Luellen Smiley is a creative nonfiction writer, author, columnist, and historian whose writing is deeply rooted in a controversial personal history. She is the daughter of Allen Smiley, a close friend, associate, and business partner of notorious Las Vegas gangster Benjamin “Bugsy” Siegel. Her father was sitting only feet from Siegel when Siegel was murdered in Beverly Hills on June 20, 1947.
That extraordinary childhood history became the foundation for Smiley’s first book, Cradle of Crime: A Daughter’s Tribute, published in 2017. The memoir explores what it was like to grow up as the daughter of a man connected to organized crime while trying to reconcile her love for her father with the secrecy, fear, and criminal world surrounding him.
Smiley’s work has appeared in publications including the New York Post, MORE Magazine, Southern California newspapers, and Authorlink. She wrote the newspaper column Smiley’s Dice—Adventures in Livingness, which earned a Blue-Ribbon Award from the California Newspapers Association for her Growing Up With Gangsters columns.
Her interest in her father’s history also led her to become a researcher and commentator on organized crime history. She has participated in television, radio, and documentary interviews.
Smiley’s next book, Gaslighting Greta, will be published this year. A personal story that reads like fiction. Her own website describes the project as exploring a woman whose life is destabilized by gaslighting and psychological manipulation.
Her writing career reflects a recurring theme: using personal experience and research to uncover the truth behind complicated relationships and extraordinary lives. From the secretive world surrounding her father and Bugsy Siegel to the deeply personal territory of Gaslighting Greta, Smiley’s work transforms difficult experiences into stories of survival, discovery, and ultimately reclaiming one’s voice.
Luellen Smiley is an author whose life has given her an unusual perspective on secrecy, manipulation, family loyalty, betrayal, and survival—and she uses that perspective as the raw material for her nonfiction storytelling.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Weaving together events witnessed personally and those gleaned from friends, associates, historians, FOIPA, INS and archives of the Department of Justice, author Luellen Smiley’s memoir is a brief, heartfelt genuine reconstruction of family’s relationships of the past that neither dwells on nor dramatizes the true image of her father Allen Smiley, his allegiance to Benjamin ‘Bugsy’ Siegel and the criminal world.
Author Luellen Smiley details her childhood and growing up days as a gangsters daughter- elusive as it may be by immersing her readers through intriguing happenings of everyday and events of the bygone years that justify her fathers masked behavior and restrictions for his adored daughter.
Definitely ‘Cradle of Crime: A Daughter’s Tribute’ is a straight forward homage to a father and a triumphant tale of a daughter who broke barriers of secrets to reach the hardcore reality through her hardship and research. A not-to-be missed 5 star read ‘Cradle of Crime: A Daughter’s Tribute’ is a book for those who care for family morals and values and are willing to accept poignant twists in one setting. Highly recommended.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’m one of you. Adrift, without a direction, waiting on the shore for a wave to break and include us. It is not ho ho ho for us, it is whoa whoa whoa. I’ve learned my lesson; I will not repeat the dissonance, selfishness, and fear that prevent me from engagement with life. My cradle of friends is my family. They want everything to work out. For their patience and comfort, I will not let them down!
How much stronger must I be? Isn’t five years of punishment enough? My smile is feigned, my heart is sliced in two, and my spirit is spoiled. Today, the darkness outside and within shatters what could be a day different. I could be outdoors, and brave the cold, work out in the gym, window shop on a whim, and fill someone’s frown with smiles.
I have the hours to transform; it is eleven am, but I haven’t slept a night through in a week or more. I live a melodramatic life in my dreams; they are symbolic messages of my vulnerability, fragility, mistakes, and unrealistic expectations. My former self lived with all I wanted and needed. I woke with enthusiasm, direction, confidence, and exhilaration. I loved and was loved in return. You ask what happened? Betrayal, and then gaslighting, using callous actions, of destruction, emotionally, psychologically, and financially. What I cherished in him vanished, and a ghostly evil power, within another woman, chained him and locked me out.
Now I wait for the final curtain to close so that he will be a memory instead of a menace. Almost there, but will that liberation convert my stagnation into stimulation?
