively strolling around my apartment lighting candles in peace. I really do shimmy every time I hear the beep. I chose Sunday to shut down all communication with the mainland, take the longest bath I can stand, and write. I need a rest, like a chaise lounge on a spacious veranda with honeysuckle, wisteria, and lavender, and then a mile away is the ocean, let me swim again.
OLYMPUS DIGITAL CAMERA
I feel artists, and their works are not featured in the media, or maybe it’s because my scrolling is stuck on the essentials of living. In times of war, people must have known, see it now or never. Over two million working artists in the country, so google says, and when was the last time you discussed it at dinner, with anyone. I haven’t, and I don’t know why? Pop-up thoughts on life.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