Hope, prayer, discipline, and forgiveness are the weights that build my strength. And of course writing. If I didn’t have this way of expression, I couldn’t have made it this far. My writing is my wand of magic, for me and I hope for you out there. I’m one of you, an outsider, an introverted extrovert, a dreamer, a risk taker, and at the starting gate of my triple crown.To be continued.
Photo by u041au0430u0440u0438u043du0430 u041au0430u0440u0436u0430u0432u0438u043du0430 on Pexels.com
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
When I listen to Antonio Carlos Jobim, I dream of Brazil and of riding on a float at Mardi Gras, just once, in a feather hat, dressed like Rita Hayworth. Music evokes a writing mood, like jazz or blues writing; they are similar. When I listen to Sarah Vaughn or Nancy Wilson, it feels like a close female friend confiding in me and knowing I understand heartbreak.
When I sit at my desk and look at my mother’s photograph, I dream of the first lunch we had at Bullock’s Garden Room, watching the fashion show and discovering style. When I shovel snow, I dream of the coastal beaches: Del Mar, La Jolla, Santa Barbara, and Carmel. Commercials about travel dominate and fuel my craving for a flight. As my responsibilities here are unfinished, I will wait and daydream about the next voyage.
Daydreaming, unlike night dreaming, where we are flying, conquering, or battling some inner masked trauma, illuminates where we want to be, who we want to be, and if we take it seriously, how to get there. The medicine of daydreaming is unmatched by books, healthy food, vitamins, yoga, religion, or mind-altering experiences; it is the essence of who we are.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The sea is like rolled oil, and the breaking waves are the size of lake ripples. At this momentary recess of chaotic beach activity, all the heaviness of life rolls out with the waves. Observing the elan of beach life carousing, suntanning bodies already tanned leather, joggers and runners, bicyclists, fishermen, volleyball players, and the surfers.
That’s my garden of grace and glory. They are like ballet dancers, some of them, some seem to think they’re driving a car or motorcycle, but the longboarders, old school aged surfers, skim waves athletically and spiritually, one with the board like a musician with an instrument.
And the fisherman, the other clan, is worth watching because they are interlopers in Del Mar. They come alone, dressed in rubber boots, floppy, stained hats, and pocket vests, like longshoremen or train conductors, an aura antiquated in Del Mar history, when fishermen were in greater numbers than joggers, lifeguards, and beach parties.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
When I see a crippled person, a struggling Senior with a walker, or when I read the stories of the hostages, my blessings are embellished, and I remind myself of this. Maybe this entire episodic journey is to teach me to get outside myself. Joy is not power, wealth, or attention; that is plainly human. Genuine joy interrupts someone’s suffering and transforms their mood and sensibilities.
All the success that opened doors in my life paddled in from friends, strangers, and just incidental connections. We can’t do it alone, as much as I foolishly try to carry my wheelbarrow without direction and sound advice, this is where it took me. I identify with the outsiders who peddle the steps of solitude and sometimes don’t reckon with their culture, people, or conformities.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The course we choose to study doesn’t begin in school; it begins the moment we recognize that life is our teacher. I chose the course of love between a man and a woman. Yet all I’ve learned from Anais Nin, Joan Didion, and Lawrence Durrell about love isn’t guiding me. I have to start over and develop wisdom from my own experiences.
I checked into the third hotel, the previous one was tedious and murky. This morning in a larger room, on a crisp as iceberg lettuce, a day of clarity and stillness surrounds me. Outside my hotel room, the light is intermittent, a peak a boo stage window, the light illuminates portions of the crispy autumn leaves just before they drop. On my side of the glass, there are shadows and dissonance. What events take place this week will be instrumental in my future and as piercing as the southwest sun when it shone in my eyes.
This hotel’s staff is exceptionally friendly, conversant, and engaged in their jobs. Every time I pass by the guest check-in, Rose stops what she’s doing.
“ How’s it going?”
“Too early to tell.” I’ve been here a week, and I unzipped my lawsuit story, so she is in the know. She is knowledgeable about the law, and living through times that are more threatening than usual.
“ Okay. What are you doing today?’
“ Researching moving companies. Critical thinking and planning. When I moved from Santa Fe to Los Angeles, I hired a broker, thinking it was the actual company. When the van arrived, half of my things were broken, boxes were opened, and some were stolen. So this time, no mistakes.
“ Mistakes are all about learning.”
“ Yes, and I learned!”
“ What did you do last night?” She said with a curious smile.
“ I was at the bar, Lizzie was there rousing all of us up with puzzles, abrouhahalike the old days, you know, not one of us looked at our phones.”
“ Please, don’t even start. So annoying when you’re talking to someone and they are staring down at their phones.”
“ When I was living in LA, at huge four-way intersections in the middle of traffic, pedestrians crossed without even looking up. It was the same everywhere, restaurants, shops, it struck me as a way of looking very significant.”
“ You’re so right!”
“ That reminds me, I need to go write a column.”
“ Write about your lawsuit.”
“ No! I’m in witness protection writing.”
“ They may read it right?”
“ You New Yorkers are always on the right key.”
“ Gotta be, it’s New York.”
” I’m California”.
” That’s okay, I still love you, and your day is coming, and so is a new man.”
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
“ You have to be out today by 11 am. ” I gasped and looked at the time, 10 am.
“ Scooter told me he extended it until Sunday the 26th.”
“ He didn’t call us. He has to call us. We need the room for the monster ball. Get a hold of him.
I was shaken. I had one hour to reach Scooter. I called in a panic from the lobby and left a message. Then upstairs, I desperately looked for a hotel to take me in, in case Scooter didn’t call. They were booked tonight, but could take me tomorrow. The hotel was a two-star, no Mortons, no restaurant, no gardens, but it looked clean and was only a mile away.
At 11:00, Scooter texted, “I called, you have until Saturday. Is that okay?”
“ Yes, fantastic, thank you!” Scooter has an arrangement with the hotel that earns him points, and he has gifted me many of them!
I returned to the other conundrum of the day —my lawsuit —with very unexpected news. Tammy, the Top Drawer Housekeeping Manager, stopped me in the hallway.
“ What’s wrong, Loulou. She leaned against the cart and listened attentively.
I updated her on the event, and she tilted her head to one side.
“ Bastard! Take a break today, let the process begin, and tomorrow you’ll regain your strength.”
“ It’ll take a few tomorrows, I’m emotionally fragile.”
“ I know you are, I’m the same!”
She patted me on the shoulder, and just that little gesture, of care, was a band-aid to the wound.
Walking into the next hotel was a pinch of pathos I was not prepared for until the front-desk gent helped me with my five suitcases.
“ You’re from Santa Fe? He said, eyeing my license plate.
“ Was, for eleven years.”
“ I moved recently from Ranchos de Taos.”
“You’re kidding! That’s where I lived for several years. I had a gallery there!”
“ That’s crazy. I’ve never met anyone here who knows Ranchos or even New Mexico.” I laughed, cause a lot of people think it’s in Mexico.
He opened my door, and I feigned disappointment and thanked him.
Okay, here it is, a bland room without the flair or fancy, but the price is right. I opened the suitcases and did not unpack. The sun was out like a neon sign, beckoning me to go outdoors.
No elevator, on the first floor, I passed the laundry room—a lot of conversation and a sort of cheerful vibe. I walked outside, sat in a chair facing the sun, let my arms droop, and closed my eyes. I heard someone walking and then sitting next to me.
“ Hello, did you just check in?”
“ Yes, the sun is marvelous, isn’t it?”
“You bet it is. I’m Loulou.”
“ What! My name is Loulou, a nickname.”
She moved around, crossed her legs, lit a cigarette, and her long white hair was halfway clipped, and the rest fell on her shoulders. I could see she was once beautiful.
“ Isn’t that something else. How long are you here for?”
“ Not sure yet.”
“ I’ve been there. Not knowing.
“ People don’t understand, they feel I’m unstable or something. I can feel it, and see it in their eyes.”
“ Screw that, just ignore those people. I do.”
“ You’re right, too much to handle without that.”
“ Everything is upside down, and no accountability. “
“ So true”, and then she dropped her head, and I could see her emotions rise as if she had been led somewhere else.
“ My grandson was killed in a motorcycle accident, hit, and then died right there. I didn’t get to say goodbye. It was by an illegal immigrant.” Then she cried uncontrollably, and I just about got up and hugged her.
“ Oh, sweetie, I am so very sorry for you.” This was all genuine, and she was sober and all of that, so I listened.
“ I wrote to all of them, Bondi, Patel, Trump, Noem, nothing.” Something like this doesn’t happen in a five-star hotel, only in a two-star. We sat there awhile, and I tried to console her or offer some options, like a news alert to the stations and local media.
She was on the cliff of catastrophe, and my minutiae of disappointment disappeared.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
Scintillating in luxury and comfort is therapeutic if mastered with moderation. So, my second week here in the hotel, I opened the thruway to discerning tasks: a deep dive into publishing my book, rewriting the ending so art isn’t imitating life, but the other way around, searching for part-time employment, a seriously pragmatic approach to where to move, and writing my pop-up columns.
It is tremendously easy to write from this hotel room, without those damn barking dogs next to my home, the constant vibration and noise of mowers, blowers, and city works.
On my desk is Henry Miller’s book, On Writing, and every page moves the mental nerves in some way. “The writer lives between the upper and lower worlds: he takes the path in order eventually to become the path itself.” From living in isolation in my home, my tenants are cordial but reserved; I am now swept like a surfboard into a wave of public swells. It is their stories that come out of this experience.
I begin with the Casino, attached to the hotel lobby, and open at 11 am. Arrivals begin: gamblers shuffle inside, some in wheelchairs, younger men with speedy strides, couples, single women, a plethora of humanity in common, with one mission: to win. I take a seat at the bar, and eye wonder at the slot machines. I haven’t counted them, but the room for walking is limited. There is one machine with the motif of a bull, and when someone sits, the bull grumbles loudly, so I pull out my earplugs. I watched one man win, and after he left, other players who heard the winning clang took his seat. It is a popular machine.
The casino looks to be around eight thousand square feet, with seventeen hundred gambling options. The path to get back to the hotel, I have to navigate around and around. The first time, of course, I went in circles as my sense of direction is like a butterfly’s.
“ Excuse me, can you tell me the most direct way back to the hotel?”
“ Lost are you? Follow this carpet pattern, the one in the middle, and it will take you back.”
Off I trot, staring at the paisley pattern, through six different arenas to the hotel. I went outside and took a seat on the bench. A woman passed by and stopped, “ How are you?’
“Adapting, I’ve not been here but a few days.”
“ Oh, we’re just checking out. I can’t wait to get home to my Pomeranians. I have two. I rescued them, and they are my babies,” she continued, talking about the dogs. As she spoke, I noticed how immensely liberated she was in conversation, and how her hair matched her outfit. She smiled while talking.
“ I’ve seen you before. I noticed your style; you were wearing such a pretty outfit”, she said earnestly.
“ Well, thank you, and so are you.”
“ Are you alone? I think you are, but don’t let that get you down.”
“ I wasn’t ready for a very long time. I’m crossing over that mountain, only I’m not like you. I can’t approach people the way you just did.”
“ I used to be like that! Now I don’t care, and you shouldn’t either. God loves you, we are all his children, and we need to love each other.”
I let her go on and thought any minute she might bring out a bible or a cross and start praying for me.
“ I bet my husband is looking for me; he’ll be mad, not really, he’s used to it. We’ve been together forty-five years.
“ Remarkable. What’s your secret?”
“ Love, respect, and compromise, it’s really very simple. You’ll meet your honey, I feel it, you want that, don’t you?”
“Yes, when a man tells me everything is going to be okay, I settle down. I’m emotionally overweight.”
“You’re funny, see that is another quality that gets you through life.”
“ I see a man approaching, and she introduces her husband. He is tall, and emulates a calmness and contentment as he hedges into the conversation about going to Lake Placid.”
“ Have you been there?” he asked.
“ Years ago. It’s beautiful.”
“ I turned towards his wife. I didn’t get your name.”
“ Donetica, Italian, my friends call me Dee.”
“I’m Loulou, and thank you for stopping by my bench.”
She giggled, blew a kiss, and said in parting, “ I love you.”
As she left, a woman exited the hotel in a state of exhilaration.
“ It looks like you had a good day,” I said
“ Yes! I won eight hundred dollars. She swung her purse and skipped off.
Hmm, I wouldn’t mind winning at all, but I’m in enough ambiguity to play against those odds. To be continued.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
The order of this week is disorder. Not the trivial disorder of a closet, or a work in progress; this week is the unraveling of the self, which comes with separating from someone or something you love dearly. It is the subject of: poetry, theater, film, literature, dance, visual arts, and music — all forms of music from opera to rap. For all of you who have mothers and fathers close to death, and you don’t want them to leave.
Adults protect you from the brutality of death when you’re very young. They keep it behind locked phrases like ‘she had to go away to a better place; you’ll understand when you grow up.’The camouflage of death may go on indefinitely until one day, you are hit over the head with a block of ice, and it splits you right down the middle. You can see your guts spilling out, and everything is all out of order. Walking is an effort. Thinking clogs with the big question: Why? Why can’t we all stay here together and live forever?
Flashback to 1966 — I was very young, not so much in years, but when I was 13, my mental and emotional age was more like that of an 8-year-old. I don’t know if I was ADD or DDT because those acronyms were not in vogue yet.
My development was arrested because I was raised on a fantasia of false identities, fiction, and privilege. I thought we were prosperous, happy, and would live together forever. The fantasia of falseness was abruptly taken away on June 19, 1966. On that day, I saw for the first time my father weep uncontrollably. I was told my mother was in heaven. My father was seated on my mother’s avocado green sofa in our tidy mid-century apartment in Westwood. Nana — mother’s mother — was sitting on the sofa next to my father. Nana and Dad had reconciled for the period my mother was sick with cancer. They both were sobbing. I was not, I was in shock. There was nothing inside of me but resistance, a blockage of emotion that remained there for so many years.
I was left in my father’s care. He was busy avoiding government subpoenas and running the Fontainebleau Hotel in Florida. He kept a command post on my emotions. He would not tolerate my grief, because he could not tolerate his own. So, I had to chin-up, chest out, walk up and down Doheny Drive in Hollywood where he lived and pretend I was going to be fine.
When I turned eighteen and left my father’s apartment, I was free to unravel my feelings for the first time. The emptiness was filled with confusion, anger, and drugs. If college was supposed to be my best years, then I missed that chapter. Looking back, the real leap to personal growth came at that time when I was left unattended to wander through life with my own eyes as guardian, and my heart as my compass. That is when I missed my mother the most. It was my fortune to have my father back in Los Angeles, throwing his weight around from a distance. He kept me under radar by having a friend’s son working in the admittance office of Sonoma State College.
I remember days when my mental attitude needed electric shock therapy. Miraculously, I did find my way home, and to the matter of my mother, and growing up with gangsters. From a wafer of stability, very slowly, I’ve built a nice lifeboat to keep me afloat. My screaming, cantankerous, and intimidating father who loved me beyond measure is in this imaginary boat, and my mother who loved with a silent gentle hand she gave to me whenever I needed assurance.
All I have to do is look at her photograph placed in every corner of my house, and I regain momentum in my lifeboat. When I am particularly insolvent with life’s measures, I recall the years she spent fighting cancer so she could continue to hold my hand. How can I disappoint such a woman? I cannot, and I know that with more certainty than I know anything.We all have a basement strength that rises up and balances us when we need it. Each time we cross that unpleasant road and say goodbye to our friends, our pets, our parents, or our siblings, we have to find our basement strength.
You can read poetry and essays, listen to opera or rap and find five-thousand ways of expressing the same painful stab of separation. If the comfort comes in just knowing — we all have that in common — then all you have to do is tap the shoulder of the person in front of you, and ask, “How did you handle it?”
Or as Henry Miller said, “All growth is a leap in the dark, a spontaneous unpremeditated act without the benefit of experience.”
I’ve written in the genre of Creative Nonfiction, integrating the events through dialogue, journal entries, and a third-person narrative. Within three locations, Santa Fe, New Mexico, Los Angeles, California, and Saratoga Springs, NY. Greta (me) exposes the mutilation gaslighting abuse inflicts on her emotions, psychology, mental and physical health, and her finances.
